Cameras

DJI Osmo Nano review

Fits perfectly into a life that never stays still

Published

October 12, 2025

MJ Jucutan

I’ve never been the kind of person who stays still for long.

My calendar looks more like a puzzle than a plan. Airports, races, trails, test drives, repeat.

Somewhere between boarding gates and finish lines, I try to squeeze in meetings, shoots, and the occasional night out.

For years, I’ve carried cameras that promised to keep up. They all said the same thing: lightweight, smart.

Yet they always ended up feeling like one more thing to hold. They’re more of a reminder that I was documenting life instead of living it.

Then the DJI Osmo Nano arrived, right before a flight to Hong Kong. I slipped it into my backpack without much thought.

Somewhere between the terminals of Hong Kong, the beaches of Shenzhen, the streets of Zhengzhou, and the mountain roads of Baguio, this tiny camera became part of my everyday life.

Hanging from a lanyard or docked on a dashboard, it was always ready. It’s strange how something so small can change the way you move through the world.

I stopped worrying about framing the perfect shot and started focusing on feeling the moment.

Made for people on the move

At 52 grams, the Osmo Nano is incredibly light yet feels substantial. It’s the kind of confidence that comes from precision engineering.

The matte finish resists fingerprints and the occasional drop of sweat. Simply put, it’s designed for motion.

Then there’s the protective case. If there were an award for most underrated accessory, this would win it.

I accidentally dropped the Nano from a floor up and braced for heartbreak, but when I picked it up, both the body and the lens were flawless.

With or without a case, it also looks elegant. It doesn’t scream “camera.” You can clip it on your shirt or cap, and no one gives you a second look.

You can film without disrupting the mood, which gives the footage a sense of authenticity that’s hard to replicate.

A full system in your pocket

The Osmo Nano alone is impressive, but pair it with the Multifunctional Vision Dock and it becomes a complete ecosystem.

I brought it everywhere. In Shenzhen, it sat on the sand while I ran barefoot by the water. In Zhengzhou, it helped me capture temples and tourist sites that looked almost cinematic.

The dock acts like your all-in-one creative base: a power bank, tripod, remote control, and transfer hub built into one piece of aluminum.

It charges the camera to 80% in just 20 minutes, records for up to 200 minutes, and transfers data up to 600MB/s through its microSD slot.

It even doubles as a display for previewing or reviewing clips, which is a rare convenience in a setup this small.

Together, the Nano and the dock feel like the definition of portable professionalism: a setup that fits in your pocket yet never feels like a compromise. It’s everything you need, minus the baggage.

The creative hub

What ties it all together is the DJI Mimo app. It’s the command center that turns the Osmo Nano into an extension of your creative workflow.

Footage syncs automatically, though I wish it keeps the connection longer, as the device kept disconnecting from the app time and time again.

Through the app, you can trim, color-grade, and export straight from your phone. Whether at an airport lounge, a café, or even the backseat of a car, editing feels effortless as long as you don’t use the One-Tap Edit feature.

I don’t know how to put it, but using AI to pick the ‘best’ frames doesn’t sit well with me after trying it and seeing its output.

While the frames it picked were ideal, composition-wise, it doesn’t have the emotions needed when producing a video.

@gadgetmatch We’ve taken the DJI Osmo Nano in the wild and here are our sample clips. Full review on gadgetmatch.com 🫶🏼 #DJIOsmoNano #DJI #foryou ♬ som original – 𒆜|𝑹𝑵𝑩𝑨𝑺𝑺444🇧🇷-_-

Nevertheless, I particularly love how it adapts to my workflow. Syncing large files and previewing high-res clips happens with minimal lag.

For creators who thrive on momentum, that speed is priceless.

Race tracks and road trips

I’ve always believed that motion tells better stories than stillness, that the way a car turns a corner says as much as the driver’s expression.

When I tested cars at the BYD Zhengzhou All-Terrain Circuit, the Osmo Nano was mounted on the Dual-Direction Magnetic Ball-Joint Adapter Mount.

Through rough corners and high-speed bursts, the videos stayed unshaken thanks to RockSteady 3.0 and HorizonBalancing.

The footage looked like something out of a commercial. The 143° ultra-wide lens captured more story.

The only drawback was how the Nano tended to overheat during off-road and race track sessions, even after a firmware update.

