Accessories

Stepping up your travel photos with camera filters

No, definitely not your in-app filters

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With access to an array of available travel cameras, consumers have been getting more and more engrossed on documenting their trips. Action cameras are available left and right and more consumer drones have popped out of nowhere featuring the latest technologies.

Although while these cameras boast high-quality images, one can still go for better output and achieve more creative shots by using extra accessories. Such is the case for this feature’s spotlight. Freewell has sent a couple of travel necessities if you want to step up your travel photos.

The gear we received from the HongKong-based company consists of the following sets:

  • 4-pack Standard Day Filters for GoPro Hero 5 Black and onwards
    • ND4 filter
    • ND8 filter
    • ND16 filter
    • ND32 filter
  • 6-pack All Day Filters for DJI Mavic Pro and Mavic Pro Platinum
    • ND8 filter
    • ND16 filter
    • ND32 filter
    • ND8/PL filter
    • ND16/PL filter
  • Pro M3 Carbon Action Camera Monopod
    • Snap-fit remote holder
    • Smartphone clamp
    • Aluminum thumbscrew
    • Aluminum thumbscrew wrench

Apart from the monopod and its included mounts, the sets consist of neutral density (ND) and polarizing (PL) filters which we’ll get to know better in just a bit. They range from ND4 to ND32 but on top of those, Freewell also threw in single ND1000 filters for both the GoPro Hero and DJI Mavic.

What are ND filters and what do the numbers represent?

For the unfamiliar, ND filters lessen the light coming into the camera’s sensor. You can think of them as sunglasses for your lens. Whether it’s a DSLR, mirrorless camera, action camera, or a drone, you can use ND filters to have more control over light coming in.

The number that usually follows indicates the ‘stop’ or basically by how much it darkens the image. Filters usually start from ND4, then ND8, ND16, ND32, and so on as it gets darker and darker.

Applying filters

You might ask, “what instances could I use ND filters for?” Basically, a good rule of thumb is to use an ND filter whenever there’s an abundance of light in your scene. This way, you still get an image with the right exposure when the camera’s shutter speed doesn’t go as fast as you need it to be.

Another good use of ND filters is when you want to achieve time lapse during the day. By now, a lot of people know the principle behind shooting time-lapse photos at night: By lowering the shutter speed, the camera’s sensor allows more light to come in and capture more movement that can produce unique images.

Shot at 5 seconds shutter with Freewell ND1000 filter for GoPro HERO

Although did you know that you could also pull this same effect during the day? You still need to lower your shutter speed but with the help of an ND filter. Without it, what you’ll get is just a washed-out photo due to overexposure.

Having the appropriate filter, you can lower your shutter speed to show motion while at the same time, limit the light going into your camera.

Shot at 2-sec shutter speed with Freewell ND1000 filter for DJI Mavic Pro

The above photo may look like an ordinary aerial shot I took with my Mavic Pro but look closely and you’ll notice that I was able to capture a short time-lapse through the movement of vehicles passing by. You can pick up this technique and apply it to different scenarios and achieve creative shots.

While these filters will mostly be used when the sun is bright, you can also use them even at night when you want to capture certain effects.

Check out the sample photo above taken at Tokyo’s Shibuya Crossing. Me and my wife remained focused while groups of people around us appeared as ghosts and the lights behind us illuminate the shot.

The ND16 filter I used was able to dial down the lights while the shutter was set to a low speed, capturing the flow of people while me and my wife just had to stand there and not move for a few seconds.

Slow shutter speed with no ND filter

Although it was night time, I still used Freewell’s ND16 filter since I had to lower the shutter speed to show the motion of people crossing. As I’ve mentioned earlier, if I do that without any filters on, the above photo is what you’ll get.

Akihabara without ND filter

Additionally, you can also use ND filters to show more details in both the ground and sky. What happens usually when shooting a landscape is that the subject has the right exposure but the sky gets overblown. By using this kind of filter, you can retain the details of the sky and make clouds appear while keeping your subject’s exposure.

Shot with ND8/PL filter

We’ve covered getting the right exposure in tricky situations but one final example is about removing glares using polarizing (PL) filters. Just like the two example shots above, we see a huge improvement in the photo when I used a neutral density filter with a polarizer. The unwanted glare was minimized and more details on the clouds could be seen.

In conclusion, there are still different kinds of accessories one can use to further improve the quality of photos for different scenarios, but being ready with a couple of sets of ND filters for your cameras are some of the considerably inexpensive things you can buy to achieve a more professional and creative output.

