Sony Walkman NW-ZX707 Sony Walkman NW-ZX707

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Sony Walkman NW-ZX707 review: Return of the classic

For intermediates and experts

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44 years ago, cars were still boxy, the Apple II was just two years into introducing personal computers inside homes, and the word ‘phone’ meant the landline phone inside your house. It was 1979, personal technology wasn’t a thing yet. Until Sony introduced the very first model of the Walkman, the TPS-L2.

More widely recognized in the mainstream now as “Star-Lord’s ancient iPod”, it revolutionized the music industry back then by putting a cassette player in everyone’s pocket, allowing anyone (well, anyone who had the equivalent of US$ 600 at the time) to listen to music anywhere, anytime they wanted.

Fast forward to 2023, we see Sony has updated the Walkman line to fit in with modern standards. The Sony Walkman NW-ZX707 no longer uses an analog Cassette. It’s now a high-fidelity digital music player.

Gone are its plastic and metal body held together by screws, it’s now a glass and metal sandwich like modern smartphones. It has physically changed to the point of being unrecognizable, but the important thing has stayed the same– It’s probably still the most fun music player you can get with your money.

It’s not a phone, it just looks like one

Sony Walkman NW-ZX707

Like its great granddaddy the Walkman TPS-L2, the Walkman NW-ZX707 is built to last. It continues the time-honored traditions of the Walkman line– namely its metal build, external music control buttons on one side, and the audio jack at the top.

But everything else about the build feels like a mix of old smartphone design cues, just updated to 2023. Upon first look, the NW-ZX707 looks like a weirdly small, thick, and heavy smartphone with sharp edges and two headphone jacks in an age where even midrange phones are ditching it.

It’s got a 5-inch 9:16 LCD display with huge bezels straight out of 2017. It’s even got a soft-touch vegan leather back that we haven’t seen in smartphones for years. With that said, ergonomic considerations kind of start and stop with the external music control buttons.

The overall design is boxy, the edges are sharp, the corners are angular, and the screen is flat as they come. Coming in at 157g, it lets you know that it’s in your pocket.

Could’ve used 5G?

In more ways than one, it only looks like a smartphone, but under its metal exterior, the differences are much more obvious. So while it is running near-stock Android 12, you can’t actually use it as a phone, because it doesn’t have a SIM tray (Which I find kind of weird? Like, I think that with high-fidelity music streaming apps available, that would work well with a 5G SIM for on-the-go hi-fi).

While it boasts some of the best audio chips available on any music player today, it doesn’t have a speaker. And while you can expand its 64GB storage with a microSD card, it’s almost exclusively for your music files, because the screen is too small for media viewing and too slow for even light gaming. And there are no cameras on the device.

But it sometimes tries to function like one

The software on the Sony Walkman NW-ZX707 is where things start to get dicey for me. While I appreciate that it’s built on top of Android 12, a very secure, stable, and customizable platform, I feel like Sony could’ve customized the software a bit more to streamline the experience.

Take for example the experience immediately after setup. Since the ZX707 is linked as an android device to your Gmail account, and there is no special designation in the Android system that it’s a dedicated music player, it’s inevitably going to receive email and other non-music related notifications.

It can be fine for power users, but I don’t think receiving the same notifications as your phone in the middle of music listening is conducive to the hi-fi Walkman experience. Take it from me, spend that extra 15 minutes of deep-diving into your settings to either log out of your Gmail account or turn off notifications for any non-music-related apps and services.

The tide hasn’t come in yet

Speaking of apps and services, a big miss for the ZX707 here in the Philippines is the lack of support for hi-fi streaming apps like Tidal and Qobuz. They’re just straight-up not available in the country. So, if you’re planning on getting the new Walkman, your best bet in filling it up is either manually ripping your CDs or Purchasing hi-fi master tracks in either FLAC, PCM, or DSD.

The digital does its best to be analog

Pre-installed software is limited mostly to the Sony Walkman music player app and its customization software, which is generally fine since it leaves so much space for all your high-resolution music on the internal 64GB storage. And for the entirety of the Walkman NW-ZX707 experience, this is where you’re going to get the most value out.

The music player is pretty standard fare, save for the fact that it has support for extremely high-resolution audio formats like FLAC, PCM, and DSD– it even has a separate section dedicated to all your high-res files. There is no visualization option, but you do get a little Cassette animation when the device is idling– a nice touch. And if you’re looking to have better synergy between your Sony headphones / IEMs, there’s the Sony Headphones Connect app where you can choose your headphone model from a list, and the app will automatically change its sound signature via profiles to give you the best listening experience.

