Accessories
When elegant craftsmanship meets avant-garde technology
The G-SHOCK MR-G series is every watch collector’s dream~
The pinnacle of G-SHOCK has just arrived in the Pearl of the Orient!
Armed with unparalleled Japanese craftsmanship and experience, the G-SHOCK MR-G series dawned with indestructible strength and beauty, integrated with cutting-edge digital technology to keep up with the times.
Homage to history
The MR-G series was born after Engineer Kikuo Ibe, Casio’s Head of Watch Design, created G-SHOCK in 1981. Ibe’s mission to offer a reliable, durable shock-proof watch birthed a timepiece withstanding the austerity of the daily grind.
Paying homage to the very first model, the makers of MR-G employed a Black Diamond-Like Carbon (DLC) coating on the MRG-B5000B-1. The coating yielded an all-black exterior, exuding a sophisticated veneer.
To complement the burnish, two Japanese hues were applied to the watch’s bezel and dial. Kachi-iro, known to the samurais as the color of victory, exhibits deep shades of Navy Blue. Meanwhile, the Akazonae evoked an all-crimson armor to illustrate alor by elite samurai units in the Warring States.
A tale of strength and beauty
The new MR-G series was showcased at a fancy dinner with key executives and individuals. Celebrities and select members of the press also graced the event.

L-R: Saki Nagaoka handling the toughness test, Founding father of G-SHOCK Kikuo Ibe together with GadgetMatch’s Associate Creative Director MJ Jucutan, and Sena Kuroda discussing the Frogman.
Kikuo Ibe, together with Sena Kuroda and Saki Nagaoka from Casio Singapore and Casio Japan respectively, demonstrated the beauty and toughness of a G-SHOCK timepiece.
The executives took pride in the timepiece’s durability, thanks to its all-metal construction. The band uses the DAT55G, a titanium alloy three times harder than pure titanium. Meanwhile, the bezels are made of Cobarion and Ti64 Titanium Alloy adding a glowing, radiant finish on top of enduring durability.
Various techniques were also applied in giving a sleek finish to the watches. Sallaz Polishing was executed to achieve mirror finishes on the surface of the titanium. It’s still considered the ultimate polishing technique among highly skilled artisans.
Furthermore, a deep layer of hardening process creates a coating that’s roughly four to five times harder than pure titanium. An added DLC coating also served to enhance scratch resistance.
The state-of-the-art nano processing by YAMAGATA Casio was also applied to create that defined grind mark finish. Its special shape is created with high-precision die molding.
Excellence in craftsmanship
G-SHOCK prides itself on excellent craftsmanship, applying different artisan techniques to create a luxurious finish. ASANO Bihou, master of the traditional tsuiki hammering technique, created a unique relief pattern to produce a rugged texture on the surface.
Meanwhile, Renowned swordsmith GASSAN Sadanobu has carved the Yasuri-me patterns on the bands. An inscription of the GASSAN family is also engraved to show their devotion to sword forging.
Casting artisan KIKUCHI Masano added a rusted steel texture using a special die on the bezel. It was then hand-carved by master chaser KOYABASHI Masao with the image of a majestic dragon.
Lastly, KOMATSU Kazuhito added his cutting and polishing expertise for the mirror-surface facet cuts in cobarion.
A real diver’s watch
The efforts and dedication in carefully crafting the timepieces from design and material to finish proved that the G-SHOCK MR-G is a watch worthy to be added to every watch enthusiast’s collection.
Moreover, an upcoming FROGMAN MRF-BF1000R will come with an ISO-standard 200m water resistance coupled with a titanium exterior. It will also have a sapphire crystal screw-on case back that uses blue vapor deposition to depict the iconic frog character, suitable for a timepiece made for plunging into the depths of the sea and freedom.
A luxury belonging to a premier purveyor
Casio Computer Co., Ltd, in partnership with CSC Time Inc, its official distributor in the Philippines brought the G-SHOCK MR-G series in the Philippines. The luxury timepieces are now exclusively available at the L’Atelier Lucerne at GF15 Shangri-la at The Fort Manila, 3rd Ave. cor 30th St. Crescent Park, West District, Taguig City.
To know more about G-SHOCK MR-G, visit www.casio.com/ph/ and follow its social media pages: Facebook and Instagram.
Accessories
England, Wales start banning Meta Glasses
The smart glasses are now banned in courtrooms.
Earlier this year, New York became the first state to issue a blanket ban against smart glasses in courtrooms. The new regulation marks one of the first public spaces to prevent the contentious devices. Now, England and Wales are following suit in their courtrooms by banning Meta glasses inside.
As reported by The Guardian, courtrooms in both countries will confiscate Meta Glasses from those taking them into the building. Owners can retrieve them again upon exit.
Like the decision in New York, the English and Welsh bans are simple enough to follow. As it is everywhere, it’s forbidden to record video inside courtrooms in England and Wales. Because Meta Glasses have cameras (and are primarily used for their video capturing capabilities), they fall under prohibited items.
Notably, smartphones are not included on this list, despite having sizable cameras themselves. Although, to be fair, it’s much more difficult to discreetly record video using a smartphone. Smart glasses pride themselves with the ability to take videos seamlessly.
Meta Glasses are having such a moment today. Though some users, especially creators, are excited for them, a significant chunk of the population is concerned over their ability to take videos without subjects knowing they’re being recorded. Some users have even found ways to disable the built-in LED indicators which should, in theory, warn the public that the glasses are recording. It’s since turned into a privacy nightmare.
