Entertainment
Netflix unveils Korean lineup for 2022
Netflix unveils Korean lineup for 2022
There was a viral tweet recently saying something along the lines of “Korea is keeping the lights on at Netflix,” and it’s hilarious because it is kind of true. In 2021 alone, Netflix garnered several eye balls thanks to the shows Squid Game and Hellbound. So, it’s no wonder that the streaming giant is doubling down on South Korean shows as they unveil their Korean lineup for 2022.
Speaking of Squid Game, Netflix says it’s the biggest show they’ve ever launched with it being the most viewed Netflix show in 94 countries at its peak. The company adds that 95 percent of these viewers are from outside Korea and many of them explored other Korean content afterwards.
Netflix has launched 130 Korean titles since 2016 and they look to continue to bringing on the K-wave. Here’s what’s coming to Netflix in 2022.
All of Us Are Dead
Directed by: Lee JQ, Kim Nam-su
Writer: Chun Sung-il
Launch date: Jan 28th
Starring: Yoon Chan-young, Park Ji-hu, Cho Yi-hyun, Lomon, Yoo In-soo, Lee You-mi, Lim
Jae-hyeok
Overview: Netflix Series All of Us Are Dead is a story about students trapped in a school amid a zombie virus outbreak who later join hands to fight for survival. All of Us Are Dead is based on a popular webtoon by Webtoon creator Joo Dong-geun, touted as a ‘Korean-style zombie graphic novel’ with its wild imagination, gripping storyline, and meticulous details. The horrific visuals of students infected by the mysterious zombie virus and stunning action set in different parts of the school are a must-watch.
Juvenile Justice
Directed by: Hong Jong-chan
Writer: Kim Min-suk
Starring: Kim Hye-soo, Kim Moo-yeol, Lee Sung-min, Lee Jung-Eun and etc
Overview: Juvenile Justice deals with a judge who dislikes juvenile delinquents, later realizing the troubles children face in society and how society is circumventing them to become better people. Kim Hye-soo(Hyena, Signal) plays Sim Eun-seok, the charismatic judge newly appointed to a district with the highest juvenile delinquency and makes unorthodox decisions to existing
judgments. She later tries to send a message that society is also responsible for juveniles’ immoral and illicit acts.
Twenty Five, Twenty One
Directed by: Jung Jeehyun
Writer: Kwon Doe-un
Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Kim Tae-ri, Nam Joo-hyuk, Kim Ji Yeon, Choi Hyun Wook, Lee Ju Myung
Overview: Twenty Five, Twenty One is a drama of youths who lost their dream to the zeitgeist of 1998, a drama of their dilemma and growth. They called out each other’s names for the first time when they were twenty-two and eighteen. Now they’ve each become twenty-five and twenty-one. The fine line between a heart-fluttering first love and a heart-warming friendship gives them butterflies. Their sparkling love and growth, as well as the chemistry and hardships among the five friends, remind us of our intense yet beautiful youth.
Forecasting Love and Weather
Directed by: Cha Young Hun
Writer: Sun Young
Launch date: February 12th
Episodes: 16 episodes (Every Sat & Sun 2 episodes per week)
Starring: Park Min Young, Song Kang, Yoon Bak, Yura
Overview: Forecasting Love and Weather is a cheerful romance drama of people at the Korea Meteorological Administration who break, fall and get back on their feet every day. Forecasting Love and Weather is a romantic comedy series ofpeople at the Korea Meteorological Administration who break, fall and get back on their feet every day. The story narrates Jin Ha-kyung, who decides never to commit to an office romance after a brutal break-up, again falling into a relationship with a newcomer in the team Lee Si-woo who is different but attractive in his own way. With a star-studded cast of Park Min Young and Song Kang, this is one of the most anticipated Romantic Comedies in the first half of 2022.
