Cameras
Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens
Uncompromised storytelling plus f/1.2 lens made more accessible
Canon has officially announced the EOS R6 Mark III full-frame CMOS camera, along with the RF45mm f/1.2 STM lens.
The latest addition to the EOS R mirrorless line, the new camera paired with the large aperture lens is designed for enthusiasts and hobbyists.
The RF45mm f/1.2 STM is Canon’s widest aperture non-professional lens in the RF lens lineup.
This versatile and easy-to-use 45mm focal length on full-frame cameras broadens accessibility of an f/1.2 lens to users.
On APS-C cameras, users can expect a portrait-friendly 72mm full-frame equivalent focal length.
Faster, sharper
The EOS R6 Mark III features a higher 32.5-megapixel resolution and improved speed, performance, and reliability. It also incorporates powerful video capabilities.
Such resolution allows for finer details to be captured in higher definition, but with more cropping flexibility. The higher megapixel count comes in useful for faraway subjects shot with close crops.
On high-speed continuous shooting (electronic shutter) mode, the new camera can capture up to 150 shots at 40 fps.
And despite the higher processing load, it maintains the same high-speed continuous shooting rate (up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter).
In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.
Meanwhile, autofocus algorithm enhancements offer more tenacious subject tracking. This simplifies the post-shooting workflow especially for shooting difficult subjects.
The EOS R6 Mark III also inherits the Register People Priority function found in the flagship EOS R1. This allows pre-registered people to be prioritized for detection and tracking when shooting photos and videos in group situations.
Leap in video capabilities
Moreover, the camera offers more recording and post-production options. It supports 7K 60p internal RAW video recording to a CF-express Type B card.
It is also the first EOS R series camera to offer 3:2 Open Gate recording at up to 7K 30p RAW.
This provides greater flexibility for reframing, especially when creating horizontal and vertical videos from the same footage.
And during recording, users can also simultaneously record a smaller MP4 proxy file or a 4K DCI Fine MP4 sub movie to its SD card slot.
In addition, recording formats have been expanded. There’s internal RAW recording, Canon Log 2, and HLG gamma recording. These are on top of the pre-existing Canon Log 3 and HDR PQ.
Support for the Cinema EOS range’s Custom Picture (CP) profiles, including custom LUTs helps set recording options like gamma, color sampling, and bit depth as well.
And like the EOS R5 Mark II, the EOS R6 Mark III supports waveform monitor display, as well as false colors and zebras.
New features like AWB Response and Shockless WB also enable seamless white balance transitions during video shooting, regardless if the AWB is utilized or the white balance is manually adjusted.
RF45mm f/1.2 STM: f/1.2 made accessible
As Canon’s first f/1.2 lens of its class, the RF45mm f/1.2 STM is a compact, lightweight, and affordable option for users who desire bokeh. It weighs about 346 grams and is the smallest f/1.2 lens in both EF and RF lens range.
The larger aperture also enables the lens to deliver greater low light flexibility and AF support. The 4mm focal length allows users to capture a natural perspective, moving seamlessly between wide environmental shots and intimate closeups.
On APS-C cameras, the lens achieves a 72mm equivalent focal length. This, of course, is ideal for close-ups, portraits, and street photography.
The f/1.2 bokeh then levels up the shooting, as users can frame their storytelling in a more defining manner.
But if the entire shot needs to be sharp, just dial the aperture down to f/8 so the lens can deliver edge-to-edge sharpness.
Together, the lens’ maximum aperture allows ample light information to reach the new camera’s sensor.
This way, the Dual Pixel CMOS AF II system’s low light capabilities on the EOS R6 Mark III is fully maximized.
Plus, with 5-axis stabilization on the camera, the RF45mm f/1.2 STM delivers sharp, clean images at a slow shutter speed and lower ISO.
Accessories
OBSBOT’s Meet Flip is your next best pocketable 4K webcam
Fold the Flip for further protection
Several months ago, you might remember that OBSBOT revealed the Tiny 3 series of web cameras.
Six months after, they also unveil the all-new Meet Flip. From the name itself, it’s the company’s latest foldable 4K webcam that puts hardware privacy front and center.
