Cameras

Half a frame, full of feeling

A week with the Fujifilm X-Half showed me love, loss, and light

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They say healing isn’t linear. I say healing is made of light, color, and fleeting moments that feel like film. That’s what the Fujifilm X half (X-HF1) captured for me.

I was staying in Shangri-La Mactan for a week — not to escape, but to find something again. Myself, maybe. Or at least what was left of me after a heartbreak that still hurt to name.

I needed quiet and distance. I needed something to hold without shattering in my hands. Picking up the X half didn’t feel like pressure, but an invitation.

To see things differently. To remember that beauty still exists in between the ache.

Nostalgia, reimagined

There’s something incredibly comforting about the X half. Inspired by the FUJICA Half from the ’60s, this little camera — only 240g — feels like a whisper of the past. It’s compact enough to slip into a small tote or hang from your wrist without weighing you down.

I loved its vintage look, especially the Charcoal Silver finish that reminded me of my grandpa’s old film camera (which he never let me borrow).

There’s a tactile satisfaction to the Frame Advance Lever. It feels nostalgic yet new. Pulling it was meditative, like turning a page you’re not yet ready to close.

Somehow, the X half didn’t ask for big moments. It just waited. For a laugh over breakfast, for sunlight breaking through white curtains.

A different way to see the world

Built around a 3:4 aspect ratio, the photos are in vertical orientation. It felt strange at first, like writing with your non-dominant hand. But quickly, it made sense.

Vertical compositions made everyday scenes feel like they were made for storytelling — ready to be posted online, yet coated in the softness of film. I took portraits, my feet in the sand, coconut drinks in hand, and the mundane beauty of life by the beach.

This format mirrored how I was seeing the world: upright, trying to stay steady, reaching toward something more.

There’s also a 2-in-1 feature where you take two vertical shots, and the camera stitches them together.

It can be two photos, or a photo and a video. At first, I just had an inkling to try it. But the more I used it, the more it felt like journaling with light.

The scenes evolved beyond being just two frames. They became a feeling — two moments bottled up into one photograph. When mixed with a video, it felt like seeing the story behind the photo you took. It felt alive.

Finding warmth in a frame

Cebu, for all its postcard beauty, became even more alive through the filters on this camera.

I used Light Leak the most — not just as an effect, but as an emotional layer. It gave my photos the kind of softness that matched the state of my heart: fragile, hopeful.

My photos looked like little accidents, a reminder that everything doesn’t have to be perfect to be beautiful.

Switching to Film Simulation modes felt like flipping through old love letters written in different inks.

I spent a lot of time on Nostalgia Neg. and Classic Neg. to match how I was feeling. That’s the beauty of having options: you choose what reflects your mood, right after capturing something real.

When I reviewed the photos I took, I caught myself smiling. They were nowhere near perfect, but they felt real. I was surrounded by people — from close friends to strangers — with comfort in the air. I captured a lot of candid moments, people’s laughter bouncing off bottles of beer, completely unaware of the camera.

Seeing those photos, I told myself: this is what healing looks like. You don’t have to be alone to be whole.

There is peace in not knowing

Halfway through the trip, I turned on Film Camera Mode. It disables the LCD screen, teaching you patience. You take a shot, and then you wait. No previews, no retakes, no deleting.

You wait until you finish 36, 54, or 72 shots before seeing anything. It’s a reminder that some things take time to develop like trust, love, and healing.

Then, you move forward by pulling the Frame Advance Lever, like how life pushes you on, whether you’re ready or not.

It reminded me of the magic of not knowing. Of surrendering to peace. Sometimes, you just have to trust that what comes next will surprise you. No obsessing over the perfect shot, just capturing the moment for what it was.

When I finally transferred the photos to the X half app, it felt like opening a letter from a past version of myself. Sometimes shaky, sometimes bold — but always trying.

The app’s minimalist look made it easy to organize photos and create collages. I even printed one with the instax mini Link 3. I made contact sheets and framed some moments, and I didn’t delete any of them.

Because even the blurred ones told the truth: I was there, I laughed, and I healed, little by little.

