Cameras
Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens
Uncompromised storytelling plus f/1.2 lens made more accessible
Canon has officially announced the EOS R6 Mark III full-frame CMOS camera, along with the RF45mm f/1.2 STM lens.
The latest addition to the EOS R mirrorless line, the new camera paired with the large aperture lens is designed for enthusiasts and hobbyists.
The RF45mm f/1.2 STM is Canon’s widest aperture non-professional lens in the RF lens lineup.
This versatile and easy-to-use 45mm focal length on full-frame cameras broadens accessibility of an f/1.2 lens to users.
On APS-C cameras, users can expect a portrait-friendly 72mm full-frame equivalent focal length.
Faster, sharper
The EOS R6 Mark III features a higher 32.5-megapixel resolution and improved speed, performance, and reliability. It also incorporates powerful video capabilities.
Such resolution allows for finer details to be captured in higher definition, but with more cropping flexibility. The higher megapixel count comes in useful for faraway subjects shot with close crops.
On high-speed continuous shooting (electronic shutter) mode, the new camera can capture up to 150 shots at 40 fps.
And despite the higher processing load, it maintains the same high-speed continuous shooting rate (up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter).
In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.
Meanwhile, autofocus algorithm enhancements offer more tenacious subject tracking. This simplifies the post-shooting workflow especially for shooting difficult subjects.
The EOS R6 Mark III also inherits the Register People Priority function found in the flagship EOS R1. This allows pre-registered people to be prioritized for detection and tracking when shooting photos and videos in group situations.
Leap in video capabilities
Moreover, the camera offers more recording and post-production options. It supports 7K 60p internal RAW video recording to a CF-express Type B card.
It is also the first EOS R series camera to offer 3:2 Open Gate recording at up to 7K 30p RAW.
This provides greater flexibility for reframing, especially when creating horizontal and vertical videos from the same footage.
And during recording, users can also simultaneously record a smaller MP4 proxy file or a 4K DCI Fine MP4 sub movie to its SD card slot.
In addition, recording formats have been expanded. There’s internal RAW recording, Canon Log 2, and HLG gamma recording. These are on top of the pre-existing Canon Log 3 and HDR PQ.
Support for the Cinema EOS range’s Custom Picture (CP) profiles, including custom LUTs helps set recording options like gamma, color sampling, and bit depth as well.
And like the EOS R5 Mark II, the EOS R6 Mark III supports waveform monitor display, as well as false colors and zebras.
New features like AWB Response and Shockless WB also enable seamless white balance transitions during video shooting, regardless if the AWB is utilized or the white balance is manually adjusted.
RF45mm f/1.2 STM: f/1.2 made accessible
As Canon’s first f/1.2 lens of its class, the RF45mm f/1.2 STM is a compact, lightweight, and affordable option for users who desire bokeh. It weighs about 346 grams and is the smallest f/1.2 lens in both EF and RF lens range.
The larger aperture also enables the lens to deliver greater low light flexibility and AF support. The 4mm focal length allows users to capture a natural perspective, moving seamlessly between wide environmental shots and intimate closeups.
On APS-C cameras, the lens achieves a 72mm equivalent focal length. This, of course, is ideal for close-ups, portraits, and street photography.
The f/1.2 bokeh then levels up the shooting, as users can frame their storytelling in a more defining manner.
But if the entire shot needs to be sharp, just dial the aperture down to f/8 so the lens can deliver edge-to-edge sharpness.
Together, the lens’ maximum aperture allows ample light information to reach the new camera’s sensor.
This way, the Dual Pixel CMOS AF II system’s low light capabilities on the EOS R6 Mark III is fully maximized.
Plus, with 5-axis stabilization on the camera, the RF45mm f/1.2 STM delivers sharp, clean images at a slow shutter speed and lower ISO.
DJI has announced the global availability of the Osmo Pocket 4P Pearl White, a new color option for its dual-lens gimbal camera. The new edition retains the camera’s 1-inch CMOS sensor, 17 stops of dynamic range, 10-bit HDR video recording, and dual-lens system.
The Pearl White finish uses mica-infused pearlescent pigments and a multilayer spray coating that creates subtle changes in appearance under different lighting conditions. DJI designed the new colorway for creators who want a camera that complements lifestyle photography, travel vlogging, and everyday video production.