Foldable and pocketable
Despite weighing just 37.7 grams, the Meet Flip aims to deliver premium webcam features for all types of users. Be it remote workers, professionals, or content creators.
Undoubtedly, the biggest highlight has got to be the webcam’s folding design. Not only it’s portable, it protects your privacy too.
Closing the device physically blocks the lens, giving users a visual confirmation that the camera is no longer active. When it’s time for a meeting, simply unfold it and it’s ready to go.
That lightweight body also features a built-in mounting clip that works with laptops, monitors, and tripods. Users can mount it in landscape, portrait, or even upside-down orientations depending on their setup.
Despite that absurd amount of lightweightness, the OBSBOT Meet Flip is still able to house a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology. That’s something more commonly found among bigger and higher-end web cameras.
Other camera features include:
- 4K video recording / 30fps
- 1080p recording / up to 60fps
- HDR support for challenging lighting
- Phase Detection Autofocus (PDAF)
- 4x digital zoom
- f/1.8 aperture with ISO 100-6400 support for low-light environments
Beyond just video calls
The OBSBOT Meet Flip isn’t just packed with serious camera hardware, it’s seriously intelligent as well.
The Meet Flip supports AI Auto Framing. This automatically keeps users centered during meetings — regardless if they are presenting alone or with a group. Gesture controls also let users activate framing or adjust zoom without touching the keyboard or mouse.
Another standout feature is AI Magic Notes which provides real-time meeting transcription and automatically generates summaries, action items, and key discussion points.
The feature works with Google Meet, Zoom, and Microsoft Teams through OBSBOT Center. Every webcam includes complimentary transcription of 120 minutes.
With that being mentioned, OBSBOT Center also makes users gain access to software features such as background blur, virtual backgrounds, beauty mode, and picture-in-picture overlays for presentations.
Those who want more advanced controls can enable Smart Eye Tracking, teleprompter support, and manual image adjustments.
Audio also gets an upgrade through an intelligent dual-microphone system that offers four recording modes:
- Directional Mode / solo calls
- Dual-Directional Mode / interviews
- Smart Omni Mode / group meetings
- Pure Audio Mode / unprocessed stereo recording
AI Noise Reduction and Automatic Gain Control are also available across most modes to help improve voice clarity.
OBSBOT’s Meet Flip is also compatible with mobile devices through the OBSBOT Live app and supports integrations with accessories including Elgato Stream Deck, Nintendo Switch 2, and UVC-to-NDI/HDMI adapters.
Pricing and Availability
The OBSBOT Meet Flip is available starting today for US$119 through OBSBOT’s online store, Amazon US, and select retailers worldwide. Regional pricing may vary.
Cameras
Sony announces new FX5 full-frame camera
Newly-developed sensor, Open Gate recording, more enhanced capabilities
Sony has launched the new FX5 full-frame camera in its Cinema Line series with enhanced capabilities.
The camera is equipped with a newly-developed fully stacked Exmor RS CMOS sensor and the latest high-speed BIONZ XR2 image processing engine, which includes a dedicated AI processing unit.
When shooting in S-Log3, the camera achieves 15+ stops of dynamic range. The broad latitude and low-noise performance enable seamless roll-off from highlights to shadows and natural texture reproduction, even in high-contrast scenes.
Three Base ISOs of ISO 800, ISO 4000, and ISO 12800 enable low-noise image expression under a wide range of conditions.
Moreover, Dual Gain Shooting function, supported for the first time in the FX series, maximizes the performance of the image sensor to enable smooth gradation reproduction with even wider latitude, while effectively reducing noise without compromising shadow detail.
For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting, as well as in-camera recording in X-OCN, Sony’s proprietary RAW format.
This includes a variety of scan modes like 17:9, 16:9, and super 35mm. This allows for flexible angle-of-view selection for the user’s creative intent.
The camera is capable of shooting in 5K at up to 60 frames per second, in 4K up to 120 frames per second and in FHD up to 240 frames per second.
These features bring together the Cinema Line look and operability designed to meet the needs of production environments in a compact, highly portable body.
The Sony FX5 will also include two new optional accessories: a detachable OLED viewfinder and an XLR Handle that enables recording in-camera at up to 96 kHz, 32-bit float.
