Cameras
The Fujifilm GFX100S is a 102MP camera made for tougher environments
An improved medium format camera with a less expensive price tag
Remember the Fujifilm GFX100 from 2019? Well, Fujifilm has finally updated it with an updated model called the GFX100S — but what exactly has changed?
A medium format camera in a full-frame body
Medium-format cameras are a lot larger than the usual full-frame DSLRs and mirrorless cameras. But the GFX100S is an exception as it only weighs at 900g (1.9lb) — almost half the size of the heavyweight GFX100 at 1400g (3.1lb) and can go with existing full-frame bodies.
Despite its small size, it has a 3.2-inch touch-enabled LCD panel and supports up to 2.36 million colors. It’s not fully-articulated but it can be tilted up (90º), down (45º), and right (60º). There’s also a 1.8-inch sub LCD monitor at the camera’s top for viewing those handy EXIF settings that can also be customized depending on your liking.
Built for harsher climate conditions
The new GFX100S is built for tougher climates. Whether you’re shooting at a beach, desert, or even as high as Mount Fuji’s summit, the GFX100S can withstand all of that. This is a rare feature among most cameras and this is what makes it better than its two-year-old predecessor.
With its magnesium alloy body, it’s dust and moisture-resistant. At the same time, it’s also capable of operating under cooler temperatures (-10ºC or 14ºF).
Better autofocus + improved stabilization
Having an almost 100% coverage of phase detection pixels on its sensor, the GFX100S is capable of focusing as little as 0.18 seconds, even in low-light situations.

Although it still rocks the X-Processor 4 quad-core CPU, it will still be able to provide high-performance shooting on-the-go. With an updated focus tracking algorithm using the same sensor, it’s still capable of using Face and Eye AF functions for better focus at moving subjects.
Other than that, there’s also an improved and more compact 5-axis IBIS (in-body image stabilization) system that’s 20% smaller and 10% lighter than the older model. Even if there’s a size reduction, the stabilization system provides 6-stops of CIPA-rated IS and has a 0.5-overall improvement than the GFX100.
Still with 102MP and 4K video recording
Fujifilm has kept its secret sauce. The GFX100S still has that same 102-megapixel sensor that’s around 1.7 times larger than any of the full-frame offerings out in the market today.
The 4K/30p video recording support is also present for those crisp footage and be able to keep up with the industry’s standards. But other than shooting in the standard 16:9 aspect ratio, it also supports 17:9 that’s used in digital cinema.
To make video shooting even better, you can choose between F-Log and HLG (Hybrid Gamma Log) other than the usual H.264 and H.265 codecs. This means you can edit and have better color-grading options in post-processing to achieve a more cinematic output.
For utmost video capability, the GFX100S can also record 4K/30p footage in 12-bit RAW (recorded as Apple ProRes RAW files) through an HDMI hooked up to an Atomos Ninja V Monitor Recorder. Also, simultaneous outputs of RAW and F-Log / HLG footages with Film Simulation mode is also doable.
With their 86-year expertise in color science, it comes to no surprise that their classic Film Simulation Mode still remains. You can pick between 19 exclusive modes and simulate that classic film look with just a press of a button.
New FUJINON lens
The new GFX100S is paired with the announcement of the newest FUJINON GF80mmF1.7 R WR lens. From the name itself, it is a prime lens with an 80mm focal length (a 35mm equivalent of 63mm) and a wide aperture of f/1.7 for better bokeh and brighter images at night.
The lens is composed of nine rounded diaphragm blades plus 12-lens elements with one aspherical element and two Super ED elements. These provide better background segmentation with sharper subjects and smoother bokeh.
What makes it special is that, it’s the world’s first f/1.7 lens with an autofocus for a large format system. The powerful DC motor is enough to make the subject stand out — even with the wider aperture and shallower Depth of Field (DoF). There’s even support for Face and Eye AF for better-looking portraits even when you’re on the move.
Just like the GFX100s, it’s also weather-resistant that survives colder temperatures as low as -10ºC (or 14ºF). The seals around the lens also protect it from dust and rain. The front lens element is also coated with fluorine that repels dirt.
Pricing and availability
In the Philippines, the Fujifilm GFX100S retails at PhP 329,990. On the other hand, the FUJINON GF80mmF1.7R WR will cost you exactly PhP 128,990. Both of these will be available at the end of February 2021.
For an enhanced in-hand feel when using this camera, there’s a Metal Hand Grip accessory (MHG-GFX-S) which is priced at PhP 8,390. This hand grip is helpful for supporting larger lenses without feeling unstable. At the same time, it’s compatible with Arca-Swiss tripod plates for faster and smoother transition between mounted and handheld scenarios.