Even when we were indoors at the BYD Di-Space Museum — a controlled, air-conditioned environment — I had to limit recordings to 2.7K or 1080p instead of 4K to keep recording.

Later, I brought it to Baguio City, driving through pine-covered streets with the Ford Territory Hybrid.

The colors shifted with the light, from deep morning blues to warm golds by afternoon, and the Nano handled it all gracefully. It balanced light and shadow without flattening the details.

In moments where I could lose a shot quickly, I preferred setting color to Auto rather than using D-Log. Though I’m a creative director by profession, I don’t believe in using D-Log unless you can color grade perfectly.

Most creators who insist on it miss the point. It takes away the beauty of capturing things as they are. The Nano’s color quality is good enough to make every frame look polished and accessible.

Never missing a step

Of course, no camera review feels complete until I’ve taken it to the trail.

During BGY BYG’s OCR Simulation at Bridgetowne Obstacle Park, I used the Magnetic Headband and Lanyard, swapping between them as I watched participants go through obstacles.

I wanted to see how the Nano handled rain and movement, and it didn’t just survive. It performed well.

Thanks to the 1/1.3-inch CMOS sensor, it captured athletes at dusk with the SuperNight mode assisting in low light. The image quality was good, though not exceptional.

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Due to its fixed ultra-wide field of view, versatility remains limited. It doesn’t have a zoom lens, so I had to move closer to the athletes to frame their movements.

Then came the 32km trail run to Sitio Malasya in Rodriguez, Rizal. The terrain was brutal (as usual) and yet the Nano stayed locked in. I held it by hand without the dock, and the footage I captured became one of my favorites.

It’s rare for an action camera to feel emotional, but the Nano somehow made the footage feel alive.

During the run, the audio also impressed me. The built-in microphones captured ambient sound and reduced wind effectively. For those with DJI Mics, pairing is seamless and doesn’t require receivers.

Maybe next time, I can record a Trail Talks podcast so we don’t get bored running longer distances?

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At the end of Sitio Malasya is a raging river, where we stopped to eat and rest. When it drizzled mid-run, I kept recording without worry.

The Nano handled rain and splashes without fogging or glitching. I didn’t feel anxious bringing it into the unpredictable courses of my life.

Running back to the jump-off point, I realized the DJI Osmo Nano isn’t just a piece of technology. It’s an adventure companion that understands the tempo of your life.

Unlocking its full potential

Like any performer, the Osmo Nano shines brighter with the right supporting cast.

The ND Filter Set is a must for bright outdoor scenes, adding that polished, cinematic tone. The Magnetic Headband is perfect for hands-free capture during workouts or races.

For flexible angles, the Dual-Direction Magnetic Ball-Joint Adapter Mount is my second favorite.

My personal favorite is the Glass Lens Cover. It’s the reason my lens still looks brand new after that dramatic drop.

Out of the box, though, the DJI Osmo Nano already comes prepared with the camera, Magnetic Lanyard, Multifunctional Vision Dock, Dual-Direction Magnetic Ball-Joint Adapter Mount, Protective Case, Magnetic Hat Clip, and a USB-C 3.1 cable.

It’s a complete kit that gets you shooting right away. And once you see how capable it is, you’ll want to expand your setup anyway.

Is the DJI Osmo Nano your GadgetMatch?

The DJI Osmo Nano represents freedom. It’s made for people who live on the go, who don’t have time for complex setups but still want cinematic results.

I’ve always believed that the best camera is the one that never slows you down, and the Osmo Nano fits that perfectly. For an athlete and storyteller like me, it’s a Super Swipe.

Even if you’re not living life on the move, it’s still a Swipe Right, especially considering how complete the package is for its price: PhP 15,990 for the 64GB model and PhP 18,390 for the 128GB model.

Think of the stories you’ll tell once you bring it on your next trip. This is why it earns the GadgetMatch Seal of Approval.

Of course, it’s not flawless. If you expect the same performance, image quality, or versatility of the Osmo Action 5 Pro, Osmo Pocket 3, or even its competitor, the Insta360 Go, you might need to temper your expectations.

But as a new device, the Osmo Nano is promising. So promising that five automotive journalists I was with in Zhengzhou bought one on the spot after seeing mine in action.

If that’s not convincing enough, I don’t know what is. Because right now, as most people see it, the DJI Osmo Nano deserves a spot in your camera arsenal, and perhaps, a place in the story of your life on the move.

