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Is the all-new Sony WH-1000XM6 the newest king of headphones?

We didn’t just listen; we tested.

In this video, we’ve rigorously evaluated the Sony WH-1000XM6, comparing them head-to-head with their top competitors.

Specifically, the Apple AirPods Max, the Bose QuietComfort Ultra, and even older Sony models.

We dive deep into ANC (Active Noise Cancellation) performance, audio fidelity, comfort, and more.

But, did the XM6 come out on top?

Find out in this in-depth review as we put the Sony WH-1000XM6 in the ultimate test.


PRE-ORDER Sony WH-1000XM6 here!



Transcript

It’s no secret. These are probably the best noise-canceling headphones in the market today, and Sony just made them even better with a new processor, new drivers. And if you know, you know, they can now fold again! I’m so excited, maybe a little bit too dramatic, so let’s dive in. Michael Josh, your gadget matchmaker, and over the last decade, I’ve made it my job to show people around the world that tech can be easy, fun, and exciting. On this channel, I give you special access to the products I review, the events I attend, and all the interesting people I get to meet along the way.

So, if you’re shopping for a new pair of noise-canceling headphones, give the channel a like and subscribe, and I’ll help you find the right pair to match your needs. This is our Sony WH-1000XM6 review.

Long overdue upgrade

It’s been years since Sony updated their popular WH-1000 series of noise-canceling headphones. The arrival of the XM5 in 2022 came with a lukewarm reception. Some loved its sleek new design but were disappointed that it wasn’t as compact.

Others loved the improved audio and noise cancellation but missed the deep bass that the XM4s produced. Today, we’ll find out if we have a true winner in our hands.

Quick Unboxing

First, a quick unboxing. The XM6’s packaging is discrete, made from recycled paper, which is always a win in my book.

As you can see from the artwork, I’ve got the blue one inside. You’re greeted by the carrying case, and inside that is the XM6. There’s also some paperwork, a 1.2-meter auxiliary cable, and a rather short USB-C to C charging cable. But just like the XM5, but unlike the XM4, it does not come with this two-prong airplane adapter, so that you can ditch the cheap ones and use your high-folding ones on a plane. It’s whether I’m deep into my writing or just tuning out the noise, great audio keeps me in the zone, but my work doesn’t stop at content creation.

Subtle refinements

At first glance, the new XM6 looks very much like the XM5. To avoid any confusion in these next few clips, the XM6 is blue, the XM5 is black.

The biggest design change addresses everyone’s complaint about the XM5s. You can now fold them away, just like what we’ve been able to do on older models. Both sides fold in like this, allowing for a more compact case. Also, more on that in a minute.

The rest of the design tweaks are more subtle. The band features that modern, sleek design of the XM5s, but now is a bit wider for a more comfortable fit. The cuffs are also taller too, but with the same amount of cushioning. Stitching is only on the backside, so it looks cleaner. And notice, too, there’s a metal ring on the hinge, which adds not just an accent, but more durability to the folding mechanism.

Weight-wise, on my scale, I’m getting about 252 to 253 grams. If he says 254, whatever the case, it’s about 4 grams heavier than the XM5s and roughly the same weight as its closest rival, the Bose QC Ultra. The weight trade-off comes at the expense of more premium materials, like stainless steel and aluminum, just like on the AirPods Max, which is a heavy 386.2 grams.

The device is plastic, and the finish, unfortunately, a bit of a smudge magnet, but for a pair that I’m going to wear on a 12-hour transcontinental flight, maybe more, it’s a trade-off. I’m willing to have. Other design choices of note: I love this dot right here, almost like Braille, which tells you, okay, that’s the left side. I put it on correctly instead of two similarly shaped buttons.

Same controls

The power button is round, while the button to toggle between noise cancellation and ambient mode is like a stick. Because they’re two different shapes, it’s easy to tell between the two when you’re trying to do something.

Finally, if you’re not familiar, there are no physical buttons for volume control. Instead, the right cup has a built-in touch surface. You swipe up and down to control volume, double-tap to press and play or answer a call, swipe forward to skip to the next track, and swipe back to go to the previous one.

