Cameras

Fujifilm X-A5 review: The perfect camera to up your social media game

Yep, I did an #OOTD challenge

Published

April 6, 2018

Isa Rodriguez

When the Fujifilm X-A5 was announced, I was beyond excited.

You see, I own and shoot with a pink X-A3 for my stuff outside of work and my personal vlogging.

Still from boyfriend’s vlog. That’s me shooting with the XA-3!

And sure, the fact that it was a pretty bright pink was part of what convinced me to get the X-A3, but it’s not just the color that drew me to this shooter. I wanted a small camera that I could bring on trips without being too bulky, something my frail arms could actually hold up for times I do decide to vlog. My non-negotiable was that “flippity screen” (yes, folks, I made that term up), the camera screen that flips upwards so you can see yourself as you shoot or record.

So, when the XA-5 came out, I was curious to see what improvements this new mirrorless camera had.

Quick specs

If you’ve already noticed by now, this will not be your typical camera review. For the benefit of those looking for camera specs, I’ll list them here, but know that this would probably be the last I mention them in this whole piece. This review will revolve around my experience with the X-A5 in the context of my needs when it comes to cameras.

Here’s a photo of me with the X-A5 for those of you who, like me, get bored with specs 😅

The Fujifilm X-A5 is a mirrorless camera — this means it’s lighter and more compact than DSLRs. It’s equipped with a 24.2-megapixel APS-C image sensor and is capable of reaching ISO 12800 (which may mean good things for low-light shots). It’s also the first X series camera with phase detection which means that this device will focus twice as fast as previous cameras, like my X-A3. The body comes bundled with an XC 15-45mm f/3.5-5.6 kit lens and it has a built-in internal flash.

Now that we got that out of the way, let’s move on.

Looks matter

In true Fujifilm fashion, this camera looks like a pretty Instagrammable itself. The body has clean matte aluminum-silver details that extend to the buttons and the back. The body itself is textured and comes in black, brown, or pink. Of course, I pushed for the pink one.

The pink on this camera is a little brownish. My X-A3 was a brighter pink.

Button placements are about the same: On/Off toggle with the shutter button, mode dial, exposure compensation dial, and a function key up top, and the usual buttons like menu, video record, playback, and other shortcuts are on the back of the camera. The display is also a touchscreen for easier navigation. Basically, if you’ve used an X series Fujifilm camera before, you’ll know where everything is.

This camera, dubbed Fujifilm’s smallest mirrorless camera, is light and it fits my hands perfectly. Although, I’d have to admit: There isn’t much of a size difference between the X-A5 and my trusty X-A3, save for the X-A3’s bigger kit lens.

The thing is, there’s no way I’m lugging around a big camera on vacation trips and the X-A5 (as well as my old X-A3) is a size that I find acceptable — it’s not as bulky and it’s small enough to fit in my bag with everything else I decide to bring around on trips.

Pointing and shooting

Fujifilm is a beloved brand in photography and it comes as no surprise that this camera can capture stunning pictures. I mean look at these sample shots…

Like, look at them! They can be stock photos!

The hot cocoa looks super delicious!

The color and the blur is on point

Although I know my camera basics, I am not the best in shooting or handling cameras, mine or otherwise. The X-A5 was amazingly easy to use, especially since I’m already familiar with the past model. Honestly, I’ve had my share of crappy photos but these samples actually impressed me. Low-light photos, however, are a different story. Like many devices on the market now, you don’t exactly get the best photos when lighting conditions aren’t ideal.

The X-A3, my previous camera, only had Wi-Fi connectivity which means that it could only transfer photos when my phone is connected to the camera’s Wi-Fi. This process was a little cumbersome as that connection gets cut when you switch back to an actual network to get on the internet. That is now a problem of the past. The XA-5 is equipped with Bluetooth connectivity so that mean transferring photos from camera to your phone is so easy — you can even do it automatically and while connected to the internet through Wi-Fi.

