Cameras

The Fujifilm GFX100S is a 102MP camera made for tougher environments

An improved medium format camera with a less expensive price tag

Published

February 11, 2021

Vincenz

Remember the Fujifilm GFX100 from 2019? Well, Fujifilm has finally updated it with an updated model called the GFX100S — but what exactly has changed?

A medium format camera in a full-frame body

Medium-format cameras are a lot larger than the usual full-frame DSLRs and mirrorless cameras. But the GFX100S is an exception as it only weighs at 900g (1.9lb) — almost half the size of the heavyweight GFX100 at 1400g (3.1lb) and can go with existing full-frame bodies.

Despite its small size, it has a 3.2-inch touch-enabled LCD panel and supports up to 2.36 million colors. It’s not fully-articulated but it can be tilted up (90º), down (45º), and right (60º). There’s also a 1.8-inch sub LCD monitor at the camera’s top for viewing those handy EXIF settings that can also be customized depending on your liking.

Built for harsher climate conditions

The new GFX100S is built for tougher climates. Whether you’re shooting at a beach, desert, or even as high as Mount Fuji’s summit, the GFX100S can withstand all of that. This is a rare feature among most cameras and this is what makes it better than its two-year-old predecessor.

With its magnesium alloy body, it’s dust and moisture-resistant. At the same time, it’s also capable of operating under cooler temperatures (-10ºC or 14ºF).

Better autofocus + improved stabilization

Having an almost 100% coverage of phase detection pixels on its sensor, the GFX100S is capable of focusing as little as 0.18 seconds, even in low-light situations.

Although it still rocks the X-Processor 4 quad-core CPU, it will still be able to provide high-performance shooting on-the-go. With an updated focus tracking algorithm using the same sensor, it’s still capable of using Face and Eye AF functions for better focus at moving subjects.

Other than that, there’s also an improved and more compact 5-axis IBIS (in-body image stabilization) system that’s 20% smaller and 10% lighter than the older model. Even if there’s a size reduction, the stabilization system provides 6-stops of CIPA-rated IS and has a 0.5-overall improvement than the GFX100.

Still with 102MP and 4K video recording

Fujifilm has kept its secret sauce. The GFX100S still has that same 102-megapixel sensor that’s around 1.7 times larger than any of the full-frame offerings out in the market today.

The 4K/30p video recording support is also present for those crisp footage and be able to keep up with the industry’s standards. But other than shooting in the standard 16:9 aspect ratio, it also supports 17:9 that’s used in digital cinema.

To make video shooting even better, you can choose between F-Log and HLG (Hybrid Gamma Log) other than the usual H.264 and H.265 codecs. This means you can edit and have better color-grading options in post-processing to achieve a more cinematic output.

For utmost video capability, the GFX100S can also record 4K/30p footage in 12-bit RAW (recorded as Apple ProRes RAW files) through an HDMI hooked up to an Atomos Ninja V Monitor Recorder. Also, simultaneous outputs of RAW and F-Log / HLG footages with Film Simulation mode is also doable.

With their 86-year expertise in color science, it comes to no surprise that their classic Film Simulation Mode still remains. You can pick between 19 exclusive modes and simulate that classic film look with just a press of a button.

New FUJINON lens

The new GFX100S is paired with the announcement of the newest FUJINON GF80mmF1.7 R WR lens. From the name itself, it is a prime lens with an 80mm focal length (a 35mm equivalent of 63mm) and a wide aperture of f/1.7 for better bokeh and brighter images at night.

The lens is composed of nine rounded diaphragm blades plus 12-lens elements with one aspherical element and two Super ED elements. These provide better background segmentation with sharper subjects and smoother bokeh.

What makes it special is that, it’s the world’s first f/1.7 lens with an autofocus for a large format system. The powerful DC motor is enough to make the subject stand out — even with the wider aperture and shallower Depth of Field (DoF). There’s even support for Face and Eye AF for better-looking portraits even when you’re on the move.

Just like the GFX100s, it’s also weather-resistant that survives colder temperatures as low as -10ºC (or 14ºF). The seals around the lens also protect it from dust and rain. The front lens element is also coated with fluorine that repels dirt.

