Sony’s newest vlogging camera — the Sony ZV-E10 — is the first in their vlogging series of cameras with an interchangeable lens. Does it make all the difference? Is it good for everyday use? And is it really built or vlogging? These are just some of the questions we tried to answer as multiple members of the team tried the camera for themselves. Here’s what we had to say.
What did you think of the build quality? Did it feel sturdy? Was it too light?
Leez: The Sony ZV-E10’s build is every minimalist’s pipe dream. It blends functionality and probability well. But, it is really light. So much so, that it was worrying at times. The lightness of the build is an obvious pro and a confusing con because your brain doesn’t think something light is particularly “sturdy”. But, I’d say after using it, it’s both lightweight and sturdy.
MJ: The Sony ZV-E10 feels lightweight when you use it to shoot photos and videos — even if you shoot single-handed. However, you can feel its weight when you use its grip. It felt sturdy, but I was scared the whole time since I’m used to heavier cameras. I thought I was going to drop it at some point.
Rodneil: Coming from someone who regularly uses an a6500, the ZV-E10 definitely felt light and not sturdy. But after using the ZV-E10, the ‘not sturdy’ claim may not be accurate. And its lightweight is perfect for its intended use of vlogging.
Do you think the overall controls and configuration would be easy for a beginner to get used to?
Leez: The Sony ZV-E10 doesn’t have a rough barrier of entry when it comes to learning how to use and play around it’s features. For me, it was pretty simple and easy to use. If there’s a catch though, it would be the painful focus.
I’m more used to manual focus since my camera’s focus is broken. But, while using the ZV-E10 to shoot, it had gone completely out of focus for a good half hour. It took a while to fix the focus but it does seem that the camera struggles a lot with figuring out what the subject is–favoring what is closest to the camera. So, I’m assuming this would be a nightmare for someone who likes working with foreground shots.
MJ: If it’s your first time to have a camera, you’d probably learn it quickly. Assuming that Sony is also your first. But if you’ve used different cameras before (and still consider yourself a beginner), you might have a hard time, too. Which is what happened to me.
The ZV-E10 and I played tug-of-war when it came to controlling our shots. For instance, the camera suggests a subject to focus on, even if it wasn’t my intended subject and I was aiming for an uncommon shot. To put it simply, the ZV-E10 works for a beginner’s hand and eye rather than someone experienced.
Rodneil: I think, for everyone who’s answering here, we all had a bit of trouble with focus. Sony’s autofocus is fantastic especially when detecting faces. But it’s a bit of a disadvantage when you’re taking product images with the model’s face visible in the frame. The autofocus prioritizes faces which isn’t always to our liking. However, again, for its intended vlogging-use, it’s fantastic.
It shouldn’t be hard to figure out for any first-timer. You won’t be overwhelmed with too many physical dials and controls. There will be an adjustment for more experienced users, but for anyone just starting, it shouldn’t take too long to get used to.
Is there anything in your usage that particularly stood out?
Leez: Most of the camera features are useful. It was reliable and easy to access. But, if there’s something that I appreciate about the ZV-E10, it’s that it’s really lightweight. I just don’t particularly like lugging around heavy equipment when shooting or filming so, making sure it didn’t weigh heavy on my flimsy arms was a huge plus. Perhaps, that’s why most people often end up filming and vlogging with their phones sometimes: most cameras are heavy and bulky to bring along. I think the ZV-E10 lives up to what it promises in that regard.
MJ: I have a love-hate relationship with beautification. Sometimes I like it since it helps when I’m looking worn out after being out in the sun. But sometimes, the smoothing is unnecessary when you badly want to highlight details.
Rodneil: Personally, I struggled with the general lack of granular control. I didn’t realize I adjust so much per shot using my own camera. It was only after using the ZV-E10, which encourages a more point-and-shoot approach, that I became more aware of my camera-shooting habits.
Do you think the interchangeable lens would be useful for people just getting into vlogging/content creating?