If you’re planning to buy all of them, it will cost you roughly PhP 467K. That’s still less expensive than the sub PhP-600K body-only GFX100 launched two years ago.
Cameras
AKASO officially lands in the Philippines
Teaming up with Siklab Spark Corporation to bring its signature 360° creativity and affordable gear.
Global action camera brand AKASO is taking its next big leap into the Philippines.
The brand officially named Siklab Spark Corporation as its exclusive local distributor, marking a major milestone in AKASO’s regional expansion and strengthening its commitment to creators and adventurers across the country.
Since 2010, AKASO has built a loyal following around the world by offering high-quality, performance-driven action cameras at prices that make creativity accessible to everyone.
Today, the brand has sold more than 7 million units in over 200 countries, capturing everything from everyday adventures to once-in-a-lifetime moments.
Built for creators who “Let Life Run”
Guided by its philosophy of “Let Life Run,” AKASO designs cameras for what it calls the Passionate Hobbyist, or those who love documenting life, not just the extremes.
The Philippines, home to a vibrant creator community and an ever-growing travel culture, is a natural fit for the brand’s expansion. Through its partnership with Siklab Spark Corporation, AKASO aims to establish nationwide availability, strengthen its online presence, and bring community-driven events to life.
Step into 360° creativity with the AKASO 360
Leading the charge is the AKASO 360, a compact, weatherproof, and lightweight action camera designed to capture every angle of life in stunning detail.
The AKASO 360 records 5.7K 360° videos for up to 120 minutes and captures 72MP photos with impressive clarity.
It features dual lenses, stereo microphones with wind-noise reduction, and AI subject tracking to keep every shot smooth and focused.
Advanced users can enjoy DNG8 RAW mode for flexible editing, while casual creators will love its simple workflow via the AKASO360 App and Studio software.
Available now with launch promos and giveaways
The AKASO 360 is now officially available in the Philippines through Shopee, Lazada, and TikTok Shop. To celebrate its launch, AKASO is offering exclusive discounts and vouchers until October 21.
The AKASO 360 Standard Bundle is available for PhP 13,988 (SRP PhP 15,988), with additional voucher discounts bringing prices down to as low as PhP 11,888 on Shopee, PhP 12,288 on TikTok, and PhP 12,188 on Lazada.
Other bestsellers are also on sale:
- AKASO V50 X (PhP 6,988 SRP): from PhP 5,258 on Shopee, PhP 5,299.20 on TikTok, and PhP 5,688 on Lazada
- AKASO EK7000 (PhP 4,988 SRP): from PhP 3,769.20 on TikTok, PhP 3,790.40 on Shopee, and PhP 4,608 on Lazada
To make the launch even more exciting, AKASO is giving away three EK7000 units worth PhP 4,988 each.
Fans can join by following AKASO on Shopee, Lazada, and TikTok by October 20, with winners announced on October 21 at 8 PM.
I’ve never been the kind of person who stays still for long.
My calendar looks more like a puzzle than a plan. Airports, races, trails, test drives, repeat.
Somewhere between boarding gates and finish lines, I try to squeeze in meetings, shoots, and the occasional night out.
For years, I’ve carried cameras that promised to keep up. They all said the same thing: lightweight, smart.
Yet they always ended up feeling like one more thing to hold. They’re more of a reminder that I was documenting life instead of living it.
Then the DJI Osmo Nano arrived, right before a flight to Hong Kong. I slipped it into my backpack without much thought.
Somewhere between the terminals of Hong Kong, the beaches of Shenzhen, the streets of Zhengzhou, and the mountain roads of Baguio, this tiny camera became part of my everyday life.
Hanging from a lanyard or docked on a dashboard, it was always ready. It’s strange how something so small can change the way you move through the world.
I stopped worrying about framing the perfect shot and started focusing on feeling the moment.
Made for people on the move
At 52 grams, the Osmo Nano is incredibly light yet feels substantial. It’s the kind of confidence that comes from precision engineering.
The matte finish resists fingerprints and the occasional drop of sweat. Simply put, it’s designed for motion.
Then there’s the protective case. If there were an award for most underrated accessory, this would win it.
I accidentally dropped the Nano from a floor up and braced for heartbreak, but when I picked it up, both the body and the lens were flawless.
With or without a case, it also looks elegant. It doesn’t scream “camera.” You can clip it on your shirt or cap, and no one gives you a second look.
You can film without disrupting the mood, which gives the footage a sense of authenticity that’s hard to replicate.
