Cameras
Canon officially brings the EOS R6 Mark II to the Philippines
Taking hybrid to the next level
Canon Philippines has finally launched the follow-up to their much-beloved hybrid full-frame camera EOS R6 from two years ago, the EOS R6 Mark II.
The union of systems
The Canon EOS R6 Mark II is a mirrorless camera featuring a 24.2MP full-frame CMOS sensor. Paired with the DIGIC X processor, it promises better quality photos with reduced noise. Speaking of noise, the camera can reach an ISO of up to 102,400 and low-light sensitivity below EV -6.5.

If you’re concerned about display when shooting, the EOS R6 Mark II offers a fully-articulating 3″ LCD with touchscreen that enables you to shoot in various angles, whether overhead or low down.
Not a fan of screen shooting? The EOS R6 Mark II has a 0.5″ OLED EVF (Electronic View Finder). With 3.69-million dots and a refresh rate of up to 119.88 fps, it’s as great as how you look at Optical View Finders found on DSLRs.

If you’re shooting a lot of action, Canon has the improved Dual Pixel AF CMOS II system with an outstanding AF zones of 1,053 and approximately 100% AF coverage.
Other than that, there’s the EOS iTR AF X (Intelligent Tracking & Recognition Autofocus) that can now track horses, trains, and airplanes aside from people, animals, and other vehicles. There’s even Deep Learning-based Subject Tracking and Auto Subject Detection as well for better tracking. This also makes an 80% faster AF performance than its EOS R6 predecessor.
For burst mode shots, you can shoot 12fps under Mechanical Shutter and 40fps with Quiet Mode support under Electronic Shutter. That’s very ideal for concerts and wildlife shoots.

If you’re that serious in videography, the EOS R6 Mark II not only offers the usual 4K/60p video recording, it also supports a jaw-dropping 6K/60p with 10-bit RAW HDMI out. And if you’re a sucker for slow motion, this hybrid camera can also shoot slo-mo Full HD at 180p.
Worried about shaky footages? Canon combines three image-stabilizing systems in one with Coordinated Control. That’s the fusion of 5-axis In-Body Image Stabilizer (IS), Optical Image Stabilizer (OIS), and Movie Digital IS. There’s even the Canon Log 3 if you prefer flat-looking shooting profiles that allows you to be versatile in color grading.

Much like iPhone’s Cinematic Mode, the EOS R6 Mark II can seamlessly change focus points regardless if one tries to change the focal length through Focus Breathing Correction. You can even select several focusing speeds to match the effect and speed of the subject.
Durability-wise, the Canon EOS R6 Mark II is rated to last up to 400,000 cycles. That’s more than enough for the continuous use and abuse of the hybrid mirrorless camera compared to conventional bodies of the same kind. And if you shoot under harsh weather conditions, its body is made from a durable magnesium alloy chassis that’s also dust and drip-resistant.

Other notable feature is the Dual Card Recording which allows simultaneous recording on both SD cards. That’s one 4K/60p shooting and FHD/180p on the other or just record footages and stills all at once. Lastly, the R6 Mark II uses the specialized set of RF and RF-S lenses just like any other mirrorless cameras of Canon.
A true 6ame ChangeR
Canon Philippines has finally held an in-person event ever since the launch of the Canon EOS-1D X Mark III — which I attended before the pandemic lockdown happened in the country.

We were welcomed by Canon PH’s several ambassadors on the board. They were also able to use the EOS R6 Mark II for two weeks all before the launch event took place. Those include Ian Celis together with his daughter, Eyah Celis under Ian Celis Productions based in Antipolo, Rizal.

During the small talk, Ian Celis showed us a reel showcasing his work using the EOS R6 Mark II. He even mentioned that his favorite feature has got to be Focus Breathing Correction and the FHD/180p slo-mo feature very ideal for wedding footages. Meanwhile, Eyah talked about how the camera’s lightweight body was able to help her shoot extreme lengths despite her slimness and petiteness during a marathon event.

Another in the ambassador lineup were Pat Dy and Chissai Bautista of Team Pat Dy. It started when they showed us Chissai’s interview on the large projection. As a wedding shooter, she told everyone that wedding events are always fast-paced.
But with the fast and precise AF system of the Canon EOS R6 Mark II, she expounded that she was able to quickly grasp the situation around and shoot fast-moving subjects blurry-free. That’s also possible thanks to the very lightweight body of the mirrorless camera.

