Cameras

On the other side of the race course

What is it like to be a race photographer?

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I’ve always wondered what being on the other side of the race course is like. As an athlete competing in endurance races, I would get giddy whenever I heard the shutter clicking as I ran.

Stumbling upon a sports photographer on the race course gives me enough boost whenever my legs are tired from running. I always imagine what my photos would look like after it gets published.

Would I look exhausted? Is it going to be an epic action shot? The possibilities are endless.

I haven’t covered sports and events in a while, since I’ve been a product photographer for over half a decade. I try to shoot during community workouts at Bridgetowne Obstacle Park, ensuring my skills don’t get rusty.

After my Elite race at Spartan Stadion, I applied to be a photographer for Spartan Race Philippines. I’ve been wanting to satiate my curiosity on what is it like to become a race photographer. A month later, I got accepted and I didn’t realize my life would turn around after that opportunity.

Going back to my first love

When I got accepted by Spartan Race Philippines’ media team, I felt puzzled that everyone was using Canon for their gear and equipment. This prompted me to reach out to Canon Philippines, having them lend me the Canon EOS R8 along with a telephoto lens (RF 70-200mm) and a wide lens (RF 15-30mm).

I’ve been using a mirrorless Sony camera for almost a decade, but my first love was a Canon DSLR. It helped me ace my photography class back in my uni days and paved the road for my current career.

Going back to Canon coincided with the desire to go back to my roots. I’ve been yearning to cover sports and events, and I finally got the opportunity to do it again.

My familiarity with Canon helped in navigating the camera. It’s like going back to an ex-lover where too much time has passed and you just got a chance to see each other again. But this time, you’re both better.

Alexa, play “Maybe This Time” by Michael Murphy.

Time to gear up

My first assignment was the biggest Spartan Trail event for the year. Dubbed the Trailfecta Weekend, Spartan Race Philippines hosted three races in one weekend: 50 km, 21 km, and 10 km.

The event was mounted in the mountains of Bacnotan, La Union — a 30-minute drive from the San Juan, La Union which is also known as the Surfing Capital of the North.

During our orientation, we were briefed that celebrities and high-profile individuals would also grace and partake in the competition.

To make sure I wouldn’t miss out on any shots, I brought out two more SD cards and four more battery packs. I was nervous yet excited at the same time to be part of the race I used to compete in.

Under the hellish heat

On the first day, I was deployed at the 42nd mark of the 50-kilometer trail. I was the last photographer before the participants reached the finish line.

The media team used a buddy system but I insisted on moving further to find an enthralling background for the subjects I’ll be taking photographs with.

I ended up sitting at the 43rd-kilometer mark. Nevertheless, I found a good spot. I was sitting in a corner side of a paved road, snuggled under an umbrella while braving the hellish heat. I brought the Canon EOS R8 and the RF 70-200mm to capture every racer from a distance.

My goal at that time was to make sure I took the best shot of every athlete passing through me. Being situated at the near-end part of the race course meant athletes wouldn’t be crowded and I’d get a single shot of everyone.

Thankfully, it turned out excellent even if I was burnt from the scorching heat of the sun. Here are some of the best photos.

Elizabeth Dangadang

Andy Borras

Roy Dela Fuente

Aries Atienza

Keziah Loreto

Simon Adriano

In slopes

After the 50-kilometer race, we went back to our hostel to rest, recover, and prepare ourselves for the second day. The 21-kilometer and 10-kilometer races were more grueling than the 50-kilometer due to the sheer volume of racers attending.

An estimated 300 racers attempted the 21-kilometer race while around 600 racers ran through the 10-kilometer trail.

I was deployed early in the morning for the 21-kilometer race. My co-photographer Rox and I rode and stood at a pick-up truck, anxiously wanting to find a spot early.

One of the Philippines’ best trail runners was competing and we knew right away he’d be the first person to cross the finish line.

