Cameras

Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens

Uncompromised storytelling plus f/1.2 lens made more accessible

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Canon has officially announced the EOS R6 Mark III full-frame CMOS camera, along with the RF45mm f/1.2 STM lens.

The latest addition to the EOS R mirrorless line, the new camera paired with the large aperture lens is designed for enthusiasts and hobbyists.

The RF45mm f/1.2 STM is Canon’s widest aperture non-professional lens in the RF lens lineup.

This versatile and easy-to-use 45mm focal length on full-frame cameras broadens accessibility of an f/1.2 lens to users.

On APS-C cameras, users can expect a portrait-friendly 72mm full-frame equivalent focal length.

Faster, sharper

The EOS R6 Mark III features a higher 32.5-megapixel resolution and improved speed, performance, and reliability. It also incorporates powerful video capabilities.

Such resolution allows for finer details to be captured in higher definition, but with more cropping flexibility. The higher megapixel count comes in useful for faraway subjects shot with close crops.

On high-speed continuous shooting (electronic shutter) mode, the new camera can capture up to 150 shots at 40 fps.

And despite the higher processing load, it maintains the same high-speed continuous shooting rate (up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter).

In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.

Meanwhile, autofocus algorithm enhancements offer more tenacious subject tracking. This simplifies the post-shooting workflow especially for shooting difficult subjects.

The EOS R6 Mark III also inherits the Register People Priority function found in the flagship EOS R1. This allows pre-registered people to be prioritized for detection and tracking when shooting photos and videos in group situations.

Leap in video capabilities

Moreover, the camera offers more recording and post-production options. It supports 7K 60p internal RAW video recording to a CF-express Type B card.

It is also the first EOS R series camera to offer 3:2 Open Gate recording at up to 7K 30p RAW.

This provides greater flexibility for reframing, especially when creating horizontal and vertical videos from the same footage.

And during recording, users can also simultaneously record a smaller MP4 proxy file or a 4K DCI Fine MP4 sub movie to its SD card slot.

In addition, recording formats have been expanded. There’s internal RAW recording, Canon Log 2, and HLG gamma recording. These are on top of the pre-existing Canon Log 3 and HDR PQ.

Support for the Cinema EOS range’s Custom Picture (CP) profiles, including custom LUTs helps set recording options like gamma, color sampling, and bit depth as well.

And like the EOS R5 Mark II, the EOS R6 Mark III supports waveform monitor display, as well as false colors and zebras.

New features like AWB Response and Shockless WB also enable seamless white balance transitions during video shooting, regardless if the AWB is utilized or the white balance is manually adjusted.

RF45mm f/1.2 STM: f/1.2 made accessible

As Canon’s first f/1.2 lens of its class, the RF45mm f/1.2 STM is a compact, lightweight, and affordable option for users who desire bokeh. It weighs about 346 grams and is the smallest f/1.2 lens in both EF and RF lens range.

The larger aperture also enables the lens to deliver greater low light flexibility and AF support. The 4mm focal length allows users to capture a natural perspective, moving seamlessly  between wide environmental shots and intimate closeups.

On APS-C cameras, the lens achieves a 72mm equivalent focal length. This, of course, is ideal for close-ups, portraits, and street photography.

The f/1.2 bokeh then levels up the shooting, as users can frame their storytelling in a more defining manner.

But if the entire shot needs to be sharp, just dial the aperture down to f/8 so the lens can deliver edge-to-edge sharpness.

Together, the lens’ maximum aperture allows ample light information to reach the new camera’s sensor.

This way, the Dual Pixel CMOS AF II system’s low light capabilities on the EOS R6 Mark III is fully maximized.

Plus, with 5-axis stabilization on the camera, the RF45mm f/1.2 STM delivers sharp, clean images at a slow shutter speed and lower ISO.

Accessories

Fujifilm Philippines introduces instax Mini Evo Cinema, Mini Link+

It’s time to enter your film+ era and hold onto your favorite moments

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The digital scroll is fine, but Fujifilm Philippines is making a strong case for the tangible.

