Lifestyle
I used the Amazfit T-Rex 3 for my first ultra trail marathon
Endurance tested, mountains conquered
I’ve always been an outdoor junkie. Picture this: skinny little me, standing on my ‘mother mountain,’ as strong winds turned me into a literal paper doll swaying at its peak.
That moment lit a fire in me, realizing there’s something about the trail that gets me. From then on, mountains became my love language.
Over the years, I’ve trekked, hiked, and run through the Philippines’ breathtaking landscapes: volcanoes, ridges, mountain ranges — you name it. But 2024? Oh honey, that year had me doing the unthinkable.
First, I joined a major hike on a last-minute invite — like, a 30-minute heads-up kind of last minute — to conquer six mountains in a day. (We did it under 14 hours.)
We didn’t just hike; we ran the ridges like maniacs, ending up with only 350ml of water left for the final 10K. (Hydration? Who is she?)
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But wait, there’s more. I capped off the year with my first ultra-trail marathon at the Cordillera Mountain Ultra. It was a brutal 45KM race through the Cordillera Mountain Range that gave me grit, drama, and some questionable life choices.
I brought along the Amazfit T-Rex 3, and let me tell you, this rugged smartwatch stayed strapped to my wrist like a loyal bestie who wasn’t about to let me quit.
Skeptic to believer
Okay, confession time. When I first got the Amazfit T-Rex 3, I had major trust issues. I mean, I’m a Garmin loyalist through and through, and this was my A-race. I wasn’t just running; I was creating content, people.
My beau needed to see my Strava upload hit 26+ miles, preferably with a side of “Look at me; I’m conquering mountains!”
But here’s the plot twist: I’ve known Amazfit for years through my gig as a lifestyle journalist.
We’ve reviewed them, featured them in GadgetMatch lists, and even had our former writer rave about their models. Yet, I’d never actually tried one myself.
I’ve always been curious about it, especially seeing Spartan athletes crush races with their trusty Amazfit smartwatches.
Even my friend and three-time podium finisher, Spen Manlangit, swore by his experience training with the device, especially for his races won in Malaysia and Indonesia.
So, in a leap of faith, I strapped on the T-Rex 3 and hoped for the best.
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Looking tough, looking good
Let’s be honest: outdoor smartwatches often sacrifice style for durability. Not this one, though. The Amazfit T-Rex strikes the balance between being ruggedness and refinement.
Its stainless-steel bezel screams tough, yet the liquid silicone strap wrapped comfortably around my wrist without that icky, itchy feeling.
Also, its 1.5-inch AMOLED display was a chef’s kiss. Its 2,000 nits of peak brightness lit up the trail when we arrived at Itogon past midnight.
Forget my headlamp and the watch’s built-in flashlight, its display was my guiding light.
Making it to the first cutoff
Fast forward to race day: I was wearing the Amazfit T-Rex 3 on my right wrist and my trusted Garmin epix Pro (Gen 2) on my left. Yes, double-wristing it like a fitness tech psycho.
When you’re running 45KM in the mountains, you want backups for your backups.
By 3:30 a.m., adrenaline had replaced the smartwatch’s noticeable heft, and I was off — descending from Itogon, Benguet to make my way towards Mt. Ugo.
The first 10 kilometers felt like a dream. My legs were fresh even when the air was cold, and the T-Rex 3 was busy logging my every step.
The first intermediate cutoff for the Cordillera Mountain Ultra loomed at KM15, with a strict five-hour limit.
By KM13, I had already stumbled — literally — after a bad misstep on a steep downhill.
The strain on my knee was starting to catch up as I ascended to Mt. Ugo, and by KM14, I hit the runner’s wall.
Maintaining an impressive 7:00 min/km pace on the punishing terrain left me no time to refuel properly.
My pace tanked, and my knees screamed in protest. Three grueling hours of running the trails had taken their toll. The realization that I still had 32 kilometers to go hit me like a truck.
Yet somehow, I reached the first cutoff in four hours, taking a moment to refuel and reassess after the fall that had strained my knees.
Meeting my first angel
Buoyed by being ahead of schedule, I set off for the grueling 7KM ascent toward the West Summit of Mount Ugo via Tinongdan.
Temperatures dropped to a biting 5°C as I climbed. The sun offered little comfort against the icy winds.
The Amazfit T-Rex 3, however, stayed unbothered, feeding me live altitude updates and heart rate readings as I pressed through the relentless climb.
At KM18, the strain in my kneecap intensified. Still, I pressed on, telling myself I’d rest properly at the summit.
That was when I met Mike Mendoza, a fellow trail runner who seemed to be my guardian angel. Seeing my struggles, he waited for me, constantly checking so that I didn’t veer off the trail, which was a bad habit of mine. I guess I’ve always taken “the road less traveled” too seriously.
