Entertainment
Netflix unveils Korean lineup for 2022
Netflix unveils Korean lineup for 2022
There was a viral tweet recently saying something along the lines of “Korea is keeping the lights on at Netflix,” and it’s hilarious because it is kind of true. In 2021 alone, Netflix garnered several eye balls thanks to the shows Squid Game and Hellbound. So, it’s no wonder that the streaming giant is doubling down on South Korean shows as they unveil their Korean lineup for 2022.
Speaking of Squid Game, Netflix says it’s the biggest show they’ve ever launched with it being the most viewed Netflix show in 94 countries at its peak. The company adds that 95 percent of these viewers are from outside Korea and many of them explored other Korean content afterwards.
Netflix has launched 130 Korean titles since 2016 and they look to continue to bringing on the K-wave. Here’s what’s coming to Netflix in 2022.
All of Us Are Dead
Directed by: Lee JQ, Kim Nam-su
Writer: Chun Sung-il
Launch date: Jan 28th
Starring: Yoon Chan-young, Park Ji-hu, Cho Yi-hyun, Lomon, Yoo In-soo, Lee You-mi, Lim
Jae-hyeok
Overview: Netflix Series All of Us Are Dead is a story about students trapped in a school amid a zombie virus outbreak who later join hands to fight for survival. All of Us Are Dead is based on a popular webtoon by Webtoon creator Joo Dong-geun, touted as a ‘Korean-style zombie graphic novel’ with its wild imagination, gripping storyline, and meticulous details. The horrific visuals of students infected by the mysterious zombie virus and stunning action set in different parts of the school are a must-watch.
Juvenile Justice
Directed by: Hong Jong-chan
Writer: Kim Min-suk
Starring: Kim Hye-soo, Kim Moo-yeol, Lee Sung-min, Lee Jung-Eun and etc
Overview: Juvenile Justice deals with a judge who dislikes juvenile delinquents, later realizing the troubles children face in society and how society is circumventing them to become better people. Kim Hye-soo(Hyena, Signal) plays Sim Eun-seok, the charismatic judge newly appointed to a district with the highest juvenile delinquency and makes unorthodox decisions to existing
judgments. She later tries to send a message that society is also responsible for juveniles’ immoral and illicit acts.
Twenty Five, Twenty One
Directed by: Jung Jeehyun
Writer: Kwon Doe-un
Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Kim Tae-ri, Nam Joo-hyuk, Kim Ji Yeon, Choi Hyun Wook, Lee Ju Myung
Overview: Twenty Five, Twenty One is a drama of youths who lost their dream to the zeitgeist of 1998, a drama of their dilemma and growth. They called out each other’s names for the first time when they were twenty-two and eighteen. Now they’ve each become twenty-five and twenty-one. The fine line between a heart-fluttering first love and a heart-warming friendship gives them butterflies. Their sparkling love and growth, as well as the chemistry and hardships among the five friends, remind us of our intense yet beautiful youth.
Forecasting Love and Weather
Directed by: Cha Young Hun
Writer: Sun Young
Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Park Min Young, Song Kang, Yoon Bak, Yura
Overview: Forecasting Love and Weather is a cheerful romance drama of people at the Korea Meteorological Administration who break, fall and get back on their feet every day. Forecasting Love and Weather is a romantic comedy series ofpeople at the Korea Meteorological Administration who break, fall and get back on their feet every day. The story narrates Jin Ha-kyung, who decides never to commit to an office romance after a brutal break-up, again falling into a relationship with a newcomer in the team Lee Si-woo who is different but attractive in his own way. With a star-studded cast of Park Min Young and Song Kang, this is one of the most anticipated Romantic Comedies in the first half of 2022.
