It was not too long ago when Canon Philippines announced EOS RP, their second full-frame mirrorless camera at a cheaper price. This time, Canon unveiled not just one, but two cameras — the Canon EOS 90D, successor to the EOS 80D from three years ago, and the EOS M6 Mark II, successor to 2017’s EOS M6.
Don’t confuse yourself
If you are confused with Canon’s camera lineup, here’s how you can differentiate them easily: Four and three-digit Canon DSLRs are for starters. Two-digit units are prosumer APS-C cameras, while one-digit models (except 6D and 7D) are full-frame DSLRs for professionals. 6D and 7D are for professionals too, just with cropped APS-C sensors.
Meanwhile, the M and R-series are Canon’s mirrorless line. In a nutshell, the M-series are shipped with APS-C sensors while the latter are equipped with full-frame sensors.
The Canon EOS 90D and M6 Mark II live up to their midrange powerhouse title by bringing significant upgrades over their predecessors. They both feature a larger 32.5-megapixel APS-C sensor (versus 24.2-megapixel sensor) with a newer DIGIC 8 processor.
Another major upgrade is the ability to capture 4K UHD videos. The previous models can only shoot Full HD videos in certain frame rates. The new models can also now shoot in Full HD 120p for slow-motion and/or smoother videos.
Canon has also thought of shooting better in lowlight scenarios. The lowest intensity limit can be lowered down to EV -5, which allows sharper and vivid photographs even in dark scenarios. ISO sensitivity also goes up to 25,600 in stills and 12,800 in videos.
As said earlier, they can both shoot 4K videos, but here’s the catch: The EOS 90D can shoot in 30p or 25p, either cropped or uncropped. The M6 Mark II is limited to 30p with no cropped option in tow.
Canon also highlights faster focus and continuous shooting speeds with these cameras. You can shoot as fast as 1/16000 sec for both cameras via electronic shutter, but only 1/4000 sec in mechanical shutter in M6 Mark II, unlike 90D’s 1/8000 sec.
The 90D has up to 10fps in viewfinder shooting (either fixed AF or AF tracking), 11fps during Live View shooting (but with fixed AF) and 7fps during Live View plus AF tracking. On he M6 Mark II, you can shoot up to 14fps, plus up to 30fps in RAW burst shooting.
Hardware-wise, the EOS 90D brings another multi-controller joystick along with the existing multi-controller to provide better tactile when it comes to selecting points when focusing a subject on screen. The M6 Mark II only relies on touch controls, plus a touch and drag function as well.
Although there is no significant difference with the equipped 3-inch Vari-angle touch LCD monitors, the EOS 90D has a Zero Lag optical viewfinder, while the M6 Mark II has none. You can buy an optional viewfinder separately, just like in the previous M6. The Eye AF (autofocus) also works both on the viewfinder and Live View with the 90D.
Major difference goes to lens choices. You can choose a wide variety of EF-S lenses for the 90D, just like what any other two-digit models can have. The M6 Mark II relies on EF-M lenses, something you can only use for Canon’s mirrorless mount. The EOS R and RP relies on newer RF lenses, while the professional DSLRs are stuck with EF lenses.
What should you get?
These cameras are not built for the same market. The EOS 90D goes for prosumers who would love to take their camera in action. The 90D is built not just for speed, but also for durability. Its dust and drip proofing make this camera a triumphant in build quality.
On the other hand, the EOS M6 Mark II is particularly for consumers who would love to get most of the newest camera features without compromising size and heft. It’s a versatile camera in a more stylish and compact form.
Pricing and availability
Both cameras will be available across all authorized Canon Dealers nationwide starting on October 10. The Canon EOS 90D retails for:
- PhP 74,498 (body only)
- PhP 81,998 (with 18-55mm IS STM lens); and
- PhP 94,498 (with 18-135mm IS USM lens)
While the EOS M6 Mark II pricing is as follows:
- PhP 56,998 (body only)
- PhP 62,998 (with 15-45mm kit lens); and
- PhP 81,998 (with 18-150mm kit lens)
Promos will also apply to early buyers from October 4th until the 31st:
- A free TIMEX Marathon Watch
- PhP 4,000 discount on EVF-DC2 viewfinder (SRP PhP 11,998) for M6 Mark II buyers
- PhP 1,000-worth Canon Red App points; and
- Free pass to Canon PhotoMarathon 2019
Registering through Canon’s Red App will not only give you these promos, but also incentives such as 2-year extended warranty, unlimited CMOS cleaning for one year, free trial of lenses up to 3x, earn points to claim gifts and vouchers, and the ability to join and avail Canon-exclusive programs in the Philippines.
The Polaroid Go is the smallest analog instant camera in the world
With this camera, the sky’s the limit and not the size
Polaroid has a new, cute camera and we want it. There, I said it.
