The Cinemalaya Film Festival had just concluded, and it finished boldly with a very strong lineup.
This year’s festival felt different; most of the filmmakers weren’t really aiming for the awards. At least, that’s how it seemed to me. They want to be heard, and invite people to take action. Each film had its own advocacy strong enough to cement the premier independent film festival’s two-decade celebration.
Overall, I watched six out of the 10 full-length entries in this year’s Cinemalaya. Here are my quick takeaways from each film:
Alipato at Muog by JL Burgos review
Alipato at Muog is the only documentary entry to the full-length competition of Cinemalaya XX. I was hesitant to watch it at first, because I tend to get very emotional for stories about real, unsolved cases. I’m glad I gave this a chance. This is a story that deserves to be known by the general public.
As we go on about our daily lives, Alipato and Muog is a reminder that there are big struggles of the Filipino people that we could only imagine. In this case — there are families of victims of enforced disappearances (called desaparecidos) in the Philippines, and they are still grieving up to this day. The saddest part is, the families haven’t received closure decades later.
A very powerful watch — more so that the director and writer is the brother of the desaparecido in the film.
An Errand by Dominic Bekaert review
Initially, I liked the approach of this film. An Errand — a driver (played by Sid Lucero) makes his way to Manila all the way from Baguio City in the wee hours of night. I love long rides myself, and the story has an interesting narration. We get a glimpse of the characters’ backstory through different outtakes.
However, I felt like the film was a bit long and dragging. But maybe that is the main message of the film — a metaphor of the long, exhausting hours endured by the working class, only to be exploited by the capitalists over personal (mostly absurd) gains.
Balota by Kip Oebanda review
Six Cinemalayas ago, I cried during the closing remarks of a film at Tanghalang Nicanor Abelardo in CCP. The film was Liway, based on a true-to-life story about a political detainee during the martial law era. It was directed by Kip Oebanda, son of the said detainee.
Six years later, Oebanda returns with a new film with another compelling theme. This time, it’s about the Philippine elections.
The film’s story centers around election season in a small provincial town, and how a public school teacher (played by Marian Rivera) navigates the “dirty” and messy system. She reminds me of my aunt who is a public school teacher, and growing up, I would watch her brave the gruelling system during the elections as a poll watcher.
Compared to Liway, the film has a mainstream feel to it (it is co-produced by GMA Pictures). Although, I think it’s a smart move – especially the decision to cast Marian Rivera as lead, and include social media personalities like Sassa Gurl and Esnyr to target the general audience.
Overall, Balota serves as a great voters education film that deserves to be shown in the mainstream cinema.
Gulay Lang, Manong by BC Amaparado review
Out of all the entries this year, Gulay Lang, Manong may have the lightest approach. While it still deals with sensitive and relevant topics like police brutality and social injustice, the film is sprinkled with dark humor and comedic skits. It drew laughs inside the cinema, thanks to its fun cast ensemble. No wonder it got the Audience Choice award.
Gulay Lang, Manong reminded me so much of the 2018 Filipino film, “Pangarap Kong Holdap” which similarly tackles social issues with a satire comedy approach. There were a lot of easter eggs in this film, and towards the end, it leaves you questioning some of your beliefs about certain issues. In my case, it made me read up on research about medicinal benefits of marijuana.
I was present during the gala night and I felt the fun energy of the cast and the audience. Farmers from Pampanga were also there in the gala screening, and you can tell from the vibe that the production team had fun in creating this story. The cast even gave out free tupig (Filipino rice cake) outside the cinema, which is a relevant symbol in the film.
Kono Basho by Jaime Pacena II review
Starting with the opening credits, I knew Kono Basho would be a visual feast. Its director, Jaime Pacena is actually a virtual artist, and it is very evident throughout the film.
The story’s main theme is grief, and how people navigate its complexities. The Japanese production style is very evident while watching Kono Basho, but somehow the story is injected with Filipino values.
Overall, Kono Basho is simple and straightforward, and what really made it stood out is the beautiful cinematography (director Dan Villegas really nailed it), plus the great acting of the two lead actresses.
Tumandok by Richard Jeroui Salvadico & Arlie Sweet Sumagaysay review
My personal favorite from the lineup this year, Tumandok is told in such a way that it doesn’t impose its audience on what to feel. It simply tells a story. While the subject matter is heavy, the filmmakers managed to make it hopeful.
Tumandok is very raw and genuine — and the main reason is that the actors are the real indigenous people themselves.
This film has touched my heart and opened my mind about the struggles of our indigenous people. There are important issues brought in this film like social class, politics, and capitalism, among others, but the story was narrated in the most genuine and human way.
The film was five years in the making, and I say it is worth the wait.
Entertainment
X-Men ’97 returns to Disney+ for second season
Emmy-nominated series to continue mutant team’s story
Marvel Animation’s Emmy-nominated X-Men ’97 is returning to Disney+ for a second season, starting July 1.