Thirty Nine
Directed by: Kim Sang-ho
Writer: Yu Young- a
Launch date: February 16th
Episodes: 12 episodes (Every Sat & Sun 2 episodes per week)
Starring: Son Ye-jin, Jeon Mi-do, Kim Ji-hyun
Stills: Stills folder
Overview: Thirty Nine is a down-to-earth life and romance drama that touches deep into the friendship, love and life of three friends who are about to turn forty. A coincidence in their high school years brought the three of them together to become BFFs. Cha Mi-jo (played by Son Ye-jin) Jeong Chan-young (played by Jeon Mi-do) and Jang Joo-hee (played by Kim Ji-hyun) are very close friends who have been through both the good and the worst times together. Mi-jo now works as a Dermatologist, Chan young as an acting coach and Joo-hee as a cosmetics sales manager. One fine day, when they are all 39, life takes a turn for the worse and they have to get ready for goodbye.
Tomorrow
Directed by: Kim Tae-Youn, Sung Chi-Wook
Writer: Park Rhan, Park Ja-kyung, Kim You-jin
Episodes: 16 episodes (Every 2 episodes per week)
Starring: Kim Hee-seon, Rowoon, Lee Soo-hyuk
Stills: The grim reapers who used to escort the dead now save those who want to die. An afterlife fantasy drama, Tomorrow depicts how a long-time unemployed Choi Jun-woong accidentally bumps into grim reapers on a special mission and becomes a contract worker at their Crisis Management Team to help them out on their mission.
Business Proposal
Directed by: Park Seon Ho
Writer: Han Sul Hee
Episodes: 12 episodes (Every 2 episode per week)
Starring: Ahn Hyo-Seop, Kim Se Jeong, Seol In A, Kim Min Gue, Lee Duck Hwa
Stills: An office romance drama, Business Proposal, is based on a globally famous web novel and webtoon of the same name with a total 320 million views. An office romance of a perfect CEO who’s got both the looks and the brains and an average employee who becomes his blind date will certainly keep you away from quitting your job! An average employee Shin Ha-ri (played by Kim Se Jeong) goes on a blind date in her friend’s stead as a sassy girl, only to find her blind date to be the CEO of her company, Kang Tae-moo (played by Ahn Hyo-Seop). After the two run into each other on their blind date, they each struggle in their own way at the office as the CEO and the employee, which can sometimes be sweet, thrilling and even tense.
The Sound of Magic
Directed by: Kim Sung-youn
Writer: Kim Min Jeong
Starring: Ji Chang-wook, Choi Sung-eun, Hwang In-youp
Overview: The Sound of Magic, based on the popular webtoon Annarasumanara, is a touching drama about Yoon Ah-yi, a girl who had to grow up too fast, and Rieul, a mysterious magician who — although grown up — wants to remain as a kid. Ji Chang-wook plays Rieul, a mysterious magician who lives in an abandoned amusement park, Choi Sung-eun plays the role of Yoon Ah-yi and Hwang In-youp will play Yoon Ah-yi’s classmate Na Il-deung.
Remarriage and Desires
Directed by: Kim Jung-Min
Writer: Lee Geun-Young
Starring: Kim Hee-Seon, Lee Hyun-Wook, Jung Eugene, Park Hoon, Cha Ji-Yeon
Overview: Remarriage & Desires is a satire of Korean society governed by desire. Set at the exclusive matchmaking agency Rex catering to the top echelons of society, ambitious souls hope to upgrade their status by marrying or remarrying into the ranks of the elite. They aspire to nab someone from the “Black” tier, the highest group consisting of the top 0.001 percent of the population. Remarriage and Desires shrewdly portrays the commercialized dating/marriage business and society’s perception in which we live.
A Model Family
Directed by: Kim Jin-woo
Launch date: Lee Jae-gon
Starring: Jung Woo, Park Hee-soon, Yoon Jin-seo, Park Ji-yeon
Overview: A Model Family is a story about a man on the brink of bankruptcy and divorce stumbling upon a car loaded with cash. The incident has him crossing paths with the second-in-command of a drug organization. Jung Woo, Park Hee-soon, Yoon Jin seo and Park Ji-yeon lead this thrilling illustration of an ordinary family coincidently putting hands on illegal drug money.
