Accessories
Hollyland unveils LARK MAX 2
Designed for evolving needs of professional content production in dynamic environments
Hollyland has launched the groundbreaking LARK MAX 2, a 32-bit full-chain wireless microphone system engineered to set a new standard in professional sound capture.
The system integrates five first-launched innovations:
- low-latency wireless monitoring
- 32-bit float recording
- AI-driven noise cancellation
- hover-clip design
- excimer Nano coating
Together, the package aims to address the needs of professional content production across dynamic environments.
Industry-leading audio tech
Headlining the LARK MAX 2’s advanced features is the low-latency wireless audio monitoring capability.
It utilizes the 2.4GHz frequency hopping anti-interference technology. This way, stable and crystal-clear audio with rich dynamics can be recorded. The low latency reaches up to just 20ms (TX to RX).
Additionally, the LARK MAX 2 boasts broadcast-grade lossless audio quality with built-in 32-bit float recording and full-link processing. Users are assured of an impressive recording duration of up to 14 hours.
Meanwhile, the integration of AI noise reduction technology effectively eliminates unwanted sounds such as wind noise, traffic, and room reverb with a distortion level of less than 1%.
This process involves collecting a diverse range of noise sources, which are then analyzed by AI algorithms to identify.
Users can further adjust the noise reduction depth. They can opt for levels of up to 25dB without the need for post-processing.
Moreover, for seamless integration into production workflows, the product features a built-in frame-level timecode system that synchronizes video and audio recordings through both 3.5mm and UAC outputs.
This ensures perfect alignment between camera footage and internal audio. With such feature, professionals can save time during post-production.
Furthermore, with four transmitters and a receiver, simultaneous usage by multiple users can be executed. This is ideal for scenarios like group interviews or live broadcasts.
The system also boats of an impressive battery life of up to 36 hours and a 1115ft operational range for uninterrupted audio capture.
Lightweight design for usability, comfort
Design wise, the LARK MAX 2 is made from excimer nano-coated skin-friendly material. This minimizes discomfort during long use, perfect for extended shoots.
Its hover-clip mechanism, on the other hand, allows for easy clothing attachment while maintaining a discreet profile and stability.
There is also a backclip to conceal the device if needed. Additionally, the one-button gain dynamic adjustment simplifies audio setup.
Price, availability
The microphone set is available now through authorized distributors and the Hollyland Amazon store for the following prices:
- LARK MAX 2 Combo US$ 249
- LARK MAX 2 Ultimate Combo: US$ 279
- LARK MAX 2 LARK MAX 2 Combo 4-Person Version: US$ 319
Accessories
Apple’s new iPhone Pocket is a stylish way to carry your iPhone
This time, woven into the fabric of a modern accessory
Fashion meets tech — again.
Apple’s latest creation isn’t a new iPhone, but something to wear it in. Announced today, the iPhone Pocket is a collaboration between Apple and Japanese fashion house ISSEY MIYAKE, reimagining the way we carry one of the world’s most recognizable devices.
While this is the first official partnership between the two brands, Miyake’s influence has long been stitched into Apple’s story.
The minimalist yet iconic uniform that is Steve Jobs’ black turtlenecks were custom-made by Miyake himself.
Back in the 1980s, Jobs even approached Miyake with an idea: to design a uniform for Apple employees. That plan never took off, but decades later, the spirit of collaboration finds new form — not in a shirt, but in a beautifully woven accessory.
The iPhone Pocket draws inspiration from Miyake’s Pleats Please and Homme Plissé lines, famed for its permanently pleated, wrinkle-free designs.
Made in Japan, and co-designed with the Apple Design Studio, each bag is crafted from a single piece of innovative 3D-knit fabric that’s both stretchy and feather-light. It’s designed to fit any iPhone and, as Apple notes, “other pocketable items.”
Available in two strap lengths, it can be worn as a shoulder bag (or slung on an arm) or crossbody. The color palette is distinctly Miyake: lemon (neon yellow), mandarin (bright orange), purple, pink, peacock (turquoise), sapphire (rich blue), cinnamon (brown), and black.
Longtime fans might also feel a nostalgic nod to the iPod Socks — a whimsical early-2000s Apple accessory that turned practicality into playful design.
The iPhone Pocket launches Friday, November 14, as a limited release, available online and in select Apple Stores.
In New York, it makes its debut in SoHo which is Apple’s outpost in the city’s fashion district. Prices start at $149.95 for the short strap and $229.95 for the long strap.
Accessories
Marshall Heston 120 TV soundbar debuts in the Philippines
1st ever TV soundbar from Marshall
The Marshall Heston 120, the brand’s first ever TV soundbar, is now available in the Philippines for PhP 59,990.
Customers can purchase the new offering at select Digital Walker and open_source stores, as well as Marshall’s Lazada and Shopee stores.
The Heston 120 was announced in the United States last June and is priced at US$ 1,299. Delivering a colossal audio for both TV and music, the soundbar builds on Marshall’s 60 years of acoustic excellence and design.
