Nowadays, my stress comes from the fact that living in the Philippines can be overwhelming. Honestly, so much of my energy in the day goes to the hybrid work setup plus attending to responsibilities within the household. Not to mention, there’s not much that the metro could offer as a respite for the working professional. You’d think that short breaks will be of use when every day is just a greater grind than the day before.
So, along with the group of people I consider as my family outside home, I decided to give myself that long-needed trip overseas. Obviously, we booked the tickets way before and I needed to make sure that I would use this time to be away from home for a while; to disconnect, if you will. Of course, just to make sure I keep the memories safe, I’m bringing the Canon EOS R8 with me.
We departed from Manila, and was finally en route to a small, bustling island known simply as Taiwan.
The sights within the streets
My significant other and I had a game plan on how to completely maximize one week in Taiwan. This while also considering I still had work to do.
Part of the itinerary was to explore as much of the Taipei area. This includes every nook and cranny that presented itself. With the Canon EOS R8, this was pretty easy.
Needless to say, I looked like I was gathering memories of the simple streets that the country had to offer.
The food we got to eat
Part of any person’s journey to another country is trying out all the food that’s out for the tasting. Fortunately in Taiwan, there was an abundance of establishments and food spots that you simply cannot miss.
Of course, as working professionals, you can’t help but try your luck at some cafes in the area, and there were a lot of them.
The EOS R8 enabled me to capture some of the food I got to try with near-perfect detail. Even the most minute detail on specialized caffeinated drinks became the highlight of the photos I took. Although, it wouldn’t be as quick and easy to get the perfect shot compared to using a powerful smartphone.
The attractions we got to experience
It wouldn’t be a trip to another country without going everywhere and anywhere that stands out to us. In my case, apart from the streets, it’s the grand attractions that even the most typical of tourists visit. Considering that most of these are attractions even during night time, this would be the perfect opportunity to see if the EOS R8 stacks up.
During the entire time I was in Taiwan, most of the mornings were pretty cloudy so daytime shots had a dimness to them.
At some point in the day, it rained and you can imagine how difficult it is to bring a camera with a long camera lens to boot.
Still, the shots I took looked pretty decent and no details were sacrificed.
Night time shots and even photos in less than favorable lighting conditions were good enough.
Shifting to Manual Focus gave me the opportunity to create the near-perfect conditions to take quality night shots within Taiwan’s well-known night markets.
Also, since the Museum of Contemporary Art had an exhibition under rather low-light conditions, I also gave it a shot.
The company you’re with
One great thing I appreciated about this trip was the fact that I was with great company all throughout.
Sure, there was only like one full day wherein we all had one place in mind, but it was worth it!
Because I had the EOS R8 for the trip, I became the group’s photographer whenever possible.
In a way, we all needed the disconnect from going through our usual routines back in Manila. Even though most of us still had work to do during the last few days before heading home, it felt refreshing. Plus, I think it allowed us to get work done faster to enjoy the trip as much as we can!
Heading home
After one whole week of walking around, taking beautiful pictures and having delicious meals, it was time. An early morning flight back to Manila was waiting for us at the airport, which was honestly just a handful of train stops away from the main Taipei area. Unfortunately, the Canon EOS R8 was already tucked inside my luggage and I didn’t have enough time to pull it out once we got to the airport.
Although, what I do appreciate about it is how compact it can be when storing it inside. Despite having a rather wide body and with a long camera lens, it doesn’t take up too much space. In my case, it was better to tuck it inside a carry-on with bubble wrap and reinforced with soft clothing. After a few hours and a delay in our flight time, we arrived in Manila and returned to the heat of the world.
For trips like these, having both the Canon EOS R8 and a smartphone of choice allowed me to capture beautiful yet short-lived moments in time. Whether we were inside closed spaces or exploring the natural attractions, it grabs everything in full detail with the proper adjustments. I would consider this as a must-have for anybody looking to travel anywhere they want; just make sure you make space and take care of it while you’re out.
SEE: Elevate your vlogging: Canon announced EOS R8, R50 cameras
HYROX drew people from all over the world for a single purpose: finish the course. In Hong Kong, athletes showed up at AsiaWorld-Expo ready to run, row, and push through 8 stations of pure functional fitness.
So, we brought the Canon EOS R6 Mark III to capture one of the most demanding fitness races on the planet.
The Expo floor is a lighting nightmare, a mix of harsh overheads and deep shadows, but the 32.5MP sensor handled the contrast without breaking a sweat.
The 40fps electronic shutter and Pre-continuous shooting meant we were already capturing the moment half a second before we consciously decided to press the shutter.
Covering a race means staying mobile, and the 8.5-stop IBIS let us move freely alongside athletes without losing the shot. The Dual Pixel CMOS AF II stayed locked on athletes even when they were squinting through the final stretch.
What came out were stories of triumph and determination. Even when their bodies were screaming, they pushed through anyway.
This is what HYROX Hong Kong looked like from the inside.
Words by MJ Jucutan. Photos by Sky Rodillas.
Insta360 GO 3S Retro Bundle Edition is bringing a touch of nostalgia to its tiny POV camera lineup.
The company has announced the new Retro Bundle Edition for the GO 3S, combining the wearable 4K camera with accessories and software features inspired by classic film photography.
At the center of the bundle is the Retro Viewfinder. It transforms the tiny camera into a handheld shooter with a waist-level framing experience reminiscent of vintage film cameras. Instead of relying on a screen, users can compose shots through the optical finder for a more deliberate shooting style. The viewfinder also includes a built-in selfie mirror.
The bundle also includes a Battery Pack that extends recording time to up to 76 minutes while supporting charging during recording. An NFC Custom Skin allows quick access to the Insta360 app by tapping a smartphone against it.
Other accessories include a wearable strap and the Magnet Pendant for hands-free POV capture.
To match the retro-inspired hardware, Insta360 is also adding exclusive film-style filters including Negative Film, Positive Film, and Sticker Filter. Five additional built-in color profiles are also included: NC, CC, GR-F, Mono, and Vintage Vacation.
Despite the nostalgic styling, the GO 3S keeps its modern action camera features. The 39g camera can shoot 4K video with FlowState Stabilization, supports QuickCapture, and is waterproof up to 10 meters.
Price and availability
The Insta360 GO 3S Retro Bundle Edition is now available in Canvas White and Classic Red color options. Pricing starts at US$249.99 for the 64GB version and US$269.99 for the 128GB model.
@gadgetmatchWarm vibes, slow jams, Insta360 GO 3S Retro Bundle Edition time. #insta360 #retro #tinycamera
Accessories
Insta360 Flow 2 update improves Android support, adds new iOS features
Better Android lens support
Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support
Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.
The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.
Android finally gets full lens access
One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.
This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.
The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.
Faster 360 panoramas for quick sharing
The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.
Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.
Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.
Dual View adds more angles in one take
Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.
This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.
Apple Watch control for hands-free shooting
For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.
Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.
Smarter tracking and remote control tools
The update also improves several AI-powered features across the Flow 2 series.
AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.
There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.
Availability
The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.
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