Accessories

DJI Osmo Mobile 8P: From a videographer’s perspective

Better tracking, fewer buttons

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DJI’s smartphone gimbals have always chased one goal: delivering cinema-smooth footage without forcing you to carry a heavy rig.

The Osmo Mobile 8P (OM 8P) makes its priorities clear right out of the box. This is not a simple refresh. DJI rebuilt how you control the gimbal, and that decision shapes the entire shooting experience.

Freedom behind the lens

The biggest change is the FrameTap remote, and it’s the kind of upgrade that fixes a problem you didn’t realize was slowing you down until it’s gone.

On the standard OM 8, adjusting your framing meant reaching for your phone every time, which broke the flow of shooting and pulled you out of the moment.

FrameTap puts that control back in your hand. You can reframe shots and manage the gimbal without touching your phone at all, and for anyone shooting solo, that alone changes how usable the whole setup feels. Tracking has taken a real step forward too.

ActiveTrack 8.0, paired with Module 2, held onto its subject even after they stepped out of frame for a moment, then picked them back up without much fuss.

It also lets you sit off-center in the shot instead of forcing you into the middle every time, which gives you more room to compose something that doesn’t look like every other gimbal video.

None of that would matter much if the gimbal itself wasn’t solid, and it still is. The OM 8P holds onto the same foldable design, magnetic phone clamp, and built-in tripod that made the OM 8 easy to live with.

And it remains one of the better compact options for stabilization, tracking, and portability in one package.

The tripod legs are a touch wider this time, and that extra width does make a noticeable difference on uneven ground.

The trade-offs in touch

The trade-off for all that new remote functionality is a control scheme that takes more getting used to. More of the gimbal’s functions now live on the FrameTap touchscreen, the joystick is smaller, and switching between shooting modes takes a few extra taps compared to the OM 8. It’s not a dealbreaker, but it’s a learning curve you’ll need to budget time for.

DJI also removed the zoom and focus wheel, so if you leaned on that dial for quick adjustments, you’ll feel its absence here. Module 2 no longer lets you plug a DJI wireless mic in directly either.

You’ll need to connect it to your phone instead, which adds a step to a setup that used to be simpler. Phone compatibility is still a limiting factor as well. DJI lists support for phones up to around 300g and 11mm thick, so bigger phones or ones in chunky cases may not clamp in properly.

Finding your ideal workflow

The OM 8P makes the most sense for solo creators who want dependable tracking and the freedom of remote framing without stepping up to a dedicated camera like the DJI Osmo Pocket.

If you’re already shooting on a phone with a solid camera, this fills the gap nicely. It’s a tougher sell if you prefer physical buttons over touchscreen menus, or if your phone runs on the larger and heavier side, since fitting it onto the clamp might be a problem before you even get to shooting.

Price, availability

DJI is offering the OM 8P in three combos, so how much you pay depends on how much of the ecosystem you actually need.

  • Standard Combo (PhP 7,499): the gimbal itself, with 8th-gen stabilization and the detachable FrameTap remote included.
  • Advanced Tracking Combo (PhP 9,199): adds the Multifunctional Module 2 for the improved subject tracking we tested.
  • Creator Combo (PhP 11,099): the full kit, built for creators who want everything DJI bundles in from the start.

Is the DJI Osmo Mobile 8P your GadgetMatch?

The DJI Osmo Mobile 8P asks you to relearn a few habits in exchange for a gimbal that finally lets go of your phone. If hands-free framing and steadier tracking matter more to you than a dedicated zoom dial, this is worth the adjustment.

If you’d rather keep things exactly as they were on the OM 8, that learning curve might be the deciding factor.

Swipe right if you shoot alone often and have been waiting for a gimbal remote that actually works. The FrameTap remote alone justifies the upgrade if reaching for your phone mid-shot has been slowing you down.

Consider this if reliable tracking matters to you, especially if you’ve had a subject wander out of frame and stay lost on older gimbals.

And of course, get this if you already own a capable phone under the weight and thickness limits, and you’d rather invest in a smartphone rig than jump to a dedicated camera like the Osmo Pocket.

Swipe left if you lean on physical dials for zoom and focus, and moving those functions to a touchscreen sounds like a downgrade rather than an upgrade.

This is not for you if you use a DJI wireless mic and want it plugged directly into the module without routing through your phone first. Or, your phone runs heavier or bulkier than DJI’s limits allow, since no amount of enthusiasm fixes a clamp that won’t close.

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Sony WH-1000XM6 gets a new Olive Gray colorway option

The new color launches today.

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Last year, the Sony WH-1000XM6 quickly became our favorite pair of noise-cancelling headphones. The audio quality pairs remarkably well with its ANC capabilities. Now, a year into the accessory’s life cycle, new colors are still coming out. Today, the acclaimed WH-1000XM6 is getting an Olive Gray variant.