Deployed at the 10th-kilometer mark, we still went down on a slope to find a good spot. Our exploration at around the 9-kilometer mark was halted when we saw Randolf Gonzales, Merrell’s Ambassador, and the country’s elite trail runner, running easily on an uphill. Behind him were athletes from the Philippine Military Academy (PMA).

We had no choice but to stop and position ourselves as the athletes passed through us. Right then and there, we decided to station on the slope since the racers were coming.

Here are some of the photos I took on the half-marathon race.

Randolf Gonzales

Melissa Campos

Imman Villapando

Rufino Herrera

Jara Pallana

Ceddrick Moreno

Joj Agpangan

Up to shoot for more

The cut-off time for the half-marathon was too early, based on my experience. At 8 in the morning, we were asked to come back to the aid station. Seeing that it was still early in the day, we asked to be deployed for the 10-kilometer race.

We arrived at the last aid station around the 9-kilometer mark. Around twenty minutes later, the podium contenders for the 10-kilometer race were running on the trail we were stationed on.

I was positioned in the bush to sneakily take their photos. Some were surprised after passing through me. In this race, I felt being toasted by the sun. I was wearing my Straw Hat from Netflix’s One Piece, but it wasn’t enough to cool my head while on the trail.

Nevertheless, here are some of the photos from the 10-kilometer race.

Fjay Awa

Wellington “Beef” Co

Christian Tiu

Tinoy Borromeo

Jaco Benin

At the Workout Tour

Two weeks later after the race in Bacnotan, La Union, I also got an assignment to shoot for the second leg of the Spartan Workout Tour. It happened in Arca South in Taguig City, after the Spartan Kids race in the morning.

Though it was only a half-day event, the weather was erratic and bizarre, I almost feared for my gear. It was insanely, scorching hot, and then a heavy downpour came in during the start of the program. After half an hour, it stopped raining and it was insanely hot again. I had to use an umbrella to cover the Canon EOS R8 and the RF 15-30mm from the weather.

I forgot to use the telephoto lens since I used the RF 15-30mm to take photos of the Next-Gen Ford Ranger Wildtrak 4×4 at Poro Point in La Union, prior to the race. Luckily, the race course inside Arca South was cramped, and opting for the wide lens was more appropriate for the setting.

I stationed myself in the obstacles that would be best captured wide: Beater, Monkey Bars, Multi-Rig, and Rope Climb.

The Spartan Workout Tour photos I took are as follows:

Welcome back, my first love

Being a race photographer brought me back to my roots. I remember how I loved being the one behind the cameras, directing people on what to do and making them comfortable as I took their photos. I enjoyed the thrill of capturing an athlete’s performance in fleeting moments. The rapid anticipation of my heart racing from nervousness if I can even do a good job.

I’d say I did fine, seeing how I’m still part of Spartan Race Philippines’ official photographers team. Having the Canon EOS R8 allowed me to unleash my potential as a sports photographer.

It can shoot with a swift burst rate so I don’t miss any moments on the race course. It’s also responsive whenever I need to switch modes to find the more appropriate setting while shooting.

It certainly kept up with me at all times, regardless of the shooting conditions. It’s just versatile enough to bring along on the race course.

I’m still mulling over completely switching to the other side, both on the race course and using Canon as my main camera. I still enjoy being an athlete and competing in the Spartan Race, and jumping over from Sony to Canon is a big leap. But who knows? Maybe, just maybe, we find ourselves coming back to the brand we first loved.

For now, I’m just elated to be with fellow race photographers. It’s a pivotal experience that I’m going to treasure for the rest of my life.

