Cameras
Nikon ZR is the brand’s first full-frame cinema camera after RED acquisition
The first lovechild of the Nikon and RED synergy
From launching their first set of mirrorless cameras seven years ago to their silent disregard of DSLRs, Nikon has surely made another way of surviving in this revolutionary camera industry.
ICYMI, Nikon has already acquired the renowned cinema-camera brand RED last 2024.
While it comes as no surprise to fans and professional cinematographers alike, it’s still something worth noting here.
Smallest Z CINEMA camera
At just 540 grams (body-only) or 630 grams (with battery and lens), the all-new Nikon ZR is undoubtedly featherlight.
And with the Nikon x RED synergy already established, it’s currently the smallest full-frame mirrorless camera found in the two brands’ entirely new Z CINEMA product line.
This might even be considered as Nikon’s direct response to the freshly-released Canon EOS C50 and Sony FX2.
Found within Nikon ZR’s core is the EXPEED 7 image-processing engine. It’s the same unit that runs the flagship-grade Nikon Z9. And with Nikon’s deep-learning based AI excellency, it enables better and more accurate subject detection and tracking.
To be precise, it can automatically detect nine (9) types of subjects including people, animals, vehicles even. Precise focusing on small faces and distant human subjects is also possible.
It also has dual-base ISO sensitivities (800 / 6400) plus 15+ stops of Dynamic Range that promises noise-free footage regardless of your studio setup and specific lighting condition.
The ZR also has a large 4.0-inch fully-articulating display with approx. 3070k dots and 100% DCI-P3 support.
Cinema-Grade Excellence
Being a camera meant for videos, it boasts 5-axis image-sensor-shift vibration reduction. This reduces camera shake especially in handheld video recording.
Speaking of, 12-bit RAW recording is doable: up to 59.94p in 6K resolution and 119.88 fps in 4K Ultra HD. ProRes 422 HQ format is also possible under 5.4K resolution, though limited to 29.97 fps frame rate. Shutter angle can also be adjusted from 5.6-degrees all the way to 360-degrees.
Audio quality wasn’t compromised. The Nikon ZR is the world’s first camera to have 32-bit float audio recording capabilities via its 3.5mm audio jack. It possesses both external and built-in microphones alongside three high-quality MEMS.
Those internal mics are powered by Nokia’s OZO Audio tech with five (5) pick-up patterns for better scene-matchups and utmost audio quality output.
Despite being small, the camera body is effective when it comes to heat dissipation. Nikon ZR promises around 95 minutes of shooting using its built-in battery.
If you’re already in a pinch, it supports undisrupted shooting via the faster USB-C PD (Power Deliver) standard of up to 125 minutes under the 6K / 59.94p R3DNE setting. This is especially advantageous for continuous coverages like weddings, concerts, and interviews.
Truly RED
The all-new Nikon ZR boasts RED’s mastery in cinema-grade color. This includes the R3D NE video codec, an all-new video recording codec based on RED’s R3D RAW codec specifically made for Nikon’s new model.
There’s also the Log3G10 format for HDR video formats, and the REDWideGamutRGB color space for vivid yet true-to-life colors.
There are even nine (9) RED-curated CineBias imaging recipes (with complicated naming schemes):
- CineBias_RED
- CineBias-T-Cool Atmosphere
- CineBias-C-Crisp Teal Contrast
- CineBias-CC-Noir Vibes
- CineBias WC-Grit & Glow
- CineBias-TC-Green Edge Experimental
- CineBiasOffset
- CineBias Achromic
- CineBias BleachBypass
More styles can be selected from Nikon’s Imaging Cloud service.
And while already on the topic, Nikon ZR supports Frame.io C2C (Camera to Cloud) connectivity via NX MobileAir available on both iOS and Android devices. This automatically transfers video datat directly to the cloud for a faster and more seamless editing workflow.
Pricing and Availability
Specific pricing nor regional availability of the Nikon ZR has not been declared through Nikon’s official websites.
However, the renowned American retailer B&H already accepts pre-orders for US$ 2196.95 (body only).
Three NIKKOR Z lens kit configurations are also available:
- 24-50mm f/4.0~6.3 = US$ 2496.95
- 50mm f/1.4 = US$ 2746.95
- 35mm f/1.4 = US$ 2846.95
There are also additional accessories such as the MC-N10 Remote Grip as well as the ME-D10 Shotgun Microphone.
