ZV-E10 ZV-E10

Cameras

The Sony ZV-E10 is exactly as advertised

Great for vlogging and beginners

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Sony’s newest vlogging camera — the Sony ZV-E10 — is the first in their vlogging series of cameras with an interchangeable lens. Does it make all the difference? Is it good for everyday use? And is it really built or vlogging? These are just some of the questions we tried to answer as multiple members of the team tried the camera for themselves. Here’s what we had to say.

What did you think of the build quality? Did it feel sturdy? Was it too light? 

ZV-E10

Leez: The Sony ZV-E10’s build is every minimalist’s pipe dream. It blends functionality and probability well. But, it is really light. So much so, that it was worrying at times. The lightness of the build is an obvious pro and a confusing con because your brain doesn’t think something light is particularly “sturdy”. But, I’d say after using it, it’s both lightweight and sturdy.

MJ: The Sony ZV-E10 feels lightweight when you use it to shoot photos and videos — even if you shoot single-handed. However, you can feel its weight when you use its grip. It felt sturdy, but I was scared the whole time since I’m used to heavier cameras. I thought I was going to drop it at some point.

Rodneil: Coming from someone who regularly uses an a6500, the ZV-E10 definitely felt light and not sturdy. But after using the ZV-E10, the ‘not sturdy’ claim may not be accurate. And its lightweight is perfect for its intended use of vlogging.

Do you think the overall controls and configuration would be easy for a beginner to get used to? 

ZV-E10

Leez: The Sony ZV-E10 doesn’t have a rough barrier of entry when it comes to learning how to use and play around it’s features. For me, it was pretty simple and easy to use. If there’s a catch though, it would be the painful focus.

I’m more used to manual focus since my camera’s focus is broken. But, while using the ZV-E10 to shoot, it had gone completely out of focus for a good half hour. It took a while to fix the focus but it does seem that the camera struggles a lot with figuring out what the subject is–favoring what is closest to the camera. So, I’m assuming this would be a nightmare for someone who likes working with foreground shots.

MJ: If it’s your first time to have a camera, you’d probably learn it quickly. Assuming that Sony is also your first. But if you’ve used different cameras before (and still consider yourself a beginner), you might have a hard time, too. Which is what happened to me.

The ZV-E10 and I played tug-of-war when it came to controlling our shots. For instance, the camera suggests a subject to focus on, even if it wasn’t my intended subject and I was aiming for an uncommon shot. To put it simply, the ZV-E10 works for a beginner’s hand and eye rather than someone experienced.

Rodneil: I think, for everyone who’s answering here, we all had a bit of trouble with focus. Sony’s autofocus is fantastic especially when detecting faces. But it’s a bit of a disadvantage when you’re taking product images with the model’s face visible in the frame. The autofocus prioritizes faces which isn’t always to our liking. However, again, for its intended vlogging-use, it’s fantastic.

It shouldn’t be hard to figure out for any first-timer. You won’t be overwhelmed with too many physical dials and controls. There will be an adjustment for more experienced users, but for anyone just starting, it shouldn’t take too long to get used to.

Is there anything in your usage that particularly stood out?

ZV-E10

Leez: Most of the camera features are useful. It was reliable and easy to access. But, if there’s something that I appreciate about the ZV-E10, it’s that it’s really lightweight. I just don’t particularly like lugging around heavy equipment when shooting or filming so, making sure it didn’t weigh heavy on my flimsy arms was a huge plus. Perhaps, that’s why most people often end up filming and vlogging with their phones sometimes: most cameras are heavy and bulky to bring along. I think the ZV-E10 lives up to what it promises in that regard.

MJ: I have a love-hate relationship with beautification. Sometimes I like it since it helps when I’m looking worn out after being out in the sun. But sometimes, the smoothing is unnecessary when you badly want to highlight details.

Rodneil: Personally, I struggled with the general lack of granular control. I didn’t realize I adjust so much per shot using my own camera. It was only after using the ZV-E10, which encourages a more point-and-shoot approach, that I became more aware of my camera-shooting habits.

Do you think the interchangeable lens would be useful for people just getting into vlogging/content creating? 

ZV-E10

Leez: Yes. It might be a bit daunting at first for people starting out but it’s a good foundation to build upon more creative outputs. It lets anyone start wherever they are in experience with photography, vlogging, and content creation.