SEE ALSO: Disconnecting in Taiwan with the Canon EOS R8

Cameras

Fujifilm X100VI to finally make PH debut

At FUJIKINA MNL 2024, Bonifacio High Street

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Fujifilm X100VI

The highly-anticipated Fujifilm X100VI will make its Philippine debut at the FUJIKINA MNL 2024 Camera Fest in Bonifacio High Street, Taguig City. The event is free and open to the public and will be held from April 27 to 28. To register, click this link: FUJIKINA MNL

Celebrity Khalil Ramos will grace the local launch of the Fujifilm X100VI on the second day. Announced a few months ago, the X100VI uses a new 40.2MP X-Trans CMOS 5 HR sensor and is powered by an X-Processor 5 engine. These work together to allow more light absorption. The brand’s latest X100 series offering also features in-body image stabilization for the first time in the series. Moreover, the camera can film up to 6.2K at 30fps.

ALSO READ: Fujifilm announces X100VI, limited-edition model

Aside from the X100VI’s release, FUJIKINA 2024 also allows visitors to engage in various activities. First, there’s the Photo Walk event that lets enthusiasts explore Bonifacio High Street at night and capture its vibrant atmosphere. Participants may event get the chance to win a Fujifilm X-T30 II with their best shots.

Next, Fujifilm’s X-Series and GFX cameras will also be on display, free for passersby to test and feel. There are also three shooting studios for guests to capture memories: the Selfie & Pet, Travel, and Smile studios. And for regular Fujifilm camera users, the event will also offer free servicing.

Furthermore, there are two major photo exhibits throughout High Street, showcasing the best images from the Fujifilm community. Lastly, Fujifilm users may also pre-register for an exclusive XPPH Night here.

You may check the full schedule below.

April 27 – Amphitheater

10:00 a.m. onwards:

  • Touch and Try
  • Express Service
  • XPPH Print Market

4:00 p.m. to 6:00 p.m.:

  • Opening program
  • Workshops

7:00 p.m. onwards:

  • Photo Walk
  • Contest

April 28 – Amphitheater

10:00 a.m. onwards:

  • Touch and Try
  • Express Service
  • XPPH Print Market

4:00 p.m. to 6:00 p.m.:

  • X100VI launch

7:00 p.m. onwards:

  • XPPH Night

April 27 and 28 – C1 Park

10:00 a.m. onwards:

  • Fujifilm Interactive Studios (Portrait & Pet, Wanderlust, Project Smile)
  • Film Simulation Exhibit

April 27 and 28 – South Street

10:00 a.m. onwards:

  • Nationwide Photo and Video Walk 2023 Exhibit
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Cameras

New Insta360 X4 delivers 8K 360 videos

Welcome to the 8K 360 era

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Insta360 X4

Insta360 is redefining what action cameras are capable of with the introduction of the Insta360 X4. Insta360’s latest offering allows users to film 8K resolution 360-degree videos. In addition, it can record slow-motion 4K videos at up to 120fps.

As expected, the X4 retains Insta360’s “shoot first, point later” ability and invisible selfie stick effect. Moreover, it doubles as a traditional action camera with “flat” captures in Single-Lens mode at up to 4K at 60fps.

The Insta360 X4 is available for US$ 499.99/ PhP 30,990 on the official Insta360 store, Amazon, and other retailers.

Incredible third-person views at 8K

The 8K at 30fps resolution is the highest setting for a 360-degree action camera yet. With such high resolution, users can expect detailed and sharp videos even after reframing, or choosing which specific angle to include in the capture.

For slow-motion, users can now film 4K videos at 100fps for cinematic shots slowed down four times. Furthermore, the highest resolution for a 60fps 360-degree video is upgraded to 5.7K. You may also use the X4 to take stills, as it is capable of 72MP 360-degree photos.

Two cameras in one

Aside from its default 360-degree capturing mode, users may utilize the Insta360 X4 as a regular wide-angle camera. They may shoot a first-person POV video with Single-Lens mode from a chest-mounted position. “Regular” means not having the fish eye-looking effect from the 360-degree mode and having ordinary, flat-looking images instead.