Accessories
Peak Design’s new City Line combines minimalism and color
Less padding, more personality
Known for its camera-friendly bags with generous padding to protect photography gear, Peak Design is taking a different approach with the City Line.
The new collection prioritizes lightweight construction and everyday functionality, stripping away unnecessary bulk while still delivering the thoughtful organization the brand is known for.
The new collection includes the City Backpack in 15L and 22L sizes, the 15L City Tote, the City Crescent in 6L and 12L options, and the compact 2L City Sling. While each bag serves a different purpose, they all share the same minimalist aesthetics and intuitive organization.
To achieve that lighter design is Peak Design’s new weather-resistant MonoShell material, along with a seam-reduced construction that cuts down on unnecessary bulk.
It also comes with Peak Design’s built-in BagLev hook, allowing you to hang your bag from a table instead of placing it on the floor.
Beyond the neutral and muted finishes we’ve seen in the past, Peak Design is also introducing brighter options that add more personality to the collection.
The vibrant Lapis blue, in particular, stands out as a fun alternative for anyone looking to move beyond the usual black everyday bag.
The City Line is now available through peakdesign.com and authorized retailers worldwide.
DJI’s smartphone gimbals have always chased one goal: delivering cinema-smooth footage without forcing you to carry a heavy rig.
The Osmo Mobile 8P (OM 8P) makes its priorities clear right out of the box. This is not a simple refresh. DJI rebuilt how you control the gimbal, and that decision shapes the entire shooting experience.
Freedom behind the lens
The biggest change is the FrameTap remote, and it’s the kind of upgrade that fixes a problem you didn’t realize was slowing you down until it’s gone.
On the standard OM 8, adjusting your framing meant reaching for your phone every time, which broke the flow of shooting and pulled you out of the moment.
FrameTap puts that control back in your hand. You can reframe shots and manage the gimbal without touching your phone at all, and for anyone shooting solo, that alone changes how usable the whole setup feels. Tracking has taken a real step forward too.
ActiveTrack 8.0, paired with Module 2, held onto its subject even after they stepped out of frame for a moment, then picked them back up without much fuss.
It also lets you sit off-center in the shot instead of forcing you into the middle every time, which gives you more room to compose something that doesn’t look like every other gimbal video.
None of that would matter much if the gimbal itself wasn’t solid, and it still is. The OM 8P holds onto the same foldable design, magnetic phone clamp, and built-in tripod that made the OM 8 easy to live with.
And it remains one of the better compact options for stabilization, tracking, and portability in one package.
The tripod legs are a touch wider this time, and that extra width does make a noticeable difference on uneven ground.
The trade-offs in touch
The trade-off for all that new remote functionality is a control scheme that takes more getting used to. More of the gimbal’s functions now live on the FrameTap touchscreen, the joystick is smaller, and switching between shooting modes takes a few extra taps compared to the OM 8. It’s not a dealbreaker, but it’s a learning curve you’ll need to budget time for.
DJI also removed the zoom and focus wheel, so if you leaned on that dial for quick adjustments, you’ll feel its absence here. Module 2 no longer lets you plug a DJI wireless mic in directly either.
You’ll need to connect it to your phone instead, which adds a step to a setup that used to be simpler. Phone compatibility is still a limiting factor as well. DJI lists support for phones up to around 300g and 11mm thick, so bigger phones or ones in chunky cases may not clamp in properly.
Finding your ideal workflow
The OM 8P makes the most sense for solo creators who want dependable tracking and the freedom of remote framing without stepping up to a dedicated camera like the DJI Osmo Pocket.
If you’re already shooting on a phone with a solid camera, this fills the gap nicely. It’s a tougher sell if you prefer physical buttons over touchscreen menus, or if your phone runs on the larger and heavier side, since fitting it onto the clamp might be a problem before you even get to shooting.
Price, availability
DJI is offering the OM 8P in three combos, so how much you pay depends on how much of the ecosystem you actually need.
- Standard Combo (PhP 7,499): the gimbal itself, with 8th-gen stabilization and the detachable FrameTap remote included.
- Advanced Tracking Combo (PhP 9,199): adds the Multifunctional Module 2 for the improved subject tracking we tested.
- Creator Combo (PhP 11,099): the full kit, built for creators who want everything DJI bundles in from the start.
Is the DJI Osmo Mobile 8P your GadgetMatch?
The DJI Osmo Mobile 8P asks you to relearn a few habits in exchange for a gimbal that finally lets go of your phone. If hands-free framing and steadier tracking matter more to you than a dedicated zoom dial, this is worth the adjustment.
If you’d rather keep things exactly as they were on the OM 8, that learning curve might be the deciding factor.
Swipe right if you shoot alone often and have been waiting for a gimbal remote that actually works. The FrameTap remote alone justifies the upgrade if reaching for your phone mid-shot has been slowing you down.
Consider this if reliable tracking matters to you, especially if you’ve had a subject wander out of frame and stay lost on older gimbals.
And of course, get this if you already own a capable phone under the weight and thickness limits, and you’d rather invest in a smartphone rig than jump to a dedicated camera like the Osmo Pocket.
Swipe left if you lean on physical dials for zoom and focus, and moving those functions to a touchscreen sounds like a downgrade rather than an upgrade.
This is not for you if you use a DJI wireless mic and want it plugged directly into the module without routing through your phone first. Or, your phone runs heavier or bulkier than DJI’s limits allow, since no amount of enthusiasm fixes a clamp that won’t close.
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