Glitch
Directed by: Roh Deok
Writer: Gin Han-sai
Producer: Yoon Shin-ae
Starring: Jeon Yeo-been, NANA
Overview: Glitch tells the story of Hong Jihyo, who attempts to track down her missing boyfriend with the help of members of a UFO club. In the process, she comes face to face with a mysterious secret. Writer Gin Han-sai who enthralled audiences and critics with the much-lauded Netflix series Extracurricular. The series will be directed by Roh Deok, known for her genre-crossing agility, and Jeon Yeo-been plays the lead role of Hong Jihyo, and NANA plays Bora.
The Accidental Narco(WT)
Directed by: Yoon Jong-bin
Writer: Yoon Jong-bin, Kwon Sung-Hui
Starring: Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin, Yoo Yeon-seok, Chang Chen
Overview: Based on real-life events, the story is about an ordinary entrepreneur who has no choice but to risk his life in joining the secret mission of government agents to capture a Korean drug lord operating in The Accidental Narco. The Accidental Narco marks Director Yoon Jong-bin’s first foray into series and first collaboration with Netflix. A star-studded cast including Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin and Yoo Yeson-seok is on deck, along with mounting anticipation as The Accidental Narco is the first collaboration between Ha Jung-woo and Hwang Jung-min.
The Fabulous
Directed by: Kim Jeong-hyeon
Writer: Kim Ji-hee, Im Jin-sun
Starring: Chae Soo-bin, Choi Min-ho
Overview: The Fabulous is a highly realistic romance that explores the dreams, love, and friendship of young people who devote their lives to working in the fashion industry, where fashion often means passion.
Love to Hate You
Directed by: Kim Jeong-kwon
Writer: Choi Soo-young
Starring: Kim Ok-vin, Yoo Teo, Kim Ji-hun, Go Won-hee
Overview: Love to Hate You is about the war-like relationship between a woman who hates losing to men and a man frantically suspicious of women who later discover life remedies behind their opposite characteristics. Starring Kim Ok-bin and Teo Yoo, Love to Hate You depicts the love and emotional sympathy that triumphs over the broader mistrust between the opposite sex
Money Heist: Korea – Joint Economic Area
Directed by: Kim Hong-sun
Writer: Ryu Yong-Jae, Kim Hwan-Chae, Choe Sung-Jun
Starring: Yoo Ji-tae, Kim Yunjin, Park Hae-soo, Jun Jong-seo, Lee Won-jong, Park Myung-hoon, Kim Seung-o, Kim Ji-hun, Jang Yoon-ju, Lee Joobeen, Lee Hyun-woo, Kim Ji-hoon,, Lee Kyu-ho
Overview: Money Heist: Korea – Joint Economic Area narrates a genius strategist and his talented crew – composed of top-class thieves – attempting to pull off an unprecedented heist in the Korean Peninsula. The story portrays unexpected twists and turns as the crew stage a hostage while facing inexplicable challenges. All eyes are focused on the background and definition behind the title Joint Economic Area.
Somebody
Directed by: Jung Ji-woo
Writer: Jung Ji-woo, Han Ji-wan
Starring: Kim Young-kwang, Kang Hae-lim, Kim Yong-ji, Kim Su-yeon
Overview: A murder case revolves around the social dating app – Somebody, triggering a developer of the app, and her friends to entangle in inexplicable issues surrounding a mysterious figure named Yoon-oh. Prominent director Jung Ji-woo spearheads the production — marking his first foray into series and collaboration with Netflix — along with writer Han Ji-wan renown for his ability to write excellent thriller genre scripts.
Black Knight
Directed by: Cho Ui-seok
Writer: Cho Ui-seok
Starring: Kim woo-bin, Esom, Kang you-seok etc
Overview: Starring Kim woo-bin, Black Knight illustrates an air polluted world in 2071, where people depend on respirator masks to breathe. Only one percent of the human race has survived, and a strict social stratification has been established in the deserted lands of the Korean Peninsula. Delivery drivers play a crucial role within this system, and for refugees, becoming a delivery driver is their only hope for survival. Amid desolation, Black Knight tells the story of a legendary delivery driver 5-8 with exceptional battle skills and refugee Sawol who dreams of following in his footsteps.
