44 years ago, cars were still boxy, the Apple II was just two years into introducing personal computers inside homes, and the word ‘phone’ meant the landline phone inside your house. It was 1979, personal technology wasn’t a thing yet. Until Sony introduced the very first model of the Walkman, the TPS-L2.
More widely recognized in the mainstream now as “Star-Lord’s ancient iPod”, it revolutionized the music industry back then by putting a cassette player in everyone’s pocket, allowing anyone (well, anyone who had the equivalent of US$ 600 at the time) to listen to music anywhere, anytime they wanted.
Fast forward to 2023, we see Sony has updated the Walkman line to fit in with modern standards. The Sony Walkman NW-ZX707 no longer uses an analog Cassette. It’s now a high-fidelity digital music player.
Gone are its plastic and metal body held together by screws, it’s now a glass and metal sandwich like modern smartphones. It has physically changed to the point of being unrecognizable, but the important thing has stayed the same– It’s probably still the most fun music player you can get with your money.
It’s not a phone, it just looks like one
Like its great granddaddy the Walkman TPS-L2, the Walkman NW-ZX707 is built to last. It continues the time-honored traditions of the Walkman line– namely its metal build, external music control buttons on one side, and the audio jack at the top.
But everything else about the build feels like a mix of old smartphone design cues, just updated to 2023. Upon first look, the NW-ZX707 looks like a weirdly small, thick, and heavy smartphone with sharp edges and two headphone jacks in an age where even midrange phones are ditching it.
It’s got a 5-inch 9:16 LCD display with huge bezels straight out of 2017. It’s even got a soft-touch vegan leather back that we haven’t seen in smartphones for years. With that said, ergonomic considerations kind of start and stop with the external music control buttons.
The overall design is boxy, the edges are sharp, the corners are angular, and the screen is flat as they come. Coming in at 157g, it lets you know that it’s in your pocket.
Could’ve used 5G?
In more ways than one, it only looks like a smartphone, but under its metal exterior, the differences are much more obvious. So while it is running near-stock Android 12, you can’t actually use it as a phone, because it doesn’t have a SIM tray (Which I find kind of weird? Like, I think that with high-fidelity music streaming apps available, that would work well with a 5G SIM for on-the-go hi-fi).
While it boasts some of the best audio chips available on any music player today, it doesn’t have a speaker. And while you can expand its 64GB storage with a microSD card, it’s almost exclusively for your music files, because the screen is too small for media viewing and too slow for even light gaming. And there are no cameras on the device.
But it sometimes tries to function like one
The software on the Sony Walkman NW-ZX707 is where things start to get dicey for me. While I appreciate that it’s built on top of Android 12, a very secure, stable, and customizable platform, I feel like Sony could’ve customized the software a bit more to streamline the experience.
Take for example the experience immediately after setup. Since the ZX707 is linked as an android device to your Gmail account, and there is no special designation in the Android system that it’s a dedicated music player, it’s inevitably going to receive email and other non-music related notifications.
It can be fine for power users, but I don’t think receiving the same notifications as your phone in the middle of music listening is conducive to the hi-fi Walkman experience. Take it from me, spend that extra 15 minutes of deep-diving into your settings to either log out of your Gmail account or turn off notifications for any non-music-related apps and services.
The tide hasn’t come in yet
Speaking of apps and services, a big miss for the ZX707 here in the Philippines is the lack of support for hi-fi streaming apps like Tidal and Qobuz. They’re just straight-up not available in the country. So, if you’re planning on getting the new Walkman, your best bet in filling it up is either manually ripping your CDs or Purchasing hi-fi master tracks in either FLAC, PCM, or DSD.
The digital does its best to be analog
Pre-installed software is limited mostly to the Sony Walkman music player app and its customization software, which is generally fine since it leaves so much space for all your high-resolution music on the internal 64GB storage. And for the entirety of the Walkman NW-ZX707 experience, this is where you’re going to get the most value out.
The music player is pretty standard fare, save for the fact that it has support for extremely high-resolution audio formats like FLAC, PCM, and DSD– it even has a separate section dedicated to all your high-res files. There is no visualization option, but you do get a little Cassette animation when the device is idling– a nice touch. And if you’re looking to have better synergy between your Sony headphones / IEMs, there’s the Sony Headphones Connect app where you can choose your headphone model from a list, and the app will automatically change its sound signature via profiles to give you the best listening experience.
But in the great chance that you’re not using Sony headphones to plug into the ZX707, you’ve got a great range of sound customization via the Sound Adjustment app. And let me tell you, this customization app is the bee’s knees. It’s got properly staged equalizer settings, giving you control from sub-bass 31Hz frequencies, all the way up to cymbal-rattling 16KHz highs in 0.5db increments. It’s a great EQ fine-tuning utility, and super responsive.
