Entertainment

Netflix unveils Korean lineup for 2022

Netflix unveils Korean lineup for 2022

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Netflix Korean

There was a viral tweet recently saying something along the lines of “Korea is keeping the lights on at Netflix,” and it’s hilarious because it is kind of true. In 2021 alone, Netflix garnered several eye balls thanks to the shows Squid Game and Hellbound. So, it’s no wonder that the streaming giant is doubling down on South Korean shows as they unveil their Korean lineup for 2022.

Speaking of Squid Game, Netflix says it’s the biggest show they’ve ever launched with it being the most viewed Netflix show in 94 countries at its peak. The company adds that 95 percent of these viewers are from outside Korea and many of them explored other Korean content afterwards.

Netflix has launched 130 Korean titles since 2016 and they look to continue to bringing on the K-wave. Here’s what’s coming to Netflix in 2022.

All of Us Are Dead

Directed by: Lee JQ, Kim Nam-su
Writer: Chun Sung-il
Launch date: Jan 28th
Starring: Yoon Chan-young, Park Ji-hu, Cho Yi-hyun, Lomon, Yoo In-soo, Lee You-mi, Lim
Jae-hyeok

Overview: Netflix Series All of Us Are Dead is a story about students trapped in a school amid a zombie virus outbreak who later join hands to fight for survival. All of Us Are Dead is based on a popular webtoon by Webtoon creator Joo Dong-geun, touted as a ‘Korean-style zombie graphic novel’ with its wild imagination, gripping storyline, and meticulous details. The horrific visuals of students infected by the mysterious zombie virus and stunning action set in different parts of the school are a must-watch.

Juvenile Justice

Directed by: Hong Jong-chan
Writer: Kim Min-suk
Starring: Kim Hye-soo, Kim Moo-yeol, Lee Sung-min, Lee Jung-Eun and etc

Overview: Juvenile Justice deals with a judge who dislikes juvenile delinquents, later realizing the troubles children face in society and how society is circumventing them to become better people. Kim Hye-soo(Hyena, Signal) plays Sim Eun-seok, the charismatic judge newly appointed to a district with the highest juvenile delinquency and makes unorthodox decisions to existing
judgments. She later tries to send a message that society is also responsible for juveniles’ immoral and illicit acts.

Twenty Five, Twenty One

Directed by: Jung Jeehyun
Writer: Kwon Doe-un
Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Kim Tae-ri, Nam Joo-hyuk, Kim Ji Yeon, Choi Hyun Wook, Lee Ju Myung

Overview: Twenty Five, Twenty One is a drama of youths who lost their dream to the zeitgeist of 1998, a drama of their dilemma and growth. They called out each other’s names for the first time when they were twenty-two and eighteen. Now they’ve each become twenty-five and twenty-one. The fine line between a heart-fluttering first love and a heart-warming friendship gives them butterflies. Their sparkling love and growth, as well as the chemistry and hardships among the five friends, remind us of our intense yet beautiful youth.

Forecasting Love and Weather

Directed by: Cha Young Hun
Writer: Sun Young

Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Park Min Young, Song Kang, Yoon Bak, Yura

Overview: Forecasting Love and Weather is a cheerful romance drama of people at the Korea Meteorological Administration who break, fall and get back on their feet every day. Forecasting Love and Weather is a romantic comedy series ofpeople at the Korea Meteorological Administration who break, fall and get back on their feet every day. The story narrates Jin Ha-kyung, who decides never to commit to an office romance after a brutal break-up, again falling into a relationship with a newcomer in the team Lee Si-woo who is different but attractive in his own way. With a star-studded cast of Park Min Young and Song Kang, this is one of the most anticipated Romantic Comedies in the first half of 2022.

Thirty Nine

Directed by: Kim Sang-ho
Writer: Yu Young- a
Launch date: February 16th
Episodes: 12 episodes (Every Sat & Sun 2 episodes per week)
Starring: Son Ye-jin, Jeon Mi-do, Kim Ji-hyun
Stills: Stills folder

Overview: Thirty Nine is a down-to-earth life and romance drama that touches deep into the friendship, love and life of three friends who are about to turn forty. A coincidence in their high school years brought the three of them together to become BFFs. Cha Mi-jo (played by Son Ye-jin) Jeong Chan-young (played by Jeon Mi-do) and Jang Joo-hee (played by Kim Ji-hyun) are very close friends who have been through both the good and the worst times together. Mi-jo now works as a Dermatologist, Chan young as an acting coach and Joo-hee as a cosmetics sales manager. One fine day, when they are all 39, life takes a turn for the worse and they have to get ready for goodbye.

