Cameras

The Fujifilm X-T50 reignited my photography passion

Smartphone cameras can only imitate the look but not the actual feel

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During my teenage years way back in 2011, I was astounded by the crater-filled moon shots I saw on Flickr. Surprisingly, it was taken by Nikon’s point-and-shoot camera with a 21x optical zoom — which I consider a prime during its time. Although I never had the chance to own one, that particular moment inspired me to pursue photography.

Three years later, I received the Canon EOS 60D as a reward for my great track record in high school. That unlocked the door for me and opened a whole new world of possibilities in my journey as a creative.

 

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From college works to post-grad travels, shots taken in that DSLR never disappointed. It even lasted long enough for me to use it in some product shots I did during the pandemic — all before I put it to rest after seven long years.

Bewitched to switch

As much as I am happy with my first (and only) DSLR, its bulky weight simply is the huge downside. That’s why the mirrorless camera revolution was a true blessing for me.

 

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Being able to pack an APS-C or even a full-frame camera sensor at half the size and weight is a great tech marvel. IMHO, the crowns in this camera category both go to Sony and Fujifilm.

But having to spend more time with several Sony cameras during the past six years, the brand’s familiarity, flexibility, and all-around compatibility in their wide selection of mirrorless shooters (regardless if APS-C or full-frame) simply made me prefer it over anything else.

Saving a dying flame

The headliner isn’t a clickbait. My burning passion for photography simply vanished just like the last flame in a candle’s wick. The depressing pandemic halted my travel trips, and so as my desire to shoot with a professional camera.

Xiaomi 13 Pro | 2023

Moreover, the dawn of the second decade of the third millennium introduced computational photography, AI post-processing algorithms, lens imitations, and even countless camera partnerships in smartphones.

With the never-ending reviews and camera shootouts I did as GadgetMatch’s ~ camera guy ~, little did I know, I had forgotten the actual feeling of using a pro-grade camera for photography’s sake.

But when Fujifilm reached out to us for a limited review period with the X-T50, I immediately accepted the opportunity.

Truth be told, this mirrorless camera reignited my passion in photography after using it for a week in Taiwan.

Comeback is real?

Although Fujifilm may NOT be the first camera that contributed to my photography aspirations, this popular Japanese camera brand still made me rethink what a professional camera should be.

Having to use a pro-grade Fujifilm isn’t a first for me. My very first encounter was the X-H1, or the brand’s first video-centric camera — and also the first one to have IBIS (in-body image stabilization).

To highlight X-H1’s capability in videography, the director of the production house I held my first internship tasked me to shoot and edit BTS (Behind The Scenes) clips of the music video set starred by a well-known Filipino indie band called IV OF SPADES.

A year later, I became a part of the GadgetMatch team. I then had another chance to test out Fujifilm’s latest offering that time — the Fujifilm X-T30.

Fujifilm X-T30  |  2019

I tested the camera not just during a short day trip in Caliraya, Laguna. I was also able to spend more time with it during our overnight stay at a beach in Calatagan, Batangas.

The result? Well, this single long-shutter shot of our very own Milky Way Galaxy from earth’s perspective.

Shot on Fujifim X-T30 by Vincenz Lee | GadgetMatch

That’s one big check ticked off of my bucket list as a budding photographer.

Not only that, the introduction of Fuji’s Film Simulation modes in this camera truly amused me. The feeling of having several color calibrations right out of the camera itself is just a wonderful feature I’ve thought of while using the camera five years ago.

Shot on Fujifim X-T30 by Vincenz Lee | GadgetMatch

Admittedly, my memory reminded me that I only liked the photo-shooting mastery it had. The video output of the X-T30 isn’t up to X-H1’s strength simply because it missed that much needed in-body stabilization for a well-rounded video prowess.

X-Traordinarily Powerful

With the long and very personal Fuji-story out of the way, it’s high time to talk about the Fujifilm X-T50 itself.

For the hardware-obsessed, the X-T50 packs a serious photography punch.

There’s a 40.2MP APS-C sensor under its hood. Dubbed as the X-Trans CMOS 5 HR, Fujifilm’s special sensor has an enhanced image-processing algorithm that boosts resolution and has enough power to eliminate image noise without compromising an image’s overall quality.

