Lifestyle
Tried and tested: 8 months with the Casetify Bounce Luggage
’tis a carry-on that aged with me through trips across Asia
If there’s anything I’ve learned from years of packing and unpacking, it’s that your suitcase becomes more than storage. It’s a witness to every moment you sprint to make it before boarding closes.
Eight months ago, I decided to give the CASETiFY Bounce 21-inch Carry-On Roller a shot.
I knew CASETiFY for their bold phone cases, the ones designed to survive accidental drops. So, when they introduced their luggage line, I was curious: Could they protect more than our phones?
The answer, I found, lies in the scratches and stories my Bounce Luggage now carries.
A suitcase that travels like I do
This carry-on has seen more than its fair share of boarding gates. It rolled with me through Cebu’s crowded airport, and waited on the ferry dock in Siquijor, dust settling on its shell as I crossed islands.
It followed me through Taipei’s night markets and Bangkok’s busy streets. Each destination left a mark — literally — but the suitcase never faltered.
What I admire most is that it doesn’t try to hide the wear. The German-engineered Bayer Makrolon polycarbonate shell has scratches, yes, but it’s still intact.
The Bounce Bumpers, placed on each corner, took the brunt of impact when the bag was tossed around. This is the kind of luggage that embraces life on the move, rather than resisting it.
Durability meets design
CASETiFY calls it Bounce Technology, and after months of real-world testing, I believe it.
The reinforced corners absorbed shocks that would have dented or cracked other luggage.
Meanwhile, the 360-degree Hinomoto Lisof wheels kept me moving swiftly, even across less forgiving ground. (Hello, Bangkok!)
The aircraft-grade aluminum handle locked into place without wobbling, giving me control when I needed to weave through the busy airport terminals.
Even the zippers deserve credit. The puncture-resistant YKK double racquet coil design, paired with TSA-approved locks, gave me peace of mind when I had to check in my bag on international flights.
It’s a detail I didn’t think much of before, but when you’re traveling alone, those things matter.
Inside, the Bounce Luggage played well with my habit of organized chaos. The tech pack and packing cubes made sense for someone like me — always carrying gadgets, chargers, and gear, alongside a week’s worth of outfits.
Every trip felt more put together because of it.
A suitcase that feels like mine
Practicality aside, what sets the Bounce Luggage apart is how personal it feels. CASETiFY brought its customization flair into this line, letting travelers design their carry-on with fonts, colors, and accents.
Mine reflects my personality before I even open it. It’s not just another black suitcase spinning on the carousel. It’s painted in red, striking like yours truly.
There’s something comforting about knowing my luggage reflects me in a world where airports can make everything feel the same. It turns a functional object into a travel companion.
Beaten but better
Eight months later, my CASETiFY Bounce Luggage doesn’t look new. It’s beaten and bruised. Yes, it’s far from showroom-ready.
Yet I’ve grown to love it even more in this state. Each scratch reminds me of a place I’ve been; each scuff a reminder of what it survived.
That’s what I want in a suitcase. Not something that stays flawless, but something that endures alongside me.
CASETiFY’s move into travel felt like a gamble at first. After all, who would’ve expected a phone case brand to make a mark in luggage?
And yet, with the Bounce Luggage, they’ve proven that their promise of durability and self-expression can scale up. They made a bag and a reliable partner for people who see travel not as a luxury, but as a way of life.
My Bounce Luggage has been with me through countless gates and flights. It has lived through cramped overhead bins, and being tossed around. And it’s still standing, ready for the next adventure.
Travel will always be messy and unpredictable, but it will always be fun and exciting. With the CASETiFY Bounce Luggage, it’s proof that the right gear can help you carry those experiences home.
The CASETiFY Bounce 21-inch Carry On Roller retails for US$ 399. The Tech Pack Organizer is priced at US$ 50, while the Packing Cube Set costs US$ 35.
Entertainment
Star Wars: Maul – Shadow Lord to premiere on April 6
New animated series on Disney Plus
One of the most iconic franchise villains is making a major comeback as Star Wars: Maul – Shadow Lord is premiering on April 6 on Disney+.