Film
Love and Leashes
Directed by: Park Hyun-jin
Writer: Park Hyeon-jin, Lee Da-hye
Launch date: Feb 11
Starring: Seo Hyun, Lee Jun-Young, EL
Overview: Love and Leashes is a film about a different kind of romance between a man with a unique taste and a woman who stumbles upon his secret. Seo Hyun, who recently played a shapeshifting swindler in Private Lives, will star in her first film, Love and Leashes. Jung Ji-woo, played by Seo Hyun in the film, is a woman who leads a racy romance by engaging in a “special” relationship with her co-worker after she accidentally learns about his secret peculiarities. Performing outstandingly across an array of genres like in the musical Swag Age: Shout, Chosun!, the drama Please Don’t Date Him, Imitation, rising star Lee Jun young will play the role of Jung Ji-hoo, a man with unusual tastes. Lee Jun-young will add vibrancy and excitement in the role as his character’s charm and figure, adored by his female co-workers, hide his secret and unique taste.
Yaksha: Ruthless Operations
Directed by: Na Hyun
Writer: An Sang-hoon, Na Hyun
Starring: Sul Kyung-gu, Park Hae-soo, HIROYUKI Ikeuchi, Yang Dong-keun, EL, Song Jae-lim,
Park Jin-young
Overview: A breathtaking spy action film Yaksha: Ruthless Operations unfolds as a merciless man known as “Yaksha” crosses paths with a prosecutor on a special inspection mission in Shenyang, a city in China notorious for espionage. Director Na Hyun makes his long-awaited comeback after directing Prison, which has swept audiences off their feet with stunning action scenes and a tightly wound plot, and adapting Inseparable Bros into a delicate and heartwarming story. Sul Kyung-gu plays the callous head of the overseas espionage team, also known as the man-eating Yaksha, who accomplishes his goals by hook or by crook. Park Hae-soo, a global star from Squid Game, plays the role of Ji-hoon, a prosecutor demoted to Shenyang for playing it by the book.
Carter
Directed by: Jung Byung-gil
Writer: Jung Byung-gil, Jung Byeong-sik
Starring: Joo Won
Overview: Carter is a new original film about an agent suffering from memory loss who is thrown into the middle of a mysterious mission. At the helm of the series is director Jung Byung-gil, whose skilled hands have produced many unique action films. Joo Won, who played powerful roles in Good doctor, Yong-pal, transforms into an action hero in Director Jung Byung-gil’s new work. In the popular drama Alice, which involved car chases and hand-to-hand combat, Joo Won exhibited his great skill in performing action scenes. The role of Carter will challenge him with even more extreme and exciting action. In the series, Carter is a top agent who awakens one day with a complete loss of memory, but is then thrown into the mission of a lifetime.
Seoul Vibe
Directed by: Moon Hyun-sung
Starring: Yoo Ah-in, Ko Kyung-Pyo, Lee kyoo-hyung, Park Ju-hyun, Ong Seong-wu
Overview: Action blockbuster Seoul Vibe narrates a talented crew of baby drivers – known as the Sangedong Supreme team. With the world’s eyes drained to the 1988 Seoul Olympic Games, the illegal transactions of capital (funds) is a significant issue. A special operation driven by the Sangedong Supreme team initiates to unravel the corruption behind the slush funds. An all-star
cast — Yoo Ah-in, Ko Kyung-pyo, Lee kyoo-hyung , Park Ju-hyun, Ong Seong-wu– portrays this incredible chase in the city of Seoul tightly packed with breathtaking action scenes.
