One of the most iconic franchise villains is making a major comeback as Star Wars: Maul – Shadow Lord is premiering on April 6 on Disney+.

Two episodes from the all-new Lucasfilm animated series will premiere each week. The final two will air right in time for the ultimate Star Wars holiday, May the 4th.

Set after the events of Star Wars: The Clone Wars, the adventure finds Maul plotting to rebuild his criminal syndicate on a planet untouched by the Empire.

There, he crosses paths with a disillusioned young Jedi Padawan who could be the apprentice he is seeking to aid him in his relentless pursuit for revenge.

Star Wars: Maul – Shadow Lord is created by Dave Filoni, based on Star Wars and characters created by George Lucas.

The series is developed by Dave Filoni and Matt Michnovetz, with Brad Rau as supervising director. The three are also joined by Athena Yvette Portillo, Carrie Beck, and Josh Rimes as executive producers, with Alex Spotswood as co-executive producer.

The voice cast includes:

• Sam Witwer as Maul
• Gideon Adlon as Devon Izara
• Wagner Moura as Brander Lawson
• Richard Ayoade as Two-Boots
• Dennis Haysbert as Master Eeko-Dio-Daki
• Chris Diamantopoulos as Looti Vario
• Charlie Bushnell as Rylee Lawson
• Vanessa Marshall as Rook Kast
• David C. Collins as Spybot
• A.J. LoCascio as Marrok
• Steve Blum as Icarus

For now, here’s a quick trailer:

Planning a wedding, even a small and intimate one, has a way of sharpening your sense of priorities. Right as my fiancé and I were making decisions for our city hall wedding here in New York City, Apple announced Creator Studio.

Creator Studio is a subscription service that gets you access to eight creative pro and productivity apps for US$12.99 a month, or US$2.99 if you’re a student or educator. The design app included in the subscription, Pixelmator Pro, is also available as a standalone purchase for US$49.99. Adobe Photoshop, my design software of choice for over two decades costs me US$22.99 a month.

Seeing those numbers next to each other made me pause. It’s not that I was unhappy with Photoshop. I was just suddenly made aware how expensive it is. I’d been paying more for a single tool than I could for an entire creative ecosystem.

Adobe Photoshop was my first foray into the world of graphic design

Creative Studio’s lower price point, along with the free trial, made me consider switching to Pixelmator Pro altogether. That’s something I never thought I would do. Photoshop was how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.

Getting to know Pixelmator Pro

If you’re not familiar, Apple’s Pixelmator Pro is a graphic design and image editing app that’s similar to Adobe Photoshop. In practice, it covers a huge amount of the same ground but with a very different philosophy around usability and design.

I tried Pixelmator Pro, mostly as a challenge because we were doing a YouTube video on Apple Creator Studio. Personally, I was lowkey excited to try something new.

The first time I loaded the app, I recreated our YouTube thumbnail template — all within 10 minutes — and I haven’t looked back since.

Familiar enough to feel effortless

One of the biggest reasons my transition to Pixelmator Pro was so easy is muscle memory. Many shortcuts behave the same way: cmd+T for transform, cmd+R to show rulers, cmd+J to duplicate layers, just to name a few.

Having used Photoshop since high school, it felt familiar and intuitive — the complete opposite of how it felt to try and switch to Adobe Illustrator many years ago.

Photoshop is how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.

Later, I learned that you can import PSD (Photoshop) files directly to Pixelmator Pro. Apparently I didn’t even need to recreate the GadgetMatch assets. It does a good job of converting and preserving layers.

Photoshop now feels archaic

After using Pixelmator Pro for a few days, going back to Photoshop felt jarring. The sharp edges of the UI felt cold and rigid. Everything was layered with popups, panels, and tiny interruptions.

Pixelmator Pro, in comparison feels warm, smooth and frictionless. Its user interface is very Apple-like — rounded edges, softer icons and buttons. The Creator Studio version also gets the new Liquid Design touch, with transparent menus and elements that feel dynamic.

I especially love the little things. Color adjustments live in one simple panel instead of being scattered across different windows. There’s an eyedropper tool beside every color picker with a magnifier built-in.