More so, Pat Dy has explained and showed us how the EOS R6 Mark II is a true game-changer. From its lightweight body, one-handed camera use thanks to better camera controls and ergonomics, and more about how it’s a true “hybrid” by having the ability to shoot great stills and footages all at once are just some of the great feats of Canon’s newest mirrorless camera.

Before the wrap up, Pat even did a live demo of how he shoots wedding portraits under controlled-environment situations such as a movie theater with one source of light and a diffuser. Remarkably, we have witnessed how the EOS R6 Mark II greatly-performed without compromises despite such shooting condition.
Pricing and availability
The Canon EOS R6 Mark II will be available in the Philippines starting as early as January 2023. The body only configuration will cost you PhP 179,998. There’s also a bundled RF 24-105mm f/4-7.1 IS STM configuration that retails for PhP 199,998.
Other than that, Canon has also introduced a new RF 135mm f/1.8 L IS USM being sold at PhP 160,998 as well as a lighter external flash unit Speedlite EL-5 for PhP 30,998.

If you pre-order the EOS R6 Mark II from December 3 to January 16, you’ll get added perks like a free 128GB SD Card, additional 2 years warranty aside from the usual 1-year warranty, and a special PhP 25,000-worth Creator’s Access Membership that includes:
- Free Membership Fee
- Priority Service
- While-you-wait service
- Four (4) working days of expedited service
- Free external cleaning
- Service unit
- Lens loan for three (3) months
- Show/Event Support
- Printing Services with discounted rates
Cameras
Sony launches FE 100-400mm F5.6-8 OSS telephoto zoom lens
Super telephoto zoom lens for hobbyists
Sony has launched the FE 100-400mm F5.6-8 OSS super telephoto zoom lens tailored for hobbyists and for a competitive price.
The compact and lightweight lens (approx. 654 grams) is meant for 35mm full-frame Alpha E-mount cameras, making it easy to carry to capture subjects that are difficult to appraoch.
This includes birds, sports scenes, and more. Landscape photography unique to super-telephoto lenses can also be enjoyed by making use of the compression effect. This makes the distance between nearby subjects and distant background elements appear closer together.
When used with a teleconverter, users can double the distance they can capture, with the lens supporting focal lengths of up to 800mm or up to 1,200m in APS-C mode.
With the latest optical design incorporating two ED glass elements and two aspherical elements, excellent image quality is achieved across the entire zoom range. These elements reduce chromatic and other aberrations for clear rendering.
Subject shooting can stand out as well in a natural and soft bokeh, with the lens’ 9-blade circular aperture. This makes the lens also ideal for close-up photography of flowers, insects, and other nearby objects.
In addition, the lens features a linear motor drive for fast, precise, and quiet AF performance to help capture moving objects. The lens also supports high-speed continuous shooting with AF/AE tracking at up to approximately 120 frames per second when used with the Alpha 9 III.
Built-in optical image stabilization also supports handheld shooting in the super-telephoto range, suppressing camera shake. Users can also utilize the camera body’s Active Mode image stabilization and coordinate image stabilization control.
In Singapore, the Sony FE 100-400mm F5.6-8 OSS will be available by the end of August for SG$ 1,099.
Accessories
OBSBOT’s Meet Flip is your next best pocketable 4K webcam
Fold the Flip for further protection
Several months ago, you might remember that OBSBOT revealed the Tiny 3 series of web cameras.
Six months after, they also unveil the all-new Meet Flip. From the name itself, it’s the company’s latest foldable 4K webcam that puts hardware privacy front and center.
Foldable and pocketable
Despite weighing just 37.7 grams, the Meet Flip aims to deliver premium webcam features for all types of users. Be it remote workers, professionals, or content creators.
Undoubtedly, the biggest highlight has got to be the webcam’s folding design. Not only it’s portable, it protects your privacy too.
Closing the device physically blocks the lens, giving users a visual confirmation that the camera is no longer active. When it’s time for a meeting, simply unfold it and it’s ready to go.
That lightweight body also features a built-in mounting clip that works with laptops, monitors, and tripods. Users can mount it in landscape, portrait, or even upside-down orientations depending on their setup.
Despite that absurd amount of lightweightness, the OBSBOT Meet Flip is still able to house a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology. That’s something more commonly found among bigger and higher-end web cameras.