Leez: Yes. It might be a bit daunting at first for people starting out but it’s a good foundation to build upon more creative outputs. It lets anyone start wherever they are in experience with photography, vlogging, and content creation.
MJ: Definitely. If you know what lens works for you and your content. It also helps with improving your style and quality, since not all vlogs require a talking head. I follow several vloggers who take cinematic content, so I know it’s possible.
Rodneil: I’m on the fence on this one. Yes, because it offers versatility and that’s always a good thing. No, because the lenses are probably going to be heavier if not weigh just as much as the camera. That’s going to present some challenges while shooting. But I guess that’s a minor inconvenience compared to the benefit and more long-term use you’ll likely get.
Which lens did you end up using the most?
Leez: I used the 35mm for filming and photographing portraits and sweet bakes. It captured detailed shots but again, the focus was a stuttering mess sometimes so, be warned.
MJ: Prime lens! 50mm works for showcasing details, and I’m very particular about highlighting the important part rather than talking in front of the camera.
Rodneil: We’re all fans of prime lenses BUT that’s because we primarily take product shots. That lens isn’t exactly made for vlogging. You’re better off using the kit lens for that.
Is this something you think most people can easily pack and carry around on a trip? Or on the daily?
Leez: Yes, definitely. I think for the interchangeable lenses, it would be good to bring two depending on what your trip is for. A wide lens, a portrait lens, and the prime lens are more than enough, you can even strip it to a wide lens and the prime lens if you want to capture intimate close up moments while having a lens to switch to to capture the stunning outdoors.
MJ: Granted you don’t use every lens you have on hand, this is easily something you can carry wherever you go. You can slip it in fashionable bags that don’t look like camera bags, too, so you can shy away from the eyes of thieves.
Rodneil: Most definitely. I’d say pack the camera along with the kit lens and your preferred prime lens and you’ll pretty much be ready for any shooting scenario when you travel. It’s light, compact, and easy-to-use. It’s a perfect upgrade to the quick shooting we normally do on our smartphones.
Is there any feature that you wish it had?
Leez: There’s not much to ask more from the ZV-E10. It’s good and reliable as it is. If there’s one gripe I have with it, it’s the autofocus. If they could tinker with its autofocus to not freak out or stutter as much as it does, that would be amazing.
MJ: Not really. It feels solid for what I intend to use it for, for now. Who knows? Maybe along the way, I’ll end up looking for a feature that it doesn’t have.
Rodneil: I think it’s mostly fine as it is and for what it’s aiming to be. The features and overall build are geared towards vlogging. It’s great for its intended purpose.
The Sony ZV-E10 retails for PhP 39,999/ SG$ 999/ US$ 798.
Accessories
Insta360 Flow 2 update improves Android support, adds new iOS features
Better Android lens support
Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support
Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.
The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.
Android finally gets full lens access
One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.
This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.
The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.
Faster 360 panoramas for quick sharing
The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.
Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.
Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.
Dual View adds more angles in one take
Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.
This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.
Apple Watch control for hands-free shooting
For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.
Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.
Smarter tracking and remote control tools
The update also improves several AI-powered features across the Flow 2 series.
AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.
There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.
Availability
The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.
Cameras
The Fujifilm instax mini 13 is your new, favorite plus-one!
Say goodbye to awkward “who’s taking the photo?” debates with the camera that puts you at the center of the frame.
We’ve all been there: you’re at the center of a perfect moment — a sunset rooftop toast or a reunion with your best friends — and you’re stuck behind the screen trying to get the lighting right.
Fujifilm’s new instax mini 13 is here to let you stop worrying about the “how” and start living the “now”.
The first thing you’ll notice is the glow-up. The mini 13 swaps the tech-heavy look for a soft, sculpted aesthetic that feels like a dream in your hand. It comes in five candy-colored hues: Dreamy Purple, Frost Blue, Candy Pink, Lagoon Green, and Clay White.
The biggest flex is you can finally be in the shot. The new dual timers (2 or 10 seconds) mean no more awkward “who’s taking the photo?” debates.