But in the great chance that you’re not using Sony headphones to plug into the ZX707, you’ve got a great range of sound customization via the Sound Adjustment app. And let me tell you, this customization app is the bee’s knees. It’s got properly staged equalizer settings, giving you control from sub-bass 31Hz frequencies, all the way up to cymbal-rattling 16KHz highs in 0.5db increments. It’s a great EQ fine-tuning utility, and super responsive.

Music streaming

There is also a whole slew of sound improvement utilities built-in with the sound adjustment app. There’s the DSEE Ultimate toggle– It’s a new feature from Sony that apparently increases the dynamic range of sub-hi-fi tracks like MP3 and CD formats using AI technology.

I found it somewhat effective, but not to the MP3 files on the device– it worked better when it was post-up-sampling non-hi-fi streaming apps like Youtube Music and Deezer.

There is also a DSD Remastering feature, which converts all PCM signals to DSD. In theory this should increase the signal resolution of sub-hi-fi recordings like MP3, low-quality FLAC rips, and of course, low-bitrate PCM files, but it should be of little value for audiophiles looking to load up the ZX707 with higher-quality 24-bit 117.6KHz PCM files. Do note that PCM and DSD are both quantized signals, so while they’re some of the most high-resolution signal formats a music player can put out, they are still (losslessly) compressed to some degree.

Sound emulation

Lastly, the ZX707 also features sound emulation/simulation features if you ever want to introduce some analog qualities to your hyper-clean modern digital recordings. There is a DC Phase Linearizer which somewhat emulates the natural warmth of an analog amplifier, and a vinyl processor, which simulates the sound signature of hearing your songs through a vinyl record player.

I feel that this is something you might want to turn on based on the kind of files that you’re listening to. There are certain genres that benefit greatly from the warmth and texture of Vinyl simulation like classic rock and electronica. Also, remember to turn this off if your music conversions are from Vinyl like my library. It doubles the Vinyl noise and kind of overdoes the warmth of the track.

Good thing that with all of these settings, there is a toggle for direct output so you can A-B your sound settings really fast anytime.

With a little help from my (Hi-Fi) friends

But enough about all of the intricacies that happen outside of the play button. I called the Sony Walkman NW-ZX707 earlier in this article “probably still the most fun music player you can get with your money.”, so that begs the question– how does it sound?

Well, let me get this out of the way for all you audiophiles first: it’s not a ‘flat’ music player. It’s not a reference device, nor does it advertise itself to be one. It’s high-resolution, sure– but it’s not neutral. And that, to me, just sounds like a good time on paper.

In my two weeks with the NW-ZX707 I was able to try it out with three of my most used audio gear:

  • For the budget on-the-go side, the KZ x CRN ZEX Pros
  • For hi-fi home listening, a modded pair of Beyerdynamic DT770 Pros
  • On the weird-but-fun side, the Sony MDR-XB700 Extra Bass.

And with that lineup, one might assume that the ZX707 would be picky with showing its audio brilliance– not really. It sounded great on everything.

KZ x CRN ZEX Pros

Sony Walkman NW-ZX707

Pairing the ZX707 with the somewhat-neutral KZ x CRN ZEX Pros brought out a good tandem. The ZX707’s sound signature at stock is somewhat warm with a moderate emphasis on midbass and lower mids. The ZEX Pros are somewhat known to have a fair bit of sibilance, but I’m glad to report that because of the Sony Walkman ZX707’s laid-back presentation, there wasn’t much harshness in the highs. Detail suffered a bit, especially on busier tracks, but that was more of the limitation of the ZEX Pro’s limited drivers than through any other factor. The stand-out track for this setup was Silversun Pickups’ “Bloody Mary (Nerve Endings)”.

Beyerdynamic DT770 Pros

Beyerdynamic DT770 Pros

The duo of the ZX707 and Beyerdynamic DT770 Pros was probably my most used setup during my review period. They just complement each other very nicely. And since I’ve modded the DT770 Pros to have a 4.4mm Balanced input, I was able to leverage the higher power output capabilities of the Walkman– I paid for the whole 250 Ohms, I’m going to use the whole 250 Ohms.

The DT770 Pros are known for their surgically neutral and flat response with a slight prominence in the low-bass. It’s that kind of sound signature that I found pairs the best with the ZX707, as it will ‘convert’ the headphones from ‘mixing ready’ to ‘party ready’. It’s like having a smoothening filter applied to all frequencies, but it doesn’t reduce any of the texture and detail. For that pairing, I turned on the DSEE, the DC Phase Linearizer, and the Vinyl Processor.