Cameras

Canon EOS C50 cinema camera price in the Philippines

Smallest, lightest cinema camera made for today’s filmmakers, creators

Published

December 6, 2025

Manila Connoisseur

Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.

The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.

It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.

Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.

This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.

Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.

Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.

In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.

Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.

Photo performance

For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).

The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.

Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.

Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.

This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.

Professional interface

Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.

There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.

During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.

Cameras

Sony launches the new Alpha 7 V

Get yourself a full-frame mirrorless camera for Christmas.

Published

December 4, 2025

Luigi Leonardo

Are you still wondering what to get yourself for Christmas? If you have a good amount of leftover money after shopping for everyone else, Sony has a new camera just for you. Right on the cusp of the holiday season, the Sony Alpha 7 V is here.

The Sony Alpha 7 V is the fifth generation of the aforementioned series. The full-frame mirrorless camera uses a partially stacked Exmor RS CMOS image sensor to take photos with 33.0 effective megapixels.

Further, the new BIONZ XR2 image processing engine uses the Alpha series’ AI technology to deliver better imaging, Real-time Recognition Auto-Focus, and Real-time Tracking. To add to this, Sony is also launching the FE 28-70mm F3.5-5.6 OSS II full-frame zoom lens to support the camera.

For connectivity, the camera supports Wi-Fi 6E GHZ for data transfers. It also supports USB-C connections for wired transfers.

To ease usage no matter the scenario, the Alpha 7 V comes with vertical format support and an adjustable electronic shutter sound. It also has a 4-axis multi-angle monitor for shooting in various angles. Finally, it has a better grip for stability.

For those long shoots, the camera has better power management. It also has a Monitor Low Bright mode to preserve the battery.

The Sony Alpha 7 V body is available from the end of December. Meanwhile, the kit and the lens will be available on February 2026. The body costs SGD 3,699. From now until December 31, customers will get a free 240GB CEA-G Series CFexpress Type A memory card.

Cameras

DJI Osmo Action 6 review: An adventurer’s best friend

This might be the best action camera yet?

Published

November 22, 2025

MJ Jucutan

My life as an athlete with a love for adventure often throws me into days that move faster than I can track.

One moment I am at the gym before sunrise, convincing myself that today I will stretch properly. Next, I am sprinting through airports or packing for a weekend race that I definitely did not plan for (but signed up for anyway because that is who I am).

When the DJI Osmo Action 6 entered my life, it felt like finding a piece of gear that immediately understood the mess I willingly put myself through.

I have always wanted a camera that could move with me (and survive me), preferably without making me feel guilty every time I jump off something or run through something.

I wanted a camera that did not need pampering. Something that would not make me pause my life so I could “protect the gear.”

Then suddenly, there it was. I had an entire month with the Osmo Action 6, and it almost felt like the universe handed me something that finally matched my pace. It followed me through unexpected moments that felt too good not to capture.

Made for those who ~really~ move

The first thing I noticed was how easy it was to hold the Osmo Action 6. It felt secure even when my hands were wet or drenched in sweat from training, as if it wasn’t bothered at all that I was already exhausted at 7 a.m.

Most of its controls are placed so intuitively that it felt like the camera was gently guiding me, saying, “Don’t overthink it. Just press this. Go live your life.”

The user interface was so straightforward that even people who have never touched an action camera would know what to do.

The screen reacts quickly and the settings are easy to reach. Its layout feels like it was made for people who move first and think later.

It removes every excuse to miss a moment because you were too busy trying to understand how the device works.

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Out of the box, the Osmo Action 6 gives you everything you need: a 1.5m extension rod, three Extreme Battery Plus units inside a multifunctional battery case, two locking screws, a curved adhesive base, a USB-C 3.1 cable, and two Dual-Direction Quick Release Adapter Mounts.

Depending on your lifestyle, accessories like the floating handle, the dual direction mini extension rod (which doubles as a tripod), the 360-degree wrist strap, and the hanging neck mount all serve one purpose: keep you hands-free so you can focus on living your story.

Inside a race course

During the Spartan Race’s Asia-Pacific Championship in Alviera, Porac, Pampanga, I joined the open category simply because I wanted to film my moments inside the course.

I could never join the Age Group Championship wearing a red band only to slow down for content. My competitive self would revolt.

I have always raced in the front pack with elite athletes and seasoned racers. Content creation is a blessing until you’re in a race and your pride says absolutely not.