Just prop it up with the included angle adjustment accessory, set the timer, and join the frame.
The tech inside is just as intuitive. A simple twist of the lens powers it on or shifts it into Close-Up Mode, while the Parallax Correction ensures your centered shots actually stay centered.
Because we live for the “post,” the updated instax UP! app uses AI to scan your physical prints with pinpoint precision.
It strips away the glare and the background noise, leaving you with a clean, digital version of your favorite tactile memories.
The Fujifilm instax mini 13 is now available in the Philippines, and retails for PhP 5,399.
Cameras
DJI Osmo Pocket 4 review: A solo creator’s production crew
Now, you can be the director and editor of your own story.
I’ve never quite pegged myself as a “content creator” in the traditional, polished sense. In my head, I’m a writer surviving the advertising trenches and a photographer who values the raw grit of a sports gig.
But life — much like a fast-paced YA novel — decided to turn my journey into an epic adventure of documenting high-mileage runs, fast-paced travel, and mundane gym sessions.
I thought my iPhone 16 Pro and a 360 camera were a complete kit. But after living with the DJI Osmo Pocket 4 since January, I’ve had an epiphany: it’s simply the best tool I’ve found to film myself as I star in my own story.
Familiarity doesn’t breed contempt
Moving from a mirrorless setup to the Pocket 3 originally felt like learning a new language. But moving from the 3 to the 4? It’s like upgrading your favorite pair of running shoes.
Because I use this for work, like capturing highlight reels at events so people can feel the vibe they missed, the familiarity is a godsend.
While the silhouette is similar, the tactile experience has matured significantly. The Pocket 4 replaces the previous model’s basic controls with a new 5D analog joystick for ultra-precise gimbal pans and adds dedicated physical buttons under the touchscreen for fluid zooming.
The internal architecture has seen a massive shift too, moving from the Pocket 3’s “SD-only” setup to a built-in 107GB of internal storage.
This is paired with a hardware upgrade from USB 2.0 to USB 3.1, which physically enables wired transfer speeds of up to 800MB/s — roughly 5 to 10 times faster than the older model.
Even the battery has been bulked up to 1545mAh (compared to the 1300mAh on the 3), giving you more endurance for a full day of reporting without reaching for a power bank.
Sensor that sees more
The new 1-inch sensor is the upgrade I didn’t know I needed until I saw the results.
I took it to a cafe in Bangkok where the lighting was… let’s call it “challenging.” We’re talking low-light interiors clashing with blown-out al fresco sunlight.
The Pocket 4 handled it with the grace of a professional cinematographer, thanks to its 1-inch CMOS engineered for better detail and more accurate color. The camera was good enough to reduce shadow and noise to keep the image how we see it.
When I want to shoot fast, the vertical 3K mode is great, especially for quick social updates. But shifting to the 4K horizontal mode is where the magic happens, thanks to its 14-stop dynamic range. It preserved the delicate highlights of a moody, dimmed interior or night shot that make it looks like a cinematic masterpiece.
Because this dynamic range works across 4K/60fps and 4K/30fps, it adds a tangible depth to the footage that makes everything feel more three-dimensional.
To really push that cinematic aesthetic, the Pocket 4 now supports 10-bit color depth even in standard mode, which means smoother gradients in the sky and zero color banding.
If you’re shooting in those dim, late-night settings, the camera even has a dedicated 4K low-light video mode that pushes the dynamic range up to two stops further, ensuring that nighttime portraits remain bright and natural instead of becoming a grainy mess.
Adding soul through color
With the introduction of 10-bit color depth in standard mode, the Pocket 4 now captures over a billion colors.
It delivers significantly smoother gradients and virtually eliminating the “stepping” of color banding in wide-open skies. This technical leap provides much greater post-processing flexibility, yet even without a single tweak, the camera captures incredibly vibrant, true-to-life imagery.
