Cameras
Canon officially brings the EOS R6 Mark II to the Philippines
Taking hybrid to the next level
Canon Philippines has finally launched the follow-up to their much-beloved hybrid full-frame camera EOS R6 from two years ago, the EOS R6 Mark II.
The union of systems
The Canon EOS R6 Mark II is a mirrorless camera featuring a 24.2MP full-frame CMOS sensor. Paired with the DIGIC X processor, it promises better quality photos with reduced noise. Speaking of noise, the camera can reach an ISO of up to 102,400 and low-light sensitivity below EV -6.5.

If you’re concerned about display when shooting, the EOS R6 Mark II offers a fully-articulating 3″ LCD with touchscreen that enables you to shoot in various angles, whether overhead or low down.
Not a fan of screen shooting? The EOS R6 Mark II has a 0.5″ OLED EVF (Electronic View Finder). With 3.69-million dots and a refresh rate of up to 119.88 fps, it’s as great as how you look at Optical View Finders found on DSLRs.

If you’re shooting a lot of action, Canon has the improved Dual Pixel AF CMOS II system with an outstanding AF zones of 1,053 and approximately 100% AF coverage.
Other than that, there’s the EOS iTR AF X (Intelligent Tracking & Recognition Autofocus) that can now track horses, trains, and airplanes aside from people, animals, and other vehicles. There’s even Deep Learning-based Subject Tracking and Auto Subject Detection as well for better tracking. This also makes an 80% faster AF performance than its EOS R6 predecessor.
For burst mode shots, you can shoot 12fps under Mechanical Shutter and 40fps with Quiet Mode support under Electronic Shutter. That’s very ideal for concerts and wildlife shoots.

If you’re that serious in videography, the EOS R6 Mark II not only offers the usual 4K/60p video recording, it also supports a jaw-dropping 6K/60p with 10-bit RAW HDMI out. And if you’re a sucker for slow motion, this hybrid camera can also shoot slo-mo Full HD at 180p.
Worried about shaky footages? Canon combines three image-stabilizing systems in one with Coordinated Control. That’s the fusion of 5-axis In-Body Image Stabilizer (IS), Optical Image Stabilizer (OIS), and Movie Digital IS. There’s even the Canon Log 3 if you prefer flat-looking shooting profiles that allows you to be versatile in color grading.

Much like iPhone’s Cinematic Mode, the EOS R6 Mark II can seamlessly change focus points regardless if one tries to change the focal length through Focus Breathing Correction. You can even select several focusing speeds to match the effect and speed of the subject.
Durability-wise, the Canon EOS R6 Mark II is rated to last up to 400,000 cycles. That’s more than enough for the continuous use and abuse of the hybrid mirrorless camera compared to conventional bodies of the same kind. And if you shoot under harsh weather conditions, its body is made from a durable magnesium alloy chassis that’s also dust and drip-resistant.

Other notable feature is the Dual Card Recording which allows simultaneous recording on both SD cards. That’s one 4K/60p shooting and FHD/180p on the other or just record footages and stills all at once. Lastly, the R6 Mark II uses the specialized set of RF and RF-S lenses just like any other mirrorless cameras of Canon.
A true 6ame ChangeR
Canon Philippines has finally held an in-person event ever since the launch of the Canon EOS-1D X Mark III — which I attended before the pandemic lockdown happened in the country.

We were welcomed by Canon PH’s several ambassadors on the board. They were also able to use the EOS R6 Mark II for two weeks all before the launch event took place. Those include Ian Celis together with his daughter, Eyah Celis under Ian Celis Productions based in Antipolo, Rizal.

During the small talk, Ian Celis showed us a reel showcasing his work using the EOS R6 Mark II. He even mentioned that his favorite feature has got to be Focus Breathing Correction and the FHD/180p slo-mo feature very ideal for wedding footages. Meanwhile, Eyah talked about how the camera’s lightweight body was able to help her shoot extreme lengths despite her slimness and petiteness during a marathon event.

Another in the ambassador lineup were Pat Dy and Chissai Bautista of Team Pat Dy. It started when they showed us Chissai’s interview on the large projection. As a wedding shooter, she told everyone that wedding events are always fast-paced.
But with the fast and precise AF system of the Canon EOS R6 Mark II, she expounded that she was able to quickly grasp the situation around and shoot fast-moving subjects blurry-free. That’s also possible thanks to the very lightweight body of the mirrorless camera.

More so, Pat Dy has explained and showed us how the EOS R6 Mark II is a true game-changer. From its lightweight body, one-handed camera use thanks to better camera controls and ergonomics, and more about how it’s a true “hybrid” by having the ability to shoot great stills and footages all at once are just some of the great feats of Canon’s newest mirrorless camera.