It was able to inject a lot of warmth and texture to my songs– coupled with the very forward vocal presentation of both the ZX707 and the DT770 Pros, vocal-centric music like ballads, soft rock, and even ‘00s rap sounded amazing. There are a few times when the bass would sometimes start getting bloated, but it wasn’t something a few adjustments to the EQ couldn’t handle. The stand-out track for this setup was Barenaked Ladies’ “New Disaster”.

Sony MDR-XB700 Extra Bass

Lastly, we’ve got the crazy pair of Sony MDR-XB700s. The midrange of Sony’s classic Extra Bass line, it’s a deceptive pair of headphones– regular music players can make it sound okay, but only the best music players and amplifiers that have exceptional bass and sub-bass processing can make it sound the way it should. And for the ZX707, it was no problem at all.

Having a big hump of sub-bass all the way up to midbass in the EQ was the only way I can listen to the XB700s. Even at almost maximum volume, there was almost no distortion and no significant dynamics compression. It just powers through the songs cleanly and never lets any of the frequencies stray too far from their comfortable thresholds.

Presentation is always smooth and warm, with a big emphasis on vocal presence, and highs are much more relaxed but with a lot of texture. The highs don’t go too far up so listeners of borderline-sibilant textured tracks might have to EQ their highs in, or you might want to look at other ways to improve the high-frequency response on the ZX707. The stand-out track for this setup was Dutch Uncles’ “Flexxin”.

Battery life

To round off my playback performance findings on the Sony Walkman NW-ZX707, it was able to sustain two (2) days of almost constant playback before needing a charge. I attribute this to fine volume and power control. The granularity in the volume adjustment is incredibly accurate and is always a requirement for any hi-fi music player.

Is the Sony Walkman NW-ZX707 your GadgetMatch?

There’s an air of being carefree with the ZX707– it knows it’s not a reference device, nor does it try to be. It plays on its strengths of being a solid, high-power, high-resolution music player that you can take anywhere and plug anything into, and it’ll just slowly fade into the background. Present enough that you’re going to enjoy your music, but never stepping in to interrupt you from dancing to ‘Come Get Your Love’ on a distant alien planet.

Coming in at around PhP 45,000 or US$ 600, the Sony Walkman NW-ZX707 not only invokes memories of the original but also the (frankly) prohibitive price as well. Let me make this clear– this is not an entry-level audiophile PMP, it’s somewhat reserved for intermediates and experts who can leverage its non-neutral presentation to improve their on-the-go listening setups.

But as far as audiophile PMPs go, this is certainly one of the most fun ones I’ve tried so far. Check your gear first– it synergizes well with forward-sounding headphones/earphones with great highs presentation. If you’ve got one, I suggest going for the ZX707. If not, you might have to look somewhere else for your on-the-go hi-fi fix.

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OBSBOT Meet Flip Hands-on

It’s tinier and folds this time

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Phones flip and fold. Now webcams do too.

Foldable screens have found their way into phones, tablets, and laptops in recent years. Now, OBSBOT is taking that idea in a considerably smaller direction: the webcam.

OBSBOT Meet Flip

The OBSBOT Meet Flip is the company’s first foldable 4K webcam packing:

  • 1/2-inch stacked CMOS sensor
  • intelligent audio
  • a collection of AI-powered meeting tools

All of these inside a body weighing just 37.7 grams.

A fold that does something, not just a gimmick

The OBSBOT Meet Flip isn’t foldable just to make it easier to throw into a bag.

Closing the webcam physically blocks the lens and puts the device into sleep mode. Open it when you want to be seen, flip it shut when you don’t.

A physical privacy cover isn’t novel in itself. What’s clever here is how it’s part of the folding design.

As someone with a love-hate relationship with data privacy, I almost always keep some physical barrier over my laptop webcam. And if I can avoid having a webcam there entirely, even better.

Serious camera hardware in a pocket-sized webcam

Despite its size, OBSBOT hasn’t treated the Meet Flip like a basic laptop-camera replacement.

Inside is a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology, capable of recording 4K UHD at 30 fps or 1080p at 60 fps. It also packs an f/1.8 aperture, HDR, PDAF autofocus, ISO 100–6400, and up to 4x digital zoom.

At its core is a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology.

It can record:

  • 4K UHD at 30fps
  • 1080p at 60fps

You also get:

  • f/1.8 aperture
  • HDR
  • PDAF autofocus
  • ISO 100–6400
  • up to 4x digital zoom

On paper, that gives the Meet Flip a better shot at handling the situations built-in laptop webcams often struggle with: dim rooms, harsh backlighting, changing lighting conditions, or simply moving around in front of the camera.