I put this to the test when Netflix’s live-action One Piece adaptation transformed Fort Bonifacio in Taguig City into “Port Bonifacio.”
I visited the activation alongside notable cosplayers and creators, and the Pocket 4’s ability to “interpret” the vivid colors of that world was stunning.
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By applying my own film-like retro preset in CapCut, the footage easily took on a stylized, anime-like vibe. I felt like the protagonist of my own arc, capturing everything from the arrival of Laboon to the docking of the Going Merry with cinematic texture.
For those who want to push their craft further, the D-Log Pro Mode is a professional-grade essential. It expands the dynamic range in high-contrast or color-rich scenes, preserving maximum data for flexible color grading.
This allows you to apply complex filters and LUTs while maintaining total control over the highlights and shadows, giving your videos a distinct “soul” that feels less like a digital recording and more like a cinematic film.
My ideal production crew
By no means am I a professional shooter. I rarely have the luxury of time to produce a cinematic masterpiece on my own accord, but as someone who frequently has to shoot with zero cameramen — especially during solo travels or international assignments — the Creator Combo is a godsend.
Shooting solo gives me the liberty to dictate every shot and style, essentially acting as my own director and editor. If you’re a strong, independent gal, say no more; the Osmo Pocket 4 feels like a dedicated production crew that I can tag along anywhere I like.
While my more rugged adventures are better suited for the Osmo Nano or Action 6, the Pocket 4 shines in controlled environments where I can plan my shots across Bangkok, Manila, and Jakarta.
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My absolute favorite new feature is the six built-in film tones, which are a game-changer for achieving a professional look straight out of the camera without extra editing.
You can opt for CC Film for Fuji-inspired cool tones and soft skin, or NC Film for a classic negative style that delivers bright, luminous complexions.
If you crave a brighter aesthetic, Pastel provides a cool-toned, transparent vibe with rosy skin, while Warm Tone offers rich, saturated colors perfect for scenery and buildings.
For that classic street shot aesthetic, Movie adds cinematic depth and dimension, and Retro creates a nostalgic film mood that feels tailor-made for historic architecture and old-world streets.
Glowing in every frame
Even when you’ve mastered the art of being in front of the lens, that flicker of self-consciousness never truly disappears.
I noticed that the Pocket 4’s native shots are quite intimate, so I find myself reaching for the wide-angle lens from the Creator Combo to gain better control over my framing and composition.
Zoomed-in captures of your face can be daunting, but thankfully, the Pocket 4 delivers instantly bright, clear, and glowing skin.
This is thanks to a massive jump in photo resolution — from the 9.4MP of the Pocket 3 to a stunning 37-megapixels — combined with built-in filters.
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It functions like a high-end beauty mode on a smartphone, allowing you to smoothen your complexion and fine-tune your skin tone’s warmth with total ease.
If the environment isn’t doing you any favors, you can take it up a notch with the Magnetic Fill Light. It snaps onto the gimbal like a tiny, personal ring light, ensuring you stay perfectly lit even when the world around you is dark (or when you just need that “holy” glow).
The light moves in sync with the gimbal, and you can easily toggle through three levels of brightness — 12, 25, or 40 lux — and adjust the temperature from a cozy 2800K to a crisp 5500K. In a way, it’s making sure you always look your best, regardless of the setting.
Now an athlete’s choice
Beyond the tech and the art, 80 percent of my life is defined by being an athlete. Historically, I’d never dream of bringing a Pocket device into my training; earlier models felt far too fragile, with gimbals and screens that seemed destined for disaster.
The Pocket 4, however, introduces a much-needed gimbal clamp that prevents it from turning on automatically while jostling inside your pouch.
I’ll be honest: I’ve accidentally knocked this camera five times already (I am that clumsy!) but when the impact was strong, the device actually displayed “Gimbal Protected”.
Now, that’s a companion that can finally keep up with my pace.
I put this to a test at a HYROX class in The Commune in Jakarta. While a dimly lit gym isn’t the easiest place to film, the Pocket 4’s upgrade to 4K with 2x zoom allowed me to station it safely out of the way while still capturing a tight, high-quality shot.