Music streaming
There is also a whole slew of sound improvement utilities built-in with the sound adjustment app. There’s the DSEE Ultimate toggle– It’s a new feature from Sony that apparently increases the dynamic range of sub-hi-fi tracks like MP3 and CD formats using AI technology.
I found it somewhat effective, but not to the MP3 files on the device– it worked better when it was post-up-sampling non-hi-fi streaming apps like Youtube Music and Deezer.
There is also a DSD Remastering feature, which converts all PCM signals to DSD. In theory this should increase the signal resolution of sub-hi-fi recordings like MP3, low-quality FLAC rips, and of course, low-bitrate PCM files, but it should be of little value for audiophiles looking to load up the ZX707 with higher-quality 24-bit 117.6KHz PCM files. Do note that PCM and DSD are both quantized signals, so while they’re some of the most high-resolution signal formats a music player can put out, they are still (losslessly) compressed to some degree.
Sound emulation
Lastly, the ZX707 also features sound emulation/simulation features if you ever want to introduce some analog qualities to your hyper-clean modern digital recordings. There is a DC Phase Linearizer which somewhat emulates the natural warmth of an analog amplifier, and a vinyl processor, which simulates the sound signature of hearing your songs through a vinyl record player.
I feel that this is something you might want to turn on based on the kind of files that you’re listening to. There are certain genres that benefit greatly from the warmth and texture of Vinyl simulation like classic rock and electronica. Also, remember to turn this off if your music conversions are from Vinyl like my library. It doubles the Vinyl noise and kind of overdoes the warmth of the track.
Good thing that with all of these settings, there is a toggle for direct output so you can A-B your sound settings really fast anytime.
With a little help from my (Hi-Fi) friends
But enough about all of the intricacies that happen outside of the play button. I called the Sony Walkman NW-ZX707 earlier in this article “probably still the most fun music player you can get with your money.”, so that begs the question– how does it sound?
Well, let me get this out of the way for all you audiophiles first: it’s not a ‘flat’ music player. It’s not a reference device, nor does it advertise itself to be one. It’s high-resolution, sure– but it’s not neutral. And that, to me, just sounds like a good time on paper.
In my two weeks with the NW-ZX707 I was able to try it out with three of my most used audio gear:
- For the budget on-the-go side, the KZ x CRN ZEX Pros
- For hi-fi home listening, a modded pair of Beyerdynamic DT770 Pros
- On the weird-but-fun side, the Sony MDR-XB700 Extra Bass.
And with that lineup, one might assume that the ZX707 would be picky with showing its audio brilliance– not really. It sounded great on everything.
KZ x CRN ZEX Pros
Pairing the ZX707 with the somewhat-neutral KZ x CRN ZEX Pros brought out a good tandem. The ZX707’s sound signature at stock is somewhat warm with a moderate emphasis on midbass and lower mids. The ZEX Pros are somewhat known to have a fair bit of sibilance, but I’m glad to report that because of the Sony Walkman ZX707’s laid-back presentation, there wasn’t much harshness in the highs. Detail suffered a bit, especially on busier tracks, but that was more of the limitation of the ZEX Pro’s limited drivers than through any other factor. The stand-out track for this setup was Silversun Pickups’ “Bloody Mary (Nerve Endings)”.
Beyerdynamic DT770 Pros
The duo of the ZX707 and Beyerdynamic DT770 Pros was probably my most used setup during my review period. They just complement each other very nicely. And since I’ve modded the DT770 Pros to have a 4.4mm Balanced input, I was able to leverage the higher power output capabilities of the Walkman– I paid for the whole 250 Ohms, I’m going to use the whole 250 Ohms.
The DT770 Pros are known for their surgically neutral and flat response with a slight prominence in the low-bass. It’s that kind of sound signature that I found pairs the best with the ZX707, as it will ‘convert’ the headphones from ‘mixing ready’ to ‘party ready’. It’s like having a smoothening filter applied to all frequencies, but it doesn’t reduce any of the texture and detail. For that pairing, I turned on the DSEE, the DC Phase Linearizer, and the Vinyl Processor.
It was able to inject a lot of warmth and texture to my songs– coupled with the very forward vocal presentation of both the ZX707 and the DT770 Pros, vocal-centric music like ballads, soft rock, and even ‘00s rap sounded amazing. There are a few times when the bass would sometimes start getting bloated, but it wasn’t something a few adjustments to the EQ couldn’t handle. The stand-out track for this setup was Barenaked Ladies’ “New Disaster”.
