Cameras

Half a frame, full of feeling

A week with the Fujifilm X-Half showed me love, loss, and light

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They say healing isn’t linear. I say healing is made of light, color, and fleeting moments that feel like film. That’s what the Fujifilm X half (X-HF1) captured for me.

I was staying in Shangri-La Mactan for a week — not to escape, but to find something again. Myself, maybe. Or at least what was left of me after a heartbreak that still hurt to name.

I needed quiet and distance. I needed something to hold without shattering in my hands. Picking up the X half didn’t feel like pressure, but an invitation.

To see things differently. To remember that beauty still exists in between the ache.

Nostalgia, reimagined

There’s something incredibly comforting about the X half. Inspired by the FUJICA Half from the ’60s, this little camera — only 240g — feels like a whisper of the past. It’s compact enough to slip into a small tote or hang from your wrist without weighing you down.

I loved its vintage look, especially the Charcoal Silver finish that reminded me of my grandpa’s old film camera (which he never let me borrow).

There’s a tactile satisfaction to the Frame Advance Lever. It feels nostalgic yet new. Pulling it was meditative, like turning a page you’re not yet ready to close.

Somehow, the X half didn’t ask for big moments. It just waited. For a laugh over breakfast, for sunlight breaking through white curtains.

A different way to see the world

Built around a 3:4 aspect ratio, the photos are in vertical orientation. It felt strange at first, like writing with your non-dominant hand. But quickly, it made sense.

Vertical compositions made everyday scenes feel like they were made for storytelling — ready to be posted online, yet coated in the softness of film. I took portraits, my feet in the sand, coconut drinks in hand, and the mundane beauty of life by the beach.

This format mirrored how I was seeing the world: upright, trying to stay steady, reaching toward something more.

There’s also a 2-in-1 feature where you take two vertical shots, and the camera stitches them together.

It can be two photos, or a photo and a video. At first, I just had an inkling to try it. But the more I used it, the more it felt like journaling with light.

The scenes evolved beyond being just two frames. They became a feeling — two moments bottled up into one photograph. When mixed with a video, it felt like seeing the story behind the photo you took. It felt alive.

Finding warmth in a frame

Cebu, for all its postcard beauty, became even more alive through the filters on this camera.

I used Light Leak the most — not just as an effect, but as an emotional layer. It gave my photos the kind of softness that matched the state of my heart: fragile, hopeful.

My photos looked like little accidents, a reminder that everything doesn’t have to be perfect to be beautiful.

Switching to Film Simulation modes felt like flipping through old love letters written in different inks.

I spent a lot of time on Nostalgia Neg. and Classic Neg. to match how I was feeling. That’s the beauty of having options: you choose what reflects your mood, right after capturing something real.

When I reviewed the photos I took, I caught myself smiling. They were nowhere near perfect, but they felt real. I was surrounded by people — from close friends to strangers — with comfort in the air. I captured a lot of candid moments, people’s laughter bouncing off bottles of beer, completely unaware of the camera.

Seeing those photos, I told myself: this is what healing looks like. You don’t have to be alone to be whole.

There is peace in not knowing

Halfway through the trip, I turned on Film Camera Mode. It disables the LCD screen, teaching you patience. You take a shot, and then you wait. No previews, no retakes, no deleting.

You wait until you finish 36, 54, or 72 shots before seeing anything. It’s a reminder that some things take time to develop like trust, love, and healing.

Then, you move forward by pulling the Frame Advance Lever, like how life pushes you on, whether you’re ready or not.

It reminded me of the magic of not knowing. Of surrendering to peace. Sometimes, you just have to trust that what comes next will surprise you. No obsessing over the perfect shot, just capturing the moment for what it was.

When I finally transferred the photos to the X half app, it felt like opening a letter from a past version of myself. Sometimes shaky, sometimes bold — but always trying.

The app’s minimalist look made it easy to organize photos and create collages. I even printed one with the instax mini Link 3. I made contact sheets and framed some moments, and I didn’t delete any of them.

Because even the blurred ones told the truth: I was there, I laughed, and I healed, little by little.