Also, tourist selfies can go from this:

Shoutout to the photobomb couple at the back!

To this:

I’m controlling the camera with the phone in my hand through the Fujifilm remote app

Yep, connecting the camera to the app allows you to take photos and videos remotely. This means you don’t need another person to take your photos; you can control everything with your phone.

#OOTD Challenge!

Now, I generally suck at #OOTDs and posed travel content in general but I felt it was time for a challenge. I’d seen a lot of Instagram influencers tout their Fujifilm cameras so I wondered: Could I take the same photos with this thing?

Since I was traveling with the boyfriend when I was testing out this camera, I enlisted his help and had him be my token Instagram Boyfriend — ah the things we do for work!

I stood at random picturesque spots in Hong Kong and did the best travel/wanderlust/OOTD poses I could muster (which always translated to me looking up, for some reason). Since I’m not so big on editing, I only used the VSCO app on my phone to slightly adjust these photos and add a filter. Again, transferring photos to my phone for editing (and eventual posting) was a breeze because of connectivity functions. The results are as follows:

Needless to say, I was pretty happy with the pics, despite my awkward and repetitive posing. Expect these shots to be on my Instagram feed soon.

Videos and vlogging

One of the big things I use my camera for is vlogging. The fact that this thing is light is a big plus for me because it’s the weight my frail arm can handle as I hold out the camera to shoot myself. I mean, I have no idea how people actually shoot video with those humongous vlogging rigs, but that’s not a problem with the X-A5.

Although I’ve shot vlogs with this camera, my main gripe with this thing is that there’s no movie mode on it. This makes it a little hard to preview settings on the screen for shooting video — a problem I’ve grappled with on my X-A3 as well. The camera is capable of recording in 4K, which is literally bigger videos, but the camera display lags too much on that setting so I’d suggest sticking to a lower resolution like 1080p.

What’s great though is that there’s a touch-to-focus feature on video now, something only previously found on the photo mode. The X-A5 is also equipped with an audio port so you can now improve your vlog audio with an external mic.

Is the Fujifilm X-A5 your GadgetMatch?

Obviously, there are bigger, badder, and more expensive cameras out there that do a whole lot that this dainty thing can’t. But, that’s not the point (and those cameras are probably not pink). This shooter is designed for a certain demographic: those, like me, who want a simple, easy-to-use device in a light, compact, and stylish body. It’s not the best camera out there and at its price point, that would be pretty impossible. Nonetheless, it’s a camera that I really enjoy using.

If you’re like me and you’re looking for a more compact camera for IG photos and social media posts with great phone and app integration, you should consider the X-A5. It’s a great camera for beginners and enthusiasts who are just wetting their toes in the pool of content creation.

The Fujifilm retails for US$ 599 in the US and PhP 34,990 in the Philippines.

Related Topics:featured Fujifilm Fujifilm X-A5 X-A5

Cameras

Canon EOS C50 cinema camera price in the Philippines

Smallest, lightest cinema camera made for today’s filmmakers, creators

Published

December 6, 2025

Manila Connoisseur

Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.

The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.

It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.

Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.

This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.

Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.

Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.

In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.

Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.

Photo performance

For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).

The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.

Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.

Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.

This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.

Professional interface

Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.

There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.

During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.

Cameras

Sony launches the new Alpha 7 V

Get yourself a full-frame mirrorless camera for Christmas.

Published

December 4, 2025

Luigi Leonardo

Are you still wondering what to get yourself for Christmas? If you have a good amount of leftover money after shopping for everyone else, Sony has a new camera just for you. Right on the cusp of the holiday season, the Sony Alpha 7 V is here.

The Sony Alpha 7 V is the fifth generation of the aforementioned series. The full-frame mirrorless camera uses a partially stacked Exmor RS CMOS image sensor to take photos with 33.0 effective megapixels.

Further, the new BIONZ XR2 image processing engine uses the Alpha series’ AI technology to deliver better imaging, Real-time Recognition Auto-Focus, and Real-time Tracking. To add to this, Sony is also launching the FE 28-70mm F3.5-5.6 OSS II full-frame zoom lens to support the camera.