Thirty Nine
Directed by: Kim Sang-ho
Writer: Yu Young- a
Launch date: February 16th
Episodes: 12 episodes (Every Sat & Sun 2 episodes per week)
Starring: Son Ye-jin, Jeon Mi-do, Kim Ji-hyun
Stills: Stills folder
Overview: Thirty Nine is a down-to-earth life and romance drama that touches deep into the friendship, love and life of three friends who are about to turn forty. A coincidence in their high school years brought the three of them together to become BFFs. Cha Mi-jo (played by Son Ye-jin) Jeong Chan-young (played by Jeon Mi-do) and Jang Joo-hee (played by Kim Ji-hyun) are very close friends who have been through both the good and the worst times together. Mi-jo now works as a Dermatologist, Chan young as an acting coach and Joo-hee as a cosmetics sales manager. One fine day, when they are all 39, life takes a turn for the worse and they have to get ready for goodbye.
Tomorrow
Directed by: Kim Tae-Youn, Sung Chi-Wook
Writer: Park Rhan, Park Ja-kyung, Kim You-jin
Episodes: 16 episodes (Every 2 episodes per week)
Starring: Kim Hee-seon, Rowoon, Lee Soo-hyuk
Stills: The grim reapers who used to escort the dead now save those who want to die. An afterlife fantasy drama, Tomorrow depicts how a long-time unemployed Choi Jun-woong accidentally bumps into grim reapers on a special mission and becomes a contract worker at their Crisis Management Team to help them out on their mission.
Business Proposal
Directed by: Park Seon Ho
Writer: Han Sul Hee
Episodes: 12 episodes (Every 2 episode per week)
Starring: Ahn Hyo-Seop, Kim Se Jeong, Seol In A, Kim Min Gue, Lee Duck Hwa
Stills: An office romance drama, Business Proposal, is based on a globally famous web novel and webtoon of the same name with a total 320 million views. An office romance of a perfect CEO who’s got both the looks and the brains and an average employee who becomes his blind date will certainly keep you away from quitting your job! An average employee Shin Ha-ri (played by Kim Se Jeong) goes on a blind date in her friend’s stead as a sassy girl, only to find her blind date to be the CEO of her company, Kang Tae-moo (played by Ahn Hyo-Seop). After the two run into each other on their blind date, they each struggle in their own way at the office as the CEO and the employee, which can sometimes be sweet, thrilling and even tense.
The Sound of Magic
Directed by: Kim Sung-youn
Writer: Kim Min Jeong
Starring: Ji Chang-wook, Choi Sung-eun, Hwang In-youp
Overview: The Sound of Magic, based on the popular webtoon Annarasumanara, is a touching drama about Yoon Ah-yi, a girl who had to grow up too fast, and Rieul, a mysterious magician who — although grown up — wants to remain as a kid. Ji Chang-wook plays Rieul, a mysterious magician who lives in an abandoned amusement park, Choi Sung-eun plays the role of Yoon Ah-yi and Hwang In-youp will play Yoon Ah-yi’s classmate Na Il-deung.
Remarriage and Desires
Directed by: Kim Jung-Min
Writer: Lee Geun-Young
Starring: Kim Hee-Seon, Lee Hyun-Wook, Jung Eugene, Park Hoon, Cha Ji-Yeon
Overview: Remarriage & Desires is a satire of Korean society governed by desire. Set at the exclusive matchmaking agency Rex catering to the top echelons of society, ambitious souls hope to upgrade their status by marrying or remarrying into the ranks of the elite. They aspire to nab someone from the “Black” tier, the highest group consisting of the top 0.001 percent of the population. Remarriage and Desires shrewdly portrays the commercialized dating/marriage business and society’s perception in which we live.
A Model Family
Directed by: Kim Jin-woo
Launch date: Lee Jae-gon
Starring: Jung Woo, Park Hee-soon, Yoon Jin-seo, Park Ji-yeon
Overview: A Model Family is a story about a man on the brink of bankruptcy and divorce stumbling upon a car loaded with cash. The incident has him crossing paths with the second-in-command of a drug organization. Jung Woo, Park Hee-soon, Yoon Jin seo and Park Ji-yeon lead this thrilling illustration of an ordinary family coincidently putting hands on illegal drug money.
