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Now Playing: Iron Lung

The premise will leave you wanting for more.

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I’m starting to think that cosmic horror is near-impossible to adapt to the big screen. Often, the point of this subgenre of horror is to showcase the unfathomable, a horror so unknowable that it’s impossible to describe. Now, for a medium that thrives on “show, don’t tell,” a full-length movie doesn’t seem like the best format for this type of horror. I’ve seen so many cosmic horror films, and a majority of them fail to land the satisfaction of a more traditional horror film.

Iron Lung, directed by and starring Markiplier, takes a stab at this elusively complex genre.

After the sudden disappearance of stars and planets in the universe, a lone space station explores a nearby moon to search for a way to save humanity. The catch is that the entire moon is covered in an ocean of blood. A convict, played by Markiplier, is tasked with exploring the moon in a one-man submersible, in exchange for his freedom.

Naturally, an ocean of blood isn’t the best place to be. The moon’s ocean hides mysteries and monsters beneath all the gore.

On the impossibility of cosmic horror

Though a movie is all about showing and not telling, Iron Lung navigates through these intricacies by not showing anything.

Because everything is just blood outside, the submarine needs a special camera that takes only grainy photos directly in front of the submersible. There’s always a sense of claustrophobic dread. What’s outside the submarine? What were those sounds? Did the camera really take a photo of something alive?

The film’s premise alone is a perfect source of horror. This is where cosmic horror thrives: on the questions, on the tiny sneak peeks of a monster lurking around the corner.

But, then again, this is also where the subgenre can paint itself into a corner. Eventually, audiences ask for more. They need to see and know the beast for real. Think Cloverfield, when the massive alien finally shows its face, or The Nun with… well, The Nun.

It’s an unwritten rule in horror films that the monster must make an appearance. It becomes a paradox for cosmic horror because the beast must also be unknowable.

When the beast finally shows up in Iron Lung, the audience never learns an understandable reason why it’s stalking the submarine. It’s not hungry, it doesn’t want revenge, and it doesn’t want to take over the world. It just is.

Is that a satisfying enough conclusion? If you’re a fan of cosmic horror, then it’s par for the course. However, if you’re more used to the more traditional horror film, it might leave you wanting more.

On madness

A mysterious monster isn’t the only thing that cosmic horror is known for. It’s also about madness and how the protagonist goes insane after seeing the unknown.

It’s apropos, then, that the convict starts hallucinating right after seeing a glimpse of the ocean’s beast. He starts to lose track of what’s real and what’s not.

In other movies, madness is an effective tool in subverting expectations and amplifying the horror. For example, in The Lighthouse, Winslow, the protagonist, also loses his sanity and questions reality. The film is all about this descent into madness and the questionable actions as a result from it. In Shutter Island, madness is a punchline, a plot twist that invites the audience to revisit the entire film and question their own perception.

Iron Lung, however, is neither a complete descent nor a plot twist. Rather, it’s a clear third act stemming from the convict’s encounter with the monster.

Since it’s clearly delineated in the third act, it’s hard to empathize with the convict’s plight. There’s a sense of vertigo moving from a creature feature into, in the convict’s own words, “alien shit” where you’re not sure of what’s real. Likewise, it’s not a plot twist either. You don’t reevaluate whether the entire movie was a hallucination.

Madness is understandably a major plot point of the original game that the movie is based on. However, its translation into film isn’t the smoothest. It’s both too short and too long.

But is it a good film?

Despite its struggle with the format, Iron Lung is still a spirited attempt at a one-room horror film. Markiplier melds into his role and doesn’t just showcase his on-screen YouTube personality.

The premise is, at once, frightening. It’s eerie and creepy. There is always a pervasive need to figure out what comes next. That’s pretty much what you want from a movie anyway. Yes, the ending might be polarizing, especially to those more used to the usual horror film, but the journey is still worth the price of admission.

And, at the very least, the film got me interested in watching Mark’s original playthroughs.

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Entertainment

BINI, KATSEYE among top worldwide Google Searches ahead of Coachella

Coachella to kick off this weekend

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April 10, 2026

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Graphics by Vincenz Lee | GadgetMatch

BINI and KATSEYE topped recent Google Search trends ahead of their Coachella performances this month.

It’s clear that Coachella attendees are curious about the popular Philippine pop girl group, as well as the Los Angeles-based global girl group.

That’s aside from dedicated BLOOMs who are eager to see Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena take part in the legendary California music festival on Friday, April 10.

According to Google Trends data, global searches for the term “BINI Coachella” hit a perfect
score of 100 on April 8.

This indicates that the search term briefly became the highest-ranking search trend.

Meanwhile, “KATSEYE Coachella” scored 98 on April 7 on Google Trends, followed by a perfect 100 on April 8.