Tomorrow

Directed by: Kim Tae-Youn, Sung Chi-Wook
Writer: Park Rhan, Park Ja-kyung, Kim You-jin
Episodes: 16 episodes (Every 2 episodes per week)
Starring: Kim Hee-seon, Rowoon, Lee Soo-hyuk

Stills: The grim reapers who used to escort the dead now save those who want to die. An afterlife fantasy drama, Tomorrow depicts how a long-time unemployed Choi Jun-woong accidentally bumps into grim reapers on a special mission and becomes a contract worker at their Crisis Management Team to help them out on their mission.

Business Proposal

Directed by: Park Seon Ho
Writer: Han Sul Hee
Episodes: 12 episodes (Every 2 episode per week)
Starring: Ahn Hyo-Seop, Kim Se Jeong, Seol In A, Kim Min Gue, Lee Duck Hwa

Stills: An office romance drama, Business Proposal, is based on a globally famous web novel and webtoon of the same name with a total 320 million views. An office romance of a perfect CEO who’s got both the looks and the brains and an average employee who becomes his blind date will certainly keep you away from quitting your job! An average employee Shin Ha-ri (played by Kim Se Jeong) goes on a blind date in her friend’s stead as a sassy girl, only to find her blind date to be the CEO of her company, Kang Tae-moo (played by Ahn Hyo-Seop). After the two run into each other on their blind date, they each struggle in their own way at the office as the CEO and the employee, which can sometimes be sweet, thrilling and even tense.

The Sound of Magic

Directed by: Kim Sung-youn
Writer: Kim Min Jeong
Starring: Ji Chang-wook, Choi Sung-eun, Hwang In-youp

Overview: The Sound of Magic, based on the popular webtoon Annarasumanara, is a touching drama about Yoon Ah-yi, a girl who had to grow up too fast, and Rieul, a mysterious magician who — although grown up — wants to remain as a kid. Ji Chang-wook plays Rieul, a mysterious magician who lives in an abandoned amusement park, Choi Sung-eun plays the role of Yoon Ah-yi and Hwang In-youp will play Yoon Ah-yi’s classmate Na Il-deung.

Remarriage and Desires

Directed by: Kim Jung-Min
Writer: Lee Geun-Young
Starring: Kim Hee-Seon, Lee Hyun-Wook, Jung Eugene, Park Hoon, Cha Ji-Yeon

Overview: Remarriage & Desires is a satire of Korean society governed by desire. Set at the exclusive matchmaking agency Rex catering to the top echelons of society, ambitious souls hope to upgrade their status by marrying or remarrying into the ranks of the elite. They aspire to nab someone from the “Black” tier, the highest group consisting of the top 0.001 percent of the population. Remarriage and Desires shrewdly portrays the commercialized dating/marriage business and society’s perception in which we live.

A Model Family

Directed by: Kim Jin-woo
Launch date: Lee Jae-gon
Starring: Jung Woo, Park Hee-soon, Yoon Jin-seo, Park Ji-yeon

Overview: A Model Family is a story about a man on the brink of bankruptcy and divorce stumbling upon a car loaded with cash. The incident has him crossing paths with the second-in-command of a drug organization. Jung Woo, Park Hee-soon, Yoon Jin seo and Park Ji-yeon lead this thrilling illustration of an ordinary family coincidently putting hands on illegal drug money.

Glitch

Directed by: Roh Deok
Writer: Gin Han-sai
Producer: Yoon Shin-ae
Starring: Jeon Yeo-been, NANA

Overview: Glitch tells the story of Hong Jihyo, who attempts to track down her missing boyfriend with the help of members of a UFO club. In the process, she comes face to face with a mysterious secret. Writer Gin Han-sai who enthralled audiences and critics with the much-lauded Netflix series Extracurricular. The series will be directed by Roh Deok, known for her genre-crossing agility, and Jeon Yeo-been plays the lead role of Hong Jihyo, and NANA plays Bora.