HDR helps keep faces visible against bright backgrounds, while PDAF autofocus continuously adjusts focus as you move closer to or farther from the lens.

The wider f/1.8 aperture should also help in less-than-ideal lighting.

The point is that once the Meet Flip is set up, you shouldn’t have to spend much time thinking about the camera itself.

It listens differently depending on the room setup

The Meet Flip also uses an intelligent dual-microphone system combining omnidirectional and directional microphones.

Instead of relying on one pickup pattern for every situation, it offers four audio modes for different setups:

Directional Mode focuses on sound coming from the front, making it the obvious choice for solo calls.

Dual-Directional Mode listens to both the front and rear of the webcam, which could be useful for interviews or conversations between two people sitting across from each other.

Conference Meeting

Smart Omni Mode is designed for group meetings, picking up voices from around the room.

And Pure Audio Mode provides unprocessed left and right stereo channels for users who would rather handle the audio themselves in post-production.

Auto Gain and AI Noise Reduction also work across the first three modes, helping clean up audio without requiring much manual adjustment.

It gives the Meet Flip more flexibility than a typical webcam microphone, especially if you regularly switch between solo calls, interviews, and group meetings.

AI that doesn’t intrude

AI has become an almost obligatory addition to new hardware in 2026, but several of the Meet Flip’s features put it to work on real-world meeting annoyances.

AI Auto Framing keeps you in frame, with options for:

  • Group
  • Single Close-up
  • Upper Body
  • Full Body

Gesture controls can also toggle Auto Framing or adjust the zoom without reaching for a keyboard or mouse.

OBSBOT Meet Flip

More interesting is AI Magic Notes.

Through OBSBOT Center, it provides real-time transcription and can automatically generate meeting summaries with key points, decisions, and action items. It works across Google Meet, Zoom, and Microsoft Teams.

Although AI Magic Notes is offered as a subscription service, every Meet Flip includes 120 complimentary minutes to get started.

MORE with OBSBOT Center & OBSBOT Live

There are plenty of other software features as well. OBSBOT Center includes:

  • Background Blur and Background Replacement
  • Real-Time Beauty Mode
  • Picture-in-Picture overlays
  • Smart Eye Tracking
  • Teleprompter support
  • Detailed image adjustments

The Meet Flip isn’t limited to laptops or desktops either. Through OBSBOT Live, it can connect directly to smartphones and tablets over USB-C for mobile streaming and content creation.

Flip it open. Fold it away.

None of those features reinvent the webcam on their own.

Taken together, though, they make the Meet Flip a more thoughtful take on a piece of hardware whose basic design and features have barely changed.

The flip may grab your attention first, but it’s how OBSBOT uses that design alongside its camera, audio, and software features that makes the Meet Flip interesting.

The OBSBOT Meet Flip is now available at US$ 119 and is currently available through OBSBOT’s official store, Amazon US, and select retailers.

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England, Wales start banning Meta Glasses

The smart glasses are now banned in courtrooms.

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Earlier this year, New York became the first state to issue a blanket ban against smart glasses in courtrooms. The new regulation marks one of the first public spaces to prevent the contentious devices. Now, England and Wales are following suit in their courtrooms by banning Meta glasses inside.

As reported by The Guardian, courtrooms in both countries will confiscate Meta Glasses from those taking them into the building. Owners can retrieve them again upon exit.

Like the decision in New York, the English and Welsh bans are simple enough to follow. As it is everywhere, it’s forbidden to record video inside courtrooms in England and Wales. Because Meta Glasses have cameras (and are primarily used for their video capturing capabilities), they fall under prohibited items.

Notably, smartphones are not included on this list, despite having sizable cameras themselves. Although, to be fair, it’s much more difficult to discreetly record video using a smartphone. Smart glasses pride themselves with the ability to take videos seamlessly.

Meta Glasses are having such a moment today. Though some users, especially creators, are excited for them, a significant chunk of the population is concerned over their ability to take videos without subjects knowing they’re being recorded. Some users have even found ways to disable the built-in LED indicators which should, in theory, warn the public that the glasses are recording. It’s since turned into a privacy nightmare.

SEE ALSO: New York becomes first state to ban smart glasses

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Spotlight: MemoMind One

How “smart” are AI glasses without cameras in it?

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What if smart glasses could make you more present instead of recording everything around you? Check out MemoMind or back it up on Kickstarter.

After spending time with the MemoMind One around New York City, THE Michael Josh wanted to answer one question: Do smart glasses actually become more useful when they stop trying to be a camera?

In this video, we take a look at the MemoMind One — a new pair of AI-powered smart glasses that take a very different approach.

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