Cameras

7 stations with the Canon EOS R50V and PowerShot V1

New cameras tailored for this generation’s content creators now in the Philippines

Published

July 31, 2025

Manila Connoisseur

Graphics by Vincenz Lee | GadgetMatch

The Canon EOS R50V and Canon PowerShot V1 have officially landed in the Philippines. Announced a few months ago, these cutting-edge cameras are tailored for today’s content creators with their video-focused features.

GadgetMatch attended Canon Philippines’ launch event for the two cameras, which were feted alongside the previous Canon PowerShot V10.

Creators, influencers, and media practitioners attended the event held at Midnight Dream Studios. Canon also invited five professionals who shared their experiences with the newly-launched cameras:

Farrah Espina (GRWM digital creator, @farrahespina)
Liana (tech and lifestyle creator, @artandplanstudio)
Karl Patacsil (creator and photographer, Karl Patacsil Films)
Johanna Escultura (food photographer and creator, @foodjographer)
Gab Altonaga (Canon professional shooter, @gabriel_altonaga)

Karl Patacsil and Johanna Escultura.

After the fireside chat, participants took turns in visiting seven different studios that offered hands-on experiences. These stations gave everyone a deeper look into the capabilities and features of the EOS R50V and PowerShot V1.

Tailored for today’s creators

Both new cameras support 10-bit Canon Log 3 recording for professional color grading. Enhanced connectivity includes Wi-Fi, Bluetooth, and direct PC streaming capabilities.

Here’s a quick look at their specs and features:

Canon EOS R50V

Price: Camera Kit only: PhP 56,998 | Content Creator Kit: PhP 64,998

24.2-megapixel APS-C sensor
Cinema EOS features: Custom Pictures, LUTs, and HDR recording modes
4K 60p livestreaming via USB-C
3-mic noise reduction technology
viewfinder-less body optimized for handheld shooting, gimbal compatibility, vertical video recording
video-centric button and control layout

Canon PowerShot V1

Price: PhP 54,998

22.3-megapixel 1.4-inch sensor
integrated zoom lens (16-50mm equivalent)
f/2.8 to f/4.5 ultra-wide angle zoom
built-in 3-stop ND filter
subject tracking
internal cooling fan for extended recording/livestreaming

Gab Altonaga, Liana, and Farrah Espina.

7 studio stations

Participants were grouped into five, taking turns at visiting seven studio stations for seven minutes each.

The speakers provided informative insights on how to make the most out of the newly-released cameras.

GRWM

Farrah Espina, who specializes in get-ready-with-me (GRWM) content, showcased how easy it is to make content with the EOS R50V.

The camera now has a light indicator at the back to let you know it’s recording, so you don’t accidentally let good shots go to waste. A flip display also lets you get everything in frame.

She did mention that she does not do a lot of technical post-processing, as the cameras have a large sensor size and allows more light to come in.

The 14 color filters also lets creators, especially those just starting, to have a faster workflow. Instead of color grading, you can opt for quick cuts and edits and just post the videos directly on social media.

Liana (left) of Art and Plan Studio and GRWM creator Farrah Espina (right).

Unboxing

Meanwhile, Liana demonstrated the PowerShot V1’s capabilities for unboxing toy collectibles, which is something she loves doing.

Like the EOS R50V, the PowerShot V1 can be mounted vertically without the need for a ball mount. Simple tripods or selfie sticks with the standard screw will do.

This station highlighted the subject focusing capabilities of the camera. It adds depth and ensures the intended captures are clear and detailed.

Wherever they apply, Smooth Skin mode and any of the 14 filters can also complement the picture quality and take it up a notch.

Lifestyle

The lifestyle studio was also an interesting one as it showed how sharp and crisp the details are for subjects.

Canon had two dancers light up the floor with moves, and the EOS R50V excelled in staying focused on them. This was in spite of quick-flashing party lights throughout the demo.

Travel

Meanwhile, Karl Patacsil had the EOS R50V with a handheld gimbal for his quick demo at the travel studio.

He basically briefed participants about using manual settings for filming, and let us know about how to set the frame rate, focal length, and ISO.

Personally moving the camera with the gimbal for quick pans, tilts, rolls, and combinations also made me realize how lightweight the device still is.

The pre-built ND filters also assure users of great quality in challenging scenarios and will help them avoid overexposure.

Food and Beverage

Furthermore, Johanna Escultura also utilized the EOS R50V for a quick demo at the food and beverages booth.

She only had backlight to highlight some mockup cocktail drinks, which appeared vibrant and properly-exposed on the monitor.

This again highlighted the motion tracking, autofocus, and focus lock features on the camera.

During her talk, Escultura also mentioned how the EOS R50V allows her to shoot high-quality videos at up to 100fps or 120fps so she can emphasize certain subjects or close-ups even more.

Livestreaming, Podcasting

Lastly, the livestreaming and podcasting booths previewed the versatility of both devices. Users can leverage both the EOS R50V and PowerShot V1 as tools for even such scenarios.

With the proper equipment, streamers can get even better picture quality by just connecting either camera to a computer or laptop and then setting it up with an OBS.

For those into podcasts, a multi-cam setup using the PowerShot V1 is possible with the right tools. With built-in cooling, the camera can also last up to six hours for recording and streaming.

Wherever it may be applied, the EOS R50V can also oversample 6K videos so quality wouldn’t be compromised it it’s cropped.

Overall, the event showcased how these new products are crafted for a specific market, and how they can improve one’s content creator game.

Cameras

Osmo Pocket 4 makes a surprising appearance in public

Is the built-in light real?

Published

February 19, 2026

Luigi Leonardo

The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.

The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.

Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.

However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)

Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.

Cameras

Canon PhotoMarathon returns, introduces video, open categories

Happening on April 18 in BGC, Taguig

Published

February 1, 2026

GadgetMatch

The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.

The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.

For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.

Here’s a quick breakdown of the contest categories and their corresponding prizes:

Main Category (Photo)

Open to Canon users only
Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM

Open Category (Photo)

Open to all camera brands
Prize: Canon EOS R8 with 24-50mm

Video Category

Open to all camera brands
Canon Prize winner: Canon EOS R50 V
Non-Canon Prize winner: Canon Powershot V1

The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.

To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.

To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.

These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.

Cameras

Canon EOS C50 cinema camera price in the Philippines

Smallest, lightest cinema camera made for today’s filmmakers, creators

Published

December 6, 2025

Manila Connoisseur

Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.

The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.

It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.

Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.

This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.

Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.

Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.

In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.

Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.

Photo performance

For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).

The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.

Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.

Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.

This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.

Professional interface

Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.

There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.

During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.