You can also tap and hold to bring up the Voice Assistant or rest your palm on it to temporarily switch out of noise cancellation mode. Say you want to be able to hear or talk to someone, Sony calls it Quick Attention mode.

In terms of ports, you get USB-C for charging, and in case you’re wondering, it’s for charging only. You can’t use it for audio, but you can now charge and use them at the same time.

Finally, there’s a full-size 3.5-millimeter headphone jack. Because you can now fold them again, the carrying case is smaller than its predecessor, but still not as small as the ones on the XM4s, which I still prefer, but I like its new magnetic lock mechanism.

Better case

You’ve saved so much time by not having to unzip your case every time you want to take them out. The cases, by the way, are color-matched to the headphones, which, by the way, are available in black, blue, and silver, which is a cream white color. Because portability is of utmost importance to me, I probably will still ditch the case and throw them in a drawstring pouch like this and then check them into my bag.

More than comfy

The Sony XM6s are probably the most comfortable noise-canceling headphones I have ever worn. The cushioning is soft. It crushes and embraces my ears quite well. The clamping force is strong enough to provide a light seal, but not too much where it feels like it might give you a light headache.

The ear cuffs envelop my ear as well, and there’s enough depth, so your ears don’t feel squished. In the week that I’ve been reviewing them, there have been days where I’ve had them on for several hours, and I didn’t feel a sense of relief from suffocation after taking them off.

Lastly, when you have them hanging around your neck, the good news is that you can now have the cups facing inward again, the way I think it should be.

Satisfying ANC

While incredibly popular and consistently on top of many reviewers’ lists, fun fact, both Sony XM3, XM4, and XM5, all use the same QN1 processor. Why change it if it ain’t broke, right? Well, I guess not until you can come up with something better, and it looks like the time is right for that this time around.

In an effort to improve noise cancellation, Sony is getting the XM6 a new QN3 chip, which they say is seven times faster, which is a must for all their real-time analysis and AI optimizations that these guys do.

The chip powers a new adaptive noise-canceling optimizer, which consistently monitors air pressure, among other environmental factors, so it can provide the best kind of noise cancellation, given your current surroundings.

So, whether you’re 30,000 feet in the air or walking down a windy street, it’s constantly adjusting the noise cancellation based on air pressure, and get noise, and even movement. That’s a big leap from the older Auto NC, which basically just changed modes based on location.

Better mics

And they’ve also added four additional microphones, from eight to twelve. And in my tests across both airplane and street noise sounds, the XM6 consistently offered the most satisfying ANC experience compared to the AirPods Max, Bose QC Ultra, and the older XM5.

Versus AirPods Max

For me, the XM6 and the AirPods Max are probably the best in terms of noise cancellation, particularly that’s removing hum, fan noise, and high-frequency beats with ease. The only difference is that it does it with a sort of softness that makes the whole world feel like it’s turned down, but not erased in contrast, the airpods macs create a sharper kind of silence.

Versus Bose QC Ultra

It’s clean, it’s surgical, sometimes surreal, it’s very impressive. Don’t get me wrong, but sometimes almost emotionally detached. The XM5 and the QC Ultra, while competitive, had more inconsistencies. Both canceled low and rumble effectively, but let through more mid and high-frequency noise, sometimes even accentuating certain sounds. Overall, I actually prefer the XM6 as it struck the perfect balance: effective noise cancellation without making me feel disconnected from the world around me.

Transparency mode

Transparency mode was good too. I love how I could just rest my palms on the red cup to have a conversation with someone, or when I’m out and about, I just rely on adaptive sound control, which will switch modes based on what I do. Sony says they’ve added two additional beamforming mics for a total of six. Beamforming is a technique in which a mic’s sensitivity is focused like a beam in a straight line towards a specific direction. In this case, it’s towards your mouth, so while the XM6 blocks out surrounding noise, it can also make sure that your voice pickup is clear.

Mic test

Let’s test it out. Okay, so we have everything set up to test out the beamforming microphones on all of these three headphones. I have my iPhone shooting the video, and then I have partial speakers in the background that are playing a restaurant ambiance from YouTube. Let’s see who does the best job at canceling and acquiring quality.

