Favorite Shows and Movies of 2025: Predator: Badlands Favorite Shows and Movies of 2025: Predator: Badlands

Reviews

Predator: Badlands is the adventure comedy that the series needs

There are so many good ideas, too.

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In its past two iterations, the Predator franchise tried on different hats. Instead of recycling the same movie monster premise, the series has seen a historical period piece (read: Prey) and an animated anthology (read: Killer of Killers). Now, in its third outing in only a few years, it’s time to take its rightful place in a new genre — a family-friendly adventure comedy.

Predator: Badlands is Dan Trachtenberg’s second film in his planned three-piece outing. Whereas Prey takes audiences back into history, Badlands flings them all the way into the future. Dek is a young Yautje who, after being outcasted from his tribe, seeks to bring down an unkillable beast from a hostile planet called Genna to reclaim his honor.

Along the way, he meets the happy-go-lucky Thia (Elle Fanning), a Weyland-Yutani synth who has her own secret mission in Genna. He also meets Bud, an adorable bipedal creature with a pug-like face. Now, when you mix a stoic warrior with a quirky sidekick and a cute pet, you have the makings of a sci-fi comedy.

Predator as a comedy

Predator: Badlands takes some getting used to. If you’ve seen other Predator films in the past, you’d know that the franchise isn’t known for its comedy. So, when Badlands wants to make you laugh, it’s not coming from a place that’s natural to the series.

At the very least, there are moments that work. When the tough-as-nails Dek finally warms up to Bud’s antics while Thia looks on, it’s a heart-warming moment that helps audiences believe in the familial dynamic between the three characters.

After a few moments of me mouthing “what am I watching,” the film does warm up. And it all starts once you realize that the Predator is the protagonist of this story and that no humans are in a life-or-death struggle this time. But again, it does take a while.

At its core, Badlands is a story about found family, and it surprisingly works. Usually, this is when the review ends, had it not been for the fact that this is a Predator film and not a generic adventure.

A wealth of great ideas

Don’t get me wrong; Badlands is not a bad movie. It’s just different. And amid the differences, there is a mountain of great ideas that can tickle any Predator fan.

For the first, it’s actually refreshing to finally see the Yautje act like a resourceful hunter, rather than just an invisible killing machine. The Predator is not invincible. He gets hurt. Often, he has to use the planet’s resources to survive.

For way too long, Predator films focused too much on forcing humans to adapt against the technologically advanced alien from outer space. For the first time, it’s now the alien in a position of vulnerability, and it’s great.

Secondly, the new creatures introduced in Genna are inspiring. The roster is equal parts of the silliness of James Gunn and the macabre of Guillermo del Toro. These include a bursting plant that paralyzes with a single hit, a sentient tree that eats other beings, and Bud. The planet is filled with creatures that are both frightening and interesting to meet in a forest.

Despite the laughs, this is a Predator film that helps expand the lore of a usually mysterious franchise. Because, of course, the Yautje are a species of hunters where honor exists. Of course, they hunt terrifying things. Of course, Weyland-Yutani is still an evil monster of a corporation here.

The Alien connection

In the months leading up to the movie’s premiere, the main talking point was Elle Fanning’s character. She plays a synth from Weyland-Yutani, a corporation from the Alien franchise.

A connection between the two franchises has existed since the Alien vs. Predator series of films. (Badlands even nods to this duology when Dek eventually get the nickname of “Wolf”.) This is, however, the first time we get a crossover set in the far-flung future traditionally held for the Alien franchise.

Is this the return of the AvP franchise? Well, not really.

From a production standpoint, using Weyland-Yutani as a plot device saves a lot. The story involves a crew completely populated by synths. Fanning plays two characters. An entire army of synths is played by one or two actors. Since they’re synths, they don’t need red blood. Plus, it keeps the movie in PG territory.

However, from a narrative standpoint, Weyland-Yutani is a slightly odd choice. For one, the movie heavily assumes that audiences already know how evil the corporation is. Though there are a few expository dialogue that confirms such, Weyland-Yutani is a mostly invisible force.