Glitch
Directed by: Roh Deok
Writer: Gin Han-sai
Producer: Yoon Shin-ae
Starring: Jeon Yeo-been, NANA
Overview: Glitch tells the story of Hong Jihyo, who attempts to track down her missing boyfriend with the help of members of a UFO club. In the process, she comes face to face with a mysterious secret. Writer Gin Han-sai who enthralled audiences and critics with the much-lauded Netflix series Extracurricular. The series will be directed by Roh Deok, known for her genre-crossing agility, and Jeon Yeo-been plays the lead role of Hong Jihyo, and NANA plays Bora.
The Accidental Narco(WT)
Directed by: Yoon Jong-bin
Writer: Yoon Jong-bin, Kwon Sung-Hui
Starring: Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin, Yoo Yeon-seok, Chang Chen
Overview: Based on real-life events, the story is about an ordinary entrepreneur who has no choice but to risk his life in joining the secret mission of government agents to capture a Korean drug lord operating in The Accidental Narco. The Accidental Narco marks Director Yoon Jong-bin’s first foray into series and first collaboration with Netflix. A star-studded cast including Ha Jung-woo, Hwang Jung-min, Park Hae-soo, Jo Woo-jin and Yoo Yeson-seok is on deck, along with mounting anticipation as The Accidental Narco is the first collaboration between Ha Jung-woo and Hwang Jung-min.
The Fabulous
Directed by: Kim Jeong-hyeon
Writer: Kim Ji-hee, Im Jin-sun
Starring: Chae Soo-bin, Choi Min-ho
Overview: The Fabulous is a highly realistic romance that explores the dreams, love, and friendship of young people who devote their lives to working in the fashion industry, where fashion often means passion.
Love to Hate You
Directed by: Kim Jeong-kwon
Writer: Choi Soo-young
Starring: Kim Ok-vin, Yoo Teo, Kim Ji-hun, Go Won-hee
Overview: Love to Hate You is about the war-like relationship between a woman who hates losing to men and a man frantically suspicious of women who later discover life remedies behind their opposite characteristics. Starring Kim Ok-bin and Teo Yoo, Love to Hate You depicts the love and emotional sympathy that triumphs over the broader mistrust between the opposite sex
Money Heist: Korea – Joint Economic Area
Directed by: Kim Hong-sun
Writer: Ryu Yong-Jae, Kim Hwan-Chae, Choe Sung-Jun
Starring: Yoo Ji-tae, Kim Yunjin, Park Hae-soo, Jun Jong-seo, Lee Won-jong, Park Myung-hoon, Kim Seung-o, Kim Ji-hun, Jang Yoon-ju, Lee Joobeen, Lee Hyun-woo, Kim Ji-hoon,, Lee Kyu-ho
Overview: Money Heist: Korea – Joint Economic Area narrates a genius strategist and his talented crew – composed of top-class thieves – attempting to pull off an unprecedented heist in the Korean Peninsula. The story portrays unexpected twists and turns as the crew stage a hostage while facing inexplicable challenges. All eyes are focused on the background and definition behind the title Joint Economic Area.
Somebody
Directed by: Jung Ji-woo
Writer: Jung Ji-woo, Han Ji-wan
Starring: Kim Young-kwang, Kang Hae-lim, Kim Yong-ji, Kim Su-yeon
Overview: A murder case revolves around the social dating app – Somebody, triggering a developer of the app, and her friends to entangle in inexplicable issues surrounding a mysterious figure named Yoon-oh. Prominent director Jung Ji-woo spearheads the production — marking his first foray into series and collaboration with Netflix — along with writer Han Ji-wan renown for his ability to write excellent thriller genre scripts.
Black Knight
Directed by: Cho Ui-seok
Writer: Cho Ui-seok
Starring: Kim woo-bin, Esom, Kang you-seok etc
Overview: Starring Kim woo-bin, Black Knight illustrates an air polluted world in 2071, where people depend on respirator masks to breathe. Only one percent of the human race has survived, and a strict social stratification has been established in the deserted lands of the Korean Peninsula. Delivery drivers play a crucial role within this system, and for refugees, becoming a delivery driver is their only hope for survival. Amid desolation, Black Knight tells the story of a legendary delivery driver 5-8 with exceptional battle skills and refugee Sawol who dreams of following in his footsteps.