A full system in your pocket
The Osmo Nano alone is impressive, but pair it with the Multifunctional Vision Dock and it becomes a complete ecosystem.
I brought it everywhere. In Shenzhen, it sat on the sand while I ran barefoot by the water. In Zhengzhou, it helped me capture temples and tourist sites that looked almost cinematic.
The dock acts like your all-in-one creative base: a power bank, tripod, remote control, and transfer hub built into one piece of aluminum.
It charges the camera to 80% in just 20 minutes, records for up to 200 minutes, and transfers data up to 600MB/s through its microSD slot.
It even doubles as a display for previewing or reviewing clips, which is a rare convenience in a setup this small.
Together, the Nano and the dock feel like the definition of portable professionalism: a setup that fits in your pocket yet never feels like a compromise. It’s everything you need, minus the baggage.
The creative hub
What ties it all together is the DJI Mimo app. It’s the command center that turns the Osmo Nano into an extension of your creative workflow.
Footage syncs automatically, though I wish it keeps the connection longer, as the device kept disconnecting from the app time and time again.
Through the app, you can trim, color-grade, and export straight from your phone. Whether at an airport lounge, a café, or even the backseat of a car, editing feels effortless as long as you don’t use the One-Tap Edit feature.
I don’t know how to put it, but using AI to pick the ‘best’ frames doesn’t sit well with me after trying it and seeing its output.
While the frames it picked were ideal, composition-wise, it doesn’t have the emotions needed when producing a video.
@gadgetmatch We’ve taken the DJI Osmo Nano in the wild and here are our sample clips. Full review on gadgetmatch.com 🫶🏼 #DJIOsmoNano #DJI #foryou ♬ som original – 𒆜|𝑹𝑵𝑩𝑨𝑺𝑺444🇧🇷-_-
Nevertheless, I particularly love how it adapts to my workflow. Syncing large files and previewing high-res clips happens with minimal lag.
For creators who thrive on momentum, that speed is priceless.
Race tracks and road trips
I’ve always believed that motion tells better stories than stillness, that the way a car turns a corner says as much as the driver’s expression.
When I tested cars at the BYD Zhengzhou All-Terrain Circuit, the Osmo Nano was mounted on the Dual-Direction Magnetic Ball-Joint Adapter Mount.
Through rough corners and high-speed bursts, the videos stayed unshaken thanks to RockSteady 3.0 and HorizonBalancing.
The footage looked like something out of a commercial. The 143° ultra-wide lens captured more story.
The only drawback was how the Nano tended to overheat during off-road and race track sessions, even after a firmware update.
Even when we were indoors at the BYD Di-Space Museum — a controlled, air-conditioned environment — I had to limit recordings to 2.7K or 1080p instead of 4K to keep recording.
Later, I brought it to Baguio City, driving through pine-covered streets with the Ford Territory Hybrid.
The colors shifted with the light, from deep morning blues to warm golds by afternoon, and the Nano handled it all gracefully. It balanced light and shadow without flattening the details.
In moments where I could lose a shot quickly, I preferred setting color to Auto rather than using D-Log. Though I’m a creative director by profession, I don’t believe in using D-Log unless you can color grade perfectly.
Most creators who insist on it miss the point. It takes away the beauty of capturing things as they are. The Nano’s color quality is good enough to make every frame look polished and accessible.
Never missing a step
Of course, no camera review feels complete until I’ve taken it to the trail.
During BGY BYG’s OCR Simulation at Bridgetowne Obstacle Park, I used the Magnetic Headband and Lanyard, swapping between them as I watched participants go through obstacles.
I wanted to see how the Nano handled rain and movement, and it didn’t just survive. It performed well.
Thanks to the 1/1.3-inch CMOS sensor, it captured athletes at dusk with the SuperNight mode assisting in low light. The image quality was good, though not exceptional.
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Due to its fixed ultra-wide field of view, versatility remains limited. It doesn’t have a zoom lens, so I had to move closer to the athletes to frame their movements.
Then came the 32km trail run to Sitio Malasya in Rodriguez, Rizal. The terrain was brutal (as usual) and yet the Nano stayed locked in. I held it by hand without the dock, and the footage I captured became one of my favorites.
It’s rare for an action camera to feel emotional, but the Nano somehow made the footage feel alive.
During the run, the audio also impressed me. The built-in microphones captured ambient sound and reduced wind effectively. For those with DJI Mics, pairing is seamless and doesn’t require receivers.
Maybe next time, I can record a Trail Talks podcast so we don’t get bored running longer distances?
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At the end of Sitio Malasya is a raging river, where we stopped to eat and rest. When it drizzled mid-run, I kept recording without worry.
