Entertainment

Fan or not, you should watch Netflix’s ONE PIECE

This is how live-action anime adaptions should be done

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Spoiler Warning: If you haven’t seen Netflix’s ONE PIECE, please read with caution.


I’ve always loved Eiichiro Oda’s One Piece since I was a sprite-like hooman. I grew up excited every morning to watch Luffy’s adventures before I played Pokémon on my Game Boy Color. Millennials, where you at?

Even growing up, I kept tabs on One Piece‘s story by catching up on the manga and watching the animé. I still preach to people to find the time to keep up with the 1000+ episodes and chapters.

So when Netflix announced the live adaptation of the beloved manga, my friends and I were a bit excited and scared. Live-action adaptations tend to suck, let’s be real about it.

Sometimes, we just want our favorite series to remain faithful to the story we’ve always known. The only thing that pacified us was knowing that Eiichiro Oda also had his hands in producing the series.

Before I get nitpicky, I’d say showrunners Matt Owens and Steven Maeda did a good job. As a creative director, I believe that turning a fantasy series with lore-heavy two-dimensional characters into life-like films is quite an onerous challenge to pull off.

Bringing the characters to life

Having Oda all aboard the production of his beloved manga is a good chess move that prevented this adaptation from flunking like other Netflix’s live-action films.

They were able to give justice to the portrayal of characters, starring an ensemble cast starting with Iñaki Godoy to depict Straw Hat Monkey D. Luffy. A naive, optimistic young man who dreams of becoming the next Pirate King.

Godoy had the approval of Oda when he was cast. This surprised a lot of fans knowing that Luffy was the most difficult character to portray. After all, he’s an excessively smiling freak who looks dumb and thinks with his stomach. (And sometimes, with his heart).

Roronoa Zoro was also perfectly captured, and I say this as a Zoro-stan, Mackenyu is the perfect actor for the role. The Japanese actor is a heartthrob who stole the show, exuding the cool, nonchalant yet mysterious vibe that Roronoa Zoro exhibits even in the original series.

Jacob Romero Gibson portrayed Usopp, a pathological liar and sharpshooter, and Taz Skylar looked hot portraying the ever-handsome and gentlemanly yet foul-mouthed cook Sanji.

Emily Rudd, for me, has the most challenging role. She’s portraying Nami, the Straw Hat’s navigator and treasurer. It was a critical role since Nami’s story which ended in the East Blue saga was how most One Piece‘s fans fell in love with the series.

Rudd captured the cynical, frigid personality of Nami yet she failed to show the right emotions that would pull strings on the audience’s hearts. Some friends believe they still gave justice to that one particular, emotional scene in the last episode. However, I digress. I believe it lacked gravity in portraying how severe the situation is.

Getting it right

What I liked about Netflix’s ONE PIECE is how it brought to life the story I grew up with. While fans have expressed dismay long before the series even aired, I loved that the adaptation felt like a bridge between new and old fans, and people who have yet to discover the wonder of One Piece.

Visual effects are heavy, especially for a fantasy series. When my friends and I were watching it after our game night, I saw the complete astonishment in their faces when Luffy stretched his arms. Sticking to the magic of a manga/animé can be quite tricky, but Netflix pulled it off.

There was so much effort put into recreating the places, scenes, and overall vibe to remain faithful to the story. The first season tackled the first saga, which was the formation of Straw Hat Pirates in East Blue.

It was evident what Netflix’s ONE PIECE was all about. The series is being put out to reach a wider audience to be charmed by the story and its characters.

It felt short, though. The East Blue Saga in the anime covered 40+ episodes, which was shrunk to fit into eight episodes for the first season. Each arc was covered for at least two episodes each, diving into different narratives of each Straw Hat pirate member.

The good, the bad, and the crispy

Regardless of the pacing, Netflix highlighted all the important details of the story. Although, they removed some of the chuckles, constant annoyance, and witty banter between members.

I think that’s what got lost in translation. The bond they created while sailing together contributed to the emotional attachment between the characters and the viewers.