After two and a half hours of continuous climbing, we finally reached the KM21 marker at the summit. He was fine, but I was breathless and in pain.
The moment that might’ve ended it all
As we began the descent from the summit, I asked Mike to go ahead without me.
My knees were screaming with every step. The steep, rocky terrain demanded precision, but my legs were unsteady, sliding on loose soil and gravel.
Adding to the challenge was the brutal transition from freezing temperatures at the summit to blistering heat on the open trail.
The ridges offered a breathtaking view of the Cordillera Mountain Range, but the relentless descents left me dehydrated and vulnerable. My pace slowed to a cautious crawl to protect my knees.
Meanwhile, the Amazfit T-Rex 3 soldiered on, its battery barely dented even after hours of constant GPS tracking.
Its promised 42-hour battery life in GPS Accurate Mode felt like my one reliable companion.
Then came KM23 — the moment that almost ended it all. A herd of cows (yes, cows) decided that the single-track trail was their runway, and charged at me. In a panic, I veered off the path, slipped, and found myself clinging to my pole near a cliff’s edge.
My trekking pole saved me, while my knees bore my weight. For a moment, I wondered if a dramatic mountain death might actually be better than becoming a cow kebab. Somehow, I survived.
And if you’re asking, no. The T-Rex 3 didn’t record the tumble. But honestly? It’s probably for the best. It securely strapped to my wrist, even as I stumbled through one of the most terrifying moments of my life.
With no cellular reception and no working SOS signal, I was on my own.
I whistled for help for what felt like an eternity until four runners from the summit came to my aid.
Words (and hearts) of gold
April Mae, one of the trail runners who came to my aid, taped my injury. They helped me navigate past the herd of cows (who were still out for blood).
As we approach the second summit at KM3o, I told April that I was ready for a DNF (Did Not Finish). But April encouraged me to keep going, reminding me how much I had already conquered — what was the point of quitting?
Together with Mickey, we summited Mt. Ugo once more to hit the next cutoff at KM30. We reached it with an hour to spare, despite my knee screaming with every step.
Descending Mt. Ugo was pure agony. The pain was so severe that tears streamed down my face as I hobbled through the trail. April and Mickey left to rush to the medics so they can prepare everything I might need. (They were like my angels, I swear.)
Alone again, I relied on the T-Rex 3’s heart rate updates to ground me. “As long as I’m breathing well, I’ll be fine,” I told myself.
By the time I reached the medics at KM 31, both of my knees were in shambles that they had to urge me to stop and call it quits. I refused, remembering April’s words.
Literally gave my blood, sweat, and tears for this
From KM31 to KM40, I fought through the pain, tears streaming down my face as the mountains punished me with relentless descents.
The T-Rex 3, meanwhile, remained my rock: tracking my heart rate, my altitude, and, most importantly, my will to keep going.
At KM43, I met a veteran trail runner who was cruising at his own pace. He saw my struggle and shared words that stayed with me: “You’ve already won. Finishing this is just the cherry on top.”
At 13 hours and 42 minutes, with a total elevation gain of 3,500 meters, I crossed the finish line.
Emotions overwhelmed me as my fellow runners greeted me with hugs and cheers. Their pride in me shattered whatever composure I had left, and I let the tears flow freely knowing I’d earned them.
No, I didn’t land a podium finish. I didn’t even have a medal to bite and wear. But I won something far greater: the knowledge that I am relentless, that I can face unimaginable pain and still rise, and that the trail running community is one of the most supportive I’ve ever known.
And more importantly, I had proven to myself that no amount of pain or bad luck could stop me from finishing what I started.
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A trusty companion
The Amazfit T-Rex 3 didn’t just survive this ultra-trail marathon with me. It thrived. Its GPS, heart rate monitoring, and rugged build handled every challenge the trail threw at us. And after 13+ hours, the battery still had plenty of juice left. (Still on half battery, like, for real?)
It recorded the most important race yet in my life, while my Garmin’s activity was corrupted. Thankfully, I had the Amazfit T-Rex 3.
At that moment, it wasn’t just a piece of gear; it was a partner in adventure. It was a witness to every tear, fall, and moment of triumph.
So if you’re still looking for a smartwatch that’s built to endure — just like you — then look no more. The Amazfit T-Rex 3 is ready for you and the trails.
Entertainment
The Legend of Zelda film gets its first official photos
Bo Bragason and Benjamin Evan Ainsworth play Zelda and Link, respectively.
The Legend of Zelda might be one of the hardest video games to adapt. After all, how do you write a script for a protagonist who never talks? But, by God, Nintendo is doing it anyway. Now, the company has released the first official images from the upcoming live action film’s production.
The upcoming Zelda film has had a long production cycle. First announced in 2023, it was only earlier this year when Nintendo put a date to the film’s premiere: March 26, 2027. Even now, we don’t know much about the film.