It’s also unclear where Trachtenberg wants to take this connection. This isn’t a xenomorph movie, so you won’t see a shoehorned connection to the Alien series. But it is a natural connection. There’s no need to force a new Alien vs. Predator film right off the bat. Weyland-Yutani’s status as an antagonist just needs more time to marinate because it’s hard to expect audiences to know who the corporation is.

Apps

Breaking up with Adobe Photoshop after 20 years

Wedding planning and Apple Creator Studio made me realize it was time

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Planning a wedding, even a small and intimate one, has a way of sharpening your sense of priorities. Right as my fiancé and I were making decisions for our city hall wedding here in New York City, Apple announced Creator Studio.

Creator Studio is a subscription service that gets you access to eight creative pro and productivity apps for US$12.99 a month, or US$2.99 if you’re a student or educator. The design app included in the subscription, Pixelmator Pro, is also available as a standalone purchase for US$49.99. Adobe Photoshop, my design software of choice for over two decades costs me US$22.99 a month.

Seeing those numbers next to each other made me pause. It’s not that I was unhappy with Photoshop. I was just suddenly made aware how expensive it is. I’d been paying more for a single tool than I could for an entire creative ecosystem.

Adobe Photoshop was my first foray into the world of graphic design

Creative Studio’s lower price point, along with the free trial, made me consider switching to Pixelmator Pro altogether. That’s something I never thought I would do. Photoshop was how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.

Getting to know Pixelmator Pro

If you’re not familiar, Apple’s Pixelmator Pro is a graphic design and image editing app that’s similar to Adobe Photoshop. In practice, it covers a huge amount of the same ground but with a very different philosophy around usability and design.

I tried Pixelmator Pro, mostly as a challenge because we were doing a YouTube video on Apple Creator Studio. Personally, I was lowkey excited to try something new.

The first time I loaded the app, I recreated our YouTube thumbnail template — all within 10 minutes — and I haven’t looked back since.

Familiar enough to feel effortless

One of the biggest reasons my transition to Pixelmator Pro was so easy is muscle memory. Many shortcuts behave the same way: cmd+T for transform, cmd+R to show rulers, cmd+J to duplicate layers, just to name a few.

Having used Photoshop since high school, it felt familiar and intuitive — the complete opposite of how it felt to try and switch to Adobe Illustrator many years ago.

Photoshop is how I got into graphic design. It was my first love, and up until recently, I truly thought it would be my ride or die.

Later, I learned that you can import PSD (Photoshop) files directly to Pixelmator Pro. Apparently I didn’t even need to recreate the GadgetMatch assets. It does a good job of converting and preserving layers.

Photoshop now feels archaic

After using Pixelmator Pro for a few days, going back to Photoshop felt jarring. The sharp edges of the UI felt cold and rigid. Everything was layered with popups, panels, and tiny interruptions.

Pixelmator Pro, in comparison feels warm, smooth and frictionless. Its user interface is very Apple-like — rounded edges, softer icons and buttons. The Creator Studio version also gets the new Liquid Design touch, with transparent menus and elements that feel dynamic.

I especially love the little things. Color adjustments live in one simple panel instead of being scattered across different windows. There’s an eyedropper tool beside every color picker with a magnifier built-in.

When you hover over tools, it shows you the shortcut (e.g. “R” for Repair). There are also subtle animations, like when you use the Color Fill tool to change your canvas color.

Pixelmator Pro’s UI is warm, snappy, and approachable

The differences in user experience are stark. Photoshop’s animations either don’t exist or are too abrupt for one to notice.

Smart tools without the noise

Photoshop has one clear advantage over Pixelmator Pro: Generative AI. It’s great and powerful especially when you need to save time.

I personally used it a couple of times before to save time on cloning, erasing, or expanding elements. Am I going to miss it with this switch? Something tells me I won’t.

Pixelmator Pro’s clone and repair tools, though seemingly so simple, work like a charm. And for how I usually manipulate images, those two are more than enough.

From digital to physical

If Pixelmator Pro was going to replace Photoshop in my workflow, wedding prep was the perfect time to give it a real world test — and it more than held its own. Its ease of use gave me permission to think outside the box, because I knew I had a reliable tool that can help me make it happen.

