Concerts are unfair camera tests — wild lighting, fast movement, and zero second chances. So when I brought the HONOR Magic8 Pro to TWICE’s THIS IS FOR concert in Bangkok, I wanted to see if HONOR’s Stage Mode could actually handle it.

Everything here was shot using Stage Mode at 4K 30fps.

This wasn’t lab testing. This was real-world, heart-racing, shaky-hands shooting.

Where I was seated and why zoom mattered

 

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The concert used a 360-degree stage. I was lucky enough to sit close to one of the extended stages, which meant I was often shooting between 3.7x to 10x zoom.

For the main stage, I mostly relied on 15x zoom.

That’s where a phone either wins your trust… or completely falls apart.

Surprisingly stable, even with shaky hands and excitement

Let’s start with what impressed me most — stability.

I’m naturally shaky, and TWICE being right in front of me did not help. I was vibrating out of excitement most of the night. Even then, Stage Mode stabilization held things together beautifully.

 

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Shots stayed usable. Footage stayed watchable.
Even when I wasn’t being my most careful self.

This gave me confidence to keep shooting instead of worrying about every tiny hand movement.

Image quality: sometimes magical, sometimes uncertain

Now the honest part.

Stage Mode still needs to mature.

There were moments when footage looked crisp, clean, and genuinely impressive for a smartphone in that environment.

 

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But there were also times where it clearly struggled — particularly with lighting transitions and focus.

 

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Some clips handled spotlights well. Others felt like the processing panicked a little.

It wasn’t bad. It just wasn’t consistent yet.

How it compares to other concert kings

 

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If I were purely relying on zoom to watch the concert through my phone, I’d still recommend the Samsung Galaxy S25 Ultra. It remains the phone I trust most when zoom is mission-critical.

vivo also still leads in Stage Mode execution. The vivo X300 Ultra’s Stage Mode feels more refined and reliable at this point.

HONOR isn’t there yet.

But it’s also much closer than I expected.

So… would I bring the Magic8 Pro to concerts again?

Yes.

Even with the inconsistencies.
Even knowing there are better Stage Mode implementations out there.

 

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Because the Magic8 Pro still gave me plenty of shots and clips I was genuinely happy with. Stability is excellent. Quality can be great. And for most users, it delivers results worth keeping and sharing.

If I didn’t have a Galaxy S25 Ultra or vivo X300 Ultra with me, I’d still confidently bring the HONOR Magic8 Pro.

Stage Mode isn’t perfect yet.
But it’s promising — and when it works, it really does feel like magic.

 

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SEE ALSO: 

• HONOR Magic8 Pro review
• HONOR Magic8 Pro price and availability 

If this truly marks James Cameron’s farewell to the franchise, then Avatar: Fire and Ash does deliver a gripping finale that caps the saga’s first arc.

Moviegoers are assured of a visual masterpiece that is even better in 3D, to say the least. Story wise, the film ties up loose ends from Way of Water and culminates in a ginormous battle Pandora’s fate. That’s all while leaving the door open for future chapters.

Execution could have been more polished, but the box office blockbuster franchise’s third entry still remains worth the trip.

As a standalone movie, viewers will find it enjoyable without much knowledge of the first two installments.

Decisions, consequences

Avatar: Fire and Ash is set just weeks after the events of Way of Water. And just like the second installment, the conflict begins with a seemingly harmless decision.

Amid their grief, Jake, Neytiri, and the Sullys decide Miles “Spider” Socorro — son of Col. Miles Quaritch — can no longer stay with them.

This leads to them accompanying him aboard a passing flying merchant ship. Along their trip supposedly back to the human scientist camp, the film introduces the Mangkwan.

This isolated Na’vi tribe who reject Eywa is spearheaded by their tsahik, Varang. From the initial look, they seek domination over Pandora. They also happen to reject Eywa, as bared later on, with Varang showcasing control of fire.

Chaos erupts as the Mangkwan attacks the flying merchants, leaving almost everyone dead. The encounter also causes the Sullys to be separated.

While the tribe ravages the hapless merchants, Col. Quaritch and his team remain hellbent on exacting revenge on Jake, as was his central goal from the past film.

In his pursuit of Jake, a three-way conflict pushes the movie to be tense from the get-go. All parties have their goals they need to accomplish. And a radical new threat stands in the way too.

Enemy of the enemy

Quaritch and his right-hand, Cpl. Lyle Wainfleet, only find Jake tied up in the aftermath of the Mangkwan’s attack.

Persuaded by Jake who knows where to find Jake, Quaritch decides to spare his nemesis temporarily.