Before the wrap up, Pat even did a live demo of how he shoots wedding portraits under controlled-environment situations such as a movie theater with one source of light and a diffuser. Remarkably, we have witnessed how the EOS R6 Mark II greatly-performed without compromises despite such shooting condition.
Pricing and availability
The Canon EOS R6 Mark II will be available in the Philippines starting as early as January 2023. The body only configuration will cost you PhP 179,998. There’s also a bundled RF 24-105mm f/4-7.1 IS STM configuration that retails for PhP 199,998.
Other than that, Canon has also introduced a new RF 135mm f/1.8 L IS USM being sold at PhP 160,998 as well as a lighter external flash unit Speedlite EL-5 for PhP 30,998.

If you pre-order the EOS R6 Mark II from December 3 to January 16, you’ll get added perks like a free 128GB SD Card, additional 2 years warranty aside from the usual 1-year warranty, and a special PhP 25,000-worth Creator’s Access Membership that includes:
- Free Membership Fee
- Priority Service
- While-you-wait service
- Four (4) working days of expedited service
- Free external cleaning
- Service unit
- Lens loan for three (3) months
- Show/Event Support
- Printing Services with discounted rates
Accessories
Insta360 Flow 2 update improves Android support, adds new iOS features
Better Android lens support
Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support
Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.
The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.
Android finally gets full lens access
One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.
This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.
The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.
Faster 360 panoramas for quick sharing
The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.
Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.
Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.
Dual View adds more angles in one take
Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.
This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.
Apple Watch control for hands-free shooting
For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.
Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.
Smarter tracking and remote control tools
The update also improves several AI-powered features across the Flow 2 series.
AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.
There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.
Availability
The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.
Cameras
The Fujifilm instax mini 13 is your new, favorite plus-one!
Say goodbye to awkward “who’s taking the photo?” debates with the camera that puts you at the center of the frame.
We’ve all been there: you’re at the center of a perfect moment — a sunset rooftop toast or a reunion with your best friends — and you’re stuck behind the screen trying to get the lighting right.
Fujifilm’s new instax mini 13 is here to let you stop worrying about the “how” and start living the “now”.
The first thing you’ll notice is the glow-up. The mini 13 swaps the tech-heavy look for a soft, sculpted aesthetic that feels like a dream in your hand. It comes in five candy-colored hues: Dreamy Purple, Frost Blue, Candy Pink, Lagoon Green, and Clay White.
The biggest flex is you can finally be in the shot. The new dual timers (2 or 10 seconds) mean no more awkward “who’s taking the photo?” debates.
Just prop it up with the included angle adjustment accessory, set the timer, and join the frame.
The tech inside is just as intuitive. A simple twist of the lens powers it on or shifts it into Close-Up Mode, while the Parallax Correction ensures your centered shots actually stay centered.
Because we live for the “post,” the updated instax UP! app uses AI to scan your physical prints with pinpoint precision.
It strips away the glare and the background noise, leaving you with a clean, digital version of your favorite tactile memories.
The Fujifilm instax mini 13 is now available in the Philippines, and retails for PhP 5,399.
Cameras
DJI Osmo Pocket 4 review: A solo creator’s production crew
Now, you can be the director and editor of your own story.
I’ve never quite pegged myself as a “content creator” in the traditional, polished sense. In my head, I’m a writer surviving the advertising trenches and a photographer who values the raw grit of a sports gig.
But life — much like a fast-paced YA novel — decided to turn my journey into an epic adventure of documenting high-mileage runs, fast-paced travel, and mundane gym sessions.
I thought my iPhone 16 Pro and a 360 camera were a complete kit. But after living with the DJI Osmo Pocket 4 since January, I’ve had an epiphany: it’s simply the best tool I’ve found to film myself as I star in my own story.
Familiarity doesn’t breed contempt
Moving from a mirrorless setup to the Pocket 3 originally felt like learning a new language. But moving from the 3 to the 4? It’s like upgrading your favorite pair of running shoes.
Because I use this for work, like capturing highlight reels at events so people can feel the vibe they missed, the familiarity is a godsend.
While the silhouette is similar, the tactile experience has matured significantly. The Pocket 4 replaces the previous model’s basic controls with a new 5D analog joystick for ultra-precise gimbal pans and adds dedicated physical buttons under the touchscreen for fluid zooming.
The internal architecture has seen a massive shift too, moving from the Pocket 3’s “SD-only” setup to a built-in 107GB of internal storage.
This is paired with a hardware upgrade from USB 2.0 to USB 3.1, which physically enables wired transfer speeds of up to 800MB/s — roughly 5 to 10 times faster than the older model.
