Is the Marvel Cinematic Universe back? After years of floundering through Phases Four and Five, Marvel Studios is poised to get its mojo back from a flurry of much-awaited Phase Six projects this year, including the second season of Daredevil: Born Again, Spider-Man: Brand New Day, and Avengers: Doomsday. And it all started this year with the critically acclaimed Wonder Man. Now, after the success of that series, a second season is officially in the works.

When its first trailer came out, Wonder Man did not look like anything that Marvel Studios has worked on before. For one, it was incredibly grounded, perhaps overshadowed only by Daredevil: Born Again. Second, it was about the reboot of a fictional superhero movie, itself called Wonder Man.

Actor Simon Williams (played by Yahya Abdul Mateen II) wants to energize his career by performing in the upcoming Wonder Man revival from acclaimed director Von Kovak (Zlatko Burić). Helping the former is the returning Trevor Slattery (Ben Kingsley), who you might remember as the fake Mandarin from Iron Man 3.

Despite how different it looks compared to previous Marvel Studios projects, the series is one of the most acclaimed, currently holding a 91 percent approval rating on Rotten Tomatoes. Because of this, Wonder Man has received the green light for a second season, via Variety.

A second season is relatively rare for Marvel Studios with its history of one-and-done series. There are some exceptions, though. Loki, for example, ended its run with a second season. Daredevil: Born Again will air its second season very soon (with a third one potentially in the works already).

SEE ALSO: Marvel’s Wolverine gets a release date

There is a part of me that wants to say, if you want a feel-good, wholesome movie experience, go see Disney Pixar’s Hoppers.

But on the flip side, if you want an absurd, humorous, nonsensical-yet-totally-makes-sense dark comedy masked in an animated adventure, then you especially need to see it.

We can always argue that Pixar titles — and animated films in general — cater to adult audiences.

However, slotting in We Bare Bears creator Daniel Chong to helm this latest Disney Pixar masterpiece makes for a spectacularly unique ride.

It’s interestingly odd for a Pixar film, though not so far removed from the family-friendly, “happy ending” trope that feels unrecognizable.

I just personally loved Chong’s approach, driving the narrative with unpredictable humor, sharp twists, and a sci-fi premise that, come to think of it, isn’t actually theoretically impossible.

It’s so entertaining that you briefly forget you’re watching a Pixar movie. There are no dull moments and just a great ride from start to finish.

Nature vs. development

The premise is a familiar real-life dilemma we’ve seen for decades. In Hoppers, the suburban town of Beaverton where our protagonist Mabel lives, is under constant development.

Specifically, there’s the “Beltway Project”, an initiative by Mayor Jerry Generazzo, to connect residential areas to the town center via an elliptical highway.

As in reality, progress comes with collateral damage. In the film’s case, it’s the animals living in the local greenery.

Mabel isn’t going to let that happen. The movie quickly establishes her origin story in the first few minutes.

It shows how her relationship with her aging grandmother formed her special bond with “The Glade”. This lush forest was their favorite hangout as Mabel grew up. And that’s where she begun appreciating and caring for animals deeply.

Years have passed, and Mabel is now a fervent college student activist stopping at nothing to ensure the animals she grew up with can still live peacefully.

She has done a lot, from petitions to convincing people to support her cause. Without that many teammates by her side, she ultimately confronts the mayor herself. This is where she gets challenged to “make something happen” in 48 hours to convince the mayor to call the project off.

From ‘real’ to ‘sci-fi’

At this point, the movie dramatically switches from grounded reality to high-concept sci-fi. Mabel accidentally discovers her professor, Dr. Sam Fairfax, has developed an ambitious machine capable of transferring your consciousness into a robotic animal.

It was meant to observe animals harmlessly from a closer POV, and I guess you can give the professor the benefit of the doubt.

The entire scene reminded me of Jordan Peele’s Get Out briefly, but the tone shifts when Mabel ends up transported into a robot beaver body herself.

There’s an undeniable, hilarious callback to James Cameron’s Avatar here, from the disorienting “syncing” process to Mabel navigating the world in a body that isn’t hers. The only difference, obviously, is she isn’t a blue alien but rather a cute, child-visual-friendly beaver.

She finds new hope with this tech. But just as she thinks she can simply “communicate” with nature, she is slapped with the reality that in the wild, it’s survival of the fittest.

Logic takes a backseat

From then on, logic takes a backseat, yet it’s the kind of film where suspending your disbelief actually is helpful.