Candid, compact, and completely mine

The 32mm f/2.8 lens and 1-inch sensor captured Cebu’s warmth in full detail. It’s not a loud camera. It doesn’t demand to be noticed. But it sees you — and everything around you — with a tenderness that surprised me.

I watched my friends grow more comfortable as the days went on. I took portraits when they weren’t looking, and every shot became a secret I got to keep. That’s what made it special. Even the most mundane things looked like poetry through this camera.

I held a lot of things that week, trying not to break: emotions, expectations, silence. But in between, this tiny camera held me. It made me slow down. It reminded me that every small thing can be worth remembering.

There’s joy in anticipation, in imperfection, in capturing something just for yourself. There’s still beauty to be made — and I can still make it, even in the middle of healing.

Is the Fujifilm X half your GadgetMatch?

The Fujifilm X half is a modern reinterpretation of the classic half-frame camera: compact, creative, and intuitive.

With its vertical-first 3:4 sensor, 32mm f/2.8 fixed lens, and an optical viewfinder, it makes slice-of-life photography simple, expressive, and deeply personal.

Film Camera Mode and the Frame Advance Lever simulate the feel of analog shooting, while built-in Film Simulations, Light Leak, and Halation effects allow you to create artistic, memory-soaked photos straight out of camera.

Seamless app integration, collage tools, and Instax printing support make it easy to relive and share your moments that are raw, romantic, and real.

If you’ve ever longed for a camera that sees the quiet beauty of your life and turns it into something lasting, the X half might just be it.

The Fujifilm X half retails for PhP 44,990. It’s available at official Fujifilm stores and authorized dealers.

Cameras

Canon PhotoMarathon returns, introduces video, open categories

Happening on April 18 in BGC, Taguig

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The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.

The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.

For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.

Here’s a quick breakdown of the contest categories and their corresponding prizes:

Main Category (Photo)

  • Open to Canon users only
  • Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM

Open Category (Photo)

  • Open to all camera brands
  • Prize: Canon EOS R8 with 24-50mm

Video Category

  • Open to all camera brands
  • Canon Prize winner: Canon EOS R50 V
  • Non-Canon Prize winner: Canon Powershot V1

The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.

To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.

To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.

These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.

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Cameras

Canon EOS C50 cinema camera price in the Philippines

Smallest, lightest cinema camera made for today’s filmmakers, creators

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Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.

The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.

It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.

Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.

This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.

Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.

Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.

In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.

Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.

Photo performance

For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).

The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.

Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.

Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.

This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.

Professional interface

Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.

There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.

During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.

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Cameras

Sony launches the new Alpha 7 V

Get yourself a full-frame mirrorless camera for Christmas.

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Are you still wondering what to get yourself for Christmas? If you have a good amount of leftover money after shopping for everyone else, Sony has a new camera just for you. Right on the cusp of the holiday season, the Sony Alpha 7 V is here.

The Sony Alpha 7 V is the fifth generation of the aforementioned series. The full-frame mirrorless camera uses a partially stacked Exmor RS CMOS image sensor to take photos with 33.0 effective megapixels.

Further, the new BIONZ XR2 image processing engine uses the Alpha series’ AI technology to deliver better imaging, Real-time Recognition Auto-Focus, and Real-time Tracking. To add to this, Sony is also launching the FE 28-70mm F3.5-5.6 OSS II full-frame zoom lens to support the camera.

For connectivity, the camera supports Wi-Fi 6E GHZ for data transfers. It also supports USB-C connections for wired transfers.

To ease usage no matter the scenario, the Alpha 7 V comes with vertical format support and an adjustable electronic shutter sound. It also has a 4-axis multi-angle monitor for shooting in various angles. Finally, it has a better grip for stability.

For those long shoots, the camera has better power management. It also has a Monitor Low Bright mode to preserve the battery.

The Sony Alpha 7 V body is available from the end of December. Meanwhile, the kit and the lens will be available on February 2026. The body costs SGD 3,699. From now until December 31, customers will get a free 240GB CEA-G Series CFexpress Type A memory card.

SEE ALSO: Sony’s mobile motion capture system, mocopi, is coming to Singapore

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