Fujifilm X-T30 is a lightweight 4K mirrorless camera
Cheaper version of the X-T3
After Canon‘s announcement of the new EOS RP, it’s now Fujifilm‘s turn to present their latest offering: the X-T30. Fuji’s new mirrorless interchangeable camera is the successor to 2017’s X-T20.
The X-T30 is positioned to be a cheaper variant of the flagship X-T3 camera, but they actually share many common features and specs. It’s got a compact and lightweight body at just 383g which looks similar to the premium model, but with some minor changes at the back. It’s got a focus joystick instead of a d-pad, but retains the touchscreen.
Speaking of, it’s a 2-way tilting LCD panel with 1.04 million dots. The EVF, on the other hand, is a 2.36-million-dot OLED color viewfinder with a near 100 percent coverage area.
Inside the camera is a 26.1-megapixel APS-C X-Trans CMOS sensor with an ISO range of 160 to 12800, which is expandable up to 51200, and backed by an X-Processor 4. With this, the X-T30 can shoot 30fps at 1.25x crop and 20fps without a crop using the electronic shutter. If you wish to use the mechanical shutter, the speed will be reduced to 8fps.
It has a hybrid AF system with 100 percent phase-detect AF, face detection, and eye tracking. Autofocus is also improved even in low-light. Focusing can be selected either through the touchscreen or joystick.
When it comes to video, the camera can shoot 4K at 30fps and up to 120fps when downscaled to 1080p. It’s capable of 10-bit recording and 4:2:2 DCI 4K video through the HDMI port. Fujifilm’s Film Simulation modes are also available.
The Fujifilm X-T30 will be available in March starting at US$ 899 for the body only. It’ll go up to US$ 999 when bundled with an XC 15-45mm f/3.5-5.6 OIS lens, or US$ 1,299 when bundled with an 18-55mm f/2.8-4 lens.
Sony FE 20-70mm F4 G zoom lens now available
Future telephoto lens announced
Sony is introducing the new FE 20-70mm F4 G (SEL2070G) zoom lens as its latest product to join the brand’s lineup of camera lenses.
Comparatively lighter and more compact, the full-frame lens features a constant F4 aperture throughout the 20 to 70mm zoom range, making it ideal for creators capturing both stills and videos.
With its G Lens image quality, the lens is able to achieve images that have chromatic and spherical aberration both corrected. Optimized coatings also allow for high flare and ghost resistance.
Subjects as close as 0.25 meters can also be captured while producing ideal results, compared to standard zoom lenses which focus at around 0.32 to 0.38 meters at the most.
Maximized AF performance
For videographers, the lens is able to maintain a 16:9 or 2:35:1 aspect ratio when using the 20mm end of its range. When paired with Alpha series cameras that have Active Mode image stabilization, smooth, handheld footages are possible at 20mm.
The SEL2070G also has a 60% increase in AF speed, while focus breathing is also reduced. This allows for accurate focus and tracking of even fast-moving subjects at 4K and 8K.
The FE 20-70mm F4 G (SEL2070G) is now available in select Sony authorized dealers for PhP 75,000.
In addition, an upcoming FE 300mm F2.8 GM OSS telephoto lens has been announced by Sony for an early 2024 release to join its large aperture telephoto lenses ideal for sports and wildlife photography.
Canon unveils EOS R50 and R8 for content creators
Can come bundled with lenses
Cameras are still relatively expensive devices. But, despite their prices and the rapid development of smartphone cameras, nothing can beat the sheer quality of an actual camera. If you’re looking for a bulkier camera to take your photos, Canon has a new duo of mirrorless cameras for even the stingiest of budgets.
First up, the Canon EOS R50 offers a lot of quality for those who want an upgrade. Shooting at up 4K resolution, the camera can use its 24.2-million-pixel APS-C sensor and its Dual Pixel CMOS AF technology to create outstanding videos. It comes with a selection of features including whole area tracking, subject detection, and movie-prerecording.
For customization, users can fit the camera with a set of interchangeable lenses. It will also be available as part of a Content Creation Kit, which packs the camera with a microphone, lens, and a grip.
Currently set for a release in spring, the Canon EOS R50 will retail for US$ 679.99. Additionally, the camera can also come bundled with an RF-S18-45mm F4.5-6.3 IS STM lens for US$ 799.99. A bundle with an RF-S18-45mm F4.5-6.3 IS STM and an RF-S55-210mm F5-7.1 IS STM lens will sell for US$ 1,029.00.
An affordable full-frame mirrorless camera, the EOS E8 sports a 24.2-megapixel CMOS image sensor and a DIGIC X image processor to boost an up-and-coming content creator’s output. With full-frame lenses, the EOS R8 can improve wide-angle shots even compared to other APS-C cameras. It can shoot at up to 60fps with 1st-curtain Electronic shutter and up to 40fps with full electronic.
On its own, the EOS R8 will start selling in spring for US$ 1,499.00. Also, it can come with an RF24-50mm F4.5-6.3 IS STM lens for US$ 1,699.00.
Canon officially brings the EOS R6 Mark II to the Philippines
Taking hybrid to the next level
Canon Philippines has finally launched the follow-up to their much-beloved hybrid full-frame camera EOS R6 from two years ago, the EOS R6 Mark II.
The union of systems
The Canon EOS R6 Mark II is a mirrorless camera featuring a 24.2MP full-frame CMOS sensor. Paired with the DIGIC X processor, it promises better quality photos with reduced noise. Speaking of noise, the camera can reach an ISO of up to 102,400 and low-light sensitivity below EV -6.5.