This is where Active Track 7.0 feels like magic; a simple double-tap locks the focus on me, and the intelligent autofocus keeps me centered even during the most intense movements.
You can even use Dynamic Framing to position yourself via the rule of thirds or the golden spiral for a more professional look.
Most importantly for the solo shooter, it prioritizes pre-registered faces. It literally learns to look for you!
When a simple palm or “V” gesture is all it takes to start recording, you realize that beyond being a camera, it’s also a partner in your fitness journey.
For capturing your favorite memories
Over the holidays, I had an epiphany. I finally decided to start a project that had been simmering in my mind since 2023.
For the past seven years, I’ve been slowly collecting Instax films: tangible, physical snapshots of my favorite moments and the people I’ve shared them with.
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To honor those memories, especially the connections that have since drifted away due to distance or disagreements, I finally took those films out of their memory box to put them in a frame for display.
Documenting this tactile activity with the Pocket 4 felt like weaving a narrative in high resolution. It’s an art form, per se, but one that becomes significantly easier to master when you have the right gear to translate physical memories into a digital story.
Beyond these aesthetic reflections, the Pocket 4 proves its worth in vlogging and storytelling through its technical maturity. It features 4-channel output, delivering a professional audio capture that recreates the immersive feel of a live concert.
The Audio Zoom is equally impressive; the capture intelligently adjusts with the video zoom, amplifying the sound as you move in and dampening it as you pull away.
When I remember to use the DJI Mic 3 transmitter from the Creator Combo, the clarity is undeniable, ensuring the narrative remains as clear as the visuals.
Which should you get?
Deciding between the two versions depends entirely on how deep you want to go into your own narrative.
If you opt for the Osmo Pocket 4 Standard Combo, you get the essentials: the device itself, a USB-C to USB-C PowerDelivery Cable, the Gimbal Clamp, a Wrist Strap, a Handle with 1/4″ Thread, and a portable carrying pouch.
It’s the perfect entry point for those who want to “shoot, edit, and upload” without getting bogged down by technicalities. You still get that signature high-grade quality regardless of the accessories.
However, the Creator Combo is where the story truly expands. On top of the standard kit, you get the DJI Mic 3 Transmitter (complete with magnetic clips and windscreens), the Fill Light, a mini Tripod, the wide-angle lens, and an additional carrying bag.
If you make a living through your content, like handling brand partnerships or professional video work, this combo is a non-negotiable.
The return on investment is staggering; even after months of use, I feel I’ve only scratched the surface of its capabilities.
Is this your GadgetMatch?
The Osmo Pocket 4 has transcended the typical “vlogging camera” label.
It has become a legitimate replacement for a smartphone camera for those who want to document their lives with the precision of a professional production crew. This tool pushes the “main character” narrative to its peak, allowing you to record your best life even when the journey requires being alone.
I relate to this device deeply because I am a “multi-purpose” friend: I’m down for anything, and I can handle anything. The Osmo Pocket 4 mirrors that versatility. It’s an expert at capturing life’s fragments, documenting your personal projects, and producing the kind of high-stakes videos people actually want to watch.
For its ability to turn everyday behavior into cinema, the Osmo Pocket 4 is a Super Swipe Right and earns the GadgetMatch Seal of Approval.
There is no reason to Swipe Left unless you are specifically looking for the rugged durability of an action camera or the granular technical control of a mirrorless setup.
But even then, you’d be missing the point. The Pocket 4 isn’t a device you choose instead of others; it’s the tool you pick to fill the gaps in your arsenal.
I work with a mirrorless camera, a 360 action camera, and an Osmo Nano, but the Pocket 4 has found its unique place in my routine. It’s a matter of fitting the technology into your life until it serves its true purpose: making your story feel real.
The Osmo Pocket 4 Standard Combo retails for PhP 28,990, while the Creator Combo is priced at PhP 37,490.
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