The Accidental Narco(WT)

Directed by: Yoon Jong-bin
Writer: Yoon Jong-bin, Kwon Sung-Hui
Starring: Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin, Yoo Yeon-seok, Chang Chen

Overview: Based on real-life events, the story is about an ordinary entrepreneur who has no choice but to risk his life in joining the secret mission of government agents to capture a Korean drug lord operating in The Accidental Narco. The Accidental Narco marks Director Yoon Jong-bin’s first foray into series and first collaboration with Netflix. A star-studded cast including Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin and Yoo Yeson-seok is on deck, along with mounting anticipation as The Accidental Narco is the first collaboration between Ha Jung-woo and Hwang Jung-min.

The Fabulous

Directed by: Kim Jeong-hyeon
Writer: Kim Ji-hee, Im Jin-sun
Starring: Chae Soo-bin, Choi Min-ho

Overview: The Fabulous is a highly realistic romance that explores the dreams, love, and friendship of young people who devote their lives to working in the fashion industry, where fashion often means passion.

Love to Hate You

Directed by: Kim Jeong-kwon
Writer: Choi Soo-young
Starring: Kim Ok-vin, Yoo Teo, Kim Ji-hun, Go Won-hee

Overview: Love to Hate You is about the war-like relationship between a woman who hates losing to men and a man frantically suspicious of women who later discover life remedies behind their opposite characteristics. Starring Kim Ok-bin and Teo Yoo, Love to Hate You depicts the love and emotional sympathy that triumphs over the broader mistrust between the opposite sex

Money Heist: Korea – Joint Economic Area

Directed by: Kim Hong-sun
Writer: Ryu Yong-Jae, Kim Hwan-Chae, Choe Sung-Jun
Starring: Yoo Ji-tae, Kim Yunjin, Park Hae-soo, Jun Jong-seo, Lee Won-jong, Park Myung-hoon, Kim Seung-o, Kim Ji-hun, Jang Yoon-ju, Lee Joobeen, Lee Hyun-woo, Kim Ji-hoon,, Lee Kyu-ho

Overview: Money Heist: Korea – Joint Economic Area narrates a genius strategist and his talented crew – composed of top-class thieves – attempting to pull off an unprecedented heist in the Korean Peninsula. The story portrays unexpected twists and turns as the crew stage a hostage while facing inexplicable challenges. All eyes are focused on the background and definition behind the title Joint Economic Area.

Somebody

Directed by: Jung Ji-woo
Writer: Jung Ji-woo, Han Ji-wan
Starring: Kim Young-kwang, Kang Hae-lim, Kim Yong-ji, Kim Su-yeon

Overview: A murder case revolves around the social dating app – Somebody, triggering a developer of the app, and her friends to entangle in inexplicable issues surrounding a mysterious figure named Yoon-oh. Prominent director Jung Ji-woo spearheads the production — marking his first foray into series and collaboration with Netflix — along with writer Han Ji-wan renown for his ability to write excellent thriller genre scripts.

Black Knight

Directed by: Cho Ui-seok
Writer: Cho Ui-seok
Starring: Kim woo-bin, Esom, Kang you-seok etc

Overview: Starring Kim woo-bin, Black Knight illustrates an air polluted world in 2071, where people depend on respirator masks to breathe. Only one percent of the human race has survived, and a strict social stratification has been established in the deserted lands of the Korean Peninsula. Delivery drivers play a crucial role within this system, and for refugees, becoming a delivery driver is their only hope for survival. Amid desolation, Black Knight tells the story of a legendary delivery driver 5-8 with exceptional battle skills and refugee Sawol who dreams of following in his footsteps.

Film

Love and Leashes

Directed by: Park Hyun-jin
Writer: Park Hyeon-jin, Lee Da-hye
Launch date: Feb 11
Starring: Seo Hyun, Lee Jun-Young, EL

Overview: Love and Leashes is a film about a different kind of romance between a man with a unique taste and a woman who stumbles upon his secret. Seo Hyun, who recently played a shapeshifting swindler in Private Lives, will star in her first film, Love and Leashes. Jung Ji-woo, played by Seo Hyun in the film, is a woman who leads a racy romance by engaging in a “special” relationship with her co-worker after she accidentally learns about his secret peculiarities. Performing outstandingly across an array of genres like in the musical Swag Age: Shout, Chosun!, the drama Please Don’t Date Him, Imitation, rising star Lee Jun young will play the role of Jung Ji-hoo, a man with unusual tastes. Lee Jun-young will add vibrancy and excitement in the role as his character’s charm and figure, adored by his female co-workers, hide his secret and unique taste.