Okay, so this first clip, as you can see, is using the new XM6, and hopefully those two additional beamforming microphones really zone in on my mouth under what I’m saying, and hopefully it cancels out a lot of that cafe background. Okay, clip number two is switched over to the Bose QC Ultra, and this recording again is using the built-in microphones on these headphones.

The restaurant ambiance is still playing. Let me know if you hear a difference in which microphones sound and last, but not least, Apple’s AirPods Max. The audio that you’re hearing is from the microphones on these headphones, so the ambiance is still playing in the background. And now, after we’ve done three different noise-canceling headphones, I would love to know which one sounds the best.

Your preference?

Okay. So, we’ve listened to the clips a couple of times, and I have to say, when it comes to removing all of that background noise, the person on the other end won’t hear what’s actually going on.

It’s these guys. It was pretty much a clean, quiet room from the sounds of it. However, I will say those additional beamforming microphones on the XM6s also did their job. I think in terms of my audio, I sounded the best on these ones but let me know which of the three clips you appreciated, or you liked the most.

Even better sound

Of course, what good is a pair of noise-canceling headphones if they don’t also sound great? And I know from the point of view of a casual user, most headphones will sound good, but for those who really want to get into the weeds, I spent a full day on a test comparing the XM4 versus the XM5 versus the XM6, the last three generations of Sony’s WH-1000s, as well as against their closest rivals, the Bose QC Ultra and Apple’s AirPods Max.

First, let’s talk about what has changed. Sony is promising a better, more balanced sound overall, but with richer details and clearer vocals, thanks to a new 30mm driver that has a more rigid dome and a perforated voice coil bobbin, as well as tuning by mastering engineers. I know some fans did not like the step down from that 40mm driver on the XM4 to the 30mm driver.

On the XM5, because it came at the cost of bass reproduction, I personally still prefer the XM5s over the XM4s because that clarity really had an improvement, but I did feel missing that warmth that bass, or good bass, provided.

Six categories

In lieu of an audio professional, I had ChatGPT moderate this for me. We chose six categories: vocals and clarity, soundstage and imaging, bass presence and punch, the treble smoothness in air, instrument separation, and genre versatility.

We also picked six tracks, which are some of my personal favorites, as well as some songs that are used by some audio professionals to be able to put headphones to the extreme test, but these tracks were Adele’s “Easy on Me,” Tom Zimmers’ “Time,” Billie Eilish’s “Bad Guy,” Daft Punk’s “Contact,” Radiohead’s “Weird Fishes/Arpeggi,” and The Weeknd’s “Blinding Lights.”

If you’d like to conduct your own test, I’ll add a link to my full article on gadgetmatch.com, where I include my methodology, the track names, time stamps, and as well as what to look for in each track, as well as my whole findings. Let’s just summarize my findings from a full day of listening.

The XM4

I now understand why people love the XM4s. They deliver the most bass out of all the headphones I tested, and that’s partly thanks to their large 40mm drivers, but bass isn’t just about thumps and oof; you also want to be able to hear the nuance of the instruments that create these lower-range sounds.

That’s where the XM4 starts to fall short. It lacks detail and separation. I gave the XM4 an average of 3 out of 5, or 3.

The XM5

Sony improved on that with the XM5, while reducing the driver’s size to 30mm did take away from some of that warmth and bass presence. I found the tuning to be more refined. If you’re someone who likes to listen to different genres and prefers a more valid sound, then you’ll definitely prefer the XM5s, thanks to its cleaner, more versatile sound, but it still feels like a more transitional step. The XM5 scored an average of 3.66.

The XM6

Then came the XM6, and right off the bat, I gotta say I was thoroughly impressed. Even with the same 30mm driver size, the new driver design and tuning changes made a huge difference across the board.

You’ll get a more balanced frequency range, strong separation, and excellent clarity. Vocals and instruments, they both stand out on their own. At the highest, it feels airy.

The bass has warmth, and more importantly, nothing gets muddy. And with more complex tracks like Radiohead’s “Weird Fishes,” the XM6 didn’t just hold its ground; it let each instrument breathe. That kind of layering is something you’d usually associate with wired, more open headphones. The XM6 earned my highest score overall: 4.25 out of 5.