DJI has announced the global availability of the Osmo Pocket 4P Pearl White, a new color option for its dual-lens gimbal camera. The new edition retains the camera’s 1-inch CMOS sensor, 17 stops of dynamic range, 10-bit HDR video recording, and dual-lens system.
The Pearl White finish uses mica-infused pearlescent pigments and a multilayer spray coating that creates subtle changes in appearance under different lighting conditions. DJI designed the new colorway for creators who want a camera that complements lifestyle photography, travel vlogging, and everyday video production.
DJI Osmo Pocket 4P Pearl White features
The Osmo Pocket 4P Pearl White features two lenses with different focal lengths. Its primary 20mm wide-angle lens has a 1-inch CMOS sensor and an f/2.0 aperture. It supports video recording at up to 4K at 240 frames per second, with LOFIC technology helping preserve highlight and shadow details in challenging lighting conditions.
The camera also supports up to 17 stops of dynamic range and a 10-bit D-Log 2 color profile. These features give creators greater flexibility when adjusting colors, exposure, and contrast during post-production.
For portraits and tighter compositions, the 60mm medium-telephoto lens has an f/1.8 aperture and supports 3x optical zoom and up to 12x zoom. The camera combines both lenses with gimbal stabilization in a compact body weighing approximately 230 grams.
Other creative features include:
- Slow-motion video: Record up to 4K at 240fps for slow-motion footage.
- High-resolution photos: Capture still images at up to 37 megapixels.
- 4K Live Photos: Record 1.5-second clips alongside photos.
- ActiveTrack 8.0: Track subjects such as people, vehicles, and pets.
- Fast file transfers: USB 3.1 support enables transfer speeds of up to 800MB/s.
- Extended battery life: Record for up to 210 minutes on a single charge.
- Fast charging: Reach 80% battery capacity in as little as 18 minutes.
- Automatic iOS transfers: Transfer newly captured footage to compatible iOS devices after powering off the camera.
Automatic media transfer works best with an iPhone 16 series device or later running iOS 26.4.1 or above, provided the camera battery is above 15%.
The camera also supports HDR 10-bit video recording for footage with a wider range of colors and greater flexibility during editing.
Compatible with DJI Osmo accessories
The Osmo Pocket 4P Pearl White works with DJI’s existing Osmo accessory ecosystem. Compatible accessories include the Osmo Pocket 4 Fill Light, ND and polarizing filters, wide-angle lens adapters, battery handle, and OsmoAudio microphones.
These accessories are sold separately, allowing creators to customize their setup for different shooting scenarios.
DJI Care Refresh coverage
DJI Care Refresh is available for the Osmo Pocket 4P Pearl White. The protection plan covers accidental damage, including collisions and water damage, through a replacement service for an additional fee.
The one-year plan includes up to two replacements, while the two-year plan includes up to four replacements. Other benefits include official warranty coverage, international warranty service, and free shipping, subject to DJI’s terms and conditions.
Pricing and availability
The DJI Osmo Pocket 4P Pearl White is now available globally. The Standard Combo is priced at £529 in the UK and €599 in Europe.
For more information, visit the official DJI Osmo Pocket 4P website.
Accessories
Fujifilm’s new instax Pal 2 and Link WIDE 2 make room for more creative memories
A new pocket camera and a collage-making printer join the instax family.
Seeing a memory take shape beyond your screen changes how it feels. A favorite photo becomes a print you can tuck into a journal or pin beside your desk, and the everyday moments you capture get a little more room to live.
That was the spirit of Fujifilm’s instax Playhou2e launch in Makati, where visual artist Jill Arteche brought her signature illustrations into the event space.
Her artwork surrounded the latest additions to the instax family, the instax Pal 2 and instax Link WIDE 2. Both devices treat photography as a form of personal expression, from the snapshots you take throughout the day to the printed memories you want to keep close.
A pocket-sized camera that goes wherever you do
The original instax Pal made the case for carrying a camera without a full-sized setup. Its successor, the instax Pal 2, builds on that with a refreshed design and improved image quality.
The palm-sized camera is built for everyday adventures and can capture angles that are awkward to get with a smartphone. Its compact body also makes it easy to bring along if you like documenting your day as it happens.
Fujifilm gave the Pal 2 a semi-matte finish. A new monitor on top lets you review shots right after you take them, and the added viewfinder, control dial, and lever give it a more tactile feel to shoot with.
The specs have moved up, too. The Pal 2 captures 10-megapixel images, double the original’s five megapixels, and its internal storage holds up to 100 images compared with 50 before. A separately sold microSD card adds more room.