For connectivity, the camera supports Wi-Fi 6E GHZ for data transfers. It also supports USB-C connections for wired transfers.

To ease usage no matter the scenario, the Alpha 7 V comes with vertical format support and an adjustable electronic shutter sound. It also has a 4-axis multi-angle monitor for shooting in various angles. Finally, it has a better grip for stability.

For those long shoots, the camera has better power management. It also has a Monitor Low Bright mode to preserve the battery.

The Sony Alpha 7 V body is available from the end of December. Meanwhile, the kit and the lens will be available on February 2026. The body costs SGD 3,699. From now until December 31, customers will get a free 240GB CEA-G Series CFexpress Type A memory card.

Cameras

DJI Osmo Action 6 review: An adventurer’s best friend

This might be the best action camera yet?

Published

November 22, 2025

MJ Jucutan

My life as an athlete with a love for adventure often throws me into days that move faster than I can track.

One moment I am at the gym before sunrise, convincing myself that today I will stretch properly. Next, I am sprinting through airports or packing for a weekend race that I definitely did not plan for (but signed up for anyway because that is who I am).

When the DJI Osmo Action 6 entered my life, it felt like finding a piece of gear that immediately understood the mess I willingly put myself through.

I have always wanted a camera that could move with me (and survive me), preferably without making me feel guilty every time I jump off something or run through something.

I wanted a camera that did not need pampering. Something that would not make me pause my life so I could “protect the gear.”

Then suddenly, there it was. I had an entire month with the Osmo Action 6, and it almost felt like the universe handed me something that finally matched my pace. It followed me through unexpected moments that felt too good not to capture.

Made for those who ~really~ move

The first thing I noticed was how easy it was to hold the Osmo Action 6. It felt secure even when my hands were wet or drenched in sweat from training, as if it wasn’t bothered at all that I was already exhausted at 7 a.m.

Most of its controls are placed so intuitively that it felt like the camera was gently guiding me, saying, “Don’t overthink it. Just press this. Go live your life.”

The user interface was so straightforward that even people who have never touched an action camera would know what to do.

The screen reacts quickly and the settings are easy to reach. Its layout feels like it was made for people who move first and think later.

It removes every excuse to miss a moment because you were too busy trying to understand how the device works.

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A post shared by Jaye (@hemjaye)

Out of the box, the Osmo Action 6 gives you everything you need: a 1.5m extension rod, three Extreme Battery Plus units inside a multifunctional battery case, two locking screws, a curved adhesive base, a USB-C 3.1 cable, and two Dual-Direction Quick Release Adapter Mounts.

Depending on your lifestyle, accessories like the floating handle, the dual direction mini extension rod (which doubles as a tripod), the 360-degree wrist strap, and the hanging neck mount all serve one purpose: keep you hands-free so you can focus on living your story.

Inside a race course

During the Spartan Race’s Asia-Pacific Championship in Alviera, Porac, Pampanga, I joined the open category simply because I wanted to film my moments inside the course.

I could never join the Age Group Championship wearing a red band only to slow down for content. My competitive self would revolt.

I have always raced in the front pack with elite athletes and seasoned racers. Content creation is a blessing until you’re in a race and your pride says absolutely not.

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A post shared by Jaye (@hemjaye)

So my friend (also an elite athlete) and I became last-minute racers thanks to Mang Inasal Philippines. We joined the Sprint Category, which covers 5 kilometers with 20 obstacles (plus three extra because championship vibes).

Armed with only the Osmo Action 6 on a dual direction mini extension rod, I climbed walls and nets, carried sandbags, passed through hanging obstacles, and ran under an open trail where the sun genuinely felt personal.

Alviera is hot. We call it Hellviera for a reason. Yet the camera kept going despite direct sunlight and constant movements.