Versus other brands

Okay, now that we’ve done the all-Sony comparison, how does it then compare to the Bose QC Ultra and the Apple AirPods Max?

Bose QC Ultra

The Bose QC Ultra lives up to its reputation for clean, neutral sound, but what surprised me the most about these is something I thought of as an intangible, a visceral reaction to the music that I was listening to while wearing these. But, for example, listening to “Blinding Lights,” this was the headphone that made me want to close my eyes and dance.

It wasn’t always the most detailed. Separation wasn’t as sharp, and sometimes, compared to the XM6, it was a little bit too polite, but it was often the most musical. The energy I felt listening to these was unmatched. Still, it was incredibly strong, overall scoring 4.16 out of 5.

AirPods Max

Finally, the AirPods Max were also a standout.

Apple’s tuning is excellent, and the fact that these headphones haven’t been updated in many years makes it even more impressive. Everything sounds great out of the box, with studio-like balance and clarity, but what truly sets them apart is Apple’s Spatial Audio on Dolby Atmos, and even when you’re listening to regular stereo content, Apple uses AI to create spatialized stereo and personalized Spatial Audio. With these enabled, it genuinely feels like you’re in the same room as the artist. The experience is immersive.

It’s dimensional and unlike anything else in this lineup. On the XM6, Sony actually does something similar. They call it Spatial Up-Mixing, and it’s available in Cinema Mode, regardless of what kind of content you’re listening to, but in my tests, it doesn’t seem to reach the same level as the AirPods Max, and it often comes at the expense of clarity. My only real critique of the AirPods Max is at times they lacked a bit of energy.

But despite that, they were my second-highest score at 4.21 out of 5, just a hair behind the XM6. And just to reiterate, all of these scores just refer to audio.

Battery endurance

Sony is promising the same 30 hours of noise-canceling on the XM6s, and on the XM5s, about 40 hours with NC turned off. In my test, that’s almost about a week of listening. I had these fully charged last Friday, and I’ve been using them all weekend.

It’s now Tuesday, and I believe I have about 80% still left in the tank. Like I mentioned earlier, new is the ability to continue listening to music while plugged in, so basically you can charge and listen at the same time. The XM6 supports fast charging, and a 3-minute charge will give you about 3 hours of listening.

Sound Connected

To dive into all the features and settings of the XM6, you’ll need Sony’s Sound Connect app, available for both iOS and Android. From here, you’ll be able to switch between ambient and noise-canceling modes, listening modes, dive into custom equalizer controls, among other device settings.

And this is where you’ll be able to find adaptive sound control, which can automatically handle switching between modes for you based on what it senses. While you compare the XM6 to multiple devices, it can keep track of two devices so that you don’t have to manually connect and disconnect from them at the same time. Say you’re listening to music on your iPhone? You can also have them connected to your MacBook Pro at the same time.

Pricing and availability

The Sony XM6 is available for pre-order starting today, May 15th, and will retail for just under $450 in the US and $600 in Canada. And for the best deals, make sure to check our links down below. $450 is a $50 increase from its predecessor, but Sony says they intend on keeping both the XM4 and XM5 around. And I was just at Best Buy the other day and have confirmed both are still on shelves. They currently retail for $650 respectively.

Is the Sony WH-1000XM6 your GadgetMatch?

So is the Sony WH-1000XM6 your GadgetMatch? Whether you’re looking for solid noise cancellation or headphones that can produce dynamic, well-balanced audio, you currently can’t get any better than the Sony XM6. They’re comfortable to use, take up less space in a bag, and do everything we expect them to do, right, and do it better.

It deserves a kind of ‘magic seat’ of approval. I guess the only consideration would be price. It is a little bit pricier compared to its competitors, but seeing how the Bose QC Ultras came down in price for a little bit, these might go down in a little bit, so you might want to wait. But if you’re looking for the best of the best, I definitely believe it’s worth it.

And that was our review of the Sony WH-1000XM6—still a mouthful, still a great vibe

Accessories

OBSBOT launches AI-powered 4K Tiny 3 series webcams

Professional-grade audiovisual features in compact bodies

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OBSBOT has announced the global launch of two new AI-powered 4K webcams: the Tiny 3 and Tiny 3 Lite.