On the left, a Kufic-inspired wedding logo designed on Pixelmator Pro; on the right, 3D printed stamps

Since my fiancé is half-Iranian, I designed a logo combining our names, inspired by Kufic calligraphy, and I did it entirely in Pixelmator Pro. I developed that same logo further and designed a save the date, with color, also inspired by Kufic calligraphy. I went through a few iterations to come up with the final designs, which were made easier by the Shape tool and grid overlays.

My fiancé then took the logo I designed in Pixelmator Pro, converted it to 3D on Revit, and printed it into stamps in different sizes. One way we’re using it is to deboss the handmade pottery he’s making as one of our party favors.

There are a few more wedding pieces I’m designing on Pixelmator Pro in the coming weeks: our final invitation, and the custom stationery for the dinner that follows the ceremony.

Through this whole process, Pixelmator Pro never felt like it got in the way, or that it was limited. On the contrary, it feels like that enabler friend who says yes to every idea I have, and can actually help make them real.

Powerful, but approachable

The best way I can describe what using Pixelmator Pro is like is this: it’s a mix of Photoshop’s professional tools, Canva’s free library of assets, and Apple’s UI sensibility.

Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.

That makes it great for beginners, small business owners, and casual creators. Like Canva, it comes with some beautiful templates to help someone with zero experience come up with something good.

But unlike Canva, it still feels like a serious design tool. I can do so much of what I need using Pixelmator Pro but with UI that’s so much more approachable compared to Photoshop.

As the great philosopher Ariana Grande once said, “Thank U, Next”

I remember meeting Canva’s founders before launch and not fully understanding their mission to make graphic design accessible to everyone. Now I do.

It was never about replacing Adobe products and pro designers. What Canva did was fill a huge void we didn’t know existed. They democratized something that used to be reserved only for the privileged few.

Pixelmator Pro comes with free templates, assets, and mockups like this MacBook Pro and coffee packaging

Pixelmator Pro’s lower barrier to entry has potential to make a significant impact. My hope is it opens doors for people who were previously shut out of the graphic design world, and that it becomes something they can grow with, just as I did with Photoshop.

Adobe is still the industry standard

Switching to Pixelmator Pro wasn’t about rejecting Adobe, in the same way that Canva’s success did not kill Photoshop.

It’s worth noting that Adobe products are still the standard in the industry. A lot of companies rely on them, and most schools teach them. In a traditional design or agency environment, Photoshop and Illustrator are still the default language.

Even on Apple’s own Design Resources site for developers, the official design templates are built for Adobe Photoshop and Illustrator, not Pixelmator Pro. That says a lot about how embedded Adobe is in professional workflows.

Competition makes the space better

Apple Creator Studio, and tools like Pixelmator Pro, challenge Adobe’s near-monopoly in a really healthy way.

It’s not lost on me that trading Photoshop with Apple software actually keeps me locked into one ecosystem. But having more pro creatives try Pixelmator Pro can put pressure on the industry. A strong alternative that’s more cost effective can force titans and dinosaurs to evolve in a way the likes of Corel was never able to do.

Ideally, that means better products and fairer pricing for everyone. Shortly after Apple announced Creator Studio, Adobe rolled out significant Creative Cloud discounts. Are they threatened? They better be.

Pixelmator Pro’s intuitive UI makes switching from Photoshop easy peasy

Access matters, and at the end of the day, with a healthy competition in the market, it’s consumers that win. Canva is a great example of this. It made design tools accessible to those who aren’t professionals. It didn’t make everyone a great designer, just as a novice who tries Final Cut Pro today won’t become a pro video editor tomorrow. Design is still a craft you develop over time with practice.

Is Pixelmator Pro my GadgetMatch?

Photoshop still has its place. But for my everyday work, and occasional personal projects, Pixelmator Pro can do  everything that I need to accomplish, at a fraction of the cost.

It feels faster, lighter, and more alive. Honestly learning my way around new software has been so enjoyable — so much so that I feel a renewed sense of eagerness to try other design software like Blender and Figma.