Even the battery has been bulked up to 1545mAh (compared to the 1300mAh on the 3), giving you more endurance for a full day of reporting without reaching for a power bank.
Sensor that sees more
The new 1-inch sensor is the upgrade I didn’t know I needed until I saw the results.
I took it to a cafe in Bangkok where the lighting was… let’s call it “challenging.” We’re talking low-light interiors clashing with blown-out al fresco sunlight.
The Pocket 4 handled it with the grace of a professional cinematographer, thanks to its 1-inch CMOS engineered for better detail and more accurate color. The camera was good enough to reduce shadow and noise to keep the image how we see it.
When I want to shoot fast, the vertical 3K mode is great, especially for quick social updates. But shifting to the 4K horizontal mode is where the magic happens, thanks to its 14-stop dynamic range. It preserved the delicate highlights of a moody, dimmed interior or night shot that make it looks like a cinematic masterpiece.
Because this dynamic range works across 4K/60fps and 4K/30fps, it adds a tangible depth to the footage that makes everything feel more three-dimensional.
To really push that cinematic aesthetic, the Pocket 4 now supports 10-bit color depth even in standard mode, which means smoother gradients in the sky and zero color banding.
If you’re shooting in those dim, late-night settings, the camera even has a dedicated 4K low-light video mode that pushes the dynamic range up to two stops further, ensuring that nighttime portraits remain bright and natural instead of becoming a grainy mess.
Adding soul through color
With the introduction of 10-bit color depth in standard mode, the Pocket 4 now captures over a billion colors.
It delivers significantly smoother gradients and virtually eliminating the “stepping” of color banding in wide-open skies. This technical leap provides much greater post-processing flexibility, yet even without a single tweak, the camera captures incredibly vibrant, true-to-life imagery.
I put this to the test when Netflix’s live-action One Piece adaptation transformed Fort Bonifacio in Taguig City into “Port Bonifacio.”
I visited the activation alongside notable cosplayers and creators, and the Pocket 4’s ability to “interpret” the vivid colors of that world was stunning.
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By applying my own film-like retro preset in CapCut, the footage easily took on a stylized, anime-like vibe. I felt like the protagonist of my own arc, capturing everything from the arrival of Laboon to the docking of the Going Merry with cinematic texture.
For those who want to push their craft further, the D-Log Pro Mode is a professional-grade essential. It expands the dynamic range in high-contrast or color-rich scenes, preserving maximum data for flexible color grading.
This allows you to apply complex filters and LUTs while maintaining total control over the highlights and shadows, giving your videos a distinct “soul” that feels less like a digital recording and more like a cinematic film.
My ideal production crew
By no means am I a professional shooter. I rarely have the luxury of time to produce a cinematic masterpiece on my own accord, but as someone who frequently has to shoot with zero cameramen — especially during solo travels or international assignments — the Creator Combo is a godsend.
Shooting solo gives me the liberty to dictate every shot and style, essentially acting as my own director and editor. If you’re a strong, independent gal, say no more; the Osmo Pocket 4 feels like a dedicated production crew that I can tag along anywhere I like.
While my more rugged adventures are better suited for the Osmo Nano or Action 6, the Pocket 4 shines in controlled environments where I can plan my shots across Bangkok, Manila, and Jakarta.
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My absolute favorite new feature is the six built-in film tones, which are a game-changer for achieving a professional look straight out of the camera without extra editing.
You can opt for CC Film for Fuji-inspired cool tones and soft skin, or NC Film for a classic negative style that delivers bright, luminous complexions.
If you crave a brighter aesthetic, Pastel provides a cool-toned, transparent vibe with rosy skin, while Warm Tone offers rich, saturated colors perfect for scenery and buildings.
For that classic street shot aesthetic, Movie adds cinematic depth and dimension, and Retro creates a nostalgic film mood that feels tailor-made for historic architecture and old-world streets.
Glowing in every frame
Even when you’ve mastered the art of being in front of the lens, that flicker of self-consciousness never truly disappears.
I noticed that the Pocket 4’s native shots are quite intimate, so I find myself reaching for the wide-angle lens from the Creator Combo to gain better control over my framing and composition.
Zoomed-in captures of your face can be daunting, but thankfully, the Pocket 4 delivers instantly bright, clear, and glowing skin.
This is thanks to a massive jump in photo resolution — from the 9.4MP of the Pocket 3 to a stunning 37-megapixels — combined with built-in filters.
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It functions like a high-end beauty mode on a smartphone, allowing you to smoothen your complexion and fine-tune your skin tone’s warmth with total ease.
If the environment isn’t doing you any favors, you can take it up a notch with the Magnetic Fill Light. It snaps onto the gimbal like a tiny, personal ring light, ensuring you stay perfectly lit even when the world around you is dark (or when you just need that “holy” glow).