Two episodes from the all-new Lucasfilm animated series will premiere each week. The final two will air right in time for the ultimate Star Wars holiday, May the 4th.
Set after the events of Star Wars: The Clone Wars, the adventure finds Maul plotting to rebuild his criminal syndicate on a planet untouched by the Empire.
There, he crosses paths with a disillusioned young Jedi Padawan who could be the apprentice he is seeking to aid him in his relentless pursuit for revenge.
Star Wars: Maul – Shadow Lord is created by Dave Filoni, based on Star Wars and characters created by George Lucas.
The series is developed by Dave Filoni and Matt Michnovetz, with Brad Rau as supervising director. The three are also joined by Athena Yvette Portillo, Carrie Beck, and Josh Rimes as executive producers, with Alex Spotswood as co-executive producer.
The voice cast includes:
- Sam Witwer as Maul
- Gideon Adlon as Devon Izara
- Wagner Moura as Brander Lawson
- Richard Ayoade as Two-Boots
- Dennis Haysbert as Master Eeko-Dio-Daki
- Chris Diamantopoulos as Looti Vario
- Charlie Bushnell as Rylee Lawson
- Vanessa Marshall as Rook Kast
- David C. Collins as Spybot
- A.J. LoCascio as Marrok
- Steve Blum as Icarus
For now, here’s a quick trailer:
Apps
Breaking up with Adobe Photoshop after 20 years
Wedding planning and Apple Creator Studio made me realize it was time
Planning a wedding, even a small and intimate one, has a way of sharpening your sense of priorities. Right as my fiancé and I were making decisions for our city hall wedding here in New York City, Apple announced Creator Studio.
Creator Studio is a subscription service that gets you access to eight creative pro and productivity apps for US$12.99 a month, or US$2.99 if you’re a student or educator. The design app included in the subscription, Pixelmator Pro, is also available as a standalone purchase for US$49.99. Adobe Photoshop, my design software of choice for over two decades costs me US$22.99 a month.
Seeing those numbers next to each other made me pause. It’s not that I was unhappy with Photoshop. I was just suddenly made aware how expensive it is. I’d been paying more for a single tool than I could for an entire creative ecosystem.
Creative Studio’s lower price point, along with the free trial, made me consider switching to Pixelmator Pro altogether. That’s something I never thought I would do. Photoshop is how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.
Getting to know Pixelmator Pro
If you’re not familiar, Apple’s Pixelmator Pro is a graphic design and image editing app that’s similar to Adobe Photoshop. In practice, it covers a huge amount of the same ground but with a very different philosophy around usability and design.
I tried Pixelmator Pro, mostly as a challenge because we were doing a YouTube video on Apple Creator Studio. Personally, I was lowkey excited to try something new.
The first time I loaded the app, I recreated our YouTube thumbnail template — all within 10 minutes — and I haven’t looked back since.
Familiar enough to feel effortless
One of the biggest reasons my transition to Pixelmator Pro was so easy is muscle memory. Many shortcuts behave the same way: cmd+T for transform, cmd+R to show rulers, cmd+J to duplicate layers, just to name a few.
Having used Photoshop since high school, it felt familiar and intuitive — the complete opposite of how it felt to try and switch to Adobe Illustrator many years ago.
Photoshop is how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.
Later, I learned that you can import PSD (Photoshop) files directly to Pixelmator Pro. Apparently I didn’t even need to recreate the GadgetMatch assets. It does a good job of converting and preserving layers.
Photoshop now feels archaic
After using Pixelmator Pro for a few days, going back to Photoshop felt jarring. The sharp edges of the UI felt cold and rigid. Everything was layered with popups, panels, and tiny interruptions.
Pixelmator Pro, in comparison feels warm, smooth and frictionless. Its user interface is very Apple-like — rounded edges, softer icons and buttons. The Creator Studio version also gets the new Liquid Design touch, with transparent menus and elements that feel dynamic.