Other camera features include:
- 4K video recording / 30fps
- 1080p recording / up to 60fps
- HDR support for challenging lighting
- Phase Detection Autofocus (PDAF)
- 4x digital zoom
- f/1.8 aperture with ISO 100-6400 support for low-light environments
Beyond just video calls
The OBSBOT Meet Flip isn’t just packed with serious camera hardware, it’s seriously intelligent as well.
The Meet Flip supports AI Auto Framing. This automatically keeps users centered during meetings — regardless if they are presenting alone or with a group. Gesture controls also let users activate framing or adjust zoom without touching the keyboard or mouse.
Another standout feature is AI Magic Notes which provides real-time meeting transcription and automatically generates summaries, action items, and key discussion points.
The feature works with Google Meet, Zoom, and Microsoft Teams through OBSBOT Center. Every webcam includes complimentary transcription of 120 minutes.
With that being mentioned, OBSBOT Center also makes users gain access to software features such as background blur, virtual backgrounds, beauty mode, and picture-in-picture overlays for presentations.
Those who want more advanced controls can enable Smart Eye Tracking, teleprompter support, and manual image adjustments.
Audio also gets an upgrade through an intelligent dual-microphone system that offers four recording modes:
- Directional Mode / solo calls
- Dual-Directional Mode / interviews
- Smart Omni Mode / group meetings
- Pure Audio Mode / unprocessed stereo recording
AI Noise Reduction and Automatic Gain Control are also available across most modes to help improve voice clarity.
OBSBOT’s Meet Flip is also compatible with mobile devices through the OBSBOT Live app and supports integrations with accessories including Elgato Stream Deck, Nintendo Switch 2, and UVC-to-NDI/HDMI adapters.
Pricing and Availability
The OBSBOT Meet Flip is available starting today for US$119 through OBSBOT’s online store, Amazon US, and select retailers worldwide. Regional pricing may vary.
Cameras
Sony announces new FX5 full-frame camera
Newly-developed sensor, Open Gate recording, more enhanced capabilities
Sony has launched the new FX5 full-frame camera in its Cinema Line series with enhanced capabilities.
The camera is equipped with a newly-developed fully stacked Exmor RS CMOS sensor and the latest high-speed BIONZ XR2 image processing engine, which includes a dedicated AI processing unit.
When shooting in S-Log3, the camera achieves 15+ stops of dynamic range. The broad latitude and low-noise performance enable seamless roll-off from highlights to shadows and natural texture reproduction, even in high-contrast scenes.
Three Base ISOs of ISO 800, ISO 4000, and ISO 12800 enable low-noise image expression under a wide range of conditions.
Moreover, Dual Gain Shooting function, supported for the first time in the FX series, maximizes the performance of the image sensor to enable smooth gradation reproduction with even wider latitude, while effectively reducing noise without compromising shadow detail.
For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting, as well as in-camera recording in X-OCN, Sony’s proprietary RAW format.
This includes a variety of scan modes like 17:9, 16:9, and super 35mm. This allows for flexible angle-of-view selection for the user’s creative intent.
The camera is capable of shooting in 5K at up to 60 frames per second, in 4K up to 120 frames per second and in FHD up to 240 frames per second.
These features bring together the Cinema Line look and operability designed to meet the needs of production environments in a compact, highly portable body.
The Sony FX5 will also include two new optional accessories: a detachable OLED viewfinder and an XLR Handle that enables recording in-camera at up to 96 kHz, 32-bit float.
The camera system incorporates expertise that Sony has cultivated through the development of Cinema Line cameras, which have earned high praise from cinematographers and video creators around the world.
Price, availability
The ILME-FX5 with XLR Handle Unit (SG$ 7,199) and ILME-FX5B Body Only (SG$ 6,399) will be available for pre-order until August 9.
The DVF-EL1 OLED Detachable Viewfinder (SG$ 899) and VMC-BNCU1 Timecode Adapter Cable (SG$ 129) will be available after Mid-August.
Meanwhile, the XLR-H2 XLR Handle (SG$ 1,099) will be available by special order.
On July 28, the FX5 will also be on display atThe Arts House At The Old Parliament from 6:00 P.M. to 8:00 P.M., giving creators the chance to experience it for the first time.
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