When you hover over tools, it shows you the shortcut (e.g. “R” for Repair). There are also subtle animations, like when you use the Color Fill tool to change your canvas color.

Pixelmator Pro’s UI is warm, snappy, and approachable

The differences in user experience are stark. Photoshop’s animations either don’t exist or are too abrupt for one to notice.

Smart tools without the noise

Photoshop has one clear advantage over Pixelmator Pro: Generative AI. It’s great and powerful especially when you need to save time.

I personally used it a couple of times before to save time on cloning, erasing, or expanding elements. Am I going to miss it with this switch? Something tells me I won’t.

Pixelmator Pro’s clone and repair tools, though seemingly so simple, work like a charm. And for how I usually manipulate images, those two are more than enough.

From digital to physical

If Pixelmator Pro was going to replace Photoshop in my workflow, wedding prep was the perfect time to give it a real world test — and it more than held its own. Its ease of use gave me permission to think outside the box, because I knew I had a reliable tool that can help me make it happen.

On the left, a Kufic-inspired wedding logo designed on Pixelmator Pro; on the right, 3D printed stamps

Since my fiancé is half-Iranian, I designed a logo combining our names, inspired by Kufic calligraphy, and I did it entirely in Pixelmator Pro. I developed that same logo further and designed a save the date, with color, also inspired by Kufic calligraphy. I went through a few iterations to come up with the final designs, which were made easier by the Shape tool and grid overlays.

My fiancé then took the logo I designed in Pixelmator Pro, converted it to 3D on Revit, and printed it into stamps in different sizes. One way we’re using it is to deboss the handmade pottery he’s making as one of our party favors.

There are a few more wedding pieces I’m designing on Pixelmator Pro in the coming weeks: our final invitation, and the custom stationery for the dinner that follows the ceremony.

Through this whole process, Pixelmator Pro never felt like it got in the way, or that it was limited. On the contrary, it feels like that enabler friend who says yes to every idea I have, and can actually help make them real.

Powerful, but approachable

The best way I can describe what using Pixelmator Pro is like is this: it’s a mix of Photoshop’s professional tools, Canva’s free library of assets, and Apple’s UI sensibility.

Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.

That makes it great for beginners, small business owners, and casual creators. Like Canva, it comes with some beautiful templates to help someone with zero experience come up with something good.

But unlike Canva, it still feels like a serious design tool. I can do so much of what I need using Pixelmator Pro but with UI that’s so much more approachable compared to Photoshop.

As the great philosopher Ariana Grande once said, “Thank U, Next”

I remember meeting Canva’s founders before launch and not fully understanding their mission to make graphic design accessible to everyone. Now I do.

It was never about replacing Adobe products and pro designers. What Canva did was fill a huge void we didn’t know existed. They democratized something that used to be reserved only for the privileged few.

Pixelmator Pro comes with free templates, assets, and mockups like this MacBook Pro and coffee packaging

Pixelmator Pro’s lower barrier to entry has potential to make a significant impact. My hope is it opens doors for people who were previously shut out of the graphic design world, and that it becomes something they can grow with, just as I did with Photoshop.

Adobe is still the industry standard

Switching to Pixelmator Pro wasn’t about rejecting Adobe, in the same way that Canva’s success did not kill Photoshop.

It’s worth noting that Adobe products are still the standard in the industry. A lot of companies rely on them, and most schools teach them. In a traditional design or agency environment, Photoshop and Illustrator are still the default language.

Even on Apple’s own Design Resources site for developers, the official design templates are built for Adobe Photoshop and Illustrator, not Pixelmator Pro. That says a lot about how embedded Adobe is in professional workflows.

Competition makes the space better

Apple Creator Studio, and tools like Pixelmator Pro, challenge Adobe’s near-monopoly in a really healthy way.

It’s not lost on me that trading Photoshop with Apple software actually keeps me locked into one ecosystem. But having more pro creatives try Pixelmator Pro can put pressure on the industry. A strong alternative that’s more cost effective can force titans and dinosaurs to evolve in a way the likes of Corel was never able to do.

Ideally, that means better products and fairer pricing for everyone. Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.