Yaksha: Ruthless Operations

Directed by: Na Hyun
Writer: An Sang-hoon, Na Hyun
Starring: Sul Kyung-gu, Park Hae-soo, HIROYUKI Ikeuchi, Yang Dong-keun, EL, Song Jae-lim,
Park Jin-young

Overview:  A breathtaking spy action film Yaksha: Ruthless Operations unfolds as a merciless man known as “Yaksha” crosses paths with a prosecutor on a special inspection mission in Shenyang, a city in China notorious for espionage. Director Na Hyun makes his long-awaited comeback after directing Prison, which has swept audiences off their feet with stunning action scenes and a tightly wound plot, and adapting Inseparable Bros into a delicate and heartwarming story. Sul Kyung-gu plays the callous head of the overseas espionage team, also known as the man-eating Yaksha, who accomplishes his goals by hook or by crook. Park Hae-soo, a global star from Squid Game, plays the role of Ji-hoon, a prosecutor demoted to Shenyang for playing it by the book.

Carter

Directed by: Jung Byung-gil
Writer: Jung Byung-gil, Jung Byeong-sik
Starring: Joo Won

Overview: Carter is a new original film about an agent suffering from memory loss who is thrown into the middle of a mysterious mission. At the helm of the series is director Jung Byung-gil, whose skilled hands have produced many unique action films. Joo Won, who played powerful roles in Good doctor, Yong-pal, transforms into an action hero in Director Jung Byung-gil’s new work. In the popular drama Alice, which involved car chases and hand-to-hand combat, Joo Won exhibited his great skill in performing action scenes. The role of Carter will challenge him with even more extreme and exciting action. In the series, Carter is a top agent who awakens one day with a complete loss of memory, but is then thrown into the mission of a lifetime.

Seoul Vibe

Directed by: Moon Hyun-sung
Starring: Yoo Ah-in, Ko Kyung-Pyo, Lee kyoo-hyung, Park Ju-hyun, Ong Seong-wu

Overview: Action blockbuster Seoul Vibe narrates a talented crew of baby drivers – known as the Sangedong Supreme team. With the world’s eyes drained to the 1988 Seoul Olympic Games, the illegal transactions of capital (funds) is a significant issue. A special operation driven by the Sangedong Supreme team initiates to unravel the corruption behind the slush funds. An all-star
cast — Yoo Ah-in, Ko Kyung-pyo, Lee kyoo-hyung , Park Ju-hyun, Ong Seong-wu– portrays this incredible chase in the city of Seoul tightly packed with breathtaking action scenes.

20th Century Girl

Directed by: Bang Woo-ri
Starring: Kim You-jung, Byeon Woo-seok, Park Jung-woo, Roh Yoon-seo

Overview: In 1999 – the last year of the 20th century – seventeen-year-old Bo-ra finds her first love: a sweet, pure but heartbreaking relationship. Years later in the 21st century, news about her first love revives her teenage romance that she once thought had forgotten. The 20th Century Girl narrates the lives of the youth in their 20s, filled with vivid moments of love and friendship. Starring the popular Kim You-jung, Byeon Woo-seok, Park Jung-woo, and Roh Yoon-Seo, this pit-a-patting film will be directed by Bang Woo-ri, who won the Best Short Film award for Mrs.Young at the Blue Dragon Awards.

JUNG_E

Directed by: Yeon Sang-ho
Writer: Yeon Sang-ho
Starring: Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo

Overview: JUNG_E portrays a desolated Earth in the 22nd century that is no longer inhabitable due to climate change. Amid the chaos, an internal war breaks out in the shelter built for human survival. Victory — meaning the end of the war– now hinges on finding a way to clone the legendary mercenary JUNG_E into a scalable robot. Orchestrated by Director Yeon Sang-ho of Train to Busan, Peninsula, and Hellbound, and with a colorful cast – Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo –, JUNG_E portrays a unique theme combined with dystopia, cloning, and technology.