Along with this announcement, a trailer and poster have been made available. The first season of the animated series was one of the most-watched Disney+ originals, and a hit with fans and critics alike.
Season 2 continues with the heroic mutant team of X-Men, divided and thrown across different eras in time as they struggle to navigate their return home.
Meanwhile, back in the 1990s, suspicious foes and new strains of mutant intolerance are on the rise in the wake of the protagonists’ absence.
The second season will be comprised of nine episodes. The voice cast includes:
- Ross Marquand as Professor X
- Matthew Waterson as Magneto
- Ray Chase as Cyclops
- Jennifer Hale as Jean Grey
- Alison Sealy-Smith as Storm
- Cal Dodd as Wolverine
- Lenore Zann as Rogue
- George Buza as Beast
The series is executive produced by Brad Winderbaum, Kevin Feige, Louis D’Esposito, Dana Vasquez-Eberhardt, Julia Lewald, Eric Lewald, Larry Houston, and Beau DeMayo.
Jake Castorena serves as the supervising producer. Episodes were written by JB Ballard, Beau DeMayo, Bailey Moore, Antony Sellitti, Brian Ford Sullivan, and Mariah Wilson.
The episodic directors are Emmett Yonemura and Chase Conley.
It’s been a while since a Star Wars movie made me walk out of a cinema feeling genuinely pumped. Not necessarily emotional nor mind-blown. And not even scrambling to re-evaluate the entire franchise. Just… pumped.
The Mandalorian and Grogu feels like a proper Star Wars blockbuster again. The kind built for crowded cinemas, loud reactions, and collective gasps during action sequences. More importantly, it feels approachable in a way the franchise hasn’t always managed to be lately.
As someone whose interest in Star Wars slowly waned after The Rise of Skywalker, this movie felt oddly refreshing.
I watched the film alongside occasional GadgetMatch contributor Dawn, whose relationship with Star Wars sits somewhere adjacent to mine. Familiar with the Skywalker Saga and select spin-offs, but not necessarily deep into every corner of the lore either. Not because it reinvented the wheel. Quite the opposite, actually. It understood exactly what kind of movie it wanted to be.
I came into the film fairly blind. No rewatches, just a little prep work, and no “required viewing” marathons beforehand. And somehow, none of that really mattered.
Even without context from multiple seasons of Disney+ shows, Din Djarin and Grogu’s bond clicks almost immediately. You don’t need a detailed explanation for why these two care deeply about each other. The movie trusts viewers enough to simply accept their connection and move forward.
Grogu also remains ABSOLUTELY THE CUTEST. No further notes.
Well, maybe one more note.
That little guy carries an absurd amount of emotional weight throughout the movie. Whether he’s unintentionally causing chaos, silently reacting to situations, or simply existing onscreen, he consistently draws laughs and reactions from the audience.
There’s one sequence in particular where Grogu takes care of Din that managed to get a few giggles. It’s a small moment, but one that perfectly captures why this duo works. They don’t feel manufactured. They just feel natural.
Safe storytelling done right
One thing we kept coming back to after the screening was how easy the movie was to watch. Not “easy” in a dismissive way. More accessible and comfortable.
It’s the kind of blockbuster that lets you settle into the experience without requiring homework beforehand.
One observation that stood out during our post-movie discussion was describing the film as a “palate cleanser spin-off.” Despite growing up with the Skywalker Saga and several Star Wars spin-offs herself, she appreciated how welcoming the film felt.
“It’s interesting enough to lure you back into the lore and fall back into love with the franchise,” she said.
That really captures the movie’s biggest strength.
The Mandalorian and Grogu doesn’t spend its runtime obsessing over lore density or trying to prove how important it is within the larger Star Wars timeline. Instead, it focuses on delivering a straightforward adventure with familiar emotional beats.
Sometimes, that traditional recipe is enough.
There are definitely moments where the story feels predictable. We found ourselves correctly guessing certain developments well before they happened. But surprisingly, that never hurt the experience.
If anything, the predictability made the movie feel oddly comforting.
The film knows when to slow down for tender scenes, when to ramp things up with explosive action, and when to simply let viewers breathe inside its world. There’s also very little visual fatigue throughout the runtime. The pacing stays clean and the movie rarely overstays its welcome.
One of my favorite sequences involved Rotta the Hutt in a gladiator-like setting that weirdly reminded me of Thor: Ragnarok. It was chaotic, funny, and surprisingly entertaining.
Also, I need it on record that I identified with Rotta look-wise.
That comparison was apparently questionable according to my companion for the screening.
A low-friction way back into Star Wars
More than anything else, The Mandalorian and Grogu reminded me why people fell in love with Star Wars in the first place.