Designed for content creators, streamers, podcasters, remote professionals, educators, and more, the Tiny 3 series sets a new benchmark for professional webcams.

The products combine studio-grade spatial audio, flagship-level imaging, and industry-leading AI intelligence.

The two variants also come in ultra-compact aluminum-alloy bodies while delivering premium sight and sound.

Both the Tiny 3 and Tiny 3 Lite feature industry-leading triple silicon MEMS microphone array. This system combines one omnidirectional and two directional microphones powered by Sisonic MEMS technology.

The architecture is commonly found in premium TWS earbuds and professional audio equipment. Such technology enables:

  • ultra-low distortion up to 130 dB SPL
  • exceptional 69dB signal-to-noise ratio
  • full spectrum 50Hz-20kHz frequency response
  • consistent unit-to-unit studio quality

This way, users can expect immersive sound that rivals dedicated microphones without the need to buy an extra product.

In addition, the Tiny 3 series features five dedicated audio profiles so users can tailor fit the webcams for various needs:

  • Pure Audio Mode — zero processing, studio-grade capture
  • Spatial Audio Mode — enhanced left-right stereo separation for vlogs, storytelling with soundscape
  • Smart Omni Mode — AI-powered 360-degree pickup with balanced vocals, ambient sound
  • Directional Mode — focuses on voice in front while cutting surrounding noise
  • Dual-Directional Mode — clear audio capture from front and rear while rejecting side noise

Moreover, the Tiny 3 series comes with Voice Locator. This feature lets the product find users, smoothly rotating the gimbal and tracking them automatically.

They can also leverage voice commands or the OBSBOT Vox SE wireless lavalier for cable-free audio.

Flagship imaging

Picture wise, the Tiny 3 features 4K@30fps video and up to 120fps high-frame rate capture. The system also uses advanced DCG HDR for balanced highlights and shadows, as well as ultra-fast dual all-pixel PDAF autofocus.

And powered by OBSBOT’s AI algorithms, the series introduces AI Tracking 2.0. Key capabilities include:

  • accurate tracking of subjects like individuals, groups, hands, objects, and more via Only Me mode
  • auto zoom, customizable composition lines, Face Framing
  • Voice Tracking
  • Multiple AI modes, including dedicated Desk Mode, Whiteboard Mode
  • Intuitive gesture and voice controls

For further control, users can use the OBSBOT Center and OBSBOT live for creative controls. These cover exposure and gamma curve adjustments, manual white balance tuning, and more.

Furthermore, the Tiny 3 products support remote interaction and VR features powered by the OBSBOT Toolkit.

They also integrate effortlessly with the OBSBOT ecosystem for livestreams, gaming handheld capabilities, and more.

Price, availability

The Tiny 3 starts at US$ 349 while the Tiny 3 Lite starts at US$ 199. The Vox SE, meanwhile, retails for US$ 59.

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Accessories

Soundtrack for the city: HIDDEN.NY x AIAIAI TMA-2 headphones

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Living in a big city like New York makes you want to have music on a lot: on the subway, walking between meetings, sitting in a café with your laptop, zoning out on a long walk home, or romanticizing the smallest things. Headphones have become an essential part of my life.

That’s why the HIDDEN.NY x AIAIAI collaboration makes sense. The TMA-2 HIDDEN Edition headphones are reminiscent of early-2000s tech. It’s nostalgic but with New York City character, at least the kind that I encounter and not the one you see in movies.

If you follow either brand, the partnership feels natural. HIDDEN.NY started as an Instagram mood board and grew into a full lifestyle platform rooted in street culture and design. AIAIAI is a Danish company that’s long been part of music culture, known for modular gear that artists use.

The first thing you notice is the colorway. The transparent design with green highlights is subtle. It’s not loud but still stands out.

You can see the structure of the headphones, which makes them feel more like an accessory than just another piece of black plastic tech. Bonus points that they are a conversation starter, too.

In daily use, the headphones are easy to live with. They are light and comfortable, which is important when you’re wearing them for long stretches. They don’t clamp too hard nor do they feel bulky.

Sound-wise, they’re clean and balanced. While it doesn’t have active noise cancellation, it works well for all the ways people actually listen in a big city. I like that you don’t have to think about the sound much.