20th Century Girl
Directed by: Bang Woo-ri
Starring: Kim You-jung, Byeon Woo-seok, Park Jung-woo, Roh Yoon-seo
Overview: In 1999 – the last year of the 20th century – seventeen-year-old Bo-ra finds her first love: a sweet, pure but heartbreaking relationship. Years later in the 21st century, news about her first love revives her teenage romance that she once thought had forgotten. The 20th Century Girl narrates the lives of the youth in their 20s, filled with vivid moments of love and friendship. Starring the popular Kim You-jung, Byeon Woo-seok, Park Jung-woo, and Roh Yoon-Seo, this pit-a-patting film will be directed by Bang Woo-ri, who won the Best Short Film award for Mrs.Young at the Blue Dragon Awards.
JUNG_E
Directed by: Yeon Sang-ho
Writer: Yeon Sang-ho
Starring: Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo
Overview: JUNG_E portrays a desolated Earth in the 22nd century that is no longer inhabitable due to climate change. Amid the chaos, an internal war breaks out in the shelter built for human survival. Victory — meaning the end of the war– now hinges on finding a way to clone the legendary mercenary JUNG_E into a scalable robot. Orchestrated by Director Yeon Sang-ho of Train to Busan, Peninsula, and Hellbound, and with a colorful cast – Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo –, JUNG_E portrays a unique theme combined with dystopia, cloning, and technology.
Variety Show
Celeb Five: Behind the Curtain
Directed by: Kim Joo-hyung, Go Min-seok
Starring: Celeb Five (Kim Shin-young, Song Eun-i, Shin Bong-seon, An Young-mi)
Overview: Celeb Five on Netflix? A fake documentary Celeb Five: Behind the Curtain takes a peek into how Celeb Five (Kim Shin-young, Song Eun-yi, Shin Bong-sun, Ahn Young-mi) goes on marathons of ideation meetings to plan an amazing stage after being offered a solo show on Netflix. Their behind-the-stage work, more ingenious and hilarious than the on-stage show itself, provides incessant laughter and fun. Endless gut-busting stories, all-of-a-sudden pretend play, skits made on-the-fly and all the improvs… They’re definitely showing all they’ve got! This hilarious show is produced by Company SangSang, known for its great synergy with Netflix on shows like Busted, Twogether and New World, and co-directed by Celeb Five and Director Kim Joo-hyoung, praised for having laid the groundwork for Korean standing comedies with Park Na-rae: Glamour Warning and Lee Su-geun: The Sense Coach.
When Superman premiered last year, it was carrying over a decade’s worth of baggage from the ultra-gritty Snyderverse. It held the promise of a fresh superhero world that emphasizes fun. Now, Supergirl is no different. Whereas Superman was tasked with restarting a dying cinematic universe, Supergirl wants to prove that the former wasn’t just a one-hit wonder, and it does exactly that amid a few struggles.
Though David Corenswet’s Superman does make quite a few cameos in the film, Supergirl is about Clark Kent’s titular cousin. It’s also based on the award-winning book, Supergirl: Woman of Tomorrow, written by Tom King.
Celebrating her 23rd birthday, Kara Zor-El travels to planets with a red sun, the only places where she can get drunk as a Kryptonian. In one planet, she meets Ruthye Marye Knoll, who, after seeing Supergirl’s resilience, asks Kara to hunt Krem, the leader of the Brigands who killed her whole family. Kara initially refuses, but when Krem poisons Krypto, her dog, she goes off on her own to find the Brigand.
A classic tale of revenge
As with the original book, Supergirl is a tale of reluctant revenge instigated by a child desperate for it and a more mature mentor who knows better. Despite Kara’s nihilistic tendencies, she believes that revenge isn’t the right path for Ruthye.
It’s your standard fare of a revenge tale, somewhat bordering on a classic Western. In essence, it follows much of the structure of the original book. There are, however, some interesting changes, which may or may not be helpful to the story.
By switching to a more traditional plot structure, Supergirl trades away the book’s fleshed out relationship between Kara and Ruthye. Though Kara still cares for her young protégé, Ruthye has unfortunately been reduced to a fiery platitude, telling people who she is and how much she wants to kill Krem. At one point, Kara even makes fun of her little speech.
