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Now Playing: The Mandalorian and Grogu

This is the way

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The Mandalorian and Grogu
Image from StarWars.com

It’s been a while since a Star Wars movie made me walk out of a cinema feeling genuinely pumped. Not necessarily emotional nor mind-blown. And not even scrambling to re-evaluate the entire franchise. Just… pumped.

The Mandalorian and Grogu feels like a proper Star Wars blockbuster again. The kind built for crowded cinemas, loud reactions, and collective gasps during action sequences. More importantly, it feels approachable in a way the franchise hasn’t always managed to be lately.

As someone whose interest in Star Wars slowly waned after The Rise of Skywalker, this movie felt oddly refreshing.

I watched the film alongside occasional GadgetMatch contributor Dawn, whose relationship with Star Wars sits somewhere adjacent to mine. Familiar with the Skywalker Saga and select spin-offs, but not necessarily deep into every corner of the lore either. Not because it reinvented the wheel. Quite the opposite, actually. It understood exactly what kind of movie it wanted to be.

I came into the film fairly blind. No rewatches, just a little prep work, and no “required viewing” marathons beforehand. And somehow, none of that really mattered.

Even without context from multiple seasons of Disney+ shows, Din Djarin and Grogu’s bond clicks almost immediately. You don’t need a detailed explanation for why these two care deeply about each other. The movie trusts viewers enough to simply accept their connection and move forward.

Grogu also remains ABSOLUTELY THE CUTEST. No further notes.

Well, maybe one more note.

That little guy carries an absurd amount of emotional weight throughout the movie. Whether he’s unintentionally causing chaos, silently reacting to situations, or simply existing onscreen, he consistently draws laughs and reactions from the audience.

There’s one sequence in particular where Grogu takes care of Din that managed to get a few giggles. It’s a small moment, but one that perfectly captures why this duo works. They don’t feel manufactured. They just feel natural.

Safe storytelling done right

One thing we kept coming back to after the screening was how easy the movie was to watch. Not “easy” in a dismissive way. More accessible and comfortable.

It’s the kind of blockbuster that lets you settle into the experience without requiring homework beforehand.

One observation that stood out during our post-movie discussion was describing the film as a “palate cleanser spin-off.” Despite growing up with the Skywalker Saga and several Star Wars spin-offs herself, she appreciated how welcoming the film felt.

“It’s interesting enough to lure you back into the lore and fall back into love with the franchise,” she said.

That really captures the movie’s biggest strength.

The Mandalorian and Grogu doesn’t spend its runtime obsessing over lore density or trying to prove how important it is within the larger Star Wars timeline. Instead, it focuses on delivering a straightforward adventure with familiar emotional beats.

Sometimes, that traditional recipe is enough.

There are definitely moments where the story feels predictable. We found ourselves correctly guessing certain developments well before they happened. But surprisingly, that never hurt the experience.

If anything, the predictability made the movie feel oddly comforting.

The film knows when to slow down for tender scenes, when to ramp things up with explosive action, and when to simply let viewers breathe inside its world. There’s also very little visual fatigue throughout the runtime. The pacing stays clean and the movie rarely overstays its welcome.

One of my favorite sequences involved Rotta the Hutt in a gladiator-like setting that weirdly reminded me of Thor: Ragnarok. It was chaotic, funny, and surprisingly entertaining.

Also, I need it on record that I identified with Rotta look-wise.

That comparison was apparently questionable according to my companion for the screening.

A low-friction way back into Star Wars

More than anything else, The Mandalorian and Grogu reminded me why people fell in love with Star Wars in the first place.

Not through endless callbacks or franchise homework. But through companionship, adventure, and a healthy helping of heart.

Underneath all the sci-fi spectacle and action sequences is a story about choosing to care for people even when it might not be the smartest thing to do in the moment. Din and Grogu’s relationship may often get described online as father-and-son, but honestly, they felt more like disproportionately-sized bros constantly looking out for each other.

And somehow, that dynamic works incredibly well.

By the end of the movie, we arrived at almost the same conclusion. We wanted more.

Not necessarily because this was the greatest Star Wars story ever told. It isn’t trying to be. But it successfully reignited interest in a franchise that can sometimes feel daunting from the outside looking in.

One immediate effect of the movie was successfully convincing my co-viewer to finally start The Mandalorian Season 1 once schedules calm down a bit. In the meantime, Grogu doomscrolling on Instagram will apparently suffice.

Meanwhile, I’m suddenly considering diving back into Star Wars shows I skipped over the years. I might check out The Acolyte. Maybe Obi-Wan Kenobi. Maybe even tap into gaming with the adventures of Cal Kestis if time and workload permit.

That’s probably the biggest compliment I can give this movie. It made me want to care again.

For longtime fans, The Mandalorian and Grogu delivers good, clean Star Wars fun with heart and hype.

For newcomers, it offers a surprisingly low-friction entry point into a universe that can otherwise feel overwhelming.

That might be exactly what Star Wars needed right now.

Entertainment

UNDERTALE: The Determination Symphony gets two more shows

Both shows will be held on the next day.

