Cameras

The Sony ZV-E10 is exactly as advertised

Great for vlogging and beginners

Published

October 4, 2021

GadgetMatch

Sony’s newest vlogging camera — the Sony ZV-E10 — is the first in their vlogging series of cameras with an interchangeable lens. Does it make all the difference? Is it good for everyday use? And is it really built or vlogging? These are just some of the questions we tried to answer as multiple members of the team tried the camera for themselves. Here’s what we had to say.

What did you think of the build quality? Did it feel sturdy? Was it too light?

Leez: The Sony ZV-E10’s build is every minimalist’s pipe dream. It blends functionality and probability well. But, it is really light. So much so, that it was worrying at times. The lightness of the build is an obvious pro and a confusing con because your brain doesn’t think something light is particularly “sturdy”. But, I’d say after using it, it’s both lightweight and sturdy.

MJ: The Sony ZV-E10 feels lightweight when you use it to shoot photos and videos — even if you shoot single-handed. However, you can feel its weight when you use its grip. It felt sturdy, but I was scared the whole time since I’m used to heavier cameras. I thought I was going to drop it at some point.

Rodneil: Coming from someone who regularly uses an a6500, the ZV-E10 definitely felt light and not sturdy. But after using the ZV-E10, the ‘not sturdy’ claim may not be accurate. And its lightweight is perfect for its intended use of vlogging.

Do you think the overall controls and configuration would be easy for a beginner to get used to?

Leez: The Sony ZV-E10 doesn’t have a rough barrier of entry when it comes to learning how to use and play around it’s features. For me, it was pretty simple and easy to use. If there’s a catch though, it would be the painful focus.

I’m more used to manual focus since my camera’s focus is broken. But, while using the ZV-E10 to shoot, it had gone completely out of focus for a good half hour. It took a while to fix the focus but it does seem that the camera struggles a lot with figuring out what the subject is–favoring what is closest to the camera. So, I’m assuming this would be a nightmare for someone who likes working with foreground shots.

MJ: If it’s your first time to have a camera, you’d probably learn it quickly. Assuming that Sony is also your first. But if you’ve used different cameras before (and still consider yourself a beginner), you might have a hard time, too. Which is what happened to me.

The ZV-E10 and I played tug-of-war when it came to controlling our shots. For instance, the camera suggests a subject to focus on, even if it wasn’t my intended subject and I was aiming for an uncommon shot. To put it simply, the ZV-E10 works for a beginner’s hand and eye rather than someone experienced.

Rodneil: I think, for everyone who’s answering here, we all had a bit of trouble with focus. Sony’s autofocus is fantastic especially when detecting faces. But it’s a bit of a disadvantage when you’re taking product images with the model’s face visible in the frame. The autofocus prioritizes faces which isn’t always to our liking. However, again, for its intended vlogging-use, it’s fantastic.

It shouldn’t be hard to figure out for any first-timer. You won’t be overwhelmed with too many physical dials and controls. There will be an adjustment for more experienced users, but for anyone just starting, it shouldn’t take too long to get used to.

Is there anything in your usage that particularly stood out?

Leez: Most of the camera features are useful. It was reliable and easy to access. But, if there’s something that I appreciate about the ZV-E10, it’s that it’s really lightweight. I just don’t particularly like lugging around heavy equipment when shooting or filming so, making sure it didn’t weigh heavy on my flimsy arms was a huge plus. Perhaps, that’s why most people often end up filming and vlogging with their phones sometimes: most cameras are heavy and bulky to bring along. I think the ZV-E10 lives up to what it promises in that regard.

MJ: I have a love-hate relationship with beautification. Sometimes I like it since it helps when I’m looking worn out after being out in the sun. But sometimes, the smoothing is unnecessary when you badly want to highlight details.

Rodneil: Personally, I struggled with the general lack of granular control. I didn’t realize I adjust so much per shot using my own camera. It was only after using the ZV-E10, which encourages a more point-and-shoot approach, that I became more aware of my camera-shooting habits.

Do you think the interchangeable lens would be useful for people just getting into vlogging/content creating?

Leez: Yes. It might be a bit daunting at first for people starting out but it’s a good foundation to build upon more creative outputs. It lets anyone start wherever they are in experience with photography, vlogging, and content creation.

MJ: Definitely. If you know what lens works for you and your content. It also helps with improving your style and quality, since not all vlogs require a talking head. I follow several vloggers who take cinematic content, so I know it’s possible.