Film
Love and Leashes
Directed by: Park Hyun-jin
Writer: Park Hyeon-jin, Lee Da-hye
Launch date: Feb 11
Starring: Seo Hyun, Lee Jun-Young, EL
Overview: Love and Leashes is a film about a different kind of romance between a man with a unique taste and a woman who stumbles upon his secret. Seo Hyun, who recently played a shapeshifting swindler in Private Lives, will star in her first film, Love and Leashes. Jung Ji-woo, played by Seo Hyun in the film, is a woman who leads a racy romance by engaging in a “special” relationship with her co-worker after she accidentally learns about his secret peculiarities. Performing outstandingly across an array of genres like in the musical Swag Age: Shout, Chosun!, the drama Please Don’t Date Him, Imitation, rising star Lee Jun young will play the role of Jung Ji-hoo, a man with unusual tastes. Lee Jun-young will add vibrancy and excitement in the role as his character’s charm and figure, adored by his female co-workers, hide his secret and unique taste.
Yaksha: Ruthless Operations
Directed by: Na Hyun
Writer: An Sang-hoon, Na Hyun
Starring: Sul Kyung-gu, Park Hae-soo, HIROYUKI Ikeuchi, Yang Dong-keun, EL, Song Jae-lim,
Park Jin-young
Overview: A breathtaking spy action film Yaksha: Ruthless Operations unfolds as a merciless man known as “Yaksha” crosses paths with a prosecutor on a special inspection mission in Shenyang, a city in China notorious for espionage. Director Na Hyun makes his long-awaited comeback after directing Prison, which has swept audiences off their feet with stunning action scenes and a tightly wound plot, and adapting Inseparable Bros into a delicate and heartwarming story. Sul Kyung-gu plays the callous head of the overseas espionage team, also known as the man-eating Yaksha, who accomplishes his goals by hook or by crook. Park Hae-soo, a global star from Squid Game, plays the role of Ji-hoon, a prosecutor demoted to Shenyang for playing it by the book.
Carter
Directed by: Jung Byung-gil
Writer: Jung Byung-gil, Jung Byeong-sik
Starring: Joo Won
Overview: Carter is a new original film about an agent suffering from memory loss who is thrown into the middle of a mysterious mission. At the helm of the series is director Jung Byung-gil, whose skilled hands have produced many unique action films. Joo Won, who played powerful roles in Good doctor, Yong-pal, transforms into an action hero in Director Jung Byung-gil’s new work. In the popular drama Alice, which involved car chases and hand-to-hand combat, Joo Won exhibited his great skill in performing action scenes. The role of Carter will challenge him with even more extreme and exciting action. In the series, Carter is a top agent who awakens one day with a complete loss of memory, but is then thrown into the mission of a lifetime.
Seoul Vibe
Directed by: Moon Hyun-sung
Starring: Yoo Ah-in, Ko Kyung-Pyo, Lee kyoo-hyung, Park Ju-hyun, Ong Seong-wu
Overview: Action blockbuster Seoul Vibe narrates a talented crew of baby drivers – known as the Sangedong Supreme team. With the world’s eyes drained to the 1988 Seoul Olympic Games, the illegal transactions of capital (funds) is a significant issue. A special operation driven by the Sangedong Supreme team initiates to unravel the corruption behind the slush funds. An all-star
cast — Yoo Ah-in, Ko Kyung-pyo, Lee kyoo-hyung , Park Ju-hyun, Ong Seong-wu– portrays this incredible chase in the city of Seoul tightly packed with breathtaking action scenes.