The camera system incorporates expertise that Sony has cultivated through the development of Cinema Line cameras, which have earned high praise from cinematographers and video creators around the world.
Price, availability
The ILME-FX5 with XLR Handle Unit (SG$ 7,199) and ILME-FX5B Body Only (SG$ 6,399) will be available for pre-order until August 9.
The DVF-EL1 OLED Detachable Viewfinder (SG$ 899) and VMC-BNCU1 Timecode Adapter Cable (SG$ 129) will be available after Mid-August.
Meanwhile, the XLR-H2 XLR Handle (SG$ 1,099) will be available by special order.
On July 28, the FX5 will also be on display atThe Arts House At The Old Parliament from 6:00 P.M. to 8:00 P.M., giving creators the chance to experience it for the first time.
Cameras
DJI Osmo Pocket 4P launches with dual lenses and a 1-inch sensor
The biggest upgrade yet to DJI’s compact gimbal camera
The original Osmo Pocket launched in 2018 as a pocket-sized gimbal camera for people who wanted smooth footage without carrying a full rig. DJI has been building on that idea ever since, and today, with the Osmo Pocket 4P, they made the biggest jump yet.
A significant change
The most significant change in the Osmo Pocket 4P is the introduction of a dual-lens system. While previous Osmo Pocket models limited creators to a single, fixed field of view, the 4P provides two distinct options.
The camera features a wide-angle lens backed by a new 1-inch CMOS sensor alongside a 60mm medium-telephoto portrait lens boasting an f/1.8 aperture and 3x optical zoom. This second lens fundamentally changes how creators shoot on the ground.
At the 60mm focal length, backgrounds compress naturally to separate the subject from the environment without relying on artificial software rendering, offering an invaluable tool for capturing people at events, during travel, or throughout daily life.
The wide lens captures 17 stops of dynamic range through what DJI calls LOFIC technology, which handles high-contrast scenes like backlit windows or golden hour without blowing out the sky or burying the shadows.
Advanced sensor tech, color latitude
For high-contrast environments, the wide-angle lens captures an impressive 17 stops of dynamic range utilizing DJI’s new LOFIC technology.
This hardware addition allows the camera to effortlessly manage difficult lighting scenarios, like backlit windows or golden hour horizons, keeping the sky intact while preventing shadows from turning muddy.
On the color processing side, DJI has introduced a 10-bit D-Log 2 profile capable of recording over a billion colors. This shift provides editors with significantly more latitude to grade footage in post-production, avoiding the limitations of a baked-in, in-camera look.
High-speed motion, smart framing
In terms of capturing motion, the 4P supports 4K slow motion at 240fps, making it ideal for fast-moving subjects that benefit from a stylized, slowed-down perspective.
A slow shutter video mode is also included, allowing users to organically capture light trails in low-light environments. Physical stabilization continues to rely on a mechanical 3-axis gimbal, drawing directly from the heritage of DJI’s professional Ronin systems.
Weighing just 230 grams, the compact unit incorporates ActiveTrack 8.0 to handle automated subject tracking, maintaining precise focus through the entire 12x digital zoom range — a feature that proves essential for solo creators who need the hardware to handle framing duties.
Practical updates for daily use
DJI has also focused heavily on the realities of on-the-go shooting. The 4P introduces gesture controls, letting users trigger subject tracking or start recording without physically touching the device.
A new 4K Live Photo mode automatically captures a 1.5-second clip alongside every still image, while the main sensor allows for high-resolution 37-megapixel photos that offer plenty of room for cropping in post-production.
The battery charges from zero to 80 percent in just 18 minutes and delivers up to 210 minutes of runtime on a full charge.
Furthermore, files transfer via USB 3.1 at speeds up to 800 MB/s, ensuring that offloading a full day of content is a near-instant process.
Price, availability
The camera launches in both classic black and pearl white, accompanied by a modular accessory ecosystem and DJI Care Refresh protection plans.
It retails for PhP 37,790 for the DJI Osmo Pocket 4P Standard. Meanwhile, the DJI Osmo Pocket 4P Vlog Combo retails for PhP 42,290.
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