The light moves in sync with the gimbal, and you can easily toggle through three levels of brightness — 12, 25, or 40 lux — and adjust the temperature from a cozy 2800K to a crisp 5500K. In a way, it’s making sure you always look your best, regardless of the setting.
Now an athlete’s choice
Beyond the tech and the art, 80 percent of my life is defined by being an athlete. Historically, I’d never dream of bringing a Pocket device into my training; earlier models felt far too fragile, with gimbals and screens that seemed destined for disaster.
The Pocket 4, however, introduces a much-needed gimbal clamp that prevents it from turning on automatically while jostling inside your pouch.
I’ll be honest: I’ve accidentally knocked this camera five times already (I am that clumsy!) but when the impact was strong, the device actually displayed “Gimbal Protected”.
Now, that’s a companion that can finally keep up with my pace.
I put this to a test at a HYROX class in The Commune in Jakarta. While a dimly lit gym isn’t the easiest place to film, the Pocket 4’s upgrade to 4K with 2x zoom allowed me to station it safely out of the way while still capturing a tight, high-quality shot.
This is where Active Track 7.0 feels like magic; a simple double-tap locks the focus on me, and the intelligent autofocus keeps me centered even during the most intense movements.
You can even use Dynamic Framing to position yourself via the rule of thirds or the golden spiral for a more professional look.
Most importantly for the solo shooter, it prioritizes pre-registered faces. It literally learns to look for you!
When a simple palm or “V” gesture is all it takes to start recording, you realize that beyond being a camera, it’s also a partner in your fitness journey.
For capturing your favorite memories
Over the holidays, I had an epiphany. I finally decided to start a project that had been simmering in my mind since 2023.
For the past seven years, I’ve been slowly collecting Instax films: tangible, physical snapshots of my favorite moments and the people I’ve shared them with.
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To honor those memories, especially the connections that have since drifted away due to distance or disagreements, I finally took those films out of their memory box to put them in a frame for display.
Documenting this tactile activity with the Pocket 4 felt like weaving a narrative in high resolution. It’s an art form, per se, but one that becomes significantly easier to master when you have the right gear to translate physical memories into a digital story.
Beyond these aesthetic reflections, the Pocket 4 proves its worth in vlogging and storytelling through its technical maturity. It features 4-channel output, delivering a professional audio capture that recreates the immersive feel of a live concert.
The Audio Zoom is equally impressive; the capture intelligently adjusts with the video zoom, amplifying the sound as you move in and dampening it as you pull away.
When I remember to use the DJI Mic 3 transmitter from the Creator Combo, the clarity is undeniable, ensuring the narrative remains as clear as the visuals.
Which should you get?
Deciding between the two versions depends entirely on how deep you want to go into your own narrative.
If you opt for the Osmo Pocket 4 Standard Combo, you get the essentials: the device itself, a USB-C to USB-C PowerDelivery Cable, the Gimbal Clamp, a Wrist Strap, a Handle with 1/4″ Thread, and a portable carrying pouch.
It’s the perfect entry point for those who want to “shoot, edit, and upload” without getting bogged down by technicalities. You still get that signature high-grade quality regardless of the accessories.
However, the Creator Combo is where the story truly expands. On top of the standard kit, you get the DJI Mic 3 Transmitter (complete with magnetic clips and windscreens), the Fill Light, a mini Tripod, the wide-angle lens, and an additional carrying bag.
If you make a living through your content, like handling brand partnerships or professional video work, this combo is a non-negotiable.
The return on investment is staggering; even after months of use, I feel I’ve only scratched the surface of its capabilities.
Is this your GadgetMatch?
The Osmo Pocket 4 has transcended the typical “vlogging camera” label.
It has become a legitimate replacement for a smartphone camera for those who want to document their lives with the precision of a professional production crew. This tool pushes the “main character” narrative to its peak, allowing you to record your best life even when the journey requires being alone.
I relate to this device deeply because I am a “multi-purpose” friend: I’m down for anything, and I can handle anything. The Osmo Pocket 4 mirrors that versatility. It’s an expert at capturing life’s fragments, documenting your personal projects, and producing the kind of high-stakes videos people actually want to watch.
For its ability to turn everyday behavior into cinema, the Osmo Pocket 4 is a Super Swipe Right and earns the GadgetMatch Seal of Approval.
There is no reason to Swipe Left unless you are specifically looking for the rugged durability of an action camera or the granular technical control of a mirrorless setup.
But even then, you’d be missing the point. The Pocket 4 isn’t a device you choose instead of others; it’s the tool you pick to fill the gaps in your arsenal.
I work with a mirrorless camera, a 360 action camera, and an Osmo Nano, but the Pocket 4 has found its unique place in my routine. It’s a matter of fitting the technology into your life until it serves its true purpose: making your story feel real.
The Osmo Pocket 4 Standard Combo retails for PhP 28,990, while the Creator Combo is priced at PhP 37,490.
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