Cameras
The Sony A7S III is a low light video beast
And then some

Finally! After years of waiting, we now have the successor to Sony’s video-centric mirrorless camera — the Sony A7S III.
It’s been six years since the release of the Sony A7S II, and its successor carries on the many features that made it an absolute must-have for videographers both amateur and professional.
Taking professional video further
The A7S III offers in-camera 4K recording up to 120 frames per second(1), 10-bit depth and 4:2:2 color sampling. It has a more flexible and efficient post-production workflow with a variety of advanced movie recording modes such as All-Intra and MPEG-H HEVC/H.265 coding (XAVC HS).
If you’re worried about a mutli-cam production, the Sony Alpha team has taken that into account as well. It has three color gamut settings S-Gamut, S-Gamut3, and S-Gamut3.Cine that make it easy to match with footage shot with other cameras.
Footage taken with the camera is also ready to go as is. The S-Log3 gamma curves as well as support for HLG (Hybrid Log-Gamma) picture profile produces footage with a minimal need for post-production.
The A7S III also allows up to 4K 60p 16-bit RAW output to an external recorder via HDMI Type-A connector, offering additional post-production flexibility.
BIONZ XR for better image quality
The A7S III is equipped with the new CMOS image sensor and BIONZ XR image processing engine. This all in the service of producing that legendary S-Series sensitivity with significantly enhanced color reproduction and texture renderings for improved overall image quality.
The base ISO has been lowered to 80, resulting in a normal range of 80-102,400 (expandable to 80-409,600 for video and 40-409,600 for stills). This provides more flexible ISO plus wide dynamic range with low noise at all settings.
It also improves AWB (Auto White Balance) performance with a new “Visible light + IR Sensor” that helps to achieve more precise white balance under artificial lighting.
Advanced AutoFocus
AutoFocus (AF) has been one of the features that Sony just has been absolutely good at and that carries over to the A7S III. It offers Fast Hybrid AF by combining phase-detection and contrast-detection AF.
This means it can track subjects over a wide area with outstanding speed, precision and smoothness, even when using a narrow depth of field. This is further enhanced by Sony’s e-mount lenses capable of Fine focus expression.
For environments with a lot of movement, Real-time Tracking and Real-time Eye AF are available to maintain constant focus on the intended subject.
Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system. It ensures accurate, reliable detection, even when the subject’s face looks away.
The A7S III is now touch screen so real-time tracking can be done in that manner. Real-time Eye AF is automatically initiated when an eye is detected.
The camera includes several AF features for professional users including AF Transition Speed in seven settings. It has rack-focus transitions and five AF Subject Shift Sensitivity settings to customize how easily AF will switch or stay with the locked-on subject.
It’s now also possible to Touch Focus during manual focus mode on the LCD screen or remotely from the Imaging Edge Mobile application.
Better cooling implemented
Naturally, this much power will generate plenty of heat. The A7S III’s design takes this into consideration.
A newly developed unique heat dissipating structure keeps the image sensor and image processing engine temperatures within their normal operating ranges. This keeps things cool even during extended continuous recording sessions at 4K 60p 10-bit 4:2:2 video lasting an hour or more.
The new heat-dissipating structure requires no fan or cabinet vents allowing Alpha 7S III to maintain dust and moisture resistance.
Maximum stability
A camera built video can’t be without proper stabilization.The Sony A7S III is the first Alpha series camera to include Active Mode with 5-axis optical in-body image stabilization to support especially difficult handheld movie shooting.
It’s the first Alpha series E-mount body to feature a side-opening vari-angle rear screen. It’s perfect for gimbal-mounted shots, complicated angles, handheld operation and more.
The screen rotates sideways, up and down, and features a 3.0 type 1.44 million-dot (approx.) touch panel LCD monitor, for optimal visibility even in bright outdoor environments. FINALLY.
Not a slouch in photography
Just because it’s video-focused, doesn’t mean it neglected still images. The A7S III has a fast Hybrid AF system with 759 phase-detection AF points covering 92% of the image sensor.
Users can continuously shoot more than 1,000 uncompressed RAW images at up to 10fps, or up to 8fps in live view mode, with either the mechanical or electronic shutter.
High speed transfer, redesigned menu
The A7S III features two CFexpress Type A compatible media slots. These support UHS-I and UHS-II SDXC/SDHC cards for high write-and-read speeds while keeping the camera body compact.
CFexpress Type A cards are ideally suited to high-speed continuous RAW still image shooting as well as 4K 120pi movie recording at high bit rates.
High-speed data transfer to a PC is possible at about 1.7 times faster than that of SD card. The dual slots can be set to relay mode for extended continuous recording of even the highest bit rate data as well as simultaneous recording and sort by format type recording.
The menu system, which some have noted to be somewhat of a black hole, has been redesigned for easier navigation. Switching to video mode automatically prioritizes video settings. Same is true for the various photo modes.
Pricing and Availability
The new Sony A7S III Full-frame Interchangeable Lens Camera will be available in September 2020 for approximately US$3,499.99. It will be sold at a variety of Sony’s authorized dealers throughout North America.
In Singapore and the Philippines, it will be available in October 2020. Pricing will be announced soon.