DJI Osmo Pocket 4P Pearl White features
The Osmo Pocket 4P Pearl White features two lenses with different focal lengths. Its primary 20mm wide-angle lens has a 1-inch CMOS sensor and an f/2.0 aperture. It supports video recording at up to 4K at 240 frames per second, with LOFIC technology helping preserve highlight and shadow details in challenging lighting conditions.
The camera also supports up to 17 stops of dynamic range and a 10-bit D-Log 2 color profile. These features give creators greater flexibility when adjusting colors, exposure, and contrast during post-production.
For portraits and tighter compositions, the 60mm medium-telephoto lens has an f/1.8 aperture and supports 3x optical zoom and up to 12x zoom. The camera combines both lenses with gimbal stabilization in a compact body weighing approximately 230 grams.
Other creative features include:
- Slow-motion video: Record up to 4K at 240fps for slow-motion footage.
- High-resolution photos: Capture still images at up to 37 megapixels.
- 4K Live Photos: Record 1.5-second clips alongside photos.
- ActiveTrack 8.0: Track subjects such as people, vehicles, and pets.
- Fast file transfers: USB 3.1 support enables transfer speeds of up to 800MB/s.
- Extended battery life: Record for up to 210 minutes on a single charge.
- Fast charging: Reach 80% battery capacity in as little as 18 minutes.
- Automatic iOS transfers: Transfer newly captured footage to compatible iOS devices after powering off the camera.
Automatic media transfer works best with an iPhone 16 series device or later running iOS 26.4.1 or above, provided the camera battery is above 15%.
The camera also supports HDR 10-bit video recording for footage with a wider range of colors and greater flexibility during editing.
Compatible with DJI Osmo accessories
The Osmo Pocket 4P Pearl White works with DJI’s existing Osmo accessory ecosystem. Compatible accessories include the Osmo Pocket 4 Fill Light, ND and polarizing filters, wide-angle lens adapters, battery handle, and OsmoAudio microphones.
These accessories are sold separately, allowing creators to customize their setup for different shooting scenarios.
DJI Care Refresh coverage
DJI Care Refresh is available for the Osmo Pocket 4P Pearl White. The protection plan covers accidental damage, including collisions and water damage, through a replacement service for an additional fee.
The one-year plan includes up to two replacements, while the two-year plan includes up to four replacements. Other benefits include official warranty coverage, international warranty service, and free shipping, subject to DJI’s terms and conditions.
Pricing and availability
The DJI Osmo Pocket 4P Pearl White is now available globally. The Standard Combo is priced at £529 in the UK and €599 in Europe.
For more information, visit the official DJI Osmo Pocket 4P website.
Accessories
Fujifilm’s new instax Pal 2 and Link WIDE 2 make room for more creative memories
A new pocket camera and a collage-making printer join the instax family.
Seeing a memory take shape beyond your screen changes how it feels. A favorite photo becomes a print you can tuck into a journal or pin beside your desk, and the everyday moments you capture get a little more room to live.
That was the spirit of Fujifilm’s instax Playhou2e launch in Makati, where visual artist Jill Arteche brought her signature illustrations into the event space.
Her artwork surrounded the latest additions to the instax family, the instax Pal 2 and instax Link WIDE 2. Both devices treat photography as a form of personal expression, from the snapshots you take throughout the day to the printed memories you want to keep close.
A pocket-sized camera that goes wherever you do
The original instax Pal made the case for carrying a camera without a full-sized setup. Its successor, the instax Pal 2, builds on that with a refreshed design and improved image quality.
The palm-sized camera is built for everyday adventures and can capture angles that are awkward to get with a smartphone. Its compact body also makes it easy to bring along if you like documenting your day as it happens.
Fujifilm gave the Pal 2 a semi-matte finish. A new monitor on top lets you review shots right after you take them, and the added viewfinder, control dial, and lever give it a more tactile feel to shoot with.
The specs have moved up, too. The Pal 2 captures 10-megapixel images, double the original’s five megapixels, and its internal storage holds up to 100 images compared with 50 before. A separately sold microSD card adds more room.
The creative options are where the Pal 2 gets playful. It offers 30 effects, so you can give images different moods without editing each one from scratch. Its instax Animation mode strings up to 10 consecutive shots into a flipbook-style animated video.