MJ: Definitely. If you know what lens works for you and your content. It also helps with improving your style and quality, since not all vlogs require a talking head. I follow several vloggers who take cinematic content, so I know it’s possible.

Rodneil: I’m on the fence on this one. Yes, because it offers versatility and that’s always a good thing. No, because the lenses are probably going to be heavier if not weigh just as much as the camera. That’s going to present some challenges while shooting. But I guess that’s a minor inconvenience compared to the benefit and more long-term use you’ll likely get.

Which lens did you end up using the most? 

ZV-E10

Leez: I used the 35mm for filming and photographing portraits and sweet bakes. It captured detailed shots but again, the focus was a stuttering mess sometimes so, be warned.

MJ: Prime lens! 50mm works for showcasing details, and I’m very particular about highlighting the important part rather than talking in front of the camera.

Rodneil: We’re all fans of prime lenses BUT that’s because we primarily take product shots. That lens isn’t exactly made for vlogging. You’re better off using the kit lens for that.

Is this something you think most people can easily pack and carry around on a trip? Or on the daily? 

ZV-E10

Leez: Yes, definitely. I think for the interchangeable lenses, it would be good to bring two depending on what your trip is for. A wide lens, a portrait lens, and the prime lens are more than enough, you can even strip it to a wide lens and the prime lens if you want to capture intimate close up moments while having a lens to switch to to capture the stunning outdoors.

MJ: Granted you don’t use every lens you have on hand, this is easily something you can carry wherever you go. You can slip it in fashionable bags that don’t look like camera bags, too, so you can shy away from the eyes of thieves.

Rodneil: Most definitely. I’d say pack the camera along with the kit lens and your preferred prime lens and you’ll pretty much be ready for any shooting scenario when you travel. It’s light, compact, and easy-to-use. It’s a perfect upgrade to the quick shooting we normally do on our smartphones.

Is there any feature that you wish it had? 

ZV-E10

Leez: There’s not much to ask more from the ZV-E10. It’s good and reliable as it is. If there’s one gripe I have with it, it’s the autofocus. If they could tinker with its autofocus to not freak out or stutter as much as it does, that would be amazing.

MJ: Not really. It feels solid for what I intend to use it for, for now. Who knows? Maybe along the way, I’ll end up looking for a feature that it doesn’t have.

Rodneil: I think it’s mostly fine as it is and for what it’s aiming to be. The features and overall build are geared towards vlogging. It’s great for its intended purpose.

The Sony ZV-E10 retails for PhP 39,999/ SG$ 999/ US$ 798.

Cameras

Fujifilm X-H2 mirrorless digital camera now official

Two lenses also announced

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Fujifilm X-H2

Fujifilm has announced its newest products during the X-Summit NYC event, to be available locally by the end of September 2022:

  • FUJIFILM X-H2 mirrorless digital camera
  • FUJINON Lens XF5gmmF1.2 R WR
  • FUJINON Lens GF20-35mmF4 R WR

FUJIFILM X-H2 camera

The latest addition to the X Series lineup of compact and lightweight cameras features a back-illuminated 40.2MP X-Trans CMOS 5 HR sensor and high-speed X-Processor 5.

It is capable of high-resolution stills with an even faster shutter speed of up to 1/180000 and ISO125 standard sensitivity.

The X-H2 is the first APS-C sensor camera to boast to a high-definition 8K (30p) video in 4:2:2 10-bit, with support for three Apple ProRes codecs.

It is also the first in the X Series to feature the Pixel Shift Multi-Shot function that quadruples image resolution and produces accurate color reproduction.

Among other advanced features are:

  • Smooth Skin Effect
  • Deep Learning technology for boosted Auto White Balance
  • 19 Film Simulation modes
  • Support for HEIF format
  • Optimized algorithm for substantially improved AF accuracy during recording 

Price

  • X-H2 body — PhP 123,990
  • X-H2 16-80mm Kit — PhP 153,990

FUJINON XF5gmmF1.2 R WR lens

The fast mid-telephoto prime lens joins the brand’s lineup of XF lenses. With a focal length of 56mm (85mm in the 35mm film format), the XF56mmF1.2 R WR has a maximum aperture of F1.2 just like its predecessor but with significant improvements in image-resolving performance, as well as close-up capability including beautiful bokeh.