I especially love the little things. Color adjustments live in one simple panel instead of being scattered across different windows. There’s an eyedropper tool beside every color picker with a magnifier built-in.
When you hover over tools, it shows you the shortcut (e.g. “R” for Repair). There are also subtle animations, like when you use the Color Fill tool to change your canvas color.
The differences in user experience are stark. Photoshop’s animations either don’t exist or are too abrupt for one to notice.
Smart tools without the noise
Photoshop has one clear advantage over Pixelmator Pro: Generative AI. It’s great and powerful especially when you need to save time.
I personally used it a couple of times before to save time on cloning, erasing, or expanding elements. Am I going to miss it with this switch? Something tells me I won’t.
Pixelmator Pro’s clone and repair tools, though seemingly so simple, work like a charm. And for how I usually manipulate images, those two are more than enough.
From digital to physical
Even though our NYC wedding is small, I still wanted to design something meaningful and personal.
On the left, a Kufic-inspired wedding logo designed on Pixelmator Pro; on the right, 3D printed stamps
Since my fiancé is half-Iranian, I designed a logo combining our names, inspired by Kufic calligraphy, and I did it entirely in Pixelmator Pro. I developed that same logo further and designed a save the date, with color, also inspired by Kufic calligraphy. I went through a few iterations to come up with the final designs, which were made easier by the Shape tool and grid overlays.
My fiancé then took the logo I designed in Pixelmator Pro, converted it to 3D on Revit, and printed it into stamps in different sizes. One way we’re using it is to deboss the handmade pottery he’s making as one of our party favors.
There are a few more wedding pieces I’m designing on Pixelmator Pro in the coming weeks: our final invitation, and the custom stationery for the dinner that follows the ceremony.
Wedding planning and Apple Creator Studio made me question how much I’ve been missing out on. How much of what I do is simply due to inertia?
Through this whole process, Pixelmator Pro never felt like it got in the way, or that it was limited. On the contrary, it felt like that enabler friend who said yes to every idea I had, and actually made it real. It’s given me the confidence that I could rely on it when things actually count.
Powerful, but approachable
The best way I can describe what using Pixelmator Pro is like is this: it’s a mix of Photoshop’s professional tools, Canva’s free library of assets, and Apple’s UI sensibility.
Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.
That makes it great for beginners, small business owners, and casual creators. Like Canva, it comes with some beautiful templates to help someone with zero experience come up with something good.
But unlike Canva, it still feels like a serious design tool. I can do so much of what I need using Pixelmator Pro but with UI that’s so much more approachable compared to Photoshop.
I remember meeting Canva’s founders before launch and not fully understanding their mission to make graphic design accessible to everyone. Now I do.
It was never about replacing Adobe products and pro designers. What Canva did was fill a huge void we didn’t know existed. They democratized something that used to be reserved only for the privileged few.
Pixelmator Pro comes with free templates, assets, and mockups like this MacBook Pro and coffee packaging
Pixelmator Pro’s lower barrier to entry has potential to make a significant impact. My hope is it opens doors for people who were previously shut out of the graphic design world, and that it becomes something they can grow with, just as I did with Photoshop.
Adobe is still the industry standard
Switching to Pixelmator Pro wasn’t about rejecting Adobe, in the same way that Canva’s existence did not kill Photoshop.
It’s worth noting that Adobe products are still the standard in the industry. A lot of companies rely on them, and most schools teach them. In a traditional design or agency environment, Photoshop and Illustrator are still the default language.
Even on Apple’s own Design Resources site for developers, the official design templates are built for Adobe Photoshop and Illustrator, not Pixelmator Pro. That says a lot about how embedded Adobe is in professional workflows.
Competition makes the space better
Apple Creator Studio, and tools like Pixelmator Pro, challenge Adobe’s near-monopoly in a really healthy way.
It’s not lost on me that trading Photoshop with Apple software actually keeps me locked into one ecosystem. But having more pro creatives try Pixelmator Pro can put pressure on the industry. A strong alternative that’s more cost effective can force titans and dinosaurs to evolve in a way the likes of Corel was never able to do.