A few months ago, Sony expanded the WH-1000XM6’s colorway options with a Sandstone version, launching alongside the Sony 1000X THE COLLEXION. At the time, the new color added a splash of life to an already blossoming lineup.

Now, much like the rest of the lineup, the new Olive Gray version is a subdued mashup between olive green and gray. Though it stands out on its own, the color is still cool enough to mix well with the contours of the user’s head.

Other than that, the new version is still identical to the inner workings of the original device. The Sony WH-1000XM6 comes with a new HD Noise Canceling Processor QN3, providing 12 microphones for effective noise cancellation. In terms of audio quality, the headphones support High-Resolution Audio and High-Resolution Audio Wireless, thanks to LDAC support.

Also, the accessory sits comfortable on the head with a high rigidity carbon fiber composite material dome, cushioned well with synthetic leather.

As always, the Olive Gray version, launching today, will sell for US$ 459.99.

In Singapore, the Sony WH-1000XM6 in Olive Gray is available starting today through Sony Stores, the Sony Store Online, and authorized dealers for S$649, matching the pricing of the existing color options.

SEE ALSO: Sony WH-1000XM6: Master of sound quality and noise cancellation

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OBSBOT’s Meet Flip is your next best pocketable 4K webcam

Fold the Flip for further protection

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OBSBOT Meet Flip
Graphics by Vincenz Lee | GadgetMatch

Several months ago, you might remember that OBSBOT revealed the Tiny 3 series of web cameras.

Six months after, they also unveil the all-new Meet Flip. From the name itself, it’s the company’s latest foldable 4K webcam that puts hardware privacy front and center.

Foldable and pocketable

Despite weighing just 37.7 grams, the Meet Flip aims to deliver premium webcam features for all types of users. Be it remote workers, professionals, or content creators.

OBSBOT Meet Flip

Graphics by Vincenz Lee | GadgetMatch

Undoubtedly, the biggest highlight has got to be the webcam’s folding design. Not only it’s portable, it protects your privacy too.

Closing the device physically blocks the lens, giving users a visual confirmation that the camera is no longer active. When it’s time for a meeting, simply unfold it and it’s ready to go.

That lightweight body also features a built-in mounting clip that works with laptops, monitors, and tripods. Users can mount it in landscape, portrait, or even upside-down orientations depending on their setup.

OBSBOT Meet Flip

Despite that absurd amount of lightweightness, the OBSBOT Meet Flip is still able to house a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology. That’s something more commonly found among bigger and higher-end web cameras.

Video Call

Other camera features include:

  • 4K video recording / 30fps
  • 1080p recording / up to 60fps
  • HDR support for challenging lighting
  • Phase Detection Autofocus (PDAF)
  • 4x digital zoom
  • f/1.8 aperture with ISO 100-6400 support for low-light environments

Beyond just video calls

The OBSBOT Meet Flip isn’t just packed with serious camera hardware, it’s seriously intelligent as well.

The Meet Flip supports AI Auto Framing. This automatically keeps users centered during meetings — regardless if they are presenting alone or with a group. Gesture controls also let users activate framing or adjust zoom without touching the keyboard or mouse.

Video Call

Another standout feature is AI Magic Notes which provides real-time meeting transcription and automatically generates summaries, action items, and key discussion points.

The feature works with Google Meet, Zoom, and Microsoft Teams through OBSBOT Center. Every webcam includes complimentary transcription of 120 minutes.

With that being mentioned, OBSBOT Center also makes users gain access to software features such as background blur, virtual backgrounds, beauty mode, and picture-in-picture overlays for presentations.

Those who want more advanced controls can enable Smart Eye Tracking, teleprompter support, and manual image adjustments.

Conference Meeting

Audio also gets an upgrade through an intelligent dual-microphone system that offers four recording modes:

  • Directional Mode / solo calls
  • Dual-Directional Mode / interviews
  • Smart Omni Mode / group meetings
  • Pure Audio Mode / unprocessed stereo recording

AI Noise Reduction and Automatic Gain Control are also available across most modes to help improve voice clarity.

OBSBOT Meet Flip

OBSBOT’s Meet Flip is also compatible with mobile devices through the OBSBOT Live app and supports integrations with accessories including Elgato Stream Deck, Nintendo Switch 2, and UVC-to-NDI/HDMI adapters.

Pricing and Availability

The OBSBOT Meet Flip is available starting today for US$119 through OBSBOT’s online store, Amazon US, and select retailers worldwide. Regional pricing may vary.

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