Not through endless callbacks or franchise homework. But through companionship, adventure, and a healthy helping of heart.
Underneath all the sci-fi spectacle and action sequences is a story about choosing to care for people even when it might not be the smartest thing to do in the moment. Din and Grogu’s relationship may often get described online as father-and-son, but honestly, they felt more like disproportionately-sized bros constantly looking out for each other.
And somehow, that dynamic works incredibly well.
By the end of the movie, we arrived at almost the same conclusion. We wanted more.
Not necessarily because this was the greatest Star Wars story ever told. It isn’t trying to be. But it successfully reignited interest in a franchise that can sometimes feel daunting from the outside looking in.
One immediate effect of the movie was successfully convincing my co-viewer to finally start The Mandalorian Season 1 once schedules calm down a bit. In the meantime, Grogu doomscrolling on Instagram will apparently suffice.
Meanwhile, I’m suddenly considering diving back into Star Wars shows I skipped over the years. I might check out The Acolyte. Maybe Obi-Wan Kenobi. Maybe even tap into gaming with the adventures of Cal Kestis if time and workload permit.
That’s probably the biggest compliment I can give this movie. It made me want to care again.
For longtime fans, The Mandalorian and Grogu delivers good, clean Star Wars fun with heart and hype.
For newcomers, it offers a surprisingly low-friction entry point into a universe that can otherwise feel overwhelming.
That might be exactly what Star Wars needed right now.
Entertainment
This Is the Way to the Theater: What to Know Before ‘The Mandalorian & Grogu’
Din Djarin and Grogu Primer
Strap your Beskar tight and warm up the N-1 Starfighter. The galaxy’s favorite father-son duo is finally hitting the big screen! “The Mandalorian and Grogu” will officially trade the small screen for the cinema this coming May 22. The hype is stronger than a Jedi’s grip on a lightsaber. There’s plenty of ground to cover before the opening crawl starts, whether you’re a hardcore dweller of the Outer Rim or just someone who thinks Grogu is the cutest thing since Ewoks.
This isn’t just another mission; it’s a full-on cinematic event directed by Jon Favreau himself. We’ve rounded up five essential things you need to know before you head to the theater to make sure you aren’t more confused than a Stormtrooper in a hallway. From political shifts in the New Republic to some very surprising new faces, here is your ultimate primer for the next chapter of the Star Wars saga.
1. Brush Up on the “Mando-Verse” (Seasons 1–3)
Now is the time to binge if you haven’t seen the Disney+ series. The film is a direct continuation of Din Djarin’s journey from bounty hunter to adoptive father. You’ll want to remember that Season 3 ended with Din officially adopting Grogu and settling into a quiet life on Nevarro—at least until the New Republic came knocking. Think of this movie as “Season 4,” but with a massive theatrical budget and even shinier Beskar.
2. Don’t Skip “The Book of Boba Fett”
It’s the “homework” no one expected, but Episodes 5 and 6 of The Book of Boba Fett are essentially The Mandalorian Season 2.5. This is where Grogu makes the massive choice to leave Luke Skywalker’s training and return to his “Dad-alorian.” You’ll be very confused about why the little green guy is back in the cockpit instead of lifting rocks at a Jedi temple if you skip these episodes. Unfortunately, this is not a Jedi mind trick.
3. Meet the New Boss: Sigourney Weaver
Sci-fi royalty is officially entering the Star Wars universe! Sigourney Weaver joins the cast as Colonel Ward, a leader of the New Republic’s Adelphi Rangers. Since Din Djarin is now working as a “freelance” operative for the New Republic, she’s basically his high-stakes boss. Seeing the woman who faced down Xenomorphs take on the Imperial Remnant is the crossover we didn’t know we needed.
4. There’s a New Hutt in Town
Move over, Jabba! The Bear star Jeremy Allen White is voicing Rotta the Hutt, Jabba’s son (yes, the “Punky Muffin” from The Clone Wars movie). But don’t expect a cute baby slug; Rotta is now a gladiatorial threat who fights in the pits. If the rumors of him twirling twin hand-axes are true, Din and Grogu are going to have their hands full with this “Hutt-onis Creed.”
5. The Return of Fan Favorites
Keep your eyes peeled for Zeb Orrelios! The Lasat hero from Star Wars Rebels (voiced by Steve Blum) is making his big-screen debut after that brief live-action cameo in the series. With Dave Filoni co-writing, the film is packed with deep-cut references for “Filoni-verse” fans. Plus, rumors of a Martin Scorsese cameo as an Ardennian cook might just make this the most legendary Star Wars cast to date.
The Way is clear: catch up on your streaming, grab your popcorn (and maybe some blue milk), and get ready for a cinematic jump to lightspeed. “The Mandalorian and Grogu” is about to prove that while the galaxy is big, family is the greatest adventure of all. May the Force be with you!
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