Polaroid Go is the newest, tiniest member of the Polaroid family. Dubbed as the smallest analog instant camera in the world, it only measures 4.1-inches long, 3.3-inches wide, and 2.4-inches tall. What an exciting change to Polaroid’s decade-old form factor, right?
Designed as a creative companion, the Polaroid Go sports a portable, wearable look and feel. The newest camera is available in a classic white colorway, following Polaroid’s iconic design retained in a new format apt for the new generation.
The Polaroid Go, despite its tiny size, packs mighty features. This includes a newly-developed selfie mirror, self-timer, longer-lasting battery, dynamic flash, double exposure, and travel-friendly accessories.
There’s also a Go film that reimagines Polaroid’s classic square format, to suit the newest and smallest analog instant camera.
Price and availability
Polaroid Go retails for US$ 100 while the Polaroid Go Film Double Pack costs US$ 20. The Polaroid Go will be available for purchase on April 27 at polaroid.com/go.
Fujifilm’s retro-style Instax Mini 40 comes with Selfie Mode
And a new instant film sheet!
Fujifilm decks out its newest, classic-looking instant camera, the instax mini 40. Amplifying its retro style, the instant camera comes with a high-quality texture cover adorned with premium silver accents.
Additionally, its small figure lets you fit it into a pouch, a fanny pack, or a small bag. On another note, it has an uncanny resemblance to the instax Mini 90 Neo Classic, albeit packed with modern features.
The instax Mini 40 hosts a plethora of features that instant-camera lovers will adore. There’s an automatic exposure function that casually adjusts the camera’s shutter speed and flashes, depending on the surrounding brightness.
There’s also a selfie mode, making it easier to take solo and group photos. All you have to do is press the power button to extend the lens, then pull out the lens to switch to Selfie Mode, with a “Selfie On” mark to signify that the camera is ready to take your selfie. Lastly, don’t forget to check your framing using the mirror.
The Fujifilm instax Mini 40 has a suggested retail price of US$ 100.
Furthermore, Fujifilm introduces Contact Sheet — a mini-format instax film featuring orange text printed over a black frame. This design simulates the contact sheet — through bromide sheets — of the past used in films that let you check individual images.
The Instax Mini Contact Sheet instant film will retail for US$ 15. It will be globally released on April 21, 2021, alongside the Fujifilm instax Mini 40.
Razer’s new webcam: the Kiyo Pro
For work and play
With Razer showing off their dedication to workers and gamers staying safe and indoors, they’ve announced the new Razer Kiyo Pro.
The Kiyo Pro is a USB camera with a high-performance Adaptive Light Sensor to deliver sharp video quality even in low-light conditions. Combined with an ultra-sensitive Type 1/2.8 CMOS sensor with STARVIS technology, the Kiyo Pro boasts professional-level image quality to video conferencing and streaming.
In this day and age, it’s no surprise that Razer is bringing new webcams especially with work-from-home and new digital communications. Working from home has really become an integral part of professional life today.
However, sometimes built-in laptop cameras lack the resolution and framerates for professional-looking conference calls or streams. They often struggle to cope with low-light and deliver blurry images and that’s where the Kiyo Pro comes in.
The Kiyo Pro is capable of uncompressed full HD 1080p 60FPS. Razer says this will not only ramp up dynamic range but also, correct under- or overexposed areas on the fly, eliminating silhouetting if the subject is lit from behind.
Making sure it’s ideal for video conferencing or streaming, the wide-angle lens on the Kiyo Pro gives you a choice of three fields of view: 103°, 90° or 80°. The 103° view lets everyone fit in a group video call or allow streamers viewers to show off their set up. But, if you’re just looking for a perfect headshot view for meetings or streams, the 80° view will suffice.
The Kiyo Pro has a range of extra features with flexible mounting options to perfectly set it up. And, its omnidirectional stereo microphone array ensures your voice is properly picked up wherever you’ve mounted it. A separate cover is included to protect the lens and assure your privacy when not in use.
Razer Kiyo Pro Specs:
- Connection type: USB3.0
- Image resolution: 2.1 Megapixels
- Video Resolution: 1080p @ 60/30/24FPS / 720p @ 60FPS / 480p @ 30FPS / 360p @ 30FPS
- Video encoding: H.264 codec
- Still Image Resolution: 1920×1080
- Image Quality Settings Customization: Yes
- Diagonal Field of View (FOV): 103°, 90°, 80°
- Focus Type: Auto
- Mounting Options: L-shape joint and Tripod (Not included)
- Cable Length: 1.5 meters braided cable
- Channels: Stereo
- Audio Codec: 16bit 48KHz
- Polar patterns: Omni-directional
- Sensitivity: -38dB
- PC with a free USB port
- Windows® 8 (or higher)
- Internet connection
- 500 MB of free hard disk space
- Compatible with Open Broadcaster Software and Xsplit
The Razer Kiyo Pro is already available on Razer’s website with the price tag of USD$199.99 or EUR€ 209.99
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