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The Philippines has an unquenchable love for game-based concerts (so *wink wink* please bring more of them). Though these concerts do generate a lot of hype, the drawback is that they often sell out way before most fans can grab tickets. If you’re an UNDERTALE fan, that experience might be rocking you right now, as both shows have already sold out. But fear not: UNDERTALE: The Determination Symphony has just opened two more shows.

Late last month, Film Concerts PH, in partnership with SOHO Live, announced UNDERTALE: The Determination Symphony happening on October 17. As expected, both shows, at 3pm and at 7pm, sold out very quickly after sales opened.

Today, the concert experience is opening two more shows on the next day, October 18. Like the original date, the two shows will happen at 3pm and at 7pm, allowing more fans to experience the concert.

The concert will be performed by the Filharmonika Orchestra and conducted by Thanapol Setabrahmana. Personally curated by creator Toby Fox and developed by Lambert Jackson with Materia Music, the concert experience showcases the game’s most recognizable tunes laid over gameplay footage playing simultaneously. Plus, for the world tour, the experience will have expanded scoring.

Tickets are available through Ticketmelon. Both dates will be held at The Proscenium Theater in Makati.

SEE ALSO: UNDERTALE: The Determination Symphony hits Makati in October

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Here’s what you should watch before Avengers: Doomsday

The road to Doom begins here.

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As of today, the entirety of the Marvel Cinematic Universe will take around 650 hours to watch. So, if you wanted to catch up with everything before this December’s Avengers: Doomsday, you would need to allot around 5 hours per day to watch content from Marvel. For a lot of us, that sort of commitment is completely untenable. Thankfully, Marvel has released an official watchlist, paring the list down to something much more manageable.

Before the MCU got as big as it is today, it was fun to do a movie marathon heading into a major Marvel release. For example, when Avengers: Endgame came out, some theaters held continuous marathons lasting a few days. Take note that this was before Marvel officially included every TV show and legacy movie (like the X-Men universe).

Now, heading into Avengers: Doomsday, Marvel will not ask you to devote the rest of your year just for homework. Instead, here’s an official list you can use to catch up:

  • X-Men
  • X2
  • Captain America: The First Avenger
  • The Avengers
  • Avengers: Infinity War
  • Avengers: Endgame
  • Loki
  • Shang-Chi and the Legend of the Ten Rings
  • Spider-Man: No Way Home
  • Black Panther: Wakanda Forever
  • Captain America: Brave New World
  • Deadpool & Wolverine
  • Doctor Strange in the Multiverse of Madness
  • Thunderbolts
  • The Fantastic Four: First Steps

Compared to the extensive list of everything Marvel, this official list is much more manageable, especially since there’s only one show (Loki). It’s also a veritable who’s who of the MCU, so it’s hard to get bored.

The official list as seen on Disney+

There are, however, a few surprises and spoilers. For one, if you’ve been avoiding the teasers and trailers, the X-Men films might be a shock to you. Likewise, the inclusion of the critically panned Brave New World is interesting.

The exclusions are just as noteworthy, too. Though the two earliest X-Men films are included, the list doesn’t add Days of Future Past, one of the first Marvel films to use time travel. Thor: Love and Thunder isn’t on here, despite Love, Thor’s adopted daughter, appearing in the trailers. Brand New Day is also missing, but that’s likely because the movie isn’t on Disney+ yet.

Avengers: Doomsday premieres in cinemas on December 18. Four months should be enough time to catch up on these titles.

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Entertainment

Marvel Studios unveils new X-Men cast

Adam Driver, Inde Navarette, more join Sadie Sink for film set for May 2028

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Courtesy: Marvel

At the D23 Disney fan event, Marvel Studios has officially unveiled the cast of the new X-Men movie, which has been announced for a May 5, 2028 premiere.

Marvel Studios head Kevin Feige and director Jake Schreier were joined onstage by Sadie Sink, who made her debut as Jean Grey in Spider-Man: Brand New Day, for the showcase.

The trio then welcomed Sink’s new co-stars: Kit Connor as Scott Summers/Cyclops, Christopher Abbott as Professor Charles Xavier, Samara Weaving as Emma Frost, Inde Navarrette as Rogue, and Maya Boyd as Storm.

Finally, Adam Driver crashed the panel with one final video surprise, where he revealed that he will be playing a very sinister figure named Nathaniel Milbury, a.k.a. Mister Sinister.

Mister Sinister has been a recurring antagonist throughout various X-Men media, including in Season 2 of the 1992 animated series and in the first season of X-Men ’97.

Now, he will serve as the main villain in the new X-Men film that jumpstarts the Marvel Cinematic Universe’s Mutant Saga.

Given the initial cast, this X-Men reboot will be set in the earlier stages of the team’s lifecycle, taking audiences back to how the school built its foundation for a faithful setup based in the comics. Although within the MCU chronology, it will be set in the present day.

The rebooted X-Men film is now the third confirmed feature film in the post-Multiverse Saga MCU, after Black Panther 3 and Ghost Rider.

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