It’s just good in a way that doesn’t get in your way, whatever mood I’m in wherever I am in the city, these headphones are great company.

AIAIAI’s modular approach also means these aren’t built to be tossed when something wears out. The speaker, headband, earpads, and cable are all replaceable.

So much of the tech we use should grow with us, even if they get outdated. So AIAIAI builds systems that can be upgraded over time. That’s part of why artists and DJs use them.

Especially because it’s a collectible, it feels like a piece you’ll want to keep. As someone who uses his prized possessions for a really long time, I love this about these headphones.

In a city where everything moves fast and feels temporary, it’s nice to have gear that doesn’t feel disposable.

The campaign, shot by photographer Gunner Stahl, probably looks familiar if you’re attuned to hiphop culture. What sets his work apart is his portraits feel more raw and relaxed instead of posed and polished. It aligns with HIDDEN.NY’s aesthetic, the kind of everyday style that feels genuine.

At the end of the day, the HIDDEN.NY x AIAIAI TMA-2 Bluetooth headphones make sense for people who live in cities like New York, where music is part of how you move, work, and think.

They sound good, they look interesting and different. They fit into real life without trying too hard.

The TMA-2 Hidden Edition headphones retail for US$220 and is available on aiaiai.audio.

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Accessories

G-DRAGON is CASETiFY’s first ever Global Brand Ambassador

Right on time with the brand’s 15th-year milestone

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Graphics by Vincenz Lee | GadgetMatch

One of K-Pop’s most iconic soloists of all time has finally partnered up with the globally-renowned case maker.

And this isn’t like any other CASETiFY’s K-Pop Collab, this is much grander than that.

i-naugural Brand iCON

You heard that right! CASETiFY reveals their first ever Global Brand Ambassador.

Amassing 25 million Instagram followers, over 1.2 Billion YouTube views, and hitting almost 4 Million Spotify listeners, G-DRAGON has truly marked his footprint as the “King of K-Pop” — more than just being the iconic member of the global hit group BIGBANG.

His long overdue comeback (and world tour) with Übermensch’ last 2025 further proves how massive the VIP (and FAM) community is.

That said, GD’s influence isn’t limited to the music industry alone. Art and fashion have also witnessed his legendary artistry through his PEACEMINUSONE label. That pretty daisy with a fallen petal is the brand’s most iconic emblem you can see around.

The introduction of his fashion line was connected to music as well. It was introduced way back in 2013 during his ‘COUP D’ETAT’ solo promotions which was a true hit. It was totally evident in the album art’s peace symbol minus that one line.

Wesley Ng, CASETiFY’s CEO and Co-Founder (who’s also fashion-savvy), said that “welcoming G-DRAGON as the brand’s first Global iCON is a powerful statement.” This will not only amplify the reach of the already-popular case maker, it will also influence the brand’s creative direction.

After all, one’s artistic expression can be seen easily with the cases we rock out and about.

i-conic CHROMATIC

In line with this milestone also lies a new collection of cases and accessories.

The all-new CHROMATIC Collection is built around two concepts: FORMS & HUES. First, the CHROMATIC: FORMS set is headlined by the premium-made Alloy Ripple Case with an upgraded aluminum material.

Graphics by Vincenz Lee | GadgetMatch

Speaking of aluminum, the accompanying accessories are all metallic — from the 2-in-1 cross-body chain to custom cube charms for bespoke personalization.

Graphics by Vincenz Lee | GadgetMatch

Meanwhile, the CHROMATIC: HUES adds five new vibrant shades to CASETiFY’s ever-popular Ripple Collection through the Neon Ripple Case. These bold range of colors not only embody users’ creativity and self-expression, it also showcases an individual’s overall aesthetics.

Graphics by Vincenz Lee | GadgetMatch

While this isn’t the PEACEMINUSONE collab some of us have initially thought, crossing fingers that will be the next official CASETiFY collab in line.

Pricing and Availability

The brand new CHROMATIC COLLECTION is expected to hit shelves real soon with prices ranging between US$ 10 to US$ 85,

They will be available for purchase on CASETiFY.com and in select CASETiFY Studio retail stores around the world starting on January 26 (Monday).

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