20th Century Girl
Directed by: Bang Woo-ri
Starring: Kim You-jung, Byeon Woo-seok, Park Jung-woo, Roh Yoon-seo
Overview: In 1999 – the last year of the 20th century – seventeen-year-old Bo-ra finds her first love: a sweet, pure but heartbreaking relationship. Years later in the 21st century, news about her first love revives her teenage romance that she once thought had forgotten. The 20th Century Girl narrates the lives of the youth in their 20s, filled with vivid moments of love and friendship. Starring the popular Kim You-jung, Byeon Woo-seok, Park Jung-woo, and Roh Yoon-Seo, this pit-a-patting film will be directed by Bang Woo-ri, who won the Best Short Film award for Mrs.Young at the Blue Dragon Awards.
JUNG_E
Directed by: Yeon Sang-ho
Writer: Yeon Sang-ho
Starring: Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo
Overview: JUNG_E portrays a desolated Earth in the 22nd century that is no longer inhabitable due to climate change. Amid the chaos, an internal war breaks out in the shelter built for human survival. Victory — meaning the end of the war– now hinges on finding a way to clone the legendary mercenary JUNG_E into a scalable robot. Orchestrated by Director Yeon Sang-ho of Train to Busan, Peninsula, and Hellbound, and with a colorful cast – Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-soo –, JUNG_E portrays a unique theme combined with dystopia, cloning, and technology.
Variety Show
Celeb Five: Behind the Curtain
Directed by: Kim Joo-hyung, Go Min-seok
Starring: Celeb Five (Kim Shin-young, Song Eun-i, Shin Bong-seon, An Young-mi)
Overview: Celeb Five on Netflix? A fake documentary Celeb Five: Behind the Curtain takes a peek into how Celeb Five (Kim Shin-young, Song Eun-yi, Shin Bong-sun, Ahn Young-mi) goes on marathons of ideation meetings to plan an amazing stage after being offered a solo show on Netflix. Their behind-the-stage work, more ingenious and hilarious than the on-stage show itself, provides incessant laughter and fun. Endless gut-busting stories, all-of-a-sudden pretend play, skits made on-the-fly and all the improvs… They’re definitely showing all they’ve got! This hilarious show is produced by Company SangSang, known for its great synergy with Netflix on shows like Busted, Twogether and New World, and co-directed by Celeb Five and Director Kim Joo-hyoung, praised for having laid the groundwork for Korean standing comedies with Park Na-rae: Glamour Warning and Lee Su-geun: The Sense Coach.
I was hyped and pleasantly surprised walking out of the cinema.
Mortal Kombat II is proof that something great can emerge even from a shoddy foundation.
Where Mortal Kombat I felt like a high budget Hollywood B movie. The sequel levels everything up. It felt a lot more confident from the start—like it knew exactly what it wanted to be.
It didn’t take long to feel the difference either. Somewhere within the first hour, it was already clear this was operating on a completely different level.
Night and day from MK1
It’s funny because I didn’t even see Mortal Kombat I until a day before Mortal Kombat II’s screening.
There was a moment when the main characters were journeying through the desert. I paused, watched something else, then came back just to power through. That wasn’t the case with MK II.
MK1 had a really strong start showcasing the history between Scorpion and Sub-Zero, but it quickly went downhill. The main character was easily its weakest part. MK II fixes that by finally telling the story from the lens of actual characters that exist in Mortal Kombat lore.
If anything, the biggest difference is tone. MK1 felt like it took itself a little too seriously. MK II is self-aware of how absurd everything is. It’s campy without being too cheeky.
And more importantly—it actually feels like a proper action blockbuster. Not stitched together. Not dragging. Just locked in from start to finish.
Cage & Kitana
Johnny Cage and Kitana brought their own brand of charisma, humor, and energy. They were the perfect anchors for the kind of story MK II wanted to tell.
Cage, especially, changes the tone of every scene he’s in. He feels like what Cole Young should have been—a self-aware, not too serious lens for the audience to grasp the world of Mortal Kombat.
Where Cage is the funny, grounded audience stand-in, Kitana is the heart and soul of the film.