I dialed the resolution down to 2.7K because long 4K recording will always test thermal limits. Even then, it stayed reliable.

Like a scene straight out of an adventure documentary

The stabilization was genuinely magical. The frame stayed clean and level even when my hands were doing a million different things, like swinging my arms, gripping nets, adjusting grip, and bracing for impact.

Whether you choose RockSteady or HorizonSteady, your running sequences will look cinematic and documentary-level.

When we climbed or jumped, the shots had that adventure-film energy. There were no jitter or weird warping. No “Sorry, can you do that again?” moments.

We did not need retakes, and we did not need to check footage mid-race. The Osmo Action 6 kept up with the pace of an endurance athlete.

The built-in microphones even picked up our voices clearly. Pair it with DJI’s wireless mic and you get clean commentary that feels like the behind-the-scenes of your own sports film.

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A post shared by Jaye (@hemjaye)

Calm moment underwater

One of the most meaningful moments came when I lent the Osmo Action 6 to GadgetMatch’s Account Manager and Resident Host, Noela Amparo-Oro, for her birthday.

She wanted to celebrate by freediving, which honestly feels like the most poetic thing you can do for yourself. So I handed her the camera and said, “Go live your birthday moment. Capture it.”

Action cameras deserve to see actual action, not city sidewalks pretending to be adventures.

Noela had fun descending into the clear blue water. The footage she brought back made my heart stop for a moment. It was surreal. Like she had slipped into another world and returned with proof that it existed.

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A post shared by Noela 🎧❣️🎶 (@noeyylovesyou)

I have seen plenty of underwater clips from action cameras that turned murky or desaturated, requiring heavy color adjustments. The Osmo Action 6 did not do that. Underwater, it preserved colors beautifully.

The details of her movements; the subtle shimmer of light across her skin; and the calm flow of bubbles. Everything was captured with clarity that felt emotional.

The Osmo Action 6 handled depth and shifting light with ease. Watching the clips felt like I had been there beside her, suspended underwater.

Even Noela could not believe the footage. And the fact that the camera does not need an underwater case up to 20 meters makes the experience feel even more freeing.

A picture quality to love

The Osmo Action 6 uses a large 1/1.1-inch square CMOS sensor that lets in more light, allowing underwater clips to remain balanced and detailed even in low-light environments.

With 10-bit color support, gradients in the water and sky looked vivid. The variable aperture paired with the sensor gives you the flexibility to shoot under harsh sunlight or underwater without losing depth or mood.

Exposure transitions also felt natural, and the highlights stayed controlled while the shadows held detail. The Osmo Action 6 preserved the emotional tone of each scene without flattening the story.

As James Rusameekae from Physical: Asia said, it is simply “Wow!”

Is the DJI Osmo Action 6 your GadgetMatch?

The DJI Osmo Action 6 excelled in every environment I threw it into. Water, low light, heat, fast movement, and unpredictable conditions? It handled everything with ease.

I collected footage filled with emotion and energy, and everything remained steady and sharp.

The clips felt complete even before editing, like they were already telling a story. (I uploaded some of them straight to my Instagram Story!)

If you live an active life and thrive outdoors, the Osmo Action 6 will meet your needs. You will appreciate how quick it is to use, and you will love the size, durability, and picture quality.

It feels like the kind of gadget you bond with, which makes it a Swipe Right!

Anyone who wants a companion for adventures will find comfort in the Osmo Action 6. For me, it is a Super Swipe.

With the experience I had, and the ease it brings to my life whenever I am out and about, PhP 24,390 for the Standard Combo feels like an investment in moments that matter.

The DJI Osmo Action 6 deserves the GadgetMatch Seal of Approval.

If you do not live an active lifestyle, the Osmo Pocket Series or Osmo Nano might suit you better since it is built for city travelers. But if you want to look adventurous — and you have the budget — who am I to stop you?

The DJI Osmo Action 6 retails for PhP 29,990 for the Adventure Combo, giving you all the accessories you may or may not need.