Cameras
The Sony A7S III is a low light video beast
And then some
Finally! After years of waiting, we now have the successor to Sony’s video-centric mirrorless camera — the Sony A7S III.
It’s been six years since the release of the Sony A7S II, and its successor carries on the many features that made it an absolute must-have for videographers both amateur and professional.
Taking professional video further
The A7S III offers in-camera 4K recording up to 120 frames per second(1), 10-bit depth and 4:2:2 color sampling. It has a more flexible and efficient post-production workflow with a variety of advanced movie recording modes such as All-Intra and MPEG-H HEVC/H.265 coding (XAVC HS).
If you’re worried about a mutli-cam production, the Sony Alpha team has taken that into account as well. It has three color gamut settings S-Gamut, S-Gamut3, and S-Gamut3.Cine that make it easy to match with footage shot with other cameras.
Footage taken with the camera is also ready to go as is. The S-Log3 gamma curves as well as support for HLG (Hybrid Log-Gamma) picture profile produces footage with a minimal need for post-production.
The A7S III also allows up to 4K 60p 16-bit RAW output to an external recorder via HDMI Type-A connector, offering additional post-production flexibility.
BIONZ XR for better image quality
The A7S III is equipped with the new CMOS image sensor and BIONZ XR image processing engine. This all in the service of producing that legendary S-Series sensitivity with significantly enhanced color reproduction and texture renderings for improved overall image quality.
The base ISO has been lowered to 80, resulting in a normal range of 80-102,400 (expandable to 80-409,600 for video and 40-409,600 for stills). This provides more flexible ISO plus wide dynamic range with low noise at all settings.
It also improves AWB (Auto White Balance) performance with a new “Visible light + IR Sensor” that helps to achieve more precise white balance under artificial lighting.
Advanced AutoFocus
AutoFocus (AF) has been one of the features that Sony just has been absolutely good at and that carries over to the A7S III. It offers Fast Hybrid AF by combining phase-detection and contrast-detection AF.
This means it can track subjects over a wide area with outstanding speed, precision and smoothness, even when using a narrow depth of field. This is further enhanced by Sony’s e-mount lenses capable of Fine focus expression.
For environments with a lot of movement, Real-time Tracking and Real-time Eye AF are available to maintain constant focus on the intended subject.
Sony’s advanced Real-time Eye AF improves detection performance by 30% over the previous system. It ensures accurate, reliable detection, even when the subject’s face looks away.
The A7S III is now touch screen so real-time tracking can be done in that manner. Real-time Eye AF is automatically initiated when an eye is detected.
The camera includes several AF features for professional users including AF Transition Speed in seven settings. It has rack-focus transitions and five AF Subject Shift Sensitivity settings to customize how easily AF will switch or stay with the locked-on subject.
It’s now also possible to Touch Focus during manual focus mode on the LCD screen or remotely from the Imaging Edge Mobile application.
Better cooling implemented
Naturally, this much power will generate plenty of heat. The A7S III’s design takes this into consideration.
A newly developed unique heat dissipating structure keeps the image sensor and image processing engine temperatures within their normal operating ranges. This keeps things cool even during extended continuous recording sessions at 4K 60p 10-bit 4:2:2 video lasting an hour or more.
The new heat-dissipating structure requires no fan or cabinet vents allowing Alpha 7S III to maintain dust and moisture resistance.
Maximum stability
A camera built video can’t be without proper stabilization.The Sony A7S III is the first Alpha series camera to include Active Mode with 5-axis optical in-body image stabilization to support especially difficult handheld movie shooting.
It’s the first Alpha series E-mount body to feature a side-opening vari-angle rear screen. It’s perfect for gimbal-mounted shots, complicated angles, handheld operation and more.
The screen rotates sideways, up and down, and features a 3.0 type 1.44 million-dot (approx.) touch panel LCD monitor, for optimal visibility even in bright outdoor environments. FINALLY.
Not a slouch in photography
Just because it’s video-focused, doesn’t mean it neglected still images. The A7S III has a fast Hybrid AF system with 759 phase-detection AF points covering 92% of the image sensor.
Users can continuously shoot more than 1,000 uncompressed RAW images at up to 10fps, or up to 8fps in live view mode, with either the mechanical or electronic shutter.
High speed transfer, redesigned menu
The A7S III features two CFexpress Type A compatible media slots. These support UHS-I and UHS-II SDXC/SDHC cards for high write-and-read speeds while keeping the camera body compact.
CFexpress Type A cards are ideally suited to high-speed continuous RAW still image shooting as well as 4K 120pi movie recording at high bit rates.
High-speed data transfer to a PC is possible at about 1.7 times faster than that of SD card. The dual slots can be set to relay mode for extended continuous recording of even the highest bit rate data as well as simultaneous recording and sort by format type recording.
The menu system, which some have noted to be somewhat of a black hole, has been redesigned for easier navigation. Switching to video mode automatically prioritizes video settings. Same is true for the various photo modes.
Pricing and Availability
The new Sony A7S III Full-frame Interchangeable Lens Camera will be available in September 2020 for approximately US$3,499.99. It will be sold at a variety of Sony’s authorized dealers throughout North America.
In Singapore and the Philippines, it will be available in October 2020. Pricing will be announced soon.
The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.
The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.
Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.
However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)
Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.
SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend
Cameras
Canon PhotoMarathon returns, introduces video, open categories
Happening on April 18 in BGC, Taguig
The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.
The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.
For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.
Here’s a quick breakdown of the contest categories and their corresponding prizes:
Main Category (Photo)
- Open to Canon users only
- Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM
Open Category (Photo)
- Open to all camera brands
- Prize: Canon EOS R8 with 24-50mm
Video Category
- Open to all camera brands
- Canon Prize winner: Canon EOS R50 V
- Non-Canon Prize winner: Canon Powershot V1
The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.
To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.
To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.
These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.
Cameras
Canon EOS C50 cinema camera price in the Philippines
Smallest, lightest cinema camera made for today’s filmmakers, creators
Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.
The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.
It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.
Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.
This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.
Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.
Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.
In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.
Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.
Photo performance
For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).
The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.
Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.
Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.
This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.
Professional interface
Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.
There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.
During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.
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