Pricing and availability

In the Philippines, the Fujifilm GFX100S retails at PhP 329,990. On the other hand, the FUJINON GF80mmF1.7R WR will cost you exactly PhP 128,990. Both of these will be available at the end of February 2021.

For an enhanced in-hand feel when using this camera, there’s a Metal Hand Grip accessory (MHG-GFX-S) which is priced at PhP 8,390. This hand grip is helpful for supporting larger lenses without feeling unstable. At the same time, it’s compatible with Arca-Swiss tripod plates for faster and smoother transition between mounted and handheld scenarios.

If you’re planning to buy all of them, it will cost you roughly PhP 467K. That’s still less expensive than the sub PhP-600K body-only GFX100 launched two years ago.

Related Topics:Fujifilm Fujifilm GFX100S GFX100S

Cameras

Insta360 GO 3S gets retro makeover

Tiny camera, vintage vibes

Published

May 14, 2026

Rodneil Quiteles

Insta360 GO 3S Retro Bundle Edition is bringing a touch of nostalgia to its tiny POV camera lineup.

The company has announced the new Retro Bundle Edition for the GO 3S, combining the wearable 4K camera with accessories and software features inspired by classic film photography.

At the center of the bundle is the Retro Viewfinder. It transforms the tiny camera into a handheld shooter with a waist-level framing experience reminiscent of vintage film cameras. Instead of relying on a screen, users can compose shots through the optical finder for a more deliberate shooting style. The viewfinder also includes a built-in selfie mirror.

The bundle also includes a Battery Pack that extends recording time to up to 76 minutes while supporting charging during recording. An NFC Custom Skin allows quick access to the Insta360 app by tapping a smartphone against it.

Other accessories include a wearable strap and the Magnet Pendant for hands-free POV capture.

To match the retro-inspired hardware, Insta360 is also adding exclusive film-style filters including Negative Film, Positive Film, and Sticker Filter. Five additional built-in color profiles are also included: NC, CC, GR-F, Mono, and Vintage Vacation.

Despite the nostalgic styling, the GO 3S keeps its modern action camera features. The 39g camera can shoot 4K video with FlowState Stabilization, supports QuickCapture, and is waterproof up to 10 meters.

Price and availability

The Insta360 GO 3S Retro Bundle Edition is now available in Canvas White and Classic Red color options. Pricing starts at US$249.99 for the 64GB version and US$269.99 for the 128GB model.

@gadgetmatchWarm vibes, slow jams, Insta360 GO 3S Retro Bundle Edition time. #insta360 #retro #tinycamera

♬ original sound – GadgetMatch

Accessories

Insta360 Flow 2 update improves Android support, adds new iOS features

Better Android lens support

Published

April 23, 2026

GadgetMatch

Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support

Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.

The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.

Android finally gets full lens access

One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.

This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.

The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.

Faster 360 panoramas for quick sharing

The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.

Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.

Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.

Dual View adds more angles in one take

Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.

This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.

Apple Watch control for hands-free shooting

For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.

Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.

Smarter tracking and remote control tools

The update also improves several AI-powered features across the Flow 2 series.

AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.

There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.

Availability

The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.

Cameras

The Fujifilm instax mini 13 is your new, favorite plus-one!

Say goodbye to awkward “who’s taking the photo?” debates with the camera that puts you at the center of the frame.

Published

April 23, 2026

MJ Jucutan

We’ve all been there: you’re at the center of a perfect moment — a sunset rooftop toast or a reunion with your best friends — and you’re stuck behind the screen trying to get the lighting right.

Fujifilm’s new instax mini 13 is here to let you stop worrying about the “how” and start living the “now”.

The first thing you’ll notice is the glow-up. The mini 13 swaps the tech-heavy look for a soft, sculpted aesthetic that feels like a dream in your hand. It comes in five candy-colored hues: Dreamy Purple, Frost Blue, Candy Pink, Lagoon Green, and Clay White.

The biggest flex is you can finally be in the shot. The new dual timers (2 or 10 seconds) mean no more awkward “who’s taking the photo?” debates.

Just prop it up with the included angle adjustment accessory, set the timer, and join the frame.

The tech inside is just as intuitive. A simple twist of the lens powers it on or shifts it into Close-Up Mode, while the Parallax Correction ensures your centered shots actually stay centered.