Krem, on the other hand, feels much more ferocious. Though the book’s Krem was evil in his own right, he was more of a mundane type of evil, just-an-average-Joe evil. The movie’s Krem is the type you wouldn’t want to meet in a dark alley. He looks like he took a few too many steroids.
On the one hand, these changes make for a smoother film. Though the movie starts off slow, it eventually rolls towards a superhero-level fight at the end. On the other, it loses the message of the original story about the complexities of revenge.
On James Gunn’s universe
Normally, it’s a compliment to have a movie comparable to a James Gunn movie. There is another side to the coin, though.
Despite being tagged as fundamentally different from the tone of Superman, it’s clear that Supergirl was influenced by Gunn’s vision. There are jokes, random aliens, and a liberal use of older songs. On a micro level, it just doesn’t hit as hard as a Gunn flick, though.
For one, in a Gunn movie, each unnamed alien has so much character that you’d hardly believe that they’re just extras. In Supergirl, background characters, even those with speaking roles, don’t lift up from the screen. They just blend into the background. Likewise, the Brigands, despite how much eviler their actions are, don’t look like anything beyond generic sci-fi villains.
On a larger scale, keeping up with Gunn’s vision makes sense. Supergirl’s take on Kara’s story complements Superman’s story so well. Kara’s origin, explored in the film, contrasts with Clark’s. Ultimately, it helps turn Clark and Kara into fully fleshed out characters, rather than the tired stereotypes of Mr. Goody Two Shoes and his apathetic sidekick.
It also helps that Lobo, played by Jason Momoa, adds an interestingly cosmic element to the universe’s growing cast of characters. Finally spreading his wings away from Aquaman, Momoa has finally found a role perfect for him. He steals all the scenes that he’s in.
Should you watch Supergirl?
Supergirl is not on the same level as Superman. While the latter is Gunn at his absolute best, the former is a Gunn-esque film that drops the original story’s message in favor of a plot friendlier to the big screen.
That doesn’t mean that it’s a bad movie. In fact, it does well to expand the lore started by the first film. Supergirl is still a worthy, albeit smaller, addition to the growing DCU oeuvre.
Global K-pop sensation LE SSERAFIM is returning to BlizzCon.
Blizzard Entertainment has announced that the five-member girl group will perform as the closing musical act at BlizzCon 2026. LE SSERAFIM will take the Main Stage on Sunday, September 13 (PT), bringing fans another live performance after its BlizzCon debut in 2023.
The appearance also comes ahead of the group’s upcoming U.S. tour. Blizzard teased that the performance will make it a “Perfect Night” for fans attending the convention at the Anaheim Convention Center.
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LE SSERAFIM returns to Blizzard
LE SSERAFIM debuted in 2022 under SOURCE MUSIC, a label of HYBE. The group is composed of Sakura Miyawaki, Kim Chaewon, Huh Yunjin, Kazuha Nakamura, and Hong Eunchae.
The group’s name is an anagram of “I’m Fearless,” reflecting the confidence that has defined its music since debut.
This won’t be LE SSERAFIM’s first crossover with Blizzard. The group previously collaborated with Overwatch 2, bringing themed cosmetics and a special event to the hero shooter.
BlizzCon 2026 is sold out
BlizzCon is Blizzard Entertainment’s annual community celebration. It brings together fans of World of Warcraft, Diablo IV, Overwatch 2, and other Blizzard franchises for game announcements, developer panels, esports, cosplay, and hands-on experiences.
Passes for BlizzCon 2026 have already sold out. However, Blizzard says tickets may still become available through the Tixr public resale marketplace.
Fans can learn more about LE SSERAFIM’s appearance on Blizzard’s official blog.
Toy Story 5 is the funniest the series has been for me, even if it might end up being one of its more forgettable entries. Toy Story 3 is still the franchise’s most profound when it arrived 15 years after the original film and spoke directly to an audience that had grown up with Andy. It gave people the kind of nostalgia and continuity they were ready for.