Candid, compact, and completely mine

The 32mm f/2.8 lens and 1-inch sensor captured Cebu’s warmth in full detail. It’s not a loud camera. It doesn’t demand to be noticed. But it sees you — and everything around you — with a tenderness that surprised me.

I watched my friends grow more comfortable as the days went on. I took portraits when they weren’t looking, and every shot became a secret I got to keep. That’s what made it special. Even the most mundane things looked like poetry through this camera.

I held a lot of things that week, trying not to break: emotions, expectations, silence. But in between, this tiny camera held me. It made me slow down. It reminded me that every small thing can be worth remembering.

There’s joy in anticipation, in imperfection, in capturing something just for yourself. There’s still beauty to be made — and I can still make it, even in the middle of healing.

Is the Fujifilm X half your GadgetMatch?

The Fujifilm X half is a modern reinterpretation of the classic half-frame camera: compact, creative, and intuitive.

With its vertical-first 3:4 sensor, 32mm f/2.8 fixed lens, and an optical viewfinder, it makes slice-of-life photography simple, expressive, and deeply personal.

Film Camera Mode and the Frame Advance Lever simulate the feel of analog shooting, while built-in Film Simulations, Light Leak, and Halation effects allow you to create artistic, memory-soaked photos straight out of camera.

Seamless app integration, collage tools, and Instax printing support make it easy to relive and share your moments that are raw, romantic, and real.

If you’ve ever longed for a camera that sees the quiet beauty of your life and turns it into something lasting, the X half might just be it.

The Fujifilm X half retails for PhP 44,990. It’s available at official Fujifilm stores and authorized dealers.

Cameras

DJI’s Inspire 3 Basic Package make 8K aerial filmmaking more accessible

A streamlined kit for independent filmmakers!

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DJI has officially introduced the Inspire 3 Basic Package, a streamlined kit designed to lower the barrier of entry for professional aerial cinematography.

Since its debut in 2023, the Inspire 3 has established itself as the primary choice for studio film and television productions.

This new package provides a cost-effective path for independent filmmakers to integrate 8K aerial imaging into their workflow or for production houses to scale their existing fleet.

Cinema-grade performance in a portable form factor

The Inspire 3 remains a revolutionary all-in-one drone, built to handle the rigorous demands of high-end sets.

At the core of the package is the Zenmuse X9-8K Air Gimbal Camera, which features dual native ISO and more than 14 stops of dynamic range.

These specifications translate to high-fidelity footage that retains authentic colors and accurate skin tones, even when filming in challenging urban environments or varying lighting conditions.

By utilizing the DJI Cinema Color System (DCCS) and the O3 Pro transmission system, the drone acts as a reliable partner in movement, ensuring that technical performance supports the creative vision without the need for overly complex setups.

Essential tools for modern production

The Basic Package is curated to include the core hardware necessary for professional use while allowing for modular expansion. The kit features:

  • The Inspire 3 Aircraft and Zenmuse X9-8K Air Gimbal Camera
  • Four TB51 Intelligent Batteries to support extended shooting schedules
  • Specialized storage solutions, including the Inspire 3 Trolley Case and Gimbal Camera Case

Filmmakers who require the full ecosystem can still purchase key peripherals separately, such as the RC Plus remote controller, allowing the gear to grow alongside their specific project needs.

Price, availability

The DJI Inspire 3 Basic Package is available starting today through authorized retailers and the official DJI store. The package retails for PhP 615,049.

This release reinforces the philosophy that while technology provides the tools, the focus remains on the life and stories captured through the lens.

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Cameras

Osmo Pocket 4 makes a surprising appearance in public

Is the built-in light real?

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The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.

The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.

Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.

However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)

Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.

SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend

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Cameras

Canon PhotoMarathon returns, introduces video, open categories

Happening on April 18 in BGC, Taguig

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The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.

The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.

For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.

Here’s a quick breakdown of the contest categories and their corresponding prizes:

Main Category (Photo)

  • Open to Canon users only
  • Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM

Open Category (Photo)

  • Open to all camera brands
  • Prize: Canon EOS R8 with 24-50mm

Video Category

  • Open to all camera brands
  • Canon Prize winner: Canon EOS R50 V
  • Non-Canon Prize winner: Canon Powershot V1

The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.

To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.

To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.

These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.

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