Variety Show

Celeb Five: Behind the Curtain

Directed by: Kim Joo-hyung, Go Min-seok
Starring: Celeb Five (Kim Shin-young, Song Eun-i, Shin Bong-seon, An Young-mi)

Overview: Celeb Five on Netflix? A fake documentary Celeb Five: Behind the Curtain takes a peek into how Celeb Five (Kim Shin-young, Song Eun-yi, Shin Bong-sun, Ahn Young-mi) goes on marathons of ideation meetings to plan an amazing stage after being offered a solo show on Netflix. Their behind-the-stage work, more ingenious and hilarious than the on-stage show itself, provides incessant laughter and fun. Endless gut-busting stories, all-of-a-sudden pretend play, skits made on-the-fly and all the improvs… They’re definitely showing all they’ve got! This hilarious show is produced by Company SangSang, known for its great synergy with Netflix on shows like Busted, Twogether and New World, and co-directed by Celeb Five and Director Kim Joo-hyoung, praised for having laid the groundwork for Korean standing comedies with Park Na-rae: Glamour Warning and Lee Su-geun: The Sense Coach.

 

Entertainment

Cyberpunk: Edgerunners 2 now streaming, Cyberpunk 2077 update coming

Edgerunners returns to Night City

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Cyberpunk: Edgerunners 2

Cyberpunk: Edgerunners 2 is now streaming on Netflix, with all 10 episodes available to watch. CD PROJEKT RED and animation studio TRIGGER have also announced a new update for Cyberpunk 2077, bringing content inspired by the anime to the game.

The Edgerunners 2 Update (Update 2.5) launches on October 22, 2026, for PC, PlayStation 5, and Xbox Series X|S. A Nintendo Switch 2 release will follow shortly.

Edgerunners returns with a new cast

Set in the world of Cyberpunk 2077, Cyberpunk: Edgerunners 2 tells a standalone story through an entirely new cast of characters. The series follows a veteran edgerunner, a young cinephile, a chrome-obsessed delinquent, and a Snake Nation netrunner as their stories explore vengeance and redemption in Night City.

Director Kai Ikarashi leads the new installment, with Kanno Ichigo serving as lead character designer. Masahiko Otsuka returns as a collaborator, while Bartosz Sztybor serves as showrunner, story writer, and producer.

Both Cyberpunk: Edgerunners and Cyberpunk: Edgerunners 2 are available exclusively on Netflix.

Cyberpunk 2077 gets a new update

CD PROJEKT RED announced the Edgerunners 2 Update alongside the anime’s premiere on October 20. The free update will introduce new items and features to Cyberpunk 2077, including content inspired by the new series.

The update launches on October 22 for PC, PlayStation 5, and Xbox Series X|S. CD PROJEKT RED has yet to announce the Nintendo Switch 2 release date beyond confirming that it will follow shortly.

The studio will reveal more details during a special episode of REDstreams on October 21. The broadcast will air on Twitch, YouTube, and Steam, with official patch notes scheduled for release on the same day.

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Now Playing: Clayface

Finally, a supervillain story worth watching.

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The thing about supervillain movies is that they rarely let their villain be a villain. From Venom to Kraven the Hunter, they’re contrarian dreck that reframe a mass murderer as a “misunderstood anti-hero” who’s overshadowed by a corny do-gooder. Boo hoo. Thankfully, Clayface got the memo to not do that, even if it came pretty close.

Clayface reimagines how rising actor Matt Hagen becomes one of Batman’s most (literally) monstrous enemies. Here, Matt is horribly disfigured by gangsters then abandoned by his friends. He finds hope in Dr. Caitlyn Corr’s genetic experiments, but loses his body, mind and soul as her miracle cure enables his worst impulses.

Basically, Clayface is everything Joker failed to be. It’s a sympathetic origin story for a twisted Batman villain, but it doesn’t make excuses for them. If Joker scapegoats Arthur Fleck’s madness and anarchy on the nebulous enemy that is Society the way an aimlessly rebellious teenager would, Clayface throws all the blame and consequences on Matt — and Matt alone.

I like how Matt’s story is a tragedy of his own making. He wasn’t always evil, and he really was wronged by scum. Worse, his identity is cracking, which is a bit of psychological torment that I wish the movie dwelled on more. And yet, he always had a way out. He just keeps choosing the cruelest and greediest options instead.

This is the kind of agency most supervillain movies — or any movie about a juvenile anti-hero fighting The System, really — lack, but Clayface has an abundance of. There was a moment I thought that the movie would still side with Matt despite everything he’s done, only for him to cross a line. In the end, he can only blame himself when he loses everything and everyone.