Thanks to its 13 elements in eight groups, the lens is able to minimize chromatic, spherical, and comatic aberrations – including the onion ring effect – to provide better stills than the previous model. When it comes to close ups, the minimum focusing distance has also been improved to 20cm from 50cm.

The lens is the first Fujifilm lens to use 11 diaphragm blades to achieve a near-perfect circle in the aperture, which again is an improvement from the previous iteration.

Aside from these technical aspects, the XF5gmmF1.2 R WR is also built for mobility, as it weighs us 445g and measures 76mm. The lens barrel is dust- and weather-resistant too, and can operate at temperatures as low as -10 degrees Celsius.

Price — PhP 61,990

FUJINON GF20-35mmF4 R WR lens

Lastly, the GF20-35mmF4 R WR joins the GF group designed for the GFX Series mirrorless cameras as the widest in the series, offering a new dynamic for landscape photographers. 

Featuring a 20mm zoom lens (16mm in the 35mm format) with a F4.0 maximum aperture, the lens is tailor-made for covering expansive wide-angle views outdoors, whether in the wild or in the city.

It suppresses distortion and aberration with help of its 14 elements in 10 groups. The dust- and weather- resistant lens likewise utilizes Fujifilm’s unique NANO GI coating to minimize the effects of light reflection.

For its focal length, the GF20-35mmF4 R WR is still kept lightweight as much as possible, measuring 112.5mm with a weight of 725g.

Price — PhP 153,990

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Cameras

Samsung likely close to launching 450-megapixel camera

Say hello to the Hexa2pixel

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Galaxy S22+

Samsung is pioneering a new generation of smartphone photography. Amid the brand’s iconic smartphones, it is also developing new cameras that push the boundaries of what’s possible. For example, a 200-megapixel camera recently launched, opening the door for crisper photos. Now, Samsung is looking towards the future once again. According to a new leak, the next stop is a 450-megapixel shooter.

Such a large sensor shouldn’t be a surprise. In the past, Samsung already promised larger and larger sensors. The company clearly delivered with the new 200-megapixel sensor. Now, a new trademark has teased what’s next for the company’s cameras.

Recently, Samsung trademarked the name “Hexa2pixel.” On its own, the name doesn’t confirm much. However, popular Samsung leaker Ice Universe hinted at what the name means. The leaker’s tweet simply reads, “If X÷6²=12MP, then X=?”

The “62” offers a lot of insight as to what Hexa2pixel means. The new sensor will presumably use a binning method to compress the pixels into a crisper photo. As is standard with Samsung now, output photos are usually 12 megapixels in size. Though 200-megapixel sensors are impressive, it’s not practical to deliver photos of the same size. Users would have full phones almost immediately.

That said, if you solve the algebraic equation, you’ll get 432, the amount of megapixel needed to deliver 12-megapixel photos using the binning method. Samsung will likely round this up further to 450 megapixels, too.

Of course, a trademark is hardly indicative of what’s coming for sure. The company is still reveling in the glory of its 200-megapixel shooter. It will likely take some time before a 450-megapixel shooter makes it to the public.

SEE ALSO: Leaked Samsung teaser reveals two foldables

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Cameras

Nikon Z 30 now official in Singapore

For vloggers and creatives

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Nikon Z 30

Nikon is making a new APS-C type mirrorless camera, the Nikon Z 30, available in Singapore.

With its high-performance video capabilities, the compact and portable camera is ideal for filming, especially for vloggers or those who want to start a career as a creative.

The camera shoots 4K UHD video with approximately 100 percent angle of view, and Full HD/120p for slow-motion filming.

In a nutshell, here are the camera’s features which make digital content creation a breeze:

  • Easy user interface
  • Dedicated focus modes: Eye-Detection Autofocus and Full-Time Autofocus
  • Up to 125 minutes of shooting time
  • 20 filter effects from Creative Picture Controls
  • Built-in microphone
  • Twist and touch 7.5-cm vari-angle monitor

Aside from the focus modes, users will get more out of its auto mode with Single Autofocus, Continuous Autofocus, and Manual Focus, as well as an Animal-Detection AF.

When it comes to shooting or filming for lowlight situations, the Nikon Z 30 boasts an ISO of up to 51200 for stills and 25600 for videos.

For more information on the new product, click here

Price and availability


Editor’s Note: This article was originally published on June 30, 2022. It has been updated to reflect pricing and availability

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