Under the Single-Lens mode, users will be able to record 4K videos at 60fps with an ultra-wide 170-degree field of view. This can be upgraded even more with MaxView while retaining 4K resolution at 30fps. Meanwhile, Me Mode, which erases the selfie stick, can film 4K at up to 120fps.

There are also upgrades on the X4’s creative shooting modes. Bullet Time can now shoot slow-mos at 5.7K at 120fps, or even 3K at an astounding 240fps. Hyperlapse videos, meanwhile, can be recorded in 8K quality.

Action specialist

A 5nm AI chip powers the Insta360 X4, along with a smart control system with Voice and Gesture Control features, and a host of AI-powered shooting and editing features.

The action camera comes with a 2.5-inch Corning Gorila Glass touchscreen for on-the-go use. Users may adjust the settings or choose the desired mode more easily.

The X4’s 2,290mAh battery allows for up to a 135-minute run time (at 5.7K@30fps). This is an impressive 67% longer battery life than its predecessor, the X3.

Moreover, the device is waterproof at up to 164 feet for diving, and cold-weather resistant at up to -20 degrees Celsius.

AI-powered editing

The X4 also harnesses the power of AI. Using the Insta360 app, users may simply move their phone or use the virtual joystick to point the camera. AI Edit, on the other hand, lets Insta360’s entire algorithm do the work for the reframing process. This improved algorithm has better subject detection, helping users save time. Users may also get creative with Shot Lab and Motion ND filters.

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Cameras

Fujifilm announces X100VI, limited-edition model

The first X100 camera with in-body image stabilization

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Fujifilm X100VI

Fujifilm has launched its latest compact digital camera: The Fujifilm X100VI. The sixth generation model introduces a handful of firsts for an X100 series camera.

The X100VI boasts of a new 40.2MP X-Trans CMOS 5 HR sensor and is powered by an X-Processor 5 engine. These work together to allow more light than any prior X100 camera.

For the first time, the camera offers in-body image stabilization with up to 6.0 stops. Filming at up to 6.2K 30p has also been made possible.

High performance

In addition to more light absorption, the X100VI features ISO 125, which was only available as an extension in previous models. Its tracking AF function also ensures high-quality content especially for filming.

The camera comes with 20 film simulation modes, including the new “REALA ACE” mode for a diverse range of distinctive tones. This particular mode offers faithful color reproduction and high-contrast tonality which is suitable for various subjects and situations.

Moreover, the X100VI supports Frame.io Camera to Cloud without the need for additional accessories. Users will only need to wirelessly connect to the internet to automatically upload photos and videos. This speeds up the process from shooting to final editing.

Better operability

The X100VI also has an “Advanced Hybrid Viewfinder” function. With this, users will be able to switch between the optical (OVF) and electronic (EVF) viewfinders. The EVF itself is equipped with a high-resolution OLED panel with about 3.69 million dots.

Meanwhile, the “Electronic Range Finder” (ERF) allows a small EVF to be simultaneously displayed on the OVF. This permits the photographer to capture the subject in the OVF while magnifying the in-focus area in the small EVF.

Functional design

The Fujifilm X100VI retains the compact and lightweight look of its previous iterations. As with its predecessors, the latest model’s body uses aluminum for the top and bottom surfaces.

It has also adopted the X100V’s ultra-thin tilt LCD monitor design. The shape of the grip, on the other hand, has been fine-tuned to ensure a better feel. The positions of the buttons on the back have also been moved.

Limited edition X100VI

In addition to its release, a limited edition X100VI model will be made available to celebrate Fujifilm’s 90th anniversary. Only 1,934 units of the limited edition model will be available worldwide.

These numbered X100VI units are packaged in a special box that includes a special strap, soft release button, and history cards.

The camera body is engraved with the founding logo in 1934, along with a unique serial number.

In the Philippines, The Limited edition X100VI will retail for PhP 130,990. Meanwhile, the standard edition is priced at PhP 103,990.

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