Ideally, that means better products and fairer pricing for everyone. Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.
Access matters, and at the end of the day, with a healthy competition in the market, it’s consumers that win. Canva is a great example of this. It made design tools accessible to those who aren’t professionals. It didn’t make everyone a great designer, just as a novice who tries Final Cut Pro today won’t become a pro video editor tomorrow. Design is still a craft you develop over time with practice.
Is Pixelmator Pro my GadgetMatch?
Photoshop still has its place. But for my everyday work, and occasional personal projects, Pixelmator Pro can do everything that I need to accomplish, at a fraction of the cost.
It feels faster, lighter, and more alive. Honestly learning my way around new software has been so enjoyable — so much so that I feel a renewed sense of eagerness to try other design software like Blender and Figma.
Pixelmator Pro never felt like it got in the way. On the contrary, it felt like that enabler friend who said yes to every idea I had.
Wedding planning and Apple Creator Studio didn’t just make me switch to a new software. They also made me question how much I’ve been missing out on. How much of what I do is simply due to inertia?
Ending my longest relationship doesn’t mean it failed. I’m grateful for what Photoshop taught me. It helped shape the creative professional that I am today.
But alas, this is one area where my practicality wins over loyalty. Relationships — with people or with tools — only work when both parties keep showing up. There’s no room for complacency, despite the history. I’m happy to move on and choose something that fit the way I work now, not just the way I used to.
Accessories
Soundtrack for the city: HIDDEN.NY x AIAIAI TMA-2 headphones
Living in a big city like New York makes you want to have music on a lot: on the subway, walking between meetings, sitting in a café with your laptop, zoning out on a long walk home, or romanticizing the smallest things. Headphones have become an essential part of my life.
That’s why the HIDDEN.NY x AIAIAI collaboration makes sense. The TMA-2 HIDDEN Edition headphones are reminiscent of early-2000s tech. It’s nostalgic but with New York City character, at least the kind that I encounter and not the one you see in movies.
If you follow either brand, the partnership feels natural. HIDDEN.NY started as an Instagram mood board and grew into a full lifestyle platform rooted in street culture and design. AIAIAI is a Danish company that’s long been part of music culture, known for modular gear that artists use.
The first thing you notice is the colorway. The transparent design with green highlights is subtle. It’s not loud but still stands out.
You can see the structure of the headphones, which makes them feel more like an accessory than just another piece of black plastic tech. Bonus points that they are a conversation starter, too.
In daily use, the headphones are easy to live with. They are light and comfortable, which is important when you’re wearing them for long stretches. They don’t clamp too hard nor do they feel bulky.
Sound-wise, they’re clean and balanced. While it doesn’t have active noise cancellation, it works well for all the ways people actually listen in a big city. I like that you don’t have to think about the sound much.
It’s just good in a way that doesn’t get in your way, whatever mood I’m in wherever I am in the city, these headphones are great company.
AIAIAI’s modular approach also means these aren’t built to be tossed when something wears out. The speaker, headband, earpads, and cable are all replaceable.
So much of the tech we use should grow with us, even if they get outdated. So AIAIAI builds systems that can be upgraded over time. That’s part of why artists and DJs use them.
Especially because it’s a collectible, it feels like a piece you’ll want to keep. As someone who uses his prized possessions for a really long time, I love this about these headphones.
In a city where everything moves fast and feels temporary, it’s nice to have gear that doesn’t feel disposable.
The campaign, shot by photographer Gunner Stahl, probably looks familiar if you’re attuned to hiphop culture. What sets his work apart is his portraits feel more raw and relaxed instead of posed and polished. It aligns with HIDDEN.NY’s aesthetic, the kind of everyday style that feels genuine.
At the end of the day, the HIDDEN.NY x AIAIAI TMA-2 Bluetooth headphones make sense for people who live in cities like New York, where music is part of how you move, work, and think.
They sound good, they look interesting and different. They fit into real life without trying too hard.
The TMA-2 Hidden Edition headphones retail for US$220 and is available on aiaiai.audio.
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