Cameras
Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens
Uncompromised storytelling plus f/1.2 lens made more accessible
Canon has officially announced the EOS R6 Mark III full-frame CMOS camera, along with the RF45mm f/1.2 STM lens.
The latest addition to the EOS R mirrorless line, the new camera paired with the large aperture lens is designed for enthusiasts and hobbyists.
The RF45mm f/1.2 STM is Canon’s widest aperture non-professional lens in the RF lens lineup.
This versatile and easy-to-use 45mm focal length on full-frame cameras broadens accessibility of an f/1.2 lens to users.
On APS-C cameras, users can expect a portrait-friendly 72mm full-frame equivalent focal length.
Faster, sharper
The EOS R6 Mark III features a higher 32.5-megapixel resolution and improved speed, performance, and reliability. It also incorporates powerful video capabilities.
Such resolution allows for finer details to be captured in higher definition, but with more cropping flexibility. The higher megapixel count comes in useful for faraway subjects shot with close crops.
On high-speed continuous shooting (electronic shutter) mode, the new camera can capture up to 150 shots at 40 fps.
And despite the higher processing load, it maintains the same high-speed continuous shooting rate (up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter).
In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.
Meanwhile, autofocus algorithm enhancements offer more tenacious subject tracking. This simplifies the post-shooting workflow especially for shooting difficult subjects.
The EOS R6 Mark III also inherits the Register People Priority function found in the flagship EOS R1. This allows pre-registered people to be prioritized for detection and tracking when shooting photos and videos in group situations.
Leap in video capabilities
Moreover, the camera offers more recording and post-production options. It supports 7K 60p internal RAW video recording to a CF-express Type B card.
It is also the first EOS R series camera to offer 3:2 Open Gate recording at up to 7K 30p RAW.
This provides greater flexibility for reframing, especially when creating horizontal and vertical videos from the same footage.
And during recording, users can also simultaneously record a smaller MP4 proxy file or a 4K DCI Fine MP4 sub movie to its SD card slot.
In addition, recording formats have been expanded. There’s internal RAW recording, Canon Log 2, and HLG gamma recording. These are on top of the pre-existing Canon Log 3 and HDR PQ.
Support for the Cinema EOS range’s Custom Picture (CP) profiles, including custom LUTs helps set recording options like gamma, color sampling, and bit depth as well.
And like the EOS R5 Mark II, the EOS R6 Mark III supports waveform monitor display, as well as false colors and zebras.
New features like AWB Response and Shockless WB also enable seamless white balance transitions during video shooting, regardless if the AWB is utilized or the white balance is manually adjusted.
RF45mm f/1.2 STM: f/1.2 made accessible
As Canon’s first f/1.2 lens of its class, the RF45mm f/1.2 STM is a compact, lightweight, and affordable option for users who desire bokeh. It weighs about 346 grams and is the smallest f/1.2 lens in both EF and RF lens range.
The larger aperture also enables the lens to deliver greater low light flexibility and AF support. The 4mm focal length allows users to capture a natural perspective, moving seamlessly between wide environmental shots and intimate closeups.
On APS-C cameras, the lens achieves a 72mm equivalent focal length. This, of course, is ideal for close-ups, portraits, and street photography.
The f/1.2 bokeh then levels up the shooting, as users can frame their storytelling in a more defining manner.
But if the entire shot needs to be sharp, just dial the aperture down to f/8 so the lens can deliver edge-to-edge sharpness.
Together, the lens’ maximum aperture allows ample light information to reach the new camera’s sensor.
This way, the Dual Pixel CMOS AF II system’s low light capabilities on the EOS R6 Mark III is fully maximized.
Plus, with 5-axis stabilization on the camera, the RF45mm f/1.2 STM delivers sharp, clean images at a slow shutter speed and lower ISO.
Cameras
DJI Osmo Action 6 review: An adventurer’s best friend
This might be the best action camera yet?
My life as an athlete with a love for adventure often throws me into days that move faster than I can track.
One moment I am at the gym before sunrise, convincing myself that today I will stretch properly. Next, I am sprinting through airports or packing for a weekend race that I definitely did not plan for (but signed up for anyway because that is who I am).
When the DJI Osmo Action 6 entered my life, it felt like finding a piece of gear that immediately understood the mess I willingly put myself through.
I have always wanted a camera that could move with me (and survive me), preferably without making me feel guilty every time I jump off something or run through something.
I wanted a camera that did not need pampering. Something that would not make me pause my life so I could “protect the gear.”
Then suddenly, there it was. I had an entire month with the Osmo Action 6, and it almost felt like the universe handed me something that finally matched my pace. It followed me through unexpected moments that felt too good not to capture.
Made for those who ~really~ move
The first thing I noticed was how easy it was to hold the Osmo Action 6. It felt secure even when my hands were wet or drenched in sweat from training, as if it wasn’t bothered at all that I was already exhausted at 7 a.m.