The creative options are where the Pal 2 gets playful. It offers 30 effects, so you can give images different moods without editing each one from scratch. Its instax Animation mode strings up to 10 consecutive shots into a flipbook-style animated video.
Transferring your photos is straightforward. The Pal 2 supports wireless Bluetooth transfers, and a USB Type-C connection offers faster transfers to compatible smartphones. From there, you can edit the images and post them to social media or keep them in your camera roll.
Because the Pal 2 is part of the instax ecosystem, its digital photos can also be printed on instant film through compatible instax printers. That means you can shoot first and decide later which moments deserve a physical copy.
Turning your camera roll into something worth keeping
Taking photos is only half the fun. The other half is deciding what to do with the hundreds of images that pile up on our phones.
The instax Link WIDE 2 is Fujifilm’s answer for anyone who collects travel photos or documents celebrations. As the brand’s WIDE-format smartphone printer, it prints at twice the image area of the instax mini format, which leaves more space for group photos and landscapes.
Its biggest new feature is Photo Mixer, which builds scrapbook-style collages from multiple images you pick in the dedicated app. Instead of printing a single photo, you can combine highlights from a trip or a gathering into one larger keepsake.
The app suggests layouts based on your chosen photos and adjusts image sizes, angles, text placement, and fonts to keep the design cohesive. You can then add your own text and stamps. A cutout function identifies people and objects in your photos so you can layer them into the collage.
With Photo Mixer, printing becomes part of the creative process, and your camera roll turns into material for building a visual record of an experience in a single print.
The Link WIDE 2 also gets a design refresh, with two-tone finishes in Duo Beige and Duo Blue. The light and dark surfaces give it a polished look on a shelf or desk, and an illuminated instax logo glows while it prints.
Connectivity has expanded, too. Beyond smartphones and tablets, the printer works with PCs, Fujifilm X Series cameras, and the instax Pal 2, so digital artwork and other compatible images can become physical prints.
A more personal way to keep your memories
The instax Pal 2 and Link WIDE 2 share the idea that photography is a way to express yourself. The Pal 2 makes it easy to capture moments as they happen, and the Link WIDE 2 gives those images a place in the physical world.
Jill Arteche’s artwork at the launch backed that idea up. Her illustrations filled the space with personality and showed how photos and art can make an environment feel more personal. The event also made a case for revisiting and reinterpreting the images we collect.
Taking a photo takes seconds, and printing one can make the memory feel more special. The instax Pal 2 and Link WIDE 2 bring that into everyday life and give your snapshots room for creativity, from the moment you press the shutter to the moment you find a place for the print.
In the Philippines, the Fujifilm instax Pal 2 retails for PhP 10,599, while the Fujifilm instax Link WIDE 2 is priced at PhP 10,999. Both devices are now available on Fujifilm’s authorized stores and retailers nationwide.
Cameras
Sony introduces its 1st Fisheye Zoom G Lens
Broad range for landscapes, architecture, sports, and video production
Sony has just launched its first fisheye zoom G Lens for full-frame Alpha E-mount cameras: the Sony FE 8-14mm F3.5 Fisheye G. It will be available from late September for an SRP of US$ 1,599.99 / SG$ 2,049.
The 8 mm to 14 mm zoom focal range covers a broad set of fisheye perspectives in one compact lens.
At 8 mm, the lens shoots circular fisheye with a 180-degree angle of view projected as a circular image on a full-frame sensor.
Meanwhile, at 14 mm, it shoots diagonal fisheye across the full frame with a 180-degree diagonal angle of view.
Users can match the angle of view and composition to the subject and creative intent, across various scenarios like landscapes, architecture, sports, and more.
An optical design with ED (extra-low dispersion) glass and aspherical elements suppresses chromatic and other aberrations across the image area.
This enables high resolution throughout the zoom range with fast and precise autofocus and Linear Response MF. All these while suppressing focus breathing and operating quietly for movie production.
Controls include a focus mode switch, zoom lock switch, and an aperture ring with switchable click stops.
A minimum focusing distance of 0.15 meters and maximum magnification of 0.22x at the telephoto end also allow close-up fisheye perspectives both for stills and movies.
The Sony FE 8-14mm F3.5 Fisheye G measures about 63.1 mm in maximum diameter and 82.8 mm in length.
It weights about 314 grams, giving it mobility for handheld, gimbal, and rig-based shooting. It is also dust and moisture-resistant with a fluorine coating on the front.
In addition, users can opt for a dual-lens configuration with the VENCE Extension System Mini.
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