For a weekend, the Open House World in Makati transformed into a nostalgic playground for the “In Our Film+ Era” pop-up.

The mission was simple: proving that memories feel better when you can actually hold them.

The stars of the show were the new instax Mini Evo Cinema and the instax Mini Link+, two gadgets designed for the artsy geek who wants their life to look as good on paper as it does on a Pinterest board.

Retro meets technology

The instax Mini Evo Cinema, priced at PhP 22,599, is a total vibe-shifter. With its 10 Eras Dial effects, you can toggle through a hundred different creative combinations.

Then there is the instax Mini Link+ for PhP 8,999, built for the maximalists who refuse to let their best shots die in the camera roll.

This smartphone printer adds AR effects and custom designs, turning digital snapshots into high-aesthetic physical keepsakes.

As Masahiro Uehara, President of FUJIFILM Philippines, put it, the goal is to reimagine how people connect with their memories by blending innovation with raw emotion.

More than just a photo op

The weekend functioned as a masterclass in creativity rather than just a product demo.

On the first day, filmmaker Elyandre Dagli showed the crowd how the Mini Evo works as a powerhouse for documentation and storytelling.

The energy continued the next day with Nica Cosio, who led a session on rubber stamp carving and journaling. Cosio showed how the Mini Link+ bridges the gap between digital tech and old-school scrapbooking.

Artists like Soleil Ignacio, Bryan Sochayseng, and Jill Arteche also dropped by to share how these tools fit into their professional creative workflows, proving that “instant” doesn’t have to mean disposable.

Ready to enter your Film+ era?

If you missed the pop-up, you haven’t missed the tech. The instax Mini Evo Cinema and instax Mini Link+ are officially hitting authorized FUJIFILM dealers nationwide right now.

It’s time to stop scrolling and start collecting.

For the latest updates, you can follow Team Instax on Facebook and Instagram.

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Cameras

DJI’s Inspire 3 Basic Package make 8K aerial filmmaking more accessible

A streamlined kit for independent filmmakers!

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DJI has officially introduced the Inspire 3 Basic Package, a streamlined kit designed to lower the barrier of entry for professional aerial cinematography.

Since its debut in 2023, the Inspire 3 has established itself as the primary choice for studio film and television productions.

This new package provides a cost-effective path for independent filmmakers to integrate 8K aerial imaging into their workflow or for production houses to scale their existing fleet.

Cinema-grade performance in a portable form factor

The Inspire 3 remains a revolutionary all-in-one drone, built to handle the rigorous demands of high-end sets.

At the core of the package is the Zenmuse X9-8K Air Gimbal Camera, which features dual native ISO and more than 14 stops of dynamic range.

These specifications translate to high-fidelity footage that retains authentic colors and accurate skin tones, even when filming in challenging urban environments or varying lighting conditions.

By utilizing the DJI Cinema Color System (DCCS) and the O3 Pro transmission system, the drone acts as a reliable partner in movement, ensuring that technical performance supports the creative vision without the need for overly complex setups.

Essential tools for modern production

The Basic Package is curated to include the core hardware necessary for professional use while allowing for modular expansion. The kit features:

  • The Inspire 3 Aircraft and Zenmuse X9-8K Air Gimbal Camera
  • Four TB51 Intelligent Batteries to support extended shooting schedules
  • Specialized storage solutions, including the Inspire 3 Trolley Case and Gimbal Camera Case

Filmmakers who require the full ecosystem can still purchase key peripherals separately, such as the RC Plus remote controller, allowing the gear to grow alongside their specific project needs.

Price, availability

The DJI Inspire 3 Basic Package is available starting today through authorized retailers and the official DJI store. The package retails for PhP 615,049.

This release reinforces the philosophy that while technology provides the tools, the focus remains on the life and stories captured through the lens.

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Cameras

Osmo Pocket 4 makes a surprising appearance in public

Is the built-in light real?

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The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.

The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.

Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.

However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)

Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.

SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend

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