We know what they went through, what they’re going through, and how they all got entangled with each other’s lives. It’s true that they have each other’s back, teaching us the complexities of friendship — both in the anime and the adaptation.

As a fan, it was disappointing to see the lack of intensity in scenes that would cause you to break into tears. I did get goosebumps from certain lines and hearing the music accompaniment, though. But I was really looking for that tug in my heart that made me obsessed with this series for the past two decades.

Nevertheless, Netflix’s ONE PIECE is a show that can be enjoyed by ~literally~ anyone. Die-hard fans may keep on nitpicking and gatekeeping their beloved show, but this live-action series is a magnificent adaptation worthy of watching.

Go after your dreams

The story may have been all about being a pirate and clashing with the Marines, but only if you’ve seen the surface. Just like the oceans they cross, the series is quite deep. It tackles life, dreams, hope, survival, fear, and of course, friendship.

It’s what made me fall in love with the story; the highs and lows of the raging seas they travel on and the adventures of not knowing what’s next.

One Piece, both as a manga, anime, and live adaptation, pushes its audience to be spontaneous and go after their dreams. The Straw Hat pirates are a reminder that even when the odds aren’t in your favor, you’ll always find a breakthrough.

Even if you feel like your dreams are hard to reach, there are people who will stand by you. One day, you’ll find your own crew and you’ll get to be who you want to be.

Netflix, in a way, pursued its dream to finally create a live-action adaptation that gets it right. It’s surreal, magnificent, and wonderful in all aspects albeit with some hiccups that can be overlooked.

After all, it’s an enjoyable watch. It’s far from being a masterpiece, but it’s an example of how production companies should do live adaptations.

Just like in One Piece, it’s not just a new era of Pirates. It’s a new era of live adaptations, and Netflix has already set sail.


ONE PIECE is now streaming on Netflix.

Entertainment

Prime Video releases 1st-look image of Sophie Turner as Lara Croft

Production now officially underway

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Prime Video has announced that production for the new Tomb Raider series is now officially underway.

In addition, it also teased audiences by releasing the first-look image of Sophie Turner as Lara Croft.

In the photo, the 29-year-old English actress dons the iconic Lara Croft outfit, with a dark teal top, tight fit shorts, and belt with twin gun holsters.

Turner is known for her appearance in the Game of Thrones series, as well as her portrayal of Jean Grey in two X-Men movies.

Based on the legendary video game franchise, the series follows the globe-trotting adventures of the world-famous archaeologist and reimagines the beloved character for a new generation.

Aside from Turner, the upcoming series stars the following actors:

  • Sigourney Weaver
  • Jason Isaacs
  • Martin Bobb-Semple
  • Jack Bannon
  • John Heffernan
  • Bill Paterson
  • Paterson Joseph
  • Sasha Luss
  • Juliette Motamed
  • Celia Imrie
  • August Wittgenstein

Phoebe Waller-Bridge leads the series production, serving as creator, writer, executive producer, and co-showrunner.

She is joined by Chad Hodge as co-showrunner and executive producer. Meanwhile, Jonathan Van Tulleken will serve as director and producer.

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Now Playing: Rental Family

This will get your tears flowing.

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In Eat Pray Love, recent divorcee Liz Gilbert goes on a journey of self-discovery by travelling to Italy, India, and Bali. Someone should tell Gilbert that Japan is everyone’s preferred Eat Pray Love destination these days. Today, tourists from all over the world like going to Japan because of its different, almost perfect serene, culture.

However, the truth of Japan is less romantic than what’s shown in travelogues: absurd working hours, not enough time for personal life, and societal pressures to do only what’s expected. It’s this Japan that Rental Family wants you to see.

Truths

In Rental Family, Brendan Fraser plays Phillip Vanderploeg, a struggling American actor living in Japan. After failing to land a gig outside of the odd commercial here and there, an unconventional opportunity suddenly lands on his lap: to work for a rental family agency, which provides stand-ins for social situations. In one case, Philip pretends to be a young woman’s groom, so her family doesn’t ask questions when she moves and starts a life of her own in Canada.