Transferring your photos is straightforward. The Pal 2 supports wireless Bluetooth transfers, and a USB Type-C connection offers faster transfers to compatible smartphones. From there, you can edit the images and post them to social media or keep them in your camera roll.
Because the Pal 2 is part of the instax ecosystem, its digital photos can also be printed on instant film through compatible instax printers. That means you can shoot first and decide later which moments deserve a physical copy.
Turning your camera roll into something worth keeping
Taking photos is only half the fun. The other half is deciding what to do with the hundreds of images that pile up on our phones.
The instax Link WIDE 2 is Fujifilm’s answer for anyone who collects travel photos or documents celebrations. As the brand’s WIDE-format smartphone printer, it prints at twice the image area of the instax mini format, which leaves more space for group photos and landscapes.
Its biggest new feature is Photo Mixer, which builds scrapbook-style collages from multiple images you pick in the dedicated app. Instead of printing a single photo, you can combine highlights from a trip or a gathering into one larger keepsake.
The app suggests layouts based on your chosen photos and adjusts image sizes, angles, text placement, and fonts to keep the design cohesive. You can then add your own text and stamps. A cutout function identifies people and objects in your photos so you can layer them into the collage.
With Photo Mixer, printing becomes part of the creative process, and your camera roll turns into material for building a visual record of an experience in a single print.
The Link WIDE 2 also gets a design refresh, with two-tone finishes in Duo Beige and Duo Blue. The light and dark surfaces give it a polished look on a shelf or desk, and an illuminated instax logo glows while it prints.
Connectivity has expanded, too. Beyond smartphones and tablets, the printer works with PCs, Fujifilm X Series cameras, and the instax Pal 2, so digital artwork and other compatible images can become physical prints.
A more personal way to keep your memories
The instax Pal 2 and Link WIDE 2 share the idea that photography is a way to express yourself. The Pal 2 makes it easy to capture moments as they happen, and the Link WIDE 2 gives those images a place in the physical world.
Jill Arteche’s artwork at the launch backed that idea up. Her illustrations filled the space with personality and showed how photos and art can make an environment feel more personal. The event also made a case for revisiting and reinterpreting the images we collect.
Taking a photo takes seconds, and printing one can make the memory feel more special. The instax Pal 2 and Link WIDE 2 bring that into everyday life and give your snapshots room for creativity, from the moment you press the shutter to the moment you find a place for the print.
In the Philippines, the Fujifilm instax Pal 2 retails for PhP 10,599, while the Fujifilm instax Link WIDE 2 is priced at PhP 10,999. Both devices are now available on Fujifilm’s authorized stores and retailers nationwide.
Cameras
Sony introduces its 1st Fisheye Zoom G Lens
Broad range for landscapes, architecture, sports, and video production
Sony has just launched its first fisheye zoom G Lens for full-frame Alpha E-mount cameras: the Sony FE 8-14mm F3.5 Fisheye G. It will be available from late September for an SRP of US$ 1,599.99 / SG$ 2,049.
The 8 mm to 14 mm zoom focal range covers a broad set of fisheye perspectives in one compact lens.
At 8 mm, the lens shoots circular fisheye with a 180-degree angle of view projected as a circular image on a full-frame sensor.
Meanwhile, at 14 mm, it shoots diagonal fisheye across the full frame with a 180-degree diagonal angle of view.
Users can match the angle of view and composition to the subject and creative intent, across various scenarios like landscapes, architecture, sports, and more.
An optical design with ED (extra-low dispersion) glass and aspherical elements suppresses chromatic and other aberrations across the image area.
This enables high resolution throughout the zoom range with fast and precise autofocus and Linear Response MF. All these while suppressing focus breathing and operating quietly for movie production.
Controls include a focus mode switch, zoom lock switch, and an aperture ring with switchable click stops.
A minimum focusing distance of 0.15 meters and maximum magnification of 0.22x at the telephoto end also allow close-up fisheye perspectives both for stills and movies.
The Sony FE 8-14mm F3.5 Fisheye G measures about 63.1 mm in maximum diameter and 82.8 mm in length.
It weights about 314 grams, giving it mobility for handheld, gimbal, and rig-based shooting. It is also dust and moisture-resistant with a fluorine coating on the front.
In addition, users can opt for a dual-lens configuration with the VENCE Extension System Mini.
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