Entertainment

Now Playing: Iron Lung

The premise will leave you wanting for more.

Published

February 26, 2026

Luigi Leonardo

I’m starting to think that cosmic horror is near-impossible to adapt to the big screen. Often, the point of this subgenre of horror is to showcase the unfathomable, a horror so unknowable that it’s impossible to describe. Now, for a medium that thrives on “show, don’t tell,” a full-length movie doesn’t seem like the best format for this type of horror. I’ve seen so many cosmic horror films, and a majority of them fail to land the satisfaction of a more traditional horror film.

Iron Lung, directed by and starring Markiplier, takes a stab at this elusively complex genre.

After the sudden disappearance of stars and planets in the universe, a lone space station explores a nearby moon to search for a way to save humanity. The catch is that the entire moon is covered in an ocean of blood. A convict, played by Markiplier, is tasked with exploring the moon in a one-man submersible, in exchange for his freedom.

Naturally, an ocean of blood isn’t the best place to be. The moon’s ocean hides mysteries and monsters beneath all the gore.

On the impossibility of cosmic horror

Though a movie is all about showing and not telling, Iron Lung navigates through these intricacies by not showing anything.

Because everything is just blood outside, the submarine needs a special camera that takes only grainy photos directly in front of the submersible. There’s always a sense of claustrophobic dread. What’s outside the submarine? What were those sounds? Did the camera really take a photo of something alive?

The film’s premise alone is a perfect source of horror. This is where cosmic horror thrives: on the questions, on the tiny sneak peeks of a monster lurking around the corner.

But, then again, this is also where the subgenre can paint itself into a corner. Eventually, audiences ask for more. They need to see and know the beast for real. Think Cloverfield, when the massive alien finally shows its face, or The Nun with… well, The Nun.

It’s an unwritten rule in horror films that the monster must make an appearance. It becomes a paradox for cosmic horror because the beast must also be unknowable.

When the beast finally shows up in Iron Lung, the audience never learns an understandable reason why it’s stalking the submarine. It’s not hungry, it doesn’t want revenge, and it doesn’t want to take over the world. It just is.

Is that a satisfying enough conclusion? If you’re a fan of cosmic horror, then it’s par for the course. However, if you’re more used to the more traditional horror film, it might leave you wanting more.

On madness

A mysterious monster isn’t the only thing that cosmic horror is known for. It’s also about madness and how the protagonist goes insane after seeing the unknown.

It’s apropos, then, that the convict starts hallucinating right after seeing a glimpse of the ocean’s beast. He starts to lose track of what’s real and what’s not.

In other movies, madness is an effective tool in subverting expectations and amplifying the horror. For example, in The Lighthouse, Winslow, the protagonist, also loses his sanity and questions reality. The film is all about this descent into madness and the questionable actions as a result from it. In Shutter Island, madness is a punchline, a plot twist that invites the audience to revisit the entire film and question their own perception.

Iron Lung, however, is neither a complete descent nor a plot twist. Rather, it’s a clear third act stemming from the convict’s encounter with the monster.

Since it’s clearly delineated in the third act, it’s hard to empathize with the convict’s plight. There’s a sense of vertigo moving from a creature feature into, in the convict’s own words, “alien shit” where you’re not sure of what’s real. Likewise, it’s not a plot twist either. You don’t reevaluate whether the entire movie was a hallucination.

Madness is understandably a major plot point of the original game that the movie is based on. However, its translation into film isn’t the smoothest. It’s both too short and too long.

But is it a good film?

Despite its struggle with the format, Iron Lung is still a spirited attempt at a one-room horror film. Markiplier melds into his role and doesn’t just showcase his on-screen YouTube personality.

The premise is, at once, frightening. It’s eerie and creepy. There is always a pervasive need to figure out what comes next. That’s pretty much what you want from a movie anyway. Yes, the ending might be polarizing, especially to those more used to the usual horror film, but the journey is still worth the price of admission.

And, at the very least, the film got me interested in watching Mark’s original playthroughs.

Entertainment

Now Playing: Spider-Man: Brand New Day

It’s a must watch for Spidey fans who want to see Peter Parker enter his sad boy era.

