Cameras

EOS 5D Mark IV is Canon’s first DSLR with 4K and HDR recording [Updated]

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It’s been a long four years since the Canon EOS 5D Mark III was released in 2012. 4K video recording has become more mainstream, HDR videos are slowly becoming a thing, and wireless photo transfers from cameras don’t blow minds anymore. Canon’s latest entry in the EOS 5D lineup has all these features and more, and it once again costs a pretty penny.

The aptly named Canon EOS 5D Mark IV is the fourth of its kind, catering to professionals who need more features than the EOS 6D, but less power (and a lower price) than the flagship EOS-1D X Mark II. However, that doesn’t mean the 5D Mark IV isn’t a needle mover; in fact, it’s the first DSLR of Canon to come equipped with 4K and HDR video recording, as well as the first in the 5D series to have several wireless connectivity options (Wi-Fi, NFC, and GPS) and a touchscreen display.

Canon EOS 5D Mark IV - Sensor

It’s only fitting for the 5D Mark IV to be the first to own these features for Canon. The 5D Mark II, after all, was the first ever Canon DSLR that could shoot videos. The eight-year-old camera provided amateur videographers access to the world of interchangeable lenses and professional quality footage. It’s now the fourth iteration’s turn to advance the quality of DSLR videography.

Every other specification is a step up from predecessors. 5D Mark IV users will be treated to a full-frame 30.4-megapixel Dual Pixel CMOS sensor, native ISO sensitivity reaching 32,000, and a 61-point autofocus system carried over from the higher-end 1D X Mark II.

Canon EOS 5D Mark IV - Back

Canon EOS 5D Mark IV - Top

As implied earlier, this shooter is going to cost you a small fortune. The suggested retail price currently stands at $3,499 for the body alone, and bundles with a 24-70mm f/4L IS lens or 24-105mm f/4L IS II USM lens cost $4,399 and $4,599, respectively. You can nab a kit as early as the first half of September.

Update: Canon’s EOS 5D Mark IV DSLR will officially cost PhP 170,998 (body only), PhP 206,998 (with 24-70mm lens), or PhP 213,998 (with 24-105mm lens) in the Philippines.

[irp posts=”2391″ name=”Canon’s new EOS-M camera lens has integrated ring flash”]

Source: Digital Photography Review

Cameras

Kodak Charmera gets seven Y2K-inspired designs

It’s the perfect way to soothe your inner 90s child.

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A Kodak Charmera is the latest camera fad to hit social media by storm. The tiny camera is now a must-have for anyone collecting memories. Of course, the appeal is the nostalgia of using an old point-and-shoot. If that’s why you have one of these cameras, the Charmera has a new Millennium Edition, which amplifies the nostalgia factor with seven Y2K-inspired designs.

The original Charmera is a product of 80s technology. Though it can capture photos at a resolution of 1440 x 1080, it’s still delightfully lo-fi. Photos are grainy and don’t really look great, but that’s just the charm of the camera. It’s reminiscent of those times when you can simply turn on a point-and-shoot and capture a moment quickly without thinking about composition or contrast.

The new Millennium Edition, which launches today, adds seven new designs to the Charmera. Unlike the more traditional designs of the initial release, the new release typifies the aesthetics of the 90s to the early 00s: bold colors, metallic finishes, and chrome. All of these are represented in two or three options of the Millennium Edition.

It’s just a design update, though. Other than how it looks, the Millennium Edition is identical to the original camera. Still, if you’re a huge fan of the early 00s aesthetic, these seven designs might be a must-have as well.

SEE ALSO: Kodak’s “Charmera” is your latest bag charm that can shoot actual photos

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Cameras

DJI sues Insta360 over Luna camera patents

Patent battle begins.

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File Photo: DJI Osmo Pocket

Chinese camera maker DJI has filed patent infringement lawsuits against rival company Insta360, escalating competition in the growing market for pocket-sized gimbal cameras.

The lawsuits target Insta360’s newly launched Luna camera lineup, including the Luna Ultra. DJI claims the products infringe on both design and utility patents associated with its Osmo Pocket series.

According to reports, DJI filed two separate lawsuits in the U.S. District Court for the Eastern District of Texas. The first focuses on design patents, while the second alleges infringement of four utility patents related to camera tracking and gimbal control technologies.

DJI claims Luna copies Osmo Pocket technology

DJI argues that Insta360’s Luna cameras closely resemble the design and functionality of the Osmo Pocket line. The company alleges that protected elements include the handheld form factor, rotating display, control layout, and several subject-tracking features.

The company is reportedly seeking damages and a permanent injunction that could block the sale of the Luna cameras in the United States if the court rules in its favor.

Insta360 responds with countersuits

Insta360 has rejected DJI’s allegations and says the Luna platform is the result of years of independent research and development. The company has also filed countersuits against DJI, alleging infringement of five patents related to stabilization and gimbal technologies.

According to Insta360, the patents cited in its countersuits cover technologies used across several DJI product lines, including the Osmo Pocket, Ronin, Osmo Mobile, and Osmo 360 series.

What happens next?

Patent disputes of this scale often take years to resolve. For now, both companies continue to sell their products while the legal process moves forward. Industry observers expect the case to focus on whether the technologies and designs used in the Luna cameras are sufficiently distinct from DJI’s existing patents.

The legal battle comes at a time when both DJI and Insta360 are expanding beyond their traditional product categories and competing more directly in the creator camera market.

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Cameras

What HYROX Hong Kong looks like up close

Photographed on the Canon EOS R6 Mark III.

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HYROX drew people from all over the world for a single purpose: finish the course. In Hong Kong, athletes showed up at AsiaWorld-Expo ready to run, row, and push through 8 stations of pure functional fitness.

So, we brought the Canon EOS R6 Mark III to capture one of the most demanding fitness races on the planet.

The Expo floor is a lighting nightmare, a mix of harsh overheads and deep shadows, but the 32.5MP sensor handled the contrast without breaking a sweat.

The 40fps electronic shutter and Pre-continuous shooting meant we were already capturing the moment half a second before we consciously decided to press the shutter.

Covering a race means staying mobile, and the 8.5-stop IBIS let us move freely alongside athletes without losing the shot. The Dual Pixel CMOS AF II stayed locked on athletes even when they were squinting through the final stretch.

What came out were stories of triumph and determination. Even when their bodies were screaming, they pushed through anyway.

This is what HYROX Hong Kong looked like from the inside.


Words by MJ Jucutan. Photos by Sky Rodillas.

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