Sony MDR-XB700 Extra Bass
Lastly, we’ve got the crazy pair of Sony MDR-XB700s. The midrange of Sony’s classic Extra Bass line, it’s a deceptive pair of headphones– regular music players can make it sound okay, but only the best music players and amplifiers that have exceptional bass and sub-bass processing can make it sound the way it should. And for the ZX707, it was no problem at all.
Having a big hump of sub-bass all the way up to midbass in the EQ was the only way I can listen to the XB700s. Even at almost maximum volume, there was almost no distortion and no significant dynamics compression. It just powers through the songs cleanly and never lets any of the frequencies stray too far from their comfortable thresholds.
Presentation is always smooth and warm, with a big emphasis on vocal presence, and highs are much more relaxed but with a lot of texture. The highs don’t go too far up so listeners of borderline-sibilant textured tracks might have to EQ their highs in, or you might want to look at other ways to improve the high-frequency response on the ZX707. The stand-out track for this setup was Dutch Uncles’ “Flexxin”.
Battery life
To round off my playback performance findings on the Sony Walkman NW-ZX707, it was able to sustain two (2) days of almost constant playback before needing a charge. I attribute this to fine volume and power control. The granularity in the volume adjustment is incredibly accurate and is always a requirement for any hi-fi music player.
Is the Sony Walkman NW-ZX707 your GadgetMatch?
There’s an air of being carefree with the ZX707– it knows it’s not a reference device, nor does it try to be. It plays on its strengths of being a solid, high-power, high-resolution music player that you can take anywhere and plug anything into, and it’ll just slowly fade into the background. Present enough that you’re going to enjoy your music, but never stepping in to interrupt you from dancing to ‘Come Get Your Love’ on a distant alien planet.
Coming in at around PhP 45,000 or US$ 600, the Sony Walkman NW-ZX707 not only invokes memories of the original but also the (frankly) prohibitive price as well. Let me make this clear– this is not an entry-level audiophile PMP, it’s somewhat reserved for intermediates and experts who can leverage its non-neutral presentation to improve their on-the-go listening setups.
But as far as audiophile PMPs go, this is certainly one of the most fun ones I’ve tried so far. Check your gear first– it synergizes well with forward-sounding headphones/earphones with great highs presentation. If you’ve got one, I suggest going for the ZX707. If not, you might have to look somewhere else for your on-the-go hi-fi fix.
Accessories
Fujifilm Philippines introduces instax Mini Evo Cinema, Mini Link+
It’s time to enter your film+ era and hold onto your favorite moments
The digital scroll is fine, but Fujifilm Philippines is making a strong case for the tangible.
For a weekend, the Open House World in Makati transformed into a nostalgic playground for the “In Our Film+ Era” pop-up.
The mission was simple: proving that memories feel better when you can actually hold them.
The stars of the show were the new instax Mini Evo Cinema and the instax Mini Link+, two gadgets designed for the artsy geek who wants their life to look as good on paper as it does on a Pinterest board.
Retro meets technology
The instax Mini Evo Cinema, priced at PhP 22,599, is a total vibe-shifter. With its 10 Eras Dial effects, you can toggle through a hundred different creative combinations.
Then there is the instax Mini Link+ for PhP 8,999, built for the maximalists who refuse to let their best shots die in the camera roll.
This smartphone printer adds AR effects and custom designs, turning digital snapshots into high-aesthetic physical keepsakes.
As Masahiro Uehara, President of FUJIFILM Philippines, put it, the goal is to reimagine how people connect with their memories by blending innovation with raw emotion.
More than just a photo op
The weekend functioned as a masterclass in creativity rather than just a product demo.
On the first day, filmmaker Elyandre Dagli showed the crowd how the Mini Evo works as a powerhouse for documentation and storytelling.
The energy continued the next day with Nica Cosio, who led a session on rubber stamp carving and journaling. Cosio showed how the Mini Link+ bridges the gap between digital tech and old-school scrapbooking.
Artists like Soleil Ignacio, Bryan Sochayseng, and Jill Arteche also dropped by to share how these tools fit into their professional creative workflows, proving that “instant” doesn’t have to mean disposable.
Ready to enter your Film+ era?
If you missed the pop-up, you haven’t missed the tech. The instax Mini Evo Cinema and instax Mini Link+ are officially hitting authorized FUJIFILM dealers nationwide right now.
It’s time to stop scrolling and start collecting.
For the latest updates, you can follow Team Instax on Facebook and Instagram.
Accessories
Razer sharpens its competitive edge with Viper V4 Pro and Gigantus V2 Pro
Ultra-light. Ultra-tuned.