It features Dolby Atmos and DTS-X to deliver immersive and spacious sound. Engineered for powerful, deep, and rich bass, it makes special effects sound more lifelike and with bigger impact.
The inside is fitted with 11 drivers facing different directions. That’s to throw sound out onto the area for the best experience.
Moreover, soundbar integrates with TVs with HDMI eARC or external devices through the HDMI Pass-through. It can also connect to music streaming services via Wi-Fi.
Meanwhile, turning Bluetooth on gives access to the latest LE-audio technology, including Auracast. The Heston 120 is likewise equipped with analogue RCA input for external music players.
Marshall signature style
Of course, the Heston 120 also features Marshall’s signature style, bringing rock ‘n’ roll flair to the TV-sound category.
From knurled metal knobs inspired by Marshall’s amp heritage right through to the wrapped leather trims and brushed metal panel, these bold elements have been added with precision, making Heston 120 a statement in any living room.
The soundbar is also repairable with replaceable parts, including the fret, end caps, drivers and circuit boards.
Mixing the best of old with the new, the analogue control panel with tactile audio settings is a playful yet functional nod.
The bass and treble can be instantly altered through the controls and it’s easy to save presets for quick access to a favorite playlist or radio station.
Furthermore, there’s a range of different sound modes to fit the moment, including Music, Movie, Night and Voice.
Alternatively, users can adjust sound from anywhere using the Marshall app. They can customize the EQ from the app as well, and adjust its volume.
After the Heston 120, Marshall is also going to launch the Heston 60 soundbar and Heston 200 subwoofer soon.
Accessories
I was skeptical about smartphone gimbals, then I tried the DJI Osmo Mobile 8
This gear finally made sense to me and my workflow
I never liked smartphone gimbals. I tried several over the years, from different brands and different builds, and I never felt compelled to use them in real situations.
They were either too heavy or too fiddly to set up. I also found them too demanding to use when all I wanted was to take my phone out and record. My iPhone already has excellent stabilization built in, and I have relied on it for years. The extra gear rarely felt necessary.
My perspective shifted when I tried the DJI Osmo Mobile 8. I brought it with me on a work trip in China without thinking much of it. I realized that it made sense to be part of my arsenal.
A design that feels familiar in a good way
The Osmo Mobile 8 does not reinvent the idea of a mobile gimbal. It refines the experience.
It feels lighter and folds easily. The clamp snaps on with a magnetic mount, and the grip feels secure without straining the wrist.
It feels like something I can use for a few minutes or a few hours without thinking about it. Rather than slowing me down, it felt like it supports my workflow.
There is an extension rod built in, which is helpful for group shots and for pushing perspective in movement shots. The built-in tripod legs make it easy to set down for hands-free filming.
These details may seem small, although they contribute to gear that I actually reach for.
Stabilization for better footage
To be honest, I’m still not sold in getting a mobile gimbal for myself. But what shifted my perspective (for now) was not the convenience. It was the footage.
The movement became smoother. Walked shots, pans, and follow movements looked intentional instead of constantly adjusting themselves.
The three-axis stabilization makes smartphone footage feel more deliberate. I found myself able to move more slowly and follow subjects naturally.
It didn’t make my shots steadier, but the Osmo Mobile 8 changed the way I moved while filming. I suddenly found myself planning sweeps and tracking motions that I would never attempt handheld.
Tracking that feels more intelligent
The tracking on the Osmo Mobile 8 is noticeably improved. Faces, pets, objects, and even faster subjects stay in frame more reliably.
When I stepped away to record myself, the camera followed smoothly without overshooting. It felt responsive rather than reactive. This made solo shooting feel easier.
It also made dynamic movement filming more fun. I could run with a subject or move around a space and trust the framing.
A tool that fits everyday work
I always evaluate gear based on how it blends into my workflow. If it needs too much setup or thought, I will eventually avoid it.
The Osmo Mobile 8 feels fast. I can mount my phone, open the app, and start recording in a matter of seconds. And the battery life holds up well for a full day of casual shooting.
There is also support for counterweights if you use heavier external lenses or cases. The experience is smooth whether I am at an event, outdoors, or shooting casual everyday clips.
Frankly, I never expected to find a smartphone gimbal that felt necessary, yet the Osmo Mobile 8 is worth recognizing to be part of your creator kit.
Is the DJI Osmo Mobile 8 your GadgetMatch?
The DJI Osmo Mobile 8 delivers steady footage and a filming experience that feels composed. I appreciate what it adds to my work, and I recognize that it improves my content when I need it to.
Even so, it is not my personal everyday companion. I prefer filming with my phone alone and relying on built-in stabilization. I like moving lightly and freely.
But the Osmo Mobile 8 is a strong tool to have in the kit for specific situations.
Swipe right if you want steady and controlled movement in your videos, especially when you shoot travel, sports, or even events where an extra movement is part of the story. It might help you create more cinematic clips without a full camera setup.
Swipe left if you prefer minimal gear, and if you’re someone who’s always ready for spontaneous shooting but doesn’t want any additional setup.
The DJI Osmo Mobile 8 retails for PhP 7,499. It’s available in DJI’s official website and authorized stores.
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