Rodneil: I’m on the fence on this one. Yes, because it offers versatility and that’s always a good thing. No, because the lenses are probably going to be heavier if not weigh just as much as the camera. That’s going to present some challenges while shooting. But I guess that’s a minor inconvenience compared to the benefit and more long-term use you’ll likely get.

Which lens did you end up using the most?

Leez: I used the 35mm for filming and photographing portraits and sweet bakes. It captured detailed shots but again, the focus was a stuttering mess sometimes so, be warned.

MJ: Prime lens! 50mm works for showcasing details, and I’m very particular about highlighting the important part rather than talking in front of the camera.

Rodneil: We’re all fans of prime lenses BUT that’s because we primarily take product shots. That lens isn’t exactly made for vlogging. You’re better off using the kit lens for that.

Is this something you think most people can easily pack and carry around on a trip? Or on the daily?

Leez: Yes, definitely. I think for the interchangeable lenses, it would be good to bring two depending on what your trip is for. A wide lens, a portrait lens, and the prime lens are more than enough, you can even strip it to a wide lens and the prime lens if you want to capture intimate close up moments while having a lens to switch to to capture the stunning outdoors.

MJ: Granted you don’t use every lens you have on hand, this is easily something you can carry wherever you go. You can slip it in fashionable bags that don’t look like camera bags, too, so you can shy away from the eyes of thieves.

Rodneil: Most definitely. I’d say pack the camera along with the kit lens and your preferred prime lens and you’ll pretty much be ready for any shooting scenario when you travel. It’s light, compact, and easy-to-use. It’s a perfect upgrade to the quick shooting we normally do on our smartphones.

Is there any feature that you wish it had?

Leez: There’s not much to ask more from the ZV-E10. It’s good and reliable as it is. If there’s one gripe I have with it, it’s the autofocus. If they could tinker with its autofocus to not freak out or stutter as much as it does, that would be amazing.

MJ: Not really. It feels solid for what I intend to use it for, for now. Who knows? Maybe along the way, I’ll end up looking for a feature that it doesn’t have.

Rodneil: I think it’s mostly fine as it is and for what it’s aiming to be. The features and overall build are geared towards vlogging. It’s great for its intended purpose.

The Sony ZV-E10 retails for PhP 39,999/ SG$ 999/ US$ 798.

Cameras

GoPro unveils MAX2, LIT HERO cameras, Fluid Pro AI gimbal

Built for content creators, more

Published

November 11, 2025

GadgetMatch

GoPro has officially unveiled three new offerings for filmmakers and creators: the MAX2 360 camera, LIT HERO miniature lifestyle camera, and Fluid Pro AI gimbal.

The MAX2 is priced at US$ 499.99 while the Drone-Like Aerial Bundle which includes a carbon fiber extension pole and protective case retails for US$ 649.99.

On the other hand, the pocket-sized LIT HERO retails for US$ 269.99. Several bundles are also available starting at US$ 332.99. Lastly, the Fluid Pro AI gimbal sells for US$ 299.99.

MAX2: True 8K 360 camera

The MAX2 360 camera is easy to use, and features twist-and-go replaceable lenses made from durable, water-repelling optical glass.

The camera can capture up to 8K 360 video. That’s 21% more resolution than the competition for superior detail and sharpness.

Such quality is combined with the MAX2’s 10-Bit Color to enable the most professional-looking 360 content.

Users can also shoot in GP-Log to maximize dynamic range, details, and post-production flexibility.

In addition, for audio quality, there are six industry-leading microphones for 360 audio, along with improved Bluetooth functionality, 360 stereo audio, and advanced wind noise reduction.

For stills, users will also get 29MP 360 photos for a high resolution should they need to crop, zoom, and reframe via the GoPro Quik App.

Speaking of post-processing, the Quik App offers AI-powered tools. GoPro subscribers also enjoy unlimited cloud-storage.

LIT HERO: Capture whatever, whenever

The ultra-compact LIT HERO lifestyle camera features a built-in light, enabling users to capture photos and videos under various scenarios with a retro vibes look.

The camera can capture up to 4K resolution at 60fps. Creators can also film at 2x slo-mo for different uses.

There is also an optional 4:3 aspect ratio from which creators can get cropped vertical clips for social posts.

Built with GoPro durability, the LIT HERO comes with a rugged and waterproof design at up to 16 feet (five meters).

On a single charge, the camera can record continuously for over 100 minutes at its highest video setting.