It’s her story that kicks things off. While MK1 arguably had the stronger intro, MK II delivers a more consistent vibe and energy throughout. Kitana’s emotional journey becomes the core, and her growth alongside Cage’s is what ties everything together.
The returning cast, meanwhile, feels like proper foundations. Like veterans welcoming new, highly billed members and giving them space to shine.
And then there’s Kano. Absolutely loved Kano here. He was already an asshole in the first one—and somehow even more so in the sequel. But this time, his motivations and decisions actually make even more sense. His banter with Cage was also hilarious.
It’s a fighting game movie. Relax.
A lot of the charm comes from how the movie embraces its absurdity.
Johnny Cage, in particular, calls out everything that sounds ridiculous about the Mortal Kombat tournament. He practically calls it unbelievably stupid without actually saying it—but does it in a way that’s inviting and incredibly funny.
It feels self-aware that it’s a campy fighting game movie—and it fully commits to that. That balance is what lets it be corny, campy, absurd, and bizarre… but in an endearing way.
There’s also some heart here. Like I said, Cage brings the humor, but Kitana brings the emotional weight. She grounds the film without clashing with its tone. Her journey gives the story something to hold onto beyond just fights.
And yes, even if it’s tighter than the first film, there will still be moments where you go, “huh?” That’s fine.
This is a fighting game movie. These stories are rarely known for being deep. What matters is that MK II makes the most of what it has—and finds a solid balance of humor, heart, and chaos.
Finish him.
The fights are just better. Plain and simple.
They’re edited better. Yes, there are still quick cuts—very Hollywood—but the sequences feel more sustained. Each hit also felt weightier than the first film. You actually feel the impact.
And when the fatalities come, they hit harder. They’re at the right level of gore—not too much, not too little. Each one gets a reaction. They’re cool without being self-indulgent.
What also helps is how distinct each fight feels. They lean into each character’s style, so nothing feels repetitive. It genuinely feels like the fighting game come to life.
The pacing is spot on too. People wanted a tournament—and that’s exactly what we got. Fights come one after the other in the best way possible, and each one tells its own story without taking away from the main plot.
It really does feel like a proper tournament arc. And a damn good one at that.
Flawless Victory? Not quite.
There are still moments that will make casual viewers go, “huh?” Some lines of dialogue. Some head-scratching beats. But given the film’s tone, they land anyway.
The story is tighter, but still shallow. It’s a fighting game movie—don’t expect it to say anything profound. Its job is to tie everything together and build around the fights, and that’s exactly what it does.
There are still small messy moments here and there. But you’ll likely walk away on a high. Maybe even wanting to watch it again. Because everything it does right—it does really well.
If this were a fighting game match, MK1 felt like barely scraping by but still getting the win in Round 1. Then, Mortal Kombat II is the second round which feels more like a definitive victory.
And yeah—Kitana? She’ll make you glad you have eyes. Will make you want to shout “Get over here” every time she’s on screen.
I didn’t watch The Devil Wears Prada when it first came out in 2006.
I came to it a few years later, at a time when I was still figuring things out—career, identity, even the kind of movies I allowed myself to enjoy. It wasn’t something I would’ve picked on my own back then.
At the time, it felt like a story about love versus career. I was about to graduate with a Mass Communication degree, unsure of where I was headed, trying to make sense of both ambition and connection.
Watching it again recently, it lands differently.
It’s less about choosing between two things—and more about understanding who you are, and having the courage to follow that honestly.
That’s what makes The Devil Wears Prada 2 feel so deliberate. It doesn’t just revisit the past. It builds on it.
Growth over spectacle
There’s a version of this sequel that could’ve leaned entirely on nostalgia. Bigger moments. Sharper outfits. A louder version of what already worked.
This isn’t that.
The film is grander, but in ways that feel earned. It embraces the 20-year gap instead of ignoring it, placing its characters exactly where you’d expect them to be—not in status, but in spirit.
Miranda Priestly still commands every room, but no longer feels as unassailable as she once did.
Andy Sachs carries experience. She’s no longer the green assistant, but an accomplished journalist whose relationship with Miranda still shapes her decisions.