Razer expands its pro-grade lineup with a lightweight mouse and a highly customizable mouse mat built for different playstyles. The Razer Viper V4 Pro focuses on speed, precision, and responsiveness, while the Razer Gigantus V2 Pro brings tailored surface options that adapt to how players move.
Lighter, faster, and built for control
The Viper V4 Pro weighs approximately 49g in Black and 50g in White, making it around nine percent lighter than its predecessor. Razer achieves this through mechanical refinements like a thinner shell and a more compact PCB, without compromising durability. The structure still feels solid in hand, even with the aggressive weight reduction.
This balance matters in competitive play. A lighter mouse reduces fatigue and allows quicker adjustments, but stability keeps movements consistent. The Viper V4 Pro aims to deliver both.
Plug in, tweak, and play instantly
Razer also streamlines setup and tuning. The optimized hemispherical dongle maintains stable connectivity while providing quick status updates through LED indicators.
Players can adjust settings without installing software using Razer Synapse Web, enabling browser-based customization. Onboard controls allow quick DPI and polling rate changes mid-match, so adjustments happen without breaking focus.
A mouse mat that adapts to your play style
The Gigantus V2 Pro evolves Razer’s mouse mat lineup by introducing five distinct speed ratings paired with corresponding foam firmness. Instead of a one-size-fits-all surface, players can now choose based on how they aim and move.
Developed with esports pros like Nikola “NiKo” Kovač, Faker, and Zellsis, each variant reflects real competitive needs across different roles and playstyles.
The five surface options include:
- Max Control for ultra-high friction and precise flicks
- Control for consistent micro-adjustments
- Balance for a mix of speed and stopping power
- Speed for quicker swipes
- Max Speed for the fastest possible movements
Each surface is paired with Razer’s GlideCore foam, tuned to match the friction profile. Softer variants provide more stopping power, while firmer ones prioritize speed and responsiveness.
Built for consistency across every match
Razer ensures the Gigantus V2 Pro works seamlessly with modern optical sensors. Lab testing guarantees consistent tracking, whether for fine adjustments or wide flicks.
The mat is also designed for competitive environments. It features stitched edges to prevent fraying, an anti-slip base for stability, and a rollable build that makes it easy to bring to tournaments.
A complete competitive setup
Together, the Viper V4 Pro and Gigantus V2 Pro form a cohesive setup that covers both input and surface. The mouse emphasizes low latency, precision tracking, and a shape validated by pros. The mouse mat complements it with clear, playstyle-based options.
Rather than focusing on a single standout feature, Razer builds a system. One that supports consistent performance, adapts to player preference, and helps turn practice into results when it matters most.
Accessories
Logitech G debuts PRO X2 SUPERSTRIKE with faster click tech
Faster clicks, deeper control
Logitech G is pushing competitive gaming performance further with the launch of the PRO X2 SUPERSTRIKE. It’s a next-generation wireless mouse built around a new click system designed for speed and control.
At the center of the PRO X2 is its patent-pending SUPERSTRIKE technology. It reduces the travel distance needed to register a click, cutting latency by up to 30 milliseconds based on internal testing. The result is faster inputs that can make a difference in high-stakes, split-second moments.
The mouse also introduces the Haptic Inductive Trigger System (HITS), replacing traditional mechanical microswitches. Instead of relying on physical contact, it delivers tactile feedback the moment a click signal is sent, helping players feel each input in real time.
Customizable clicks for competitive play
Developed with esports teams like G2 Esports, NAVI, and BLG, the PRO X2 SUPERSTRIKE focuses on precision and consistency. It supports 10 selectable actuation levels, allowing users to fine-tune how deep a click needs to be before it registers.
These adjustments can be made through Logitech G HUB, giving players the flexibility to match their setup to different games, roles, or playstyles without interrupting gameplay.
The mouse also uses Logitech’s LIGHTSPEED wireless technology with up to an 8kHz polling rate. This ensures fast and stable performance without the limitations of a wired connection.
Precision tracking and lightweight build
Powering the PRO X2 is Logitech’s HERO 2 sensor. It supports up to 44,000 DPI, 888 IPS tracking speed, and over 88G acceleration. Logitech says tracking remains free of smoothing, acceleration, or filtering, allowing for more consistent and direct input.
Despite its performance-focused internals, the mouse keeps a lightweight build at 61 grams. Logitech says this supports faster movements and reduces fatigue during long sessions.
Battery life is rated at up to 90 hours on a single charge, letting players stay in the game longer without interruptions.
Price and availability
The Logitech G PRO X2 SUPERSTRIKE is priced at PhP 11,945. It is available in the Philippines via Shopee and authorized Logitech retailers.
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