Most of its controls are placed so intuitively that it felt like the camera was gently guiding me, saying, “Don’t overthink it. Just press this. Go live your life.”
The user interface was so straightforward that even people who have never touched an action camera would know what to do.
The screen reacts quickly and the settings are easy to reach. Its layout feels like it was made for people who move first and think later.
It removes every excuse to miss a moment because you were too busy trying to understand how the device works.
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Out of the box, the Osmo Action 6 gives you everything you need: a 1.5m extension rod, three Extreme Battery Plus units inside a multifunctional battery case, two locking screws, a curved adhesive base, a USB-C 3.1 cable, and two Dual-Direction Quick Release Adapter Mounts.
Depending on your lifestyle, accessories like the floating handle, the dual direction mini extension rod (which doubles as a tripod), the 360-degree wrist strap, and the hanging neck mount all serve one purpose: keep you hands-free so you can focus on living your story.
Inside a race course
During the Spartan Race’s Asia-Pacific Championship in Alviera, Porac, Pampanga, I joined the open category simply because I wanted to film my moments inside the course.
I could never join the Age Group Championship wearing a red band only to slow down for content. My competitive self would revolt.
I have always raced in the front pack with elite athletes and seasoned racers. Content creation is a blessing until you’re in a race and your pride says absolutely not.
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So my friend (also an elite athlete) and I became last-minute racers thanks to Mang Inasal Philippines. We joined the Sprint Category, which covers 5 kilometers with 20 obstacles (plus three extra because championship vibes).
Armed with only the Osmo Action 6 on a dual direction mini extension rod, I climbed walls and nets, carried sandbags, passed through hanging obstacles, and ran under an open trail where the sun genuinely felt personal.
Alviera is hot. We call it Hellviera for a reason. Yet the camera kept going despite direct sunlight and constant movements.
I dialed the resolution down to 2.7K because long 4K recording will always test thermal limits. Even then, it stayed reliable.
Like a scene straight out of an adventure documentary
The stabilization was genuinely magical. The frame stayed clean and level even when my hands were doing a million different things, like swinging my arms, gripping nets, adjusting grip, and bracing for impact.
Whether you choose RockSteady or HorizonSteady, your running sequences will look cinematic and documentary-level.
When we climbed or jumped, the shots had that adventure-film energy. There were no jitter or weird warping. No “Sorry, can you do that again?” moments.
We did not need retakes, and we did not need to check footage mid-race. The Osmo Action 6 kept up with the pace of an endurance athlete.
The built-in microphones even picked up our voices clearly. Pair it with DJI’s wireless mic and you get clean commentary that feels like the behind-the-scenes of your own sports film.
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Calm moment underwater
One of the most meaningful moments came when I lent the Osmo Action 6 to GadgetMatch’s Account Manager and Resident Host, Noela Amparo-Oro, for her birthday.
She wanted to celebrate by freediving, which honestly feels like the most poetic thing you can do for yourself. So I handed her the camera and said, “Go live your birthday moment. Capture it.”
Action cameras deserve to see actual action, not city sidewalks pretending to be adventures.
Noela had fun descending into the clear blue water. The footage she brought back made my heart stop for a moment. It was surreal. Like she had slipped into another world and returned with proof that it existed.
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I have seen plenty of underwater clips from action cameras that turned murky or desaturated, requiring heavy color adjustments. The Osmo Action 6 did not do that. Underwater, it preserved colors beautifully.
The details of her movements; the subtle shimmer of light across her skin; and the calm flow of bubbles. Everything was captured with clarity that felt emotional.
The Osmo Action 6 handled depth and shifting light with ease. Watching the clips felt like I had been there beside her, suspended underwater.
Even Noela could not believe the footage. And the fact that the camera does not need an underwater case up to 20 meters makes the experience feel even more freeing.
A picture quality to love
The Osmo Action 6 uses a large 1/1.1-inch square CMOS sensor that lets in more light, allowing underwater clips to remain balanced and detailed even in low-light environments.
With 10-bit color support, gradients in the water and sky looked vivid. The variable aperture paired with the sensor gives you the flexibility to shoot under harsh sunlight or underwater without losing depth or mood.
Exposure transitions also felt natural, and the highlights stayed controlled while the shadows held detail. The Osmo Action 6 preserved the emotional tone of each scene without flattening the story.
As James Rusameekae from Physical: Asia said, it is simply “Wow!”
Is the DJI Osmo Action 6 your GadgetMatch?
The DJI Osmo Action 6 excelled in every environment I threw it into. Water, low light, heat, fast movement, and unpredictable conditions? It handled everything with ease.
I collected footage filled with emotion and energy, and everything remained steady and sharp.
The clips felt complete even before editing, like they were already telling a story. (I uploaded some of them straight to my Instagram Story!)