Emily Charlton feels fully realized—no longer orbiting power, but owning her place within it.
And Nigel remains a pillar. Dependable to both Miranda and Andy, an almost invisible hand that guides more than it claims.
None of them feel stuck in who they were. That’s the point.
What it says about the work
This is where the film hit me the hardest.
Working in tech media, I constantly see the push toward generative AI—toward making everything faster, more efficient, more scalable. A lot of it is impressive. Some of it is genuinely useful.
But some of it is also unsettling.
We’re at a point where generative visuals can fool people. Where audio—music even—can sound convincing enough that you stop questioning where it came from. That’s the part that lingers.
Because music, for me, is personal. It’s how I process things. And realizing that something artificial can mimic that emotional weight—even if imperfectly—feels dangerous in a quieter, harder-to-define way.
This film doesn’t shout about AI. It doesn’t need to. Instead, it argues for something more fundamental.
That the human touch still matters.
That taste, judgment, and intention aren’t things you can replicate at scale.
That the pain of heartbreak, the joy of victory, and the complicated weight of living—these are things that come from experience. And experience leaves a mark. We leave a part of ourselves in everything we create, whether we mean to or not.
That’s something I don’t think can ever be fully replicated.
AI is a helpful tool. But it should not be relied upon for things that require a piece of our soul.
Direction that understands power
A lot of that message lands because of how The Devil Wears Prada 2 is directed.
Blocking and staging do most of the talking. Who stands where, who moves first, who stays still—these choices define power before any dialogue kicks in.
The camera follows emotion closely. Moments of uncertainty feel slightly unsteady. Scenes of control are composed and precise.
It’s not trying to impress you. It knows exactly what it’s doing.
Sound that knows its place
The sound design follows that same discipline.
Nothing competes. Nothing distracts.
Every element feels intentional–supporting the scene instead of demanding attention. It’s cohesive in a way that’s easy to overlook, but once you notice it, you realize how much it’s doing.
Dialogue that winks, but doesn’t linger
There are a few “wink” moments–lines that echo the original, callbacks that longtime fans will catch instantly.
But the film shows restraint.
It never lets those moments take over. They’re accents, not the foundation.
Nostalgia used with purpose
That restraint carries through how the film handles nostalgia as a whole.
It doesn’t rely on it. It uses it.
Parallels to the original are there, but they exist to highlight change—not to recreate what once worked.
It’s less about remembering.More about understanding what time has done.
Why it works now
What makes The Devil Wears Prada 2 land isn’t just that it’s well-made.
It’s that it feels necessary.
In a world that keeps pushing toward speed, output, and efficiency, this film slows things down just enough to remind you what actually matters.
The intention behind every line, every scene feels sharp—like it could only come from people who care. Who care about the craft. Who care about making something that connects.
It might sound like a tired argument. But it’s still true.
The breadth and depth of humans who care is irreplaceable.
The teaser trailer for DC Studio’s horror thriller, Clayface, has just been released. It is the studio’s first-ever foray into the genre, with the film co-written by Mike Flanagan and directed by James Watkins.
The R-rated standalone film is still part of the new James Gunn DC Universe, taking place within the main DCU timeline before the events of the 2025 Superman.
It stars Tom Rhys Harries as the titular Gotham City villain. He is joined by Naomi Ackie, David Dencik, Max Minghella, Eddie Marsan, Nancy Carroll, and Joshua James.
The film opens internationally on October 21 and in North America on October 23.
Here’s a quick look at the film’s teaser trailer:
Clayface explores one man’s horrifying descent from rising Hollywood star to revenge-filled monster.
The story revolves around the loss of one’s identity and humanity, corrosive love, and dark underbelly of scientific ambition.
Joining Watkins in his creative team are director of photography Rob Hardy, production designer James Price, editor Jon Harris, visual effects supervisor Angus Bickerton, costume designer Keith Madden, and casting director Lucy Bevan.
In addition, here’s a quick look at the movie’s teaser poster:
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