Cameras
Nikon ZR is the brand’s first full-frame cinema camera after RED acquisition
The first lovechild of the Nikon and RED synergy
From launching their first set of mirrorless cameras seven years ago to their silent disregard of DSLRs, Nikon has surely made another way of surviving in this revolutionary camera industry.
ICYMI, Nikon has already acquired the renowned cinema-camera brand RED last 2024.
While it comes as no surprise to fans and professional cinematographers alike, it’s still something worth noting here.
Smallest Z CINEMA camera
At just 540 grams (body-only) or 630 grams (with battery and lens), the all-new Nikon ZR is undoubtedly featherlight.
And with the Nikon x RED synergy already established, it’s currently the smallest full-frame mirrorless camera found in the two brands’ entirely new Z CINEMA product line.
This might even be considered as Nikon’s direct response to the freshly-released Canon EOS C50 and Sony FX2.
Found within Nikon ZR’s core is the EXPEED 7 image-processing engine. It’s the same unit that runs the flagship-grade Nikon Z9. And with Nikon’s deep-learning based AI excellency, it enables better and more accurate subject detection and tracking.
To be precise, it can automatically detect nine (9) types of subjects including people, animals, vehicles even. Precise focusing on small faces and distant human subjects is also possible.
It also has dual-base ISO sensitivities (800 / 6400) plus 15+ stops of Dynamic Range that promises noise-free footage regardless of your studio setup and specific lighting condition.
The ZR also has a large 4.0-inch fully-articulating display with approx. 3070k dots and 100% DCI-P3 support.
Cinema-Grade Excellence
Being a camera meant for videos, it boasts 5-axis image-sensor-shift vibration reduction. This reduces camera shake especially in handheld video recording.
Speaking of, 12-bit RAW recording is doable: up to 59.94p in 6K resolution and 119.88 fps in 4K Ultra HD. ProRes 422 HQ format is also possible under 5.4K resolution, though limited to 29.97 fps frame rate. Shutter angle can also be adjusted from 5.6-degrees all the way to 360-degrees.
Audio quality wasn’t compromised. The Nikon ZR is the world’s first camera to have 32-bit float audio recording capabilities via its 3.5mm audio jack. It possesses both external and built-in microphones alongside three high-quality MEMS.
Those internal mics are powered by Nokia’s OZO Audio tech with five (5) pick-up patterns for better scene-matchups and utmost audio quality output.
Despite being small, the camera body is effective when it comes to heat dissipation. Nikon ZR promises around 95 minutes of shooting using its built-in battery.
If you’re already in a pinch, it supports undisrupted shooting via the faster USB-C PD (Power Deliver) standard of up to 125 minutes under the 6K / 59.94p R3DNE setting. This is especially advantageous for continuous coverages like weddings, concerts, and interviews.
Truly RED
The all-new Nikon ZR boasts RED’s mastery in cinema-grade color. This includes the R3D NE video codec, an all-new video recording codec based on RED’s R3D RAW codec specifically made for Nikon’s new model.
There’s also the Log3G10 format for HDR video formats, and the REDWideGamutRGB color space for vivid yet true-to-life colors.
There are even nine (9) RED-curated CineBias imaging recipes (with complicated naming schemes):
- CineBias_RED
- CineBias-T-Cool Atmosphere
- CineBias-C-Crisp Teal Contrast
- CineBias-CC-Noir Vibes
- CineBias WC-Grit & Glow
- CineBias-TC-Green Edge Experimental
- CineBiasOffset
- CineBias Achromic
- CineBias BleachBypass
More styles can be selected from Nikon’s Imaging Cloud service.
And while already on the topic, Nikon ZR supports Frame.io C2C (Camera to Cloud) connectivity via NX MobileAir available on both iOS and Android devices. This automatically transfers video datat directly to the cloud for a faster and more seamless editing workflow.
Pricing and Availability
Specific pricing nor regional availability of the Nikon ZR has not been declared through Nikon’s official websites.
However, the renowned American retailer B&H already accepts pre-orders for US$ 2196.95 (body only).
Three NIKKOR Z lens kit configurations are also available:
- 24-50mm f/4.0~6.3 = US$ 2496.95
- 50mm f/1.4 = US$ 2746.95
- 35mm f/1.4 = US$ 2846.95
There are also additional accessories such as the MC-N10 Remote Grip as well as the ME-D10 Shotgun Microphone.
The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.
The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.
Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.
However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)
Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.
SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend
Cameras
Canon PhotoMarathon returns, introduces video, open categories
Happening on April 18 in BGC, Taguig
The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.
The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.
For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.
Here’s a quick breakdown of the contest categories and their corresponding prizes:
Main Category (Photo)
- Open to Canon users only
- Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM
Open Category (Photo)
- Open to all camera brands
- Prize: Canon EOS R8 with 24-50mm
Video Category
- Open to all camera brands
- Canon Prize winner: Canon EOS R50 V
- Non-Canon Prize winner: Canon Powershot V1
The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.
To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.
To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.
These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.
Cameras
Canon EOS C50 cinema camera price in the Philippines
Smallest, lightest cinema camera made for today’s filmmakers, creators
Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.
The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.
It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.
Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.
This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.
Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.
Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.
In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.
Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.
Photo performance
For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).
The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.
Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.
Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.
This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.
Professional interface
Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.
There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.
During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.
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