If you live an active life and thrive outdoors, the Osmo Action 6 will meet your needs. You will appreciate how quick it is to use, and you will love the size, durability, and picture quality.
It feels like the kind of gadget you bond with, which makes it a Swipe Right!
Anyone who wants a companion for adventures will find comfort in the Osmo Action 6. For me, it is a Super Swipe.
With the experience I had, and the ease it brings to my life whenever I am out and about, PhP 24,390 for the Standard Combo feels like an investment in moments that matter.
The DJI Osmo Action 6 deserves the GadgetMatch Seal of Approval.
If you do not live an active lifestyle, the Osmo Pocket Series or Osmo Nano might suit you better since it is built for city travelers. But if you want to look adventurous — and you have the budget — who am I to stop you?
The DJI Osmo Action 6 retails for PhP 29,990 for the Adventure Combo, giving you all the accessories you may or may not need.
The Canon EOS R6 Mark III has officially been launched in the Philippines. The full-frame CMOS camera is the latest addition to the Canon EOS R mirrorless line, and is officially priced at PhP 164,998 in the market (body only).
Customers can get it with these two lens for a corresponding bundle price as well:
- With RF24-105mm IS STM: PhP 186,998
- With RF24-105mm L IS USM: PhP 244,998
The regular bundle includes a CF Express Type B Card while the preorder bundle includes an LP-E6P battery. Preorder period is from December 1 to 31.
In addition, the new RF45mm F1.2 STM lens has also been revealed. It brings exceptional bokeh and a 72mm full-frame equivalent crop factor for PhP 25,298.
Uncompromised storytelling
The EOS R6 Mark III features a higher 32.5-megapixel resolution compared to the usual 24.1MP resolution. This, alongside improved speed, performance, and reliability, allows for uncompromised storytelling.
A standout feature is the camera’s 3:2 Open Gate 7K 30p RAW recording, the first of its kind. This provides greater flexibility for reframing. Creators can source videos with horizontal, vertical, cinematic, and more aspect ratios from the same footage.
For stills, the camera can capture up to 150 shots at 40fps on high-speed continuous shooting mode (electronic shutter).
And despite the higher processing load, it maintains the same high-speed continuous shooting rate. That’s up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter.
In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.
This ensures no moment is missed, especially in scenarios like weddings or sports where there retakes aren’t an option.
More specs, details, and features about the new camera here: Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens
GoPro has officially unveiled three new offerings for filmmakers and creators: the MAX2 360 camera, LIT HERO miniature lifestyle camera, and Fluid Pro AI gimbal.
The MAX2 is priced at US$ 499.99 while the Drone-Like Aerial Bundle which includes a carbon fiber extension pole and protective case retails for US$ 649.99.
On the other hand, the pocket-sized LIT HERO retails for US$ 269.99. Several bundles are also available starting at US$ 332.99. Lastly, the Fluid Pro AI gimbal sells for US$ 299.99.
MAX2: True 8K 360 camera
The MAX2 360 camera is easy to use, and features twist-and-go replaceable lenses made from durable, water-repelling optical glass.
The camera can capture up to 8K 360 video. That’s 21% more resolution than the competition for superior detail and sharpness.
Such quality is combined with the MAX2’s 10-Bit Color to enable the most professional-looking 360 content.
Users can also shoot in GP-Log to maximize dynamic range, details, and post-production flexibility.
In addition, for audio quality, there are six industry-leading microphones for 360 audio, along with improved Bluetooth functionality, 360 stereo audio, and advanced wind noise reduction.
For stills, users will also get 29MP 360 photos for a high resolution should they need to crop, zoom, and reframe via the GoPro Quik App.
Speaking of post-processing, the Quik App offers AI-powered tools. GoPro subscribers also enjoy unlimited cloud-storage.
LIT HERO: Capture whatever, whenever
The ultra-compact LIT HERO lifestyle camera features a built-in light, enabling users to capture photos and videos under various scenarios with a retro vibes look.
The camera can capture up to 4K resolution at 60fps. Creators can also film at 2x slo-mo for different uses.
There is also an optional 4:3 aspect ratio from which creators can get cropped vertical clips for social posts.
Built with GoPro durability, the LIT HERO comes with a rugged and waterproof design at up to 16 feet (five meters).
On a single charge, the camera can record continuously for over 100 minutes at its highest video setting.
Fluid AI Pro gimbal: For all creators
Lastly, the Fluid Pro AI gimbal is designed for GoPro cameras, smartphones, and even point-and-shoot cameras weighing up to 400 grams.
Designed to meet the needs of today’s creators, the AI Subject Tracking gimbal features a 3-axis gimbal with interchangeable mounts.
The tracker can lock onto a person’s face or body and automatically track them in frame with precision. This tracker can also face either forward or back.
The gimbal even comes with an integrated fill light should you need to balance the light in shots.
The Fluid Pro AI lasts up to 18 hours in one go, and can even double as a power bank.
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