They set out on a search for the Mangkwan, while the film highlights the tribe’s radical, if not extremist nature. There’s unsettling rituals and Varang’s thirst for power.

This starts to deepen the narrative as now, it’s a matter of ironically joining forces with your foe. And in spite of the vengefulness inside Quaritch, his side as a father to Spider lets him postpone his payback plans.

Jake and Quaritch team up momentarily to save the former’s children. But Quaritch also realizes the potential in forming an unlikely alliance with Varang, which he does.

A incomprehensible power within

After the first hour or so, Avatar: Fire and Ash gradually builds up on Kiri’s mysterious abilities. She was key to the children escaping from the Mangkwan when she commanded the fauna to kill some fighters.

This was also highlighted more when she bonded with the ground to help Spider survive and turn him sort of into half-Na’vi, being able to breath without an oxygen mask.

But her powers are incomprehensible even to herself. She even tries to commune with Eywa, but to no avail. It was clear at this point that the movie intended to set her up as an integral warrior to what was brewing.

Expanding conflict

Back in the RDA lab, corporate greed takes over anew as scientists find out hundreds of Tulkun whales will be gathering for their mating season.

This would bring them billions in profit if they could harvest large volumes of the amrita substance, threatening Pandora’s ecosystem in the process.

The subplot adds to an already complex web of conflicts. Although, Quaritch’s vendetta against Jake still remains the enduring, central thread, sustaining tension throughout the runtime.

Each chapter just provided constant cliffhangers, somehow keeping viewers glued in spite being three hours long. About two hours in, Quaritch and Varang’s alliance (and relationship) and Jake’s surrender evoked trouble across Pandora.

Humanity amidst the struggle

Adding to that long runtime was exploring the Sullys’ human side. Standing out was Neytiri’s extended grief over the loss of Neteyam.

Her anger toward Spider and general hatred for humans from the first film created an ethical dilemma when she wanted Quaritch’s son dead. Ultimately, the couple decided not to kill Spider, showing how humanity prevailed amidst the struggle.

Neytiri’s sorrow was an aspect the filmmakers arguably could have utilized better. Early on, her grieving lingered over and over. It didn’t help that she was injured from the initial Mangkwan attack too.

While it was already heartbreaking to see Neytiri in such a state, it could have been shown better how she channels this into anger and showing the sky people what they’ve done.

Make no mistake, her clever disguise as a Mangkwan member that helped free Jake and Spider was a great touch.

Yes, the was emotional balance from Zoe Saldana’s character to complement action sequences, but a different direction could have pushed it further.

Climactic finish

Eventually and expectedly, Avatar: Fire and Ash finale sprawls into a dramatic battle that involves all parties. Jake assumes the mantle of Toruk Makto once more, and rallies all known Na’vi tribes, knowing what’s at stake.

This was setup aptly given all conflicts were unveiled at different parts of the movie. I’ll give them the cohesion. But still, it should have been presented with more chaos.

For a film that was titled “Fire and Ash”, you would have expected ruins and lots and lots of burning. Perhaps even some volcanic explosions to set up the end of Pandora.

Anyway, the Tulkuns and Na’vi take care of business initially against the profit-blinded RDA ambush. But combined forces of the now heavily-armed Mangkwan and Quaritch turn the odds to the antagonists’ favor.

Casualties were aplenty; the sudden deaths of key allies felt apt with how straightforward they cut through viewers’ chests. Instantly dead if that’s how their fates should be sealed.

By now, most loose ends have been addressed. Kiri has likewise finally connected with Eywa, whom she asks for help.

Similar to Way of Water, family members were once again held hostage inside an RDA ship. Thankfully, Neytiri overpowers Varang, who decides to flee.

Everything boiled down to Quaritch and Jake confronting each other amid the chaos. Spider aids Jake, but his conflicting loyalty culminates in him saving his biological father.

Repetitive?

Visually, the entire final sequence dazzles, with the sheer volume of moving parts making up for an epic scene at part with those in other trilogies. But the length might have caused fatigue too.

At the same time, if you are going with such an exhaustive screen time, might as well incorporate newer elements related to the Mangkwan.

Or Neytiri and Varang could have had their own distinct one-on-one combat to add to what’s going on.

Even better, Neytiri should have led from the get-go for a refreshed take while the Jake-Quaritch conflict remained a lasting subplot.

There were missed opportunities especially in a final battle that once again took place ocean-bound.

Room for more?

In what was the film’s final cliffhanger for more potential installments, Quaritch decides to jump off the floating rock shortly after getting cornered by the Sullys.