Pixelmator Pro never felt like it got in the way, or that it was limited. On the contrary, it feels like that enabler friend who says yes to every idea I have, and can actually help make them real.

Wedding planning and Apple Creator Studio didn’t just make me switch to a new software. They also made me question how much I’ve been missing out on. How much of what I do is simply due to inertia?

Ending my longest relationship doesn’t mean it failed. I’m grateful for what Photoshop taught me. It helped shape the creative professional that I am today.

But alas, this is one area where my practicality wins over loyalty. Relationships — with people or with tools — only work when both parties keep showing up. There’s no room for complacency, despite the history.

Walking away from something that taught me so much feels bittersweet, but Pixelmator Pro fits the way I work now, and I hope it grows with me as I turn the next page.

Watch our review of Apple Creator Studio

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Gaming

Now playing: Final Fantasy VII Remake INTERGRADE on Switch 2

Final Fantasy VII Remake, handheld again

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Final Fantasy VII Remake Intergrade | Nintendo Switch 2

There are two ways I ended up playing Final Fantasy VII Remake Intergrade on the Switch 2: handheld, and docked. And in many ways, that split mirrors what this release is really about—flexibility, familiarity, and a little bit of re-learning.

Relearning muscle memory

Let’s get the small friction point out of the way first. Button prompts. Even after all this time, my brain still defaults to PlayStation glyphs. Triangle means something very specific to me in Final Fantasy VII Remake, and retraining that muscle memory on a Nintendo layout took a bit longer than expected. That’s not the game’s fault—it’s just the reality of revisiting something you’ve deeply internalized on another platform. And honestly, it’s something I’ll just have to get used to as more of these previously PlayStation-first titles land elsewhere.

Once that adjustment period passed, the bigger surprise came quickly—especially in handheld.

Midgar in the palm of your hand

Without even stacking it up against the PS4 or PS5 versions, the Switch 2 version already looks impressive on its own. In fact, it looks really good. There’s a moment of quiet disbelief when you realize you’re holding Midgar in your hands, running locally, and still retaining that sense of scale and atmosphere the remake is known for.

I’ve played Final Fantasy VII Rebirth on devices like the ROG Ally and Legion Go, and the feeling here is similar. Not in raw power comparisons, but in that same sense of admiration—Square Enix managing to package something this dense, cinematic, and emotionally loaded into a handheld experience without it feeling compromised at first glance. That same awe of seeing this classic reimagined is still intact, even on a smaller screen.

Living with 30fps

Performance-wise, the most noticeable limitation is the 30fps cap. It’s there, and anyone coming from a 60fps playthrough will notice it immediately. That said, it never felt like a dealbreaker to me.

Command inputs still land cleanly, combat remains responsive, and nothing about the experience felt sluggish. If you’re sensitive to frame rate shifts, this might take some adjustment. But in motion, and especially in handheld, it rarely pulls focus away from the game itself.

Streamlined progression, real relief

One feature that quietly made a big difference for me is the new Streamlined Progression option. Being able to start with maxed-out stats, unlimited resources, and reduced friction is a genuine quality-of-life win—especially for players who’ve already finished the game once and don’t necessarily want to grind their way through Midgar again.

It turns Intergrade into a smoother re-experience, letting you focus on the story beats and combat flow rather than progression systems you already know by heart.

The storage reality check

The less glamorous reality check comes with storage. At roughly 90GB, this is a heavy install, particularly if—like me—you lean heavily toward digital purchases. I had to delete three games just to make room.

If you have the option to go physical on Switch 2, that might be the more practical route, especially as more large-scale ports make their way onto the platform.

A familiar journey, made portable

Contextually, this release matters beyond just another port. Final Fantasy VII Remake Intergrade arriving on Switch 2 is part of Square Enix’s broader push to bring the entire remake trilogy to more platforms, with the final entry already in development.

It also reinforces Intergrade as the most accessible entry point into the series—bundling the main campaign with the Yuffie-led EPISODE INTERmission, and now offering features that lower the barrier for newcomers while respecting returning players’ time.