If you’re concerned about display when shooting, the EOS R6 Mark II offers a fully-articulating 3″ LCD with touchscreen that enables you to shoot in various angles, whether overhead or low down.
Not a fan of screen shooting? The EOS R6 Mark II has a 0.5″ OLED EVF (Electronic View Finder). With 3.69-million dots and a refresh rate of up to 119.88 fps, it’s as great as how you look at Optical View Finders found on DSLRs.
If you’re shooting a lot of action, Canon has the improved Dual Pixel AF CMOS II system with an outstanding AF zones of 1,053 and approximately 100% AF coverage.
Other than that, there’s the EOS iTR AF X (Intelligent Tracking & Recognition Autofocus) that can now track horses, trains, and airplanes aside from people, animals, and other vehicles. There’s even Deep Learning-based Subject Tracking and Auto Subject Detection as well for better tracking. This also makes an 80% faster AF performance than its EOS R6 predecessor.
For burst mode shots, you can shoot 12fps under Mechanical Shutter and 40fps with Quiet Mode support under Electronic Shutter. That’s very ideal for concerts and wildlife shoots.
If you’re that serious in videography, the EOS R6 Mark II not only offers the usual 4K/60p video recording, it also supports a jaw-dropping 6K/60p with 10-bit RAW HDMI out. And if you’re a sucker for slow motion, this hybrid camera can also shoot slo-mo Full HD at 180p.
Worried about shaky footages? Canon combines three image-stabilizing systems in one with Coordinated Control. That’s the fusion of 5-axis In-Body Image Stabilizer (IS), Optical Image Stabilizer (OIS), and Movie Digital IS. There’s even the Canon Log 3 if you prefer flat-looking shooting profiles that allows you to be versatile in color grading.
Much like iPhone’s Cinematic Mode, the EOS R6 Mark II can seamlessly change focus points regardless if one tries to change the focal length through Focus Breathing Correction. You can even select several focusing speeds to match the effect and speed of the subject.
Durability-wise, the Canon EOS R6 Mark II is rated to last up to 400,000 cycles. That’s more than enough for the continuous use and abuse of the hybrid mirrorless camera compared to conventional bodies of the same kind. And if you shoot under harsh weather conditions, its body is made from a durable magnesium alloy chassis that’s also dust and drip-resistant.
Other notable feature is the Dual Card Recording which allows simultaneous recording on both SD cards. That’s one 4K/60p shooting and FHD/180p on the other or just record footages and stills all at once. Lastly, the R6 Mark II uses the specialized set of RF and RF-S lenses just like any other mirrorless cameras of Canon.
A true 6ame ChangeR
Canon Philippines has finally held an in-person event ever since the launch of the Canon EOS-1D X Mark III — which I attended before the pandemic lockdown happened in the country.
We were welcomed by Canon PH’s several ambassadors on the board. They were also able to use the EOS R6 Mark II for two weeks all before the launch event took place. Those include Ian Celis together with his daughter, Eyah Celis under Ian Celis Productions based in Antipolo, Rizal.
During the small talk, Ian Celis showed us a reel showcasing his work using the EOS R6 Mark II. He even mentioned that his favorite feature has got to be Focus Breathing Correction and the FHD/180p slo-mo feature very ideal for wedding footages. Meanwhile, Eyah talked about how the camera’s lightweight body was able to help her shoot extreme lengths despite her slimness and petiteness during a marathon event.
Another in the ambassador lineup were Pat Dy and Chissai Bautista of Team Pat Dy. It started when they showed us Chissai’s interview on the large projection. As a wedding shooter, she told everyone that wedding events are always fast-paced.
But with the fast and precise AF system of the Canon EOS R6 Mark II, she expounded that she was able to quickly grasp the situation around and shoot fast-moving subjects blurry-free. That’s also possible thanks to the very lightweight body of the mirrorless camera.
More so, Pat Dy has explained and showed us how the EOS R6 Mark II is a true game-changer. From its lightweight body, one-handed camera use thanks to better camera controls and ergonomics, and more about how it’s a true “hybrid” by having the ability to shoot great stills and footages all at once are just some of the great feats of Canon’s newest mirrorless camera.
Before the wrap up, Pat even did a live demo of how he shoots wedding portraits under controlled-environment situations such as a movie theater with one source of light and a diffuser. Remarkably, we have witnessed how the EOS R6 Mark II greatly-performed without compromises despite such shooting condition.
Pricing and availability
The Canon EOS R6 Mark II will be available in the Philippines starting as early as January 2023. The body only configuration will cost you PhP 179,998. There’s also a bundled RF 24-105mm f/4-7.1 IS STM configuration that retails for PhP 199,998.
Other than that, Canon has also introduced a new RF 135mm f/1.8 L IS USM being sold at PhP 160,998 as well as a lighter external flash unit Speedlite EL-5 for PhP 30,998.
If you pre-order the EOS R6 Mark II from December 3 to January 16, you’ll get added perks like a free 128GB SD Card, additional 2 years warranty aside from the usual 1-year warranty, and a special PhP 25,000-worth Creator’s Access Membership that includes:
- Free Membership Fee
- Priority Service
- While-you-wait service
- Four (4) working days of expedited service
- Free external cleaning
- Service unit
- Lens loan for three (3) months
- Show/Event Support
- Printing Services with discounted rates
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