Published

July 29, 2026

Luigi Leonardo

The Holland-led Spider-Man trilogy is one of my favorite franchises in the Marvel Cinematic Universe. Compared to other series with admittedly disjointed plots, all of Spidey’s storylines have a clear thread leading from one to the next. Since the fourth entries after trilogies are historically lackluster, I had a lot of trepidation heading into Spider-Man: Brand New Day.

Thankfully, all those worries were unfounded. Brand New Day follows the same throughline as its predecessors, once again reinforcing Spider-Man as the strongest franchise that Marvel offers fans today.

A brand new day indeed

Coming from No Way Home, Brand New Day still has Peter Parker live a new life as a literal nobody where no one remembers who he is. So begins his existence as just Spider-Man with no friends or family.

When a new and unseen threat ravages through New York City, Spidey starts to wish that he still had friends to help him out, which leads him on an inevitable collision course with Ned and MJ. Ironically, it also leads him to other characters in the city, including the Hulk and the Punisher.

A cacophony of villains

When I first saw the trailer, I was worried about the astounding number of villains from the get-go. After all, one of the biggest problems in Sam Raimi’s Spider-Man 3, the most maligned entry in Spider-Man movie history, was the villains. Though far from the movie’s biggest problem, having too many bad guys without a solid plot led to its terrible reception. You can see why Brand New Day’s trailer raises some flags.

If you were thinking the same thing, Brand New Day does indeed have a cohesive plot. Everything flows neatly into one another. Each emotional beat of Peter feeling for his solitude mixes well with the action. In here, fight scenes feel like they have a purpose.

And there is a big bad here. It’s not just a collection of guys that Spidey has to go through. That big bad, who shall not be named at this time, doesn’t feel like just a placeholder for Peter’s internal struggles. They have a character of their own and their own struggles to solve. I wouldn’t say they’re at the level of Loki just yet, but they definitely have a better go at it than most of the MCU’s other villains.

Marvel’s New York City finally debuts

Despite being a prime location since 2012’s Avengers, New York City never really felt like the quintessential city for superheroes in the comics. In the movies, the city was just another city to be ravaged when a new villain comes along.

For the first time, Brand New Day makes the city feel like a lived-in world with a bunch of superheroes living in the neighborhood. And they do pop up.

Does Peter have a scientific problem that only a very specific hero can solve? It’s a good thing Bruce Banner is just around the corner. Does he need some muscle? Well, the Punisher is skulking around somewhere. Plus, there’s even a succinct reason why other superheroes can’t help out.

In this way, Brand New Day presents itself more like a comic book series than a one-off movie. It’s like following the story alone from issue to issue. It’s not the most perfect adaptation of the landmark city, but it goes a long way from just another ravaging of New York.

Peter’s sadness

Everything here hinges on Peter’s loneliness. Despite meeting a trove of characters across the cinematic universe, Peter yearns for time with his loved ones. But they’re gone.

Unlike the past three films where he always had someone to go home to, he has no one here. Tony Stark is dead. Aunt May is gone. Happy has gone to parts unknown. Ned and MJ have no memory of him. Brand New Day has a way of making you feel for his aches, whether the way he still keeps track of MJ or some physiological changes as a result of his predicament.

It also helps that the movie’s big bad has similar motivations. Both serve as perfect mirrors against each other, elevating both their stories effectively. And that’s all I’ll say about that.

Spider-Man: Brand New Day is a few steps behind from being a perfect Marvel movie, but it’s still an extremely strong part of the Spider-Man mythos. The trilogy, now quadrilogy, remains Marvel’s most consistent franchises to date. It’s an absolute must-watch.

Entertainment

UNDERTALE: The Determination Symphony hits Makati in October

Determination arrives in October.

Published

July 28, 2026

Luigi Leonardo

For so small of a game, UNDERTALE quickly made it into the gaming world’s hall of fame. Despite being only a decade old, the small title has had a major influence for modern-day gamers because of its unique gameplay, its lo-fi art, and, of course, its catchy soundtrack. If you’re a fan of UNDERTALE’s soundtrack, a unique concert experience is headed your way.