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So my friend (also an elite athlete) and I became last-minute racers thanks to Mang Inasal Philippines. We joined the Sprint Category, which covers 5 kilometers with 20 obstacles (plus three extra because championship vibes).

Armed with only the Osmo Action 6 on a dual direction mini extension rod, I climbed walls and nets, carried sandbags, passed through hanging obstacles, and ran under an open trail where the sun genuinely felt personal.

Alviera is hot. We call it Hellviera for a reason. Yet the camera kept going despite direct sunlight and constant movements.

I dialed the resolution down to 2.7K because long 4K recording will always test thermal limits. Even then, it stayed reliable.

Like a scene straight out of an adventure documentary

The stabilization was genuinely magical. The frame stayed clean and level even when my hands were doing a million different things, like swinging my arms, gripping nets, adjusting grip, and bracing for impact.

Whether you choose RockSteady or HorizonSteady, your running sequences will look cinematic and documentary-level.

When we climbed or jumped, the shots had that adventure-film energy. There were no jitter or weird warping. No “Sorry, can you do that again?” moments.

We did not need retakes, and we did not need to check footage mid-race. The Osmo Action 6 kept up with the pace of an endurance athlete.

The built-in microphones even picked up our voices clearly. Pair it with DJI’s wireless mic and you get clean commentary that feels like the behind-the-scenes of your own sports film.

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Calm moment underwater

One of the most meaningful moments came when I lent the Osmo Action 6 to GadgetMatch’s Account Manager and Resident Host, Noela Amparo-Oro, for her birthday.

She wanted to celebrate by freediving, which honestly feels like the most poetic thing you can do for yourself. So I handed her the camera and said, “Go live your birthday moment. Capture it.”

Action cameras deserve to see actual action, not city sidewalks pretending to be adventures.

Noela had fun descending into the clear blue water. The footage she brought back made my heart stop for a moment. It was surreal. Like she had slipped into another world and returned with proof that it existed.

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I have seen plenty of underwater clips from action cameras that turned murky or desaturated, requiring heavy color adjustments. The Osmo Action 6 did not do that. Underwater, it preserved colors beautifully.

The details of her movements; the subtle shimmer of light across her skin; and the calm flow of bubbles. Everything was captured with clarity that felt emotional.

The Osmo Action 6 handled depth and shifting light with ease. Watching the clips felt like I had been there beside her, suspended underwater.

Even Noela could not believe the footage. And the fact that the camera does not need an underwater case up to 20 meters makes the experience feel even more freeing.

A picture quality to love

The Osmo Action 6 uses a large 1/1.1-inch square CMOS sensor that lets in more light, allowing underwater clips to remain balanced and detailed even in low-light environments.

With 10-bit color support, gradients in the water and sky looked vivid. The variable aperture paired with the sensor gives you the flexibility to shoot under harsh sunlight or underwater without losing depth or mood.

Exposure transitions also felt natural, and the highlights stayed controlled while the shadows held detail. The Osmo Action 6 preserved the emotional tone of each scene without flattening the story.

As James Rusameekae from Physical: Asia said, it is simply “Wow!”

Is the DJI Osmo Action 6 your GadgetMatch?

The DJI Osmo Action 6 excelled in every environment I threw it into. Water, low light, heat, fast movement, and unpredictable conditions? It handled everything with ease.

I collected footage filled with emotion and energy, and everything remained steady and sharp.

The clips felt complete even before editing, like they were already telling a story. (I uploaded some of them straight to my Instagram Story!)

If you live an active life and thrive outdoors, the Osmo Action 6 will meet your needs. You will appreciate how quick it is to use, and you will love the size, durability, and picture quality.

It feels like the kind of gadget you bond with, which makes it a Swipe Right!

Anyone who wants a companion for adventures will find comfort in the Osmo Action 6. For me, it is a Super Swipe.

With the experience I had, and the ease it brings to my life whenever I am out and about, PhP 24,390 for the Standard Combo feels like an investment in moments that matter.

The DJI Osmo Action 6 deserves the GadgetMatch Seal of Approval.

If you do not live an active lifestyle, the Osmo Pocket Series or Osmo Nano might suit you better since it is built for city travelers. But if you want to look adventurous — and you have the budget — who am I to stop you?

The DJI Osmo Action 6 retails for PhP 29,990 for the Adventure Combo, giving you all the accessories you may or may not need.