It’s no surprise that Philip exclaims a loud “the f*ck?” when he first realizes what the firm does. Aiko (Mari Yamamoto), one of his colleagues, explains that this is how Japan works. Instead of paying for therapy, the Japanese people would rather pay for someone to pretend for them. For an outsider looking in, the practice seems strange, but it’s real. Rental family agencies have been around for a while.

Despite Aiko’s insistence that this is a Japanese phenomenon, Philip eventually understands that these agencies provide something more than just a country-exclusive need: the desire to be seen and to be heard.

Rental Family is a film that speaks to everyone. Often, we need someone to fill those gaps in our lives: a missing father, a missing lover, a missing friend. It’s a truth that should feel self-evident, but the film remains a poignant reminder of whatever, whoever is missing in our lives. We see ourselves in Kikuo Hasegawa (Akira Emoto), a retired actor who just wants a friend before his memory withers away. We see ourselves in Mia Kawasaki (Shannon Mahina Gorman), a young girl whose father left her.

And lies

Philip plays a multitude of roles: a father, a journalist, a cheerleader, a groom, a friend. It’s his job to play a role so credible that his client believes in the illusion. Essentially, he’s a professional liar.

However, Philip finds himself also believing in the same lies he’s crafted. He gets attached to a few of his clients, especially Mia whom he quickly becomes close to, as if as her real father. Even when his boss Shinji (Takehiro Hira) tells him not to get too personal with his clients, he cares for them beyond his initial assignment.

It’s the lie that makes the movie so believable. Who among us has never felt inadequate to play a certain role? Too incompetent to be a father, a lover, and a friend?

Ironically, the one who plays the part most authentically is the one person willing to build the lie, Philip. He becomes a better companion to their clients than the people closest to them. As the saying goes, “fake it ‘till you make it.”

Sometimes, the mask slips. Sometimes, Philip’s boss warns him that he’s too close, or a client ends the relationship themselves. When this happens, Philip has to confront the lie, which can mean that he tells his client that he was lying.

And yet, he doesn’t leave as if it’s just the conclusion of a deal. He opens up and makes himself vulnerable. He confronts what he did and promises to do better. Lying is easier, and we lie all the time. We tell ourselves that we’re the best at what we do. If we do it enough, we start to believe.

But Rental Family is about the truth behind the lie. An untruth can be the foundation, but a relationship only truly prospers with being vulnerable. It’s about realizing that, just as the other person needs us, we also need them. We’re all rental families in our own way.

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Entertainment

One Piece: Into the Grand Line ‘Rise of the Baroques’ teaser revealed

Lera Abova excels as Miss All-Sunday, additional villains previewed

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Courtesy: Netflix

Netflix has officially revealed the “Rise Of The Baroques” teaser trailer of One Piece: Into the Grand Line.

The action-packed trailer puts focus on the dangerous and formidable secret society, the Baroque Works.

There was a lot of screen time for Lera Abova, excelling as Miss All-Sunday. This includes a conversation with Monkey D. Luffy wherein she warns the Straw Hats leader of possible dangers.

The clip then shifts to most of the explosive action that is about to unfold in the season, including the perilous quests the Straw Hats are about to take on as they sail into the Grand Line.

Courtesy: Netflix

In the process, the teaser trailer has revealed the additional cast playing the other Baroque Works members:

  • Charithra Chandran as Miss Wednesday
  • Lera Abova as Nico Robin/Miss All-Sunday
  • David Dastmalchian asMr. 3
  • Camrus Johnson asMr. 5
  • Jazzara Jaslyn as Miss Valentine
  • Daniel Lasker as Mr. 9
  • Sophia Anne Caruso as Miss Goldenweek

Season 2 of the Netflix live-action adaptation of One Piece officially sets sail on March 10.

In this season, a the Straw Hat pirates search for the world’s greatest treasure, they will encounter bizarre islands and a host of formidable new enemies.

The series stars Iñaki Godoy, Mackenyu, Taz Skylar, Emily Rudd, and Jacob Romero. Watch the “Rise Of The Baroques” trailer below:

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