However, I was let down by Clayface’s violence. There’s blood and guts, alright, but they’re too inconsistent. For every morbidly satisfying disemboweling or close-up of a nasty scarring, there’s a moment where the movie cuts away from these too early. I lost count of how many times Clayface jumped to the next scene before really letting blades sink into flesh, or how many of Matt’s kills were done offscreen. 

Minus the pivotal deaths, the kills are also not as diverse as I’d hope from a killer powered by Play-Doh and imagination. It’s just variations of stabbing and bludgeoning. My issue isn’t a lack of brutality, but that this reluctance to push it further or just show it gives the well-built tension a lackluster payoff. A movie about superpowered revenge in one of fiction’s vilest hellholes should be more depraved and creative.

To be fair, this is more the fault of the movie’s constraints, not a lack of skill or thought. Effects cost time and money that Clayface clearly didn’t have a lot of. This would also explain why Matt is limited to identity theft not by molding himself, but via clever camera work. For what it’s worth, I see and respect the smart workarounds the movie found to deliver the dread. 

Still, I like Clayface. It’s the rare supervillain movie that’s self-aware and honest about its darkness. It humanizes its villain, but commits to their monstrosity while rejecting forced redemption. It’s also a grisly thriller that works on its own merits, yet complements DC Comics’ latest growing cinematic world. That said, Batman can’t arrive sooner to beat Matt’s melted face in.

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Now Playing: Whalefall

Experienced in 4DX

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I went into Whalefall with relatively low expectations. My initial assumption was something along the lines of a Discovery Channel or National Geographic documentary. Perhaps, with a biblical twist inspired by Jonah and the whale.

Learning about marine life and having a mildly existential moment about the ocean seemed plausible enough. What I wasn’t prepared for was being physically thrown around in a cinema while watching a man get swallowed whole by a sperm whale.

Based on the novel of the same name, Whalefall follows Jay Gardiner (Austin Abrams), who dives off the coast of California in search of his father’s remains. What begins as a deeply personal mission turns into a fight for survival when Jay finds himself trapped inside the very creature that could end his life.

(L-r) Director Brian Duffield and Austin Abrams as Jay Gardiner in 20th Century Studios’ WHALEFALL. Photo by Jennifer Clasen. © 2026 20th Century Studios. All Rights Reserved.

Watching it in 4DX made the experience all the more harrowing. My seat moved and the tension mounted. I found myself gripping the armrests as though I had personally signed a waiver to become whale food.

I went in expecting an underwater adventure and left with a renewed appreciation for dry land, breathable air, and the many reasons to stay out of a sperm whale’s digestive system. More surprisingly, I left thinking about my father.

Oh, the questionable decisions we make when we’re hurting

Anyone who has spent time diving knows that going underwater alone is a risk. Conditions can change in an instant. Having nobody around to help when something goes wrong can turn a manageable situation into a life-threatening one.

Jay, unfortunately, has other things on his mind. His decision to dive alone is frustrating to watch, particularly when you can see how much trouble his stubbornness is going to cause him.

There were moments when I wanted to reach through the screen and confiscate his diving equipment. I wanted to tell him that grief is not an excuse to abandon every survival instinct he has ever learned.

Then again, grief has a rather unpleasant way of making sensible people do questionable things. Jay is still carrying the weight of his father’s death, compounded by the memory of their last fight.

Diving was something they shared, and returning to the water becomes his way of reconnecting with a man he can no longer speak to.

His search for his father’s remains is also a search for something less tangible: closure, forgiveness, and perhaps, a chance to make peace with the things left unsaid.

That part hit a little too close to home. My own attempt to reconnect with my father involved tennis. Apparently, when daddy issues meet a sports hobby, the brain starts entertaining the idea that a shared activity might somehow repair years of complicated feelings.

Baggage you can’t breathe away

I haven’t read the original novel, so I can’t speak to how closely the film follows the book. What I can say is that Whalefall uses its survival premise to explore the kind of emotional baggage that no amount of deep breathing can magically dissolve.

Jay is fighting to stay alive, but he is also confronting the guilt that has kept him emotionally tethered to his father’s death. The whale becomes a fascinating extension of that struggle.

As Jay fights his way through its body, the physical obstacles begin to mirror the emotional ones he has spent so long avoiding.