Canon is expanding its full frame mirrorless camera lineup with the announcement of the EOS R100, set for a July 2023 release.
This will give content creators a more affordable option for their needs, while customers looking for their first mirrorless or interchangeable lens camera may also want to start investing with the EOS R100.
The camera comes with an APS-C-sized 24.2MP CMOS sensor which is capable of shooting high-quality images and up to 4K and FHD video recording at 24p and 60p, respectively.
Powered by the DIGIC 8 Image processor, the device can handle general photo tasks. It can work under low light with a sensitivity range of ISO 100-12800.
Its autofocus is also seen to be reliable and accurate, with its Dual Pixel CMOS AF system that allows users to shoot even fast-moving subjects.
The camera also has Bluetooth and Wi-Fi connectivity so users can access content easily.
Price, availability
The Canon EOS R100 will be available by July 2023 starting at US$ 479.99 for the body.
When paired with the RF-S 18-45mm f/4.5-6.3 IS STM value lens, the package will cost US$ 599.99.
For those who want to shell out extra bucks, the camera will retail for US$ 829.99 with both the RF-S18-45mm f/4.5-6.3 IS STM and RF-S55-210mm f/5-7.1 IS STM lenses.

Fujifilm released two new products during its X Summit Bangkok 2023 event to give content creators and vloggers more equipment to choose from.
First is the X-S20 digital camera, which succeeds the X-S10. The compact and lightweight vlogging camera comes equipped with the latest processor technology — X-Processor 5 — as well as improved battery life.
Along with its in-body image stabilization (IBIS), the camera comes with an updated AF algorithm.
For instance, the Product Priority and Background Defocus shooting modes gives users more leverage for stills.
It also has the new “Vlog” mode that shall benefit creators, casual photographers, and even hobbyists.
The camera is capable of shooting 4K at 60fps, and FHD at up to 240fps. The device also has dual 3.5mm jacks, meaning a microphone and headphone can both be inserted at the same time.
New ultra-wide lens
Complementing the camera is the new Fujinon XF8mmF3.5 R WR UWA ultra-wide lens which comes with a field of view of over 120 degrees to capture vast backgrounds.
What’s great about the lens is that when it’s set at 36cm at f/8, everything can also be focused.
With low breathing, the lens is capable of fast auto-focus that can barely be noticed when it changes. This makes the lens a handy video shooting companion.
The built-in 62mm filter thread also allows users to add readily available filters, such as ND filters for wide apertures in bright conditions.
Fujifilm Xapp: Shoot from your phone
Fujifilm is also introducing the Fujifilm XApp, which makes tasks even more seamless for creators.
By simply connecting via Bluetooth, cameras like the X-S20 can wirelessly transfer images on a smartphone device.
The camera can even be operated remotely from the app. Users can take photos or videos without even pressing the shutter or holding the camera itself.
The app also has a liveview shooting feature, in case one needs to see what’s on the frame from a bigger screen instead of the viewfinder — in real-time.

The world of cameras has been changing. For the past few months, the biggest names in the industry pulled out of the DSLR market to focus on mirrorless cameras. Of course, handheld cameras aren’t the only marketable products for a camera company. There are smartphones, too. According to a rumor, Canon is looking into a smartphone partnership for the future.
According to Digital Chat Station from Weibo, the camera company is actively searching for a partnership with a smartphone maker. Unfortunately, that’s it. The leaker has not revealed anything else regarding the company’s efforts to pursue partners.
However, it should be noted that camera companies have found a modicum of success in lending their talents to smartphones. OPPO, for example, recently inked a partnership with Hasselblad. Xiaomi also partnered with Leica around the same time. ZEISS, despite breaking up with Nokia last year, still has a partnership with vivo.
Given how the above companies volleyed between different smartphone companies, there are some potential names for a partnership with Canon. Nokia is one. There are also several Chinese companies who don’t have a co-engineered camera yet.
A partnership with Canon should spice things up for the smartphone company who gets the rub. Today, smartphone photography is just as important as actual hardware.
SEE ALSO: Elevate your vlogging: Canon announces EOS R8, R50 cameras
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