Pixelmator Pro’s intuitive UI makes switching from Photoshop easy peasy

Access matters, and at the end of the day, with a healthy competition in the market, it’s consumers that win. Canva is a great example of this. It made design tools accessible to those who aren’t professionals. It didn’t make everyone a great designer, just as a novice who tries Final Cut Pro today won’t become a pro video editor tomorrow. Design is still a craft you develop over time with practice.

Is Pixelmator Pro my GadgetMatch?

Photoshop still has its place. But for my everyday work, and occasional personal projects, Pixelmator Pro can do  everything that I need to accomplish, at a fraction of the cost.

It feels faster, lighter, and more alive. Honestly learning my way around new software has been so enjoyable — so much so that I feel a renewed sense of eagerness to try other design software like Blender and Figma.

Pixelmator Pro never felt like it got in the way, or that it was limited. On the contrary, it feels like that enabler friend who says yes to every idea I have, and can actually help make them real.

Wedding planning and Apple Creator Studio didn’t just make me switch to a new software. They also made me question how much I’ve been missing out on. How much of what I do is simply due to inertia?

Ending my longest relationship doesn’t mean it failed. I’m grateful for what Photoshop taught me. It helped shape the creative professional that I am today.

But alas, this is one area where my practicality wins over loyalty. Relationships — with people or with tools — only work when both parties keep showing up. There’s no room for complacency, despite the history.

Walking away from something that taught me so much feels bittersweet, but Pixelmator Pro fits the way I work now, and I hope it grows with me as I turn the next page.

Watch our review of Apple Creator Studio

Living in a big city like New York makes you want to have music on a lot: on the subway, walking between meetings, sitting in a café with your laptop, zoning out on a long walk home, or romanticizing the smallest things. Headphones have become an essential part of my life.

That’s why the HIDDEN.NY x AIAIAI collaboration makes sense. The TMA-2 HIDDEN Edition headphones are reminiscent of early-2000s tech. It’s nostalgic but with New York City character, at least the kind that I encounter and not the one you see in movies.

If you follow either brand, the partnership feels natural. HIDDEN.NY started as an Instagram mood board and grew into a full lifestyle platform rooted in street culture and design. AIAIAI is a Danish company that’s long been part of music culture, known for modular gear that artists use.

The first thing you notice is the colorway. The transparent design with green highlights is subtle. It’s not loud but still stands out.

You can see the structure of the headphones, which makes them feel more like an accessory than just another piece of black plastic tech. Bonus points that they are a conversation starter, too.

In daily use, the headphones are easy to live with. They are light and comfortable, which is important when you’re wearing them for long stretches. They don’t clamp too hard nor do they feel bulky.

Sound-wise, they’re clean and balanced. While it doesn’t have active noise cancellation, it works well for all the ways people actually listen in a big city. I like that you don’t have to think about the sound much.

It’s just good in a way that doesn’t get in your way, whatever mood I’m in wherever I am in the city, these headphones are great company.

AIAIAI’s modular approach also means these aren’t built to be tossed when something wears out. The speaker, headband, earpads, and cable are all replaceable.

So much of the tech we use should grow with us, even if they get outdated. So AIAIAI builds systems that can be upgraded over time. That’s part of why artists and DJs use them.

Especially because it’s a collectible, it feels like a piece you’ll want to keep. As someone who uses his prized possessions for a really long time, I love this about these headphones.

In a city where everything moves fast and feels temporary, it’s nice to have gear that doesn’t feel disposable.

The campaign, shot by photographer Gunner Stahl, probably looks familiar if you’re attuned to hiphop culture. What sets his work apart is his portraits feel more raw and relaxed instead of posed and polished. It aligns with HIDDEN.NY’s aesthetic, the kind of everyday style that feels genuine.

At the end of the day, the HIDDEN.NY x AIAIAI TMA-2 Bluetooth headphones make sense for people who live in cities like New York, where music is part of how you move, work, and think.

They sound good, they look interesting and different. They fit into real life without trying too hard.

The TMA-2 Hidden Edition headphones retail for US$220 and is available on aiaiai.audio.