Over the weekend, unofficial photos showed that product started its filming in New Zealand. Unofficial photos don’t really mean much except for those who hang around the rumor mill, but they can spiral towards those excited for the film’s release. To get ahead of the rumors, Nintendo released official photos, over the Nintendo Today app, which show both Link and Princess Zelda.
Notably, Zelda, the archetypal princess in distress, isn’t wearing her usual princess’s garb. Rather, she’s wearing the blue gear from the Breath of the Wild duology, where the princess had a more active role in saving Hyrule. Bo Bragason, who plays the princess, will likely take on a more front-and-center role.
Link, played by Benjamin Evan Ainsworth, is wearing his more traditional green clothing from the past games. Though the film looks like it’s adapting the most recent duology, it might be an entirely different story, based on Link’s different clothes.
SEE ALSO: The Legend of Zelda live-action film now has a premiere date
Gaming
KATSEYE reimagines ‘M.I.A’ for VALORANT Game Changers 2025
Riot Games drops new anthem ‘GO OFF’ ahead of this year’s finals
Riot Games has unveiled “GO OFF.” It’s the official music video and anthem for the VALORANT Game Changers Championship 2025. It features a reimagined version of KATSEYE’s hit single “M.I.A.” The new version is now available on major streaming platforms alongside a cinematic video release. It’s titled “M.I.A (VALORANT Game Changers Version)
Music meets competition
Music continues to be a defining part of the VALORANT experience. This year’s Game Changers anthem builds on that tradition. The collaboration with KATSEYE celebrates the confidence, drive, and unity that define the Game Changers movement.
“When Riot asked us to reimagine M.I.A for Game Changers, as a gamer I was like YES!” says Megan of KATSEYE.
“That song has always been about confidence and showing up as your best self, and that message aligns so much with what Game Changers stands for. We wanted this version to celebrate every player who’s out there pushing limits and owning their power.”
A story of perseverance and community
“GO OFF” tells a story of determination and resilience, seen through the eyes of women in and around VALORANT. The video highlights real moments of connection within the community — players who uplift and empower each other in competition and beyond.
“Working with KATSEYE to give M.I.A a Game Changers twist has been an incredible experience,” shares Jonny Altepeter, Lead Music Supervisor at Riot Games. “Their energy and artistry perfectly match the spirit of VALORANT, and Megan’s connection as a player made the collaboration feel that much more authentic.”
Celebrating women in esports
The VALORANT Game Changers Championship 2025 finals will take place from November 28–30. It’s happening at LoL Park in Seoul, marking another milestone for the program since its launch in 2021. Game Changers continues to create more opportunities for women in esports, following past championships in Berlin and São Paulo.
Previous anthems include “All Eyes On Me” featuring Jean Deaux and Whipped Cream. There’s also “VALORANT, LOUDER” with an original score by Karel Psota, and “THE DRIVE” featuring “PREDATOR” by YONAKA.
Accessories
Apple’s new iPhone Pocket is a stylish way to carry your iPhone
This time, woven into the fabric of a modern accessory
Fashion meets tech — again.
Apple’s latest creation isn’t a new iPhone, but something to wear it in. Announced today, the iPhone Pocket is a collaboration between Apple and Japanese fashion house ISSEY MIYAKE, reimagining the way we carry one of the world’s most recognizable devices.
While this is the first official partnership between the two brands, Miyake’s influence has long been stitched into Apple’s story.
The minimalist yet iconic uniform that is Steve Jobs’ black turtlenecks were custom-made by Miyake himself.
Back in the 1980s, Jobs even approached Miyake with an idea: to design a uniform for Apple employees. That plan never took off, but decades later, the spirit of collaboration finds new form — not in a shirt, but in a beautifully woven accessory.
The iPhone Pocket draws inspiration from Miyake’s Pleats Please and Homme Plissé lines, famed for its permanently pleated, wrinkle-free designs.
Made in Japan, and co-designed with the Apple Design Studio, each bag is crafted from a single piece of innovative 3D-knit fabric that’s both stretchy and feather-light. It’s designed to fit any iPhone and, as Apple notes, “other pocketable items.”
Available in two strap lengths, it can be worn as a shoulder bag (or slung on an arm) or crossbody. The color palette is distinctly Miyake: lemon (neon yellow), mandarin (bright orange), purple, pink, peacock (turquoise), sapphire (rich blue), cinnamon (brown), and black.
Longtime fans might also feel a nostalgic nod to the iPod Socks — a whimsical early-2000s Apple accessory that turned practicality into playful design.
The iPhone Pocket launches Friday, November 14, as a limited release, available online and in select Apple Stores.
In New York, it makes its debut in SoHo which is Apple’s outpost in the city’s fashion district. Prices start at $149.95 for the short strap and $229.95 for the long strap.
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