At US$39.99, it lands at a price that feels fair. Whether you’re completely new to Final Fantasy VII Remake or just want a portable version of a game you already love, this is an easy recommendation—storage caveats aside.

Overall, this is an impressive Switch 2 port. Not perfect, not trying to outmuscle the PS5 version, but confident in what it is. Seeing Final Fantasy VII Remake Intergrade run this well, this comfortably, on a handheld still feels a little surreal—and that alone makes it worth playing again.

If you’re looking for deeper technical breakdowns and direct comparisons with the PS4 and PS5 versions, Digital Foundry continues to do excellent work on that front. But as a lived-in experience, this one already earns its place on the Switch 2.

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Reviews

HONOR X9d 5G review: Tougher, more long-lasting and optimized

Beyond all the marketing, it’s a compelling all-around smartphone that actually works well

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If you’re planning on getting the HONOR X9d 5G, do me a favor: don’t throw it on purpose. Don’t drop it on the floor or in water, nor do anything reckless to it.

For one, it will void your standard warranty. The point is, you don’t need to subject the phone to those bizarre stress tests you see online.

Just know that if you’re unlucky enough at some point, it will likely survive accidental drops, splashes, and more mishaps.

Beyond all the marketing, the X9d simply works like a well-oiled machine — so far. That’s what HONOR’s latest entry to its popular and best-selling X series midrange line is meant to deliver.

And all things considered, it has the makings of a compelling all-around device in its segment. Let’s dissect further.

Tough, durable, more water-resistant

It’s only fair to get the toughness part out of the way first. On paper, the HONOR X9d 5G boasts drop resistance of up to 2.5 meters. Pretty darn good.

Our team even used the back panel as a makeshift chopping board, and it resisted scratches.

The biggest upgrade: quadruple IP66, IP68, IP69, and IP69K ratings for water and dust resistance.

This level of protection is now becoming standard across Android releases, and HONOR has kept up well.

It’s reassuring to know it can withstand spills, hot liquids, and even stronger splashes or full submersion. Again, hopefully only by accident.

Think of all this as insurance you’re paying for. If nothing bad happens during the X9d’s lifetime, then consider yourself fortunate.

Performance: No major hiccups

The HONOR X9d 5G runs on a Snapdragon 6 Gen 4 processor. It promises a “significant jump” in performance.

In the two weeks I’ve had the device, that claim felt true compared to my experience with the X9c last year.

The device just feels more responsive for swipes and touches. It loads apps quickly, and navigates smoothly overall.

I’ve already edited blogs and played back FHD videos on YouCut without issue. Rendering shortform videos for social media posting was equally seamless. Here are a few.

@manilaconnoisseur

There really are those days na gusto mo lang pumirme sa bahay and make your own ramen noodles. Buti na lang may JIN ramen from @otokiph to help you satisfy those cravings! #JINuinelyRamen #CheesyGoodness #JinCrediBowlChallenge

♬ original sound – Manila Connoisseur – Manila Connoisseur

@manilaconnoisseur

May sarili na ngang 3-in-1 Coffee si Angel’s Pizza tapos may FREE Angel’s Pizza Membership Card! 10 sachets na, 99 pesos lang, with lifetime APC Card na key to Buy 1 Take 1 pizza FOREVER plus 25% off on all pizza purchases. @angelspizzaph #AngelsPizza #AnghelKape #3in1Coffee #Buy1Take1Pizza #CreamySpinach

♬ original sound – Manila Connoisseur – Manila Connoisseur

 

Gaming wise, the device holds up well for Mobile Legends: Bang Bang and Call of Duty Mobile.

These titles aren’t only “playable” per se, but also enjoyable even at high graphics. A dedicated panel also provides quick gaming-related controls.

Particularly, in CODM, panning felt very natural, without tweaking settings. The touch response was balanced and not overly sensitive so you don’t overcompensate.

Admittedly, I didn’t push it with more demanding titles, but how well it handled editing, multitasking is clearly a legitimate strength.

The only slowdown came after taking photos continuously for about half an hour during its launch date.