Fluid AI Pro gimbal: For all creators

Lastly, the Fluid Pro AI gimbal is designed for GoPro cameras, smartphones, and even point-and-shoot cameras weighing up to 400 grams.

Designed to meet the needs of today’s creators, the AI Subject Tracking gimbal features a 3-axis gimbal with interchangeable mounts.

The tracker can lock onto a person’s face or body and automatically track them in frame with precision. This tracker can also face either forward or back.

The gimbal even comes with an integrated fill light should you need to balance the light in shots.

The Fluid Pro AI lasts up to 18 hours in one go, and can even double as a power bank.

Cameras

I thought the Insta360 X4 Air would be easy

Turns out 360 is a whole new challenge

Published

November 11, 2025

Rodneil Quiteles

I have a confession. When I first got the Insta360 X4 Air, I thought it was something I could take on easily. I’ve been reviewing tech for over a decade now. I’ve fiddled my way through enough of them to be in this headspace. But that was my mistake.

The Insta360 X4 Air, being the first 360 camera that I spent longer than a day with, humbled me right away. Part of that humility came from realizing that shooting with dual 1/1.8-inch sensors and full 8K 360 capture isn’t just “point and shoot.” You’re not just framing a subject. You’re framing the entire environment, and that requires a different mindset.

It wasn’t the usual smartphone review that I could write in my sleep. It was something else entirely. Even as someone who has professionally produced videos for the web for years, this was something new to me.

The thing is, the way it’s being marketed is that it’s something you bring with you, turn on, and just forget about. Just let it capture everything and make your adjustments later.

And to be fair, the X4 Air leans into that philosophy. AdaptiveTone, Active HDR, and InstaFrame Mode are designed around the idea that you shoot first and carve out the story in post. That runs counter to how I’ve operated, especially recently.

My philosophy is to be as intentional as possible with every shot and every frame. My post-production process starts as early as the time I conceptualize the video.

With the volume of stuff that we have to produce, we don’t always execute this perfectly. But it’s a nice general guideline that has saved me multiple times on multiple projects.

An outdoor camera

I am primarily an indoors person. That’s why most of our 360 and action camera reviews were handled by our more outdoorsy member, MJ. And to its credit, the X4 Air is built for the outdoors in a very literal sense.

It weighs just 165 grams, slips easily into any sling or backpack, and its user-replaceable lenses now have a tougher optical coating that doubles drop resistance. It also has waterproofing up to 15 meters, plus FlowState Stabilization and 360° Horizon Lock to keep things steady regardless of how chaotic the shooting environment gets.

So, does that mean myself and the Insta360 X4 Air are a mismatch? Not necessarily. I do travel a fair bit – at least once every quarter – and I can see the X4 Air being handy in those mostly work trips.

And because it shares the same 8K 30 fps 360 video system and replaceable lens setup as the flagship X5, you’re not giving up much by picking the lighter option. It even supports most of the X5 accessories, which makes it a flexible travel companion.

Unfortunately, I had no such trips during my time with the X4 Air. That’s why I’m not exactly thrilled by the samples I produced. But that’s more a knock on my lifestyle than the camera.

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A post shared by Rodneil Quiteles (@rodneil)

360 camera: A new tool, a new challenge

Recognizing that I’m out of my depth and comfort zone, I quickly trooped to YouTube and looked up Insta360 sample videos. The videos were all incredible but none of them I could recreate right away.

The X4 Air does make things friendlier with Twist to Shoot, Gesture Control, and Voice Control. You can start recording hands-free, which helps when you’re figuring out your flow.

InstaFrame even saves a ready-to-share flat video on top of the full 360 archive. But you still need time to understand the angles, the movement, and the kind of shots that actually make sense once you start reframing.

I’m excited to take the Insta360 X4 Air in my upcoming trips and find a way to incorporate it into my workflow. I guess that’s the question you should ask yourself if this is a camera you’re eyeing. It’s an incredible tool, sure. But is it the right one for the content you intend to produce?

Too costly to try?

At PhP 21,999 (or PhP 24,999 for the Starter Bundle with the 114 cm Invisible Selfie Stick, lens cap, and extra battery), it’s quite an investment.

You’re paying for the full 8K workflow, the stabilisation system, the improved low-light algorithms, the waterproofing, the tougher lens coating, and the AI-driven editing tools inside the Insta360 app. You’re also getting a one-year, 200 GB Insta360+ cloud subscription for backups and quick sharing.