The creature sometimes feels more like a manifestation of his father. It forced him to confront memories he has buried along with his grief. Survival, in this case, means more than finding a way out. Jay must also find a way to forgive himself.

Suspense that gets under your skin

It’s so deeply unsettling watching a person trapped inside a living creature. I can handle the occasional horror movie, but the human imagination has its limits. Mine would very much prefer not to picture what happens when the walls around you are made of whale.

Jay’s ordeal is brutal. He suffers serious injuries, struggles with dwindling oxygen, and has to work through one terrifying obstacle after another with very little room for error.

The film makes the environment feel claustrophobic and unpredictable, keeping you painfully aware that his body is running out of time.

The 4DX presentation makes all of this considerably harder to watch. Every jolt and movement pulled me further into Jay’s predicament. The physical effects heightened the sense that something could go wrong at any moment.

I was no longer comfortably observing a survival thriller from my cinema seat. Apparently, I was a passenger on the world’s worst underwater excursion.

There were moments when I genuinely wanted to look away and ask someone to tell me when it was safe to look again. I knew Jay was the protagonist, and a small, sensible part of my brain assumed the story would find a way to keep him alive.

The rest of me remembered that films can be cruel. That being the main character isn’t always a legally binding guarantee of survival.

Between hope and hopelessness

What kept me watching was the tension between hope and helplessness. Jay has knowledge that could save him, much of it drawn from lessons his father taught him. But remembering what to do is difficult when panic takes over.

His chances seem to improve just enough to make you hopeful before another complication threatens to undo everything.

The film doesn’t rely solely on the spectacle of a man being trapped in a whale. Its suspense comes from watching Jay piece together what he knows while confronting everything he has spent years trying not to feel.

And no, this is not Moana. There is no helpful manta ray carrying the spirit of a dead grandmother to guide our hero through his darkest hour. Jay has to do the work himself, even when the memory of his father becomes the closest thing he has to a guide.

That is what makes the whale’s presence so compelling. It feels as though Jay is being forced into an encounter with his father, except the reunion comes with broken bones and a ticking oxygen supply.

A survival story with grief at its heart

I expected Whalefall to be a survival thriller about the sheer terror of being swallowed by a sperm whale. It certainly delivers on that front, particularly in 4DX, where every movement makes the experience feel uncomfortably immediate.

What I didn’t expect was to leave the cinema thinking about my own relationship with my father. The film’s most affecting moments emerge when the physical struggle and Jay’s emotional journey begin to converge.

(L-R): Austin Abrams as Jay Gardiner and Josh Brolin as Mitt Gardiner in 20th Century Studios’ WHALEFALL. © 2026 20th Century Studios. All Rights Reserved.

The whale and the memories of his father all become part of a story about learning to live with loss. Its imagery gives the audience room to consider how grief can trap us in the past, even when we desperately want to move forward.

It’s painfully familiar to hold on to the last argument, the final conversation, or the version of a relationship we wish we could have changed.

We replay those memories as though enough mental editing might eventually produce a different ending. Sometimes, we even try to revisit the things we once shared with someone, hoping the familiarity will bring us closer to them again.

Making peace with who we were

Jay’s journey suggests that making peace with a person who is gone also requires making peace with the person we were when they were still here.

That’s a difficult thing to accept, especially when the relationship itself was complicated. Forgiveness doesn’t necessarily mean every wound disappears or every unanswered question finds a neat resolution.

Sometimes, it means acknowledging what happened and allowing yourself to keep living. Whalefall surprised me with how much emotional weight it carried beneath its survival-thriller premise.

(L-R): Austin Abrams as Jay Gardiner and Josh Brolin as Mitt Gardiner in 20th Century Studios’ WHALEFALL. © 2026 20th Century Studios. All Rights Reserved.

The cinematography and storytelling give its more introspective moments room to settle, making the experience linger long after the credits roll.

If you’re looking for a survival thriller that will leave you gripping your cinema seat, Whalefall is worth the trip. The 4DX experience makes its claustrophobic ordeal all the more visceral. Consider this your reminder to bring your strongest stomach.

If you have a complicated relationship with your father, the film might leave you with something heavier to carry home.

I arrived expecting to watch a man fight his way out of a whale. I left thinking about the things we carry long after the people we love are gone, and the difficult business of learning to let them go.

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