But it tells you modern handsets allocate resources heavily toward camera processing.

Ample audiovisuals

What’s great about the HONOR X9d is it delivers clear and sharp visuals whether gaming, editing, filming, or simply consuming content.

It features a 6.79-inch FHD+ AMOLED display with up to 6,000 nits of brightness. But the real deal here is the 427 ppi pixel density, making visuals look even more vivid and crisp.

This display makes reviewing photos and videos convenient — useful for content creators or for quick double-checking before posting on social media.

Watching sports highlights or casual clips in between also feels more immersive with consistently high-quality visuals.

Battery life

The biggest jump from the X9c, unarguably, is the battery capacity. The X9d packs an 8,300mAh LiPo battery.

It lasts easily two days with casual at-home use. Outdoors, it still has juice by midnight for long days.

That’s with mobile data and location on, and even using the phone as hotspot for other devices. Other tasks include browsing, watching, using the camera occasionally, and editing short-form videos.

Gaming for an hour consumes just about 10% battery life, compared to 15% for most competitor devices.

The extra endurance pays off at the end of the day when you need entertainment or connectivity.

My only gripe is the device heats up significantly with hotspot turned on. Sometimes, it shuts itself off. That interrupts whatever you’re doing on connected devices.

Anyway, charging is surprisingly optimized. Despite the huge capacity, the 66W charging can refuel it back from 30% to full in just over an hour.

I do not wait for my phone to drain too much, but it should normally take just about 90 minutes from 1% to full.

Camera performance: Par for the course

Furthermore, the HONOR X9d 5G once again excels when with its camera performance.

The 108MP main camera delivers sharp and clear shots at up to 3X zoom with good lighting. Colors lean toward vivid and lively, so you don’t have to post-process a ton.

Some samples:

But for such, HONOR’s camera app includes a generous lineup of pre-built filters that are actually useful, similar to those on the 400 and 400 Pro.

Night Mode brightens scenes with its own preset, while portraits can be smooth from different focal lengths.

Video recording at 1080@60 is generally smooth with OIS. Results are vlog-ready, and parallax shots don’t experience much jitters either.

The selfie camera holds up pretty well too with detail, while portrait mode actually adds depth.

Though video lighting can be tricky at times. After too many shots, the shutter occasionally lags too.

But overall, there isn’t anything too bad to say. The system is arguably one of the most pleasing in its class.

Especially in this segment, camera systems can make or break the midrange device’s value proposition.

I enjoyed using the device’s camera for both stills and videos. The responsiveness is straightforwardly quick for spontaneous moments too.

More photos:

Design

I’m glad HONOR ditched the curved sides in favor of a flat display with rounded corners.

Thankfully, the UI is optimized so content isn’t cut off at the corners nor seams. The razor-thin bezels keep you focused on the panel.

The backside of the Reddish Brown variant does resemble the HUAWEI Mate XT at first glance, which is understandable. But it still stands out with its own identity and style.

HONOR’s camera system retains the signature watch face look, paired with a gold plate-like logo at the bottom third.

The HONOR X9d runs on MagicOS 9.0 out of the box, and the UI looks neat overall and easy to tinker with.

There’s AI features here and there, but from the home screen, AI Suggestions actually help you pick up from where you left off.

Optimized connectivity

In relation to its aesthetic, the choice to have a plastic frame, instead of an aluminum one, benefits connectivity.

Wi-Fi connection felt more stable. On mobile data, though still signal strength-dependent, the phone can provide reliable network speeds.

Naturally, congestion and challenging spots can choke performance. Competitors do have ways of optimizing network selection better, which could be what HONOR works on next.

Is this your GadgetMatch?

The HONOR X9d 5G earns a solid Swipe Right. It’s a durable and reliable mid-ranger offered at a fair price of PhP 18,999 (12GB+256GB).

I understand why some suggest opting for cheaper, niche-specific devices, especially for gaming.

But the X9d posits itself as a formidable all-around contender, and for the most part, it checks all the right boxes.

With proper usage, maintenance, and care, it carries the aura of the device that can confidently last four to five years.

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