The prudent thing to do is to do your research. Find out the work it takes to make the videos you want to make with a 360 cam and see if it’s something that you would be able to sustain.

@rodneilInsta360 X4 Air test clip. 🎳♬ som original – Darkness Music

Is the Insta360 X4 Air your GadgetMatch?

The Insta360 X4 Air is a Swipe Right, but you have to be purposeful about your intended use. Sure, you can do the just-turn-it-on-and-think-about-it-later approach, but I don’t think you’ll be maximizing it that way.

At worst, it’s an expensive extra cam that you’ll only occasionally use. At best, it’s the tool that adds dynamic shots you simply can’t capture any other way.

Cameras

Canon announces EOS R6 Mark III camera, RF45mm f/1.2 STM lens

Uncompromised storytelling plus f/1.2 lens made more accessible

Published

November 9, 2025

GadgetMatch

Canon has officially announced the EOS R6 Mark III full-frame CMOS camera, along with the RF45mm f/1.2 STM lens.

The latest addition to the EOS R mirrorless line, the new camera paired with the large aperture lens is designed for enthusiasts and hobbyists.

The RF45mm f/1.2 STM is Canon’s widest aperture non-professional lens in the RF lens lineup.

This versatile and easy-to-use 45mm focal length on full-frame cameras broadens accessibility of an f/1.2 lens to users.

On APS-C cameras, users can expect a portrait-friendly 72mm full-frame equivalent focal length.

Faster, sharper

The EOS R6 Mark III features a higher 32.5-megapixel resolution and improved speed, performance, and reliability. It also incorporates powerful video capabilities.

Such resolution allows for finer details to be captured in higher definition, but with more cropping flexibility. The higher megapixel count comes in useful for faraway subjects shot with close crops.

On high-speed continuous shooting (electronic shutter) mode, the new camera can capture up to 150 shots at 40 fps.

And despite the higher processing load, it maintains the same high-speed continuous shooting rate (up to 40 fps on electronic shutter and up to 12 fps on mechanical or electronic first-curtain shutter).

In addition, the camera features a user-friendly pre-continuous shooting feature. Before the shutter button is fully pressed, up to 20 continuous shots can be recorded in any still format.

Meanwhile, autofocus algorithm enhancements offer more tenacious subject tracking. This simplifies the post-shooting workflow especially for shooting difficult subjects.

The EOS R6 Mark III also inherits the Register People Priority function found in the flagship EOS R1. This allows pre-registered people to be prioritized for detection and tracking when shooting photos and videos in group situations.

Leap in video capabilities

Moreover, the camera offers more recording and post-production options. It supports 7K 60p internal RAW video recording to a CF-express Type B card.

It is also the first EOS R series camera to offer 3:2 Open Gate recording at up to 7K 30p RAW.

This provides greater flexibility for reframing, especially when creating horizontal and vertical videos from the same footage.

And during recording, users can also simultaneously record a smaller MP4 proxy file or a 4K DCI Fine MP4 sub movie to its SD card slot.

In addition, recording formats have been expanded. There’s internal RAW recording, Canon Log 2, and HLG gamma recording. These are on top of the pre-existing Canon Log 3 and HDR PQ.

Support for the Cinema EOS range’s Custom Picture (CP) profiles, including custom LUTs helps set recording options like gamma, color sampling, and bit depth as well.

And like the EOS R5 Mark II, the EOS R6 Mark III supports waveform monitor display, as well as false colors and zebras.

New features like AWB Response and Shockless WB also enable seamless white balance transitions during video shooting, regardless if the AWB is utilized or the white balance is manually adjusted.

RF45mm f/1.2 STM: f/1.2 made accessible

As Canon’s first f/1.2 lens of its class, the RF45mm f/1.2 STM is a compact, lightweight, and affordable option for users who desire bokeh. It weighs about 346 grams and is the smallest f/1.2 lens in both EF and RF lens range.

The larger aperture also enables the lens to deliver greater low light flexibility and AF support. The 4mm focal length allows users to capture a natural perspective, moving seamlessly between wide environmental shots and intimate closeups.

On APS-C cameras, the lens achieves a 72mm equivalent focal length. This, of course, is ideal for close-ups, portraits, and street photography.

The f/1.2 bokeh then levels up the shooting, as users can frame their storytelling in a more defining manner.

But if the entire shot needs to be sharp, just dial the aperture down to f/8 so the lens can deliver edge-to-edge sharpness.