It appeared Jake still wanted to say something, or perhaps convince him to redeem himself before it’s too late.

Instead, we can only assume Quaritch has fallen to his death… not unless the suddenly disappeared Varang saved him on a Banshee. Such ambiguity leaves space for possibly more.

The epilogue was poignant; the underwater spirit trees were a nice touch with cameos from past characters welcoming Spider for his full transition to a Na’vi. The same could be said for Neytiri and Ronal warming up to each other after being reluctant towards each other.

Overall, Avatar: Fire and Ash is a visual spectacle that weaves several dilemmas throughout. It’s not that it wasn’t coherent nor cohesive, but missed opportunities held it back.

Though it’s a worthy, if imperfect, finale to Cameron’s first saga.

I’ve always loved the idea of independence and the romance of having a place that was entirely mine.

What I did not anticipate was how exposed I would feel once I was alone with my thoughts and everything I was trying to carry forward after a difficult season.

There was no one else to absorb the discomfort when things felt off. Every decision landed squarely on me, and I had to figure things out while I was moving on after life took a lot from me and gave me multiple heartbreaks.

I moved out because I needed distance from what hurt and I needed room to heal in my own time. But living alone also made me more honest about my needs.

When you come home tired and emotionally spent, there’s no distraction from how your space makes you feel.

That was when it clicked for me that comfort is not indulgent. It’s essential, especially when your body works hard and your mind never fully switches off.

This is how an air conditioner became a bigger decision than I ever thought it would be.

Choosing things that fit my life

In my new place, every item felt like a small commitment. I wasn’t just filling a room; I was building a routine and a home that felt safe enough to rest in.

I wanted things that really worked with me. Practical, yes, but also gentle in the way they existed in the space.

Out of plenty of air conditioning units, choosing the Samsung Compact Window-Type Inverter Air Conditioner, 1.5 HP, immediately felt right.

The size made sense for condo living, especially in a room where I’m constantly aware of how much space I have left.

It fits neatly into the window and stays visually quiet, which I appreciate more than I realized I would.

There’s something comforting about an appliance that doesn’t ask to be noticed. It feels like a calm roommate that shows up, does its job, and never gets in the way.

Instant relief for a worn-out soul

Training days take a lot out of me. There are days when my body feels heavy and my thoughts move slower than usual.

On those days, heat and humidity feel personal, like another thing asking more from me when I have nothing left to give.

What I noticed right away was how quickly the room changes when I turn the air conditioner on. The relief is immediate!

My space becomes breathable and balanced within minutes, and suddenly I’m not fighting the environment while trying to recover.

The airflow reaches the entire unit, which matters more than people think in smaller spaces. The temperature stays consistent through the night, and that consistency has quietly changed how I sleep and how my body recovers.

This unit stays quiet, even on humid nights when I expect it to struggle. There is no disruptive hum and no sudden noise that pulls me out of sleep.

I started getting uninterrupted eight hours of sleep, with my sleep score averaging around 90.

That kind of rest felt healing in ways I didn’t know I needed.

When you start thinking long-term

Living alone also means facing your monthly bills without sharing the responsibility.

It changes how you think about energy use very quickly, especially when you are trying to rebuild your life with intention.

The inverter technology helps keep electricity consumption consistent, which gives me peace of mind over time. I rely heavily on the timer feature, especially on days when my schedule revolves around training and recovery.

I like knowing I can come home to a cool space without leaving the unit running unnecessarily. It feels thoughtful, and I have learned that thoughtful appliances make solo living feel far less overwhelming.

They remove small worries before they grow into bigger ones.

Making a place feel like home

What I love most is how this air conditioner supports the routine I’m slowly building for myself.

On recovery days, it keeps the room comfortable enough for my body to reset properly. On some evenings, it helps the space feel settled, making it easier to disconnect and just be with myself.

In a season where I am learning how to heal, that sense of calm feels grounding. Living alone has taught me to pay attention to how my environment affects my energy.

When your space supports you, everything feels more manageable. The Samsung Compact Window-Type Inverter Air Conditioner has become part of that support system.

It no longer feels like an appliance. It feels like one of those quiet decisions that made this new chapter easier than I expected.

For anyone living solo and trying to build a home that feels calm, functional, and genuinely supportive, the Samsung Compact Window-Type Inverter Air Conditioner 1.5 HP fits naturally into that story.

It brings ease into everyday routines and helps turn a new space into something that finally feels like home.

Moving Out, Moving In is a Match Home series that features hands-on stories and reviews of appliances and home technology that support everyday living, comfort, and the process of settling into a new space.