So, when Pixar finds an angle through the takeover of iPads and the Roblox-ification of childhood, we are primed with a very predictable premise. The toys are no longer competing only with time or growing up. They are competing with screens that know how to keep a child looking.
Whether that is a genuine attempt to stay relevant or simply another way of keeping the franchise alive, it is hard not to admire the idea.
What lingers is its lens on connection and what holds us together as the world keeps changing, even in the whimsy of a child. And the end credits song, Taylor Swift’s “I Knew It, I Knew You,” which carries us back to her country-pop roots.
Jessie steps forward
Aside from the introduction of tech play, the first sequence already makes it clear that Jessie (Joan Cusack) is taking on a larger emotional role here. Woody (Tom Hanks) gets some time to polish his boots before eventually being pulled back into the chaos with the rest of the gang. Buzz Lightyear (Tim Allen) gets caught in his own strange space-age mess with the kind of high-speed toy panic this franchise loves to stage.
Bonnie ditches toys for tech play
Bonnie (Scarlett Spears) is basically the new Andy now, except her childhood has more tabs open. She still transforms the gang into unwitting characters from different genres and eras in 2D treatment when she plays. But, she’s also feeling ostracized and pressured by screen-ager friends.
Sitting nearby is Lilypad (Greta Lee), a frog-shaped smart tablet bright enough to make the toys look a little dimmer. It looks exactly like one of those iPads with a green, funky case that you see kids carrying around at family functions. It is one more thing to play with and one more little world calling her name. The toys are still there, but now they are waiting between notifications and an attempt at sabotaging batteries.
When all these attempts go wrong, the gang’s plan is to find Bonnie a friend who can still meet her in imaginative play.
Is the screen the villain?
What Bonnie goes through as an eight-year-old is a reality for a lot of kids whose screen time stretches beyond moderation. In some ways, it feels a notch higher than Gen Zs and Millennials spending most of the week glued to work laptops while still trying to carve out time on a Sunday to “live a life.”
The inevitability of tech play is announced like an impending doom when Bonnie spots the twins she wants to play with lolling on a couch in a bleak living room, their faces looking washed in the glow of their phones. It’s more unsettling than Sid’s vicious grin in the first film, or Lots-o’-Huggin’ Bear’s refusal to redeem himself in Toy Story 3.
Bonnie’s friends even plan a sleepover just to end up on their Lilypads, not going a day without talking to each other face-to-face. It’s a room filled with excited kids slowly drained of energy by the devices in their hands. It’s strange enough that the kids packed into LAN parties and computer shops of our time, armed with the most creative trash talks, suggest a healthier version of real-world connection.
By the end, what keeps the film from becoming too preachy is that Lilypad is not treated like a Lots-o’-Huggin’ Bear by-product. The toys still matter, but the tablets do too. One gives shape to touch and make-believe, and the other opens up a metaphysical escape. Parents need to understand that it’s a matter of finding the balance between enough screen to discover new worlds. And enough real life for their kids to remember how to build one themselves.
The things that raised us
I lost touch with toys years ago, so I tried to make the story’s angle make sense through my grief for the glossies and magazines that raised me. I thought about the Filbar’s and grocery newsstands I grew up nagging my parents to take me to. Now Filbar’s fully houses collectibles and toys, which is its own little irony.
The magazines left us. At least my favorites did. Now they survive as digital flipbooks on my iPad, which surprisingly works for my tactile self. Though these devices can never recreate the wrinkling of a spine that suggests I probably loved my mags too hard. I do love the illusion of turning the pages and being able to carry it everywhere. It does act like a thread to my younger, more idealistic self. Which, for me, is an important kind of connection.
And maybe Toy Story 5 circles around the idea. That we never really lose the essence of fun and connection, even if the world changes. It is an innate thing to us. We may go to our screens to virtually meet people, then we come back to the small shared spaces where the sense of belonging is tangibly real.
Right now, fun lives in both the AFKs and in the realms of social media—half-present, half-elsewhere, but wholeheartedly connected.
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