The “pond rules” were the only remaining glimmer of scientific accuracy but then, soon, you realize it would have been total chaos in the pond community just from a food chain standpoint.

Mabel gets introduced to King George and the inner workings of the community. There’s even a later chase when a flock of seagulls carry Diane, the gigantic shark referenced as the group’s “apex predator”, which is obviously impossible.

There’s just so many dumb rules (or lack of) that the internal logic made up for an even funnier film. It’s like Zootopia logic, but cranked up to an even more non-sensical level.

Dilemma

Anyway, Mabel discovers that the cause of the animals’ exodus are fake noise trees blasting high-pitched sounds. These are all the work of Mayor Jerry, doing it on purpose so the Beltway Project gets finished.

Mabel’s audacity leads to an Animal Council meeting, which was unlikely to begin with. Here, the leaders who each represent major animal classes come together.

The Insect Queen and her eventual Insect King son Titus get presented as the real antagonists, with a thirst for domination.

Mabel merely suggested scaring the Mayor back, but the animals decide on a dark uprising. With this, Mabel soon realizes the mayor is in danger.

The conflict is triggered further by her own human instinct when she kills the Insect Queen who annoyingly got into her face. This moment sends Titus into a vengeful rage even more.

This deepens Mabel’s dilemma as she now ironically has to side with the humans — including Mayor Jerry — while navigating the animals’ survivalist and territorial tendencies.

Standstill, unlikely team-up

However, after a long chase, and attempts to communicate with the mayor funnily with her impromptu-formed rag-tag squad, Mabel’s robot beaver eventually gets caught.

The Animal Council eventually discovers the humans’ experimental tech and turns it against them. Under the tutelage of Titus, the animals hold the scientists hostage and forces them to create a robotic clone of Jerry.

Titus’ goal was to use the mayor’s own noise trees meant to scare the animals away from The Glade against the humans gathered for a rally.

Just when all seems lost, the real Mayor Jerry shows a sudden flash of compassion. And perhaps with some Messianic complex involved, he hero-balls his way into a robotic beaver himself for a last-ditch effort to stop Titus.

A lot happened in between, presented with a hefty dose of comedy that keeps you guessing the characters’ fates.

Ultimately, the other animals realize Titus’ purely selfish and evil goals, and his plan backfires when he gets eaten by the Amphibian King.

In the end, the animals team up to destroy their community dam to flood a wildfire inadvertently started by Titus moments earlier.

Then, it’s a classic happy ending: The Glade is restored as a protected area, Mabel and Mayor Jerry reconcile, and the protagonist graduates with a job offer from Dr. Sam herself.

Absurdity ’til the end

The absurdity does not even end when the credits roll. In the post-credits scene, we see the elderly man Mabel previously encountered, who mistook her petition form for a grocery list.

After she takes care of her business at The Glade, Mabel sweetly fulfills the elderly man’s simple errand.

And handing the eggs, milk, and bread back to the man? Ants.

It’s as if it was a delightful Ant-Man nod, especially with the parallels between the logic there and in the MCU wherein a neurotransmitter is needed to lead ants in performing such tasks.

Perhaps, a final wink from Daniel Chong, whose direction makes up for a spectacularly good laugh.

The countdown is officially on as Warner Bros. Pictures has released the teaser trailer for Dune: Part Three.

The epic conclusion to Denis Villeneuve’s “Dune” trilogy opens in cinemas and IMAX this December.

In addition, character posters have also been released. Here are some, courtesy of Warner Bros. Pictures:

The highly anticipated film stars Timothée Chalamet, Zendaya, Jason Momoa, Javier Bardem, Rebecca Ferguson, Florence Pugh, Robert Pattinson, Anya Taylor-Joy and Isaach De Bankolé.

The trailer, meanwhile, gives an excellent first look at Pattinson as the main antagonist of the final installment, Scytale.

In the final movie, the plot jumps ahead 17 years after Chalamet’s Paul Atreides ascended to the throne.

There will be a dramatic change in the tone from the first two films, focusing more on psychological thriller instead of a war epic, given the visuals of the previous two installments.

Atreides is now a battle-hardened Emperor, struggling with the “Holy War” that has claimed 61 million lives.

Worse, Scytale will lead a conspiracy from within that attempts to overthrow the protagonist’s empire.

Pattinson’s character will mess with Atreides’ head instead of pure brawns, in a bid to wear him down. This presents the central conflict of the upcoming film.