The timing of KATSEYE’s new single, “PINKY UP” couldn’t have been better as it dropped just a day before their Sahara stage set.

At the same time, the Filipino octet has also released “Blush” as their new comeback song — just hours ahead of KATSEYE.

As such, EYEKONS have also been scouring the interwebs for the global girl group.

And as these are worldwide search data, the recent Google Search trends somewhat prove these artists are effectively breaking through the global mainstream, and introducing their respective cultures to the global stage.

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Entertainment

Metal Gear Solid is getting a film adaptation

It will be directed by Zach Lipovsky and Adam B. Stein.

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April 10, 2026

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Metal Gear Solid

Videogame adaptations are so hot right now. After the mainstream success of The Super Mario Bros. duology, several other franchises have committed to seeing their favorite characters on the big screen. Now, Metal Gear Solid is the latest to make the jump. Sony has confirmed that a film adaptation about the stealth franchise is in the works.

Though the game’s movie announcement is a big deal on its own right, it’s attached to an even bigger announcement: Sony has signed the up-and-coming directing duo Zach Lipovsky and Adam B. Stein to direct a number of its upcoming projects.

The deal’s first confirmed project, via Hollywood Reporter, is an adaptation of Metal Gear Solid, produced by Avi and Ari Arad.

Spanning multiple decades, the Metal Gear series is a stealth-based franchise that often goes off the rails with its supernatural elements. Naturally, it’s all thanks to series creator Hideo Kojima, notoriously known for his unconventional storytelling. When Kojima left Konami, the franchise has since been shelved but still enjoys a lot of hype, thanks to the occasional remake.

Right now, it’s unknown how much of the film will lean into the craziness of the franchise. It should still be a crazy ride to see, though.

SEE ALSO: Metal Gear Solid: Master Collection Vol.2 launches August 27 on PS5

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Entertainment

LE SSERAFIM Chaewon flexes Galaxy S26 Ultra Privacy Display

She says the feature is cool

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March 31, 2026

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Collage. Galaxy S26 Ultra Privacy Display | Edited image of Chaewon holding a Galaxy S26 Ultra
Galaxy S26 Ultra Privacy Display | Edited image of Chaewon holding a Galaxy S26 Ultra

LE SSERAFIM’s Kim Chaewon didn’t set out to show off a feature. But somewhere in the middle of a Weverse live, she ended up doing exactly that. It’s a pretty good flex.

In a clip that’s now making the rounds online, Chaewon shared that she recently switched to the Galaxy S26 Ultra and has been enjoying one specific feature in particular:

“I just changed my phone lately to Galaxy S26 Ultra. And it has a privacy screen feature, right? It’s so cool. You really can’t see anything from the side. I show this to everyone I meet and make them jealous.”

It’s just someone genuinely impressed by a feature — and casually flexing it.

A feature that makes sense instantly

The feature Chaewon is referring to is Privacy Display, one of the headline additions on the Galaxy S26 Ultra.

When enabled, it limits the viewing angles of the screen. That way. only the person holding the phone can clearly see what’s on it. Anyone looking from the side gets a dimmed or obscured view.

If you’ve ever used a privacy screen protector, the concept is similar. The difference here is that it’s built directly into the phone and can be toggled on or off, or even set to activate only for specific apps.

It’s a small addition on paper, but one that solves a very real, very common problem — especially if you’re using your phone in public spaces.

Samsung contract renewed?

It’s worth noting that LE SSERAFIM has been using Galaxy smartphones for a while now. That’s likely due to a partnership with Samsung and/or Google.

The music video for their track “Come Over” heavily features the smartphone, along with Google Gemini features integrated into the experience.

Another member, Sakura, also mentioned to fans recently that she has switched phones — from a Galaxy Z Flip to now also using a Galaxy S26 Ultra.


Whether this points to a renewed partnership or just continued preference isn’t something officially confirmed. But moments like Chaewon’s certainly keep Galaxy devices in the spotlight.

It’s easy to imagine the same scenario playing out anywhere — on a commute, in a café, or sitting next to someone who’s just a little too curious about what you’re doing on your phone.

It’s also something we’ve explored ourselves.

In one of our reels, we showed a straightforward demo of how Privacy Display works. We tilted the phone to show how the screen becomes unreadable from the side. In another, we leaned into a more playful skit: someone trying (and failing) to peek at what’s on the screen of the person beside them.


The result is the same. From certain angles, the display practically disappears.

The kind of feature you show off

Privacy Display isn’t the flashiest feature on the Galaxy S26 Ultra. But it’s the kind of feature you end up showing people. Not because you have to — but because it’s surprisingly satisfying to see in action.

If Chaewon’s experience is anything to go by, it’s also the kind of feature that makes people just a little bit jealous.

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