The Nano handled rain and splashes without fogging or glitching. I didn’t feel anxious bringing it into the unpredictable courses of my life.
Running back to the jump-off point, I realized the DJI Osmo Nano isn’t just a piece of technology. It’s an adventure companion that understands the tempo of your life.
Unlocking its full potential
Like any performer, the Osmo Nano shines brighter with the right supporting cast.
The ND Filter Set is a must for bright outdoor scenes, adding that polished, cinematic tone. The Magnetic Headband is perfect for hands-free capture during workouts or races.
For flexible angles, the Dual-Direction Magnetic Ball-Joint Adapter Mount is my second favorite.
My personal favorite is the Glass Lens Cover. It’s the reason my lens still looks brand new after that dramatic drop.
Out of the box, though, the DJI Osmo Nano already comes prepared with the camera, Magnetic Lanyard, Multifunctional Vision Dock, Dual-Direction Magnetic Ball-Joint Adapter Mount, Protective Case, Magnetic Hat Clip, and a USB-C 3.1 cable.
It’s a complete kit that gets you shooting right away. And once you see how capable it is, you’ll want to expand your setup anyway.
Is the DJI Osmo Nano your GadgetMatch?
The DJI Osmo Nano represents freedom. It’s made for people who live on the go, who don’t have time for complex setups but still want cinematic results.
I’ve always believed that the best camera is the one that never slows you down, and the Osmo Nano fits that perfectly. For an athlete and storyteller like me, it’s a Super Swipe.
Even if you’re not living life on the move, it’s still a Swipe Right, especially considering how complete the package is for its price: PhP 15,990 for the 64GB model and PhP 18,390 for the 128GB model.
Think of the stories you’ll tell once you bring it on your next trip. This is why it earns the GadgetMatch Seal of Approval.
Of course, it’s not flawless. If you expect the same performance, image quality, or versatility of the Osmo Action 5 Pro, Osmo Pocket 3, or even its competitor, the Insta360 Go, you might need to temper your expectations.
But as a new device, the Osmo Nano is promising. So promising that five automotive journalists I was with in Zhengzhou bought one on the spot after seeing mine in action.
If that’s not convincing enough, I don’t know what is. Because right now, as most people see it, the DJI Osmo Nano deserves a spot in your camera arsenal, and perhaps, a place in the story of your life on the move.
Cameras
Fujifilm Philippines kicks off nationwide Photo and Video Walk 2025
Fujifilm is bringing together photographers and videographers across 32 cities for its biggest creative walk yet!
Fujifilm Philippines is inviting photographers and videographers to lace up and bring out their cameras on October 5, as the Nationwide Photo and Video Walk 2025 (NPVW 2025) unfolds across 32 cities from Luzon to Mindanao.
The highly anticipated event is open to creatives of all skill levels, giving everyone the chance to frame their cities’ stories through their lenses.
A nationwide celebration of moments
Anchored on Fujifilm’s global mission of “giving our world more smiles,” the walk is both a creative outlet and a celebration of community pride. Each participating city will host its own walk, beginning with a short talk before participants set off at 7:30 AM to capture scenes that matter to them.
To keep the spirit alive, Fujifilm is also collaborating with local cafés nationwide. The first 50 participants wearing the official NPVW t-shirt in each partnered café will be treated to a complimentary cup of coffee.
Prizes that inspire
Beyond the joy of documenting stories, participants have the chance to win exciting prizes. Three winners in the Open to All Photo category — one each from Luzon, Visayas, and Mindanao — will take home a Fujifilm X-E5 camera with an XF23mm F2.8 kit lens.
Dedicated Fujifilm users are also in for a treat. One winner of the Fujifilm-exclusive Photo category will receive a Fujifilm X-T5 with an XF16-80mm kit lens, while one winner of the Fujifilm-exclusive Video category will get the powerful Fujifilm X-H2S paired with an XF23mm F1.4 II lens.
A community guided by experts
This year’s walk will be guided by 61 industry leaders and mentors, including last year’s winners like Rey Ann Llaguno, Justin Varela, Javes Molles, and Joshua Bughao.
Their presence ensures that budding talents can learn, be inspired, and grow while they shoot.
How to join
Registration is open until September 30, 2025, at 11:59 PM. Those who sign up will receive an official event kit, including the NPVW 2025 shirt and exclusive Fujifilm merchandise.
From Manila to Zamboanga, Baguio to Borongan, this event is a call to celebrate creativity, pride, and connection. One morning, 32 cities, countless stories waiting to be told. Join by clicking through this link.
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