On October 17, Film Concerts PH, in partnership with SOHO Live, is hosting UNDERTALE: The Determination Symphony at the Proscenium Theater in Rockwell, Makati.

The concert will be performed by the Filharmonika Orchestra and conducted by Thanapol Setabrahmana. Personally curated by creator Toby Fox and developed by Lambert Jackson with Materia Music, the concert experience showcases the game’s most recognizable tunes laid over gameplay footage playing simultaneously. Plus, for the world tour, the experience will have expanded scoring.

In the game, you play as a small child stuck in the mysterious Underground filled with interesting characters and monsters. Unlike traditional RPGs, UNDERTALE asks players to choose between building relationships and chasing after wins. It’s a unique experience that’s defined by whether you chose to make friends or fought your way to the top. It teaches players to value different ways to solve problems, all while showering them with its one-of-a-kind humor.

Pre-sales for the concert, exclusively for members of the Film Concerts PH community, start on August 4. Public sales, however, will start on August 11 via Ticketmelon.

Entertainment

Marvel Studios announces Ghost Rider, Black Panther 3 at SDCC

What lies ahead of Multiverse Saga now taking shape

Published

July 26, 2026

GadgetMatch

All images courtesy: The Walt Disney Company

What lies ahead of the Multiverse Saga in the Marvel Cinematic Universe (MCU) is now taking shape, as Marvel Studios have made major announcements at San Diego Comic Con (SDCC) 2026.

The first major reveal was the Ghost Rider feature film, set to release in 2028 with Ryan Gosling playing the protagonist.

Shawn Levy, who directed Deadpool and Wolverine and the Night at the Museum trilogy as both director and producer, will direct the film. Jonathan Tropper is writing the script. All three worked with Star Wars: Starfighter in the same capacities.

Gosling said Johnny Blaze “is a character” he “wanted to play for a very long time.”

The Marvel character has been shown in two live-action movies between 2007 to 2012 starring Nicolas Cage.

More recently, Gabriel Luna played the younger host to Ghost Rider, Robbie Reyes, in Agents of S.H.I.E.L.D. in which the story revolved around him and Chloe Bennet’s Daisy Johnson/Quake for most of the first season.

Avengers: Doomsday panel, Spider-Man: Brand New Day

Marvel Studios then filled SDCC’s Hall H with the massive cast of Avengers: Doomsday, moderated by directors Anthony and Joe Russo.

This segment featured some of the biggest stars of the MCU. There’s Robert Downey Jr., Chris Evans, Pedro Pascal, Paul Rudd, Anthony Mackie, Simu Liu, James Marsden, David Harbour, Letitia Wright, Lewis Pullman, Kelsey Grammer, Danny Ramirez, Winston Duke, Hannah John-Kamen, Rebecca Romijn, and Tenoch Huerta Mejia.

Hayley Atwell also joined the panel, confirming she will return in the new film as Peggy Carter.

WATCH: Avengers: Doomsday trailer assembles Marvel’s biggest heroes against Doctor Doom

After all, the mid-credits scene in Avengers: Endgame showed that when it was time to return the infinity stones back where they belonged, Chris Evans’ Steve Rogers/Captain America went back in time and instead lived the life he wanted to have with Peggy.

Meanwhile, Jon Bernthal later on made a surprise appearance. This was to talk about his role as Frank Castle/The Punisher in Spider-Man: Brand New Day.

Black Panther 3 revealed

To cap off the panel, Black Panther 3 has been confirmed for December 15, 2028. Writer and director Ryan Coogler came out to the stage to introduce David Jonsson as the new Black Panther.

The Alien: Romulus actor will play Toussaint/T’Challa II, the son of the late Chadwick Boseman’s T’Challa. In the third Black Panther film, his character will be all grown-up. Naturally, the events in Avengers: Doomsday and Avengers: Secret Wars will make the transition and his on-screen “aging” a lot smoother.

What this means is Letitia Wright’s Shuri is preparing to step down as the Black Panther. Doomsday will be among her final battles wearing the suit.

Winston Duke’s M’Baku, who is the King of Wakanda in the current events of the MCU, will also play an integral part in setting up T’Challa II for the throne — be it through a traditional Wakandan ritual for the leadership or through other means.