Speaking of noise, it has an ISO Sensitivity of up to 51,200 in stills and ISO 25600 in videos — through extended mode.

Alongside that is Fujifilm’s very own X-Processor 5 processor that promises twice the speed without sacrificing much of its power compared to its predecessor.

For those with shaky hands, fret not as it has a 7.0-stop 5-axis IBIS. While on the same topic, it can record between Full HD, 4K (which also include 4K HQ and DCI 4K HQ), up until 6.2K footages. Slo-mo videos are only limited to 240p capped at Full HD.

Cannot sacrifice that DSLR-like viewfinder? Well, the X-T50 makes up for its OLED EVF (Electronic Viewfinder) with approximately 2.36-million color dots and 100% viewing coverage.

Lastly, there’s a 3-inch touchscreen LCD that can be tilted (not swiveled) when shooting in tighter angles.

The Fujifilm X-perience

With my limited time using this camera, it took a steeper learning curve than I initially imagined. Even if I was able to use Fuji cameras in the past, I was still so accustomed to Sony’s UI (User Interface) and system of settings and controls.

The Fujifilm X-T50 has three different dials found on top.

The left one serves as the dial when switching between Fujifilm’s Simulation Modes (more on that later). I love the overall feel of it when you turn one. There’s even a lever beside it where you can pull it down for the flash unit to pop-up.

However, I find the dial on the right a bit tricky to use. That’s likely my muscle memory using Sony’s mode switcher instead of Fujifilm’s dedicated dial for shutter speed (SS).

And even if the second right dial in our Sony camera is also used for switching Exposure Value (EV), it’s also user-programmable unlike the X-T50.

That’s when I also wish it had a proper D-pad plus scroll wheel combo for switching between ISO, shutter speed, WB (White Balance), and EV values instead of just a pointer tracker — that’s only used either for navigating through its not-so-simplistic menu and settings or for selecting specific focus point/s prior to shooting.

And speaking of focus, I find it frustrating how it automatically switches between using the touch for shutter, focus, or completely disabling that touch function.

TL;DR — I barely shoot RAW as it’s a massive storage hog. More so, I noticed how photographs under the JPEG format also take a lot of space.

Luckily, the X-T50 has a native HEIF support. This file format is still rarely used as it’s mostly found on iPhones (under HEIC) but it’s something worth pointing out. With it you get 50% more compression while preserving the same image quality as the traditional JPEG format.

Uniquely Fuji

Frankly, a camera’s strength doesn’t solely rely on its sensors, lens optics, and intricate hardware. It’s also through the built-in software a brand offers.

What makes a Fuji camera uniquely Fuji are none other than its film recipes — or “Simulation Modes” in Fujifilm’s own terminology. These originate back to the camera company’s roots when it was pretty big in the traditional film camera industry.

In the X-T50, there are a plethora to choose from:

PROVIA / Standard (Default)
Classic Neg.
VELVIA / Vivid
Nostalgic Neg.
ASTIA / Soft
ETERNA / Cinema
Classic Chrome
ETERNA BLEACH BYPASS
REALA ACE
ACROS (+ Ye / R / G Filters)
PRO Neg.Hi
Black & White (+ Ye / R / G Filters)
PRO Neg.Std
Sepia

 

I wouldn’t get into the nitty-gritty of each and every film simulation here.

Just like how each and everyone of us have varying preference, it’s a similar case when choosing the film simulation that best suits both a user’s taste and the subject they are trying to capture.

Personally, my most used recipes are Classic Chrome, Classic Neg., and PRO Neg. Std. That’s also because I love my photos to be less saturated with a reduced amount of contrast and/or shadows.

As cool as Taiwan’s Breeze

What I like about the Fujifilm X-T50 is how it keeps its classic SLR-like look.

Although I prefer wearing black most of the time, I find its silver colorway more appealing rather than the classic black coating.

Fujifilm X-T50

Fujifilm X-T50 in Silver colorway

Speaking of coolness, I find so much solace when it’s drizzling. More so, when I’m in a climate condition much like Taiwan’s breezy, pre-summer weather.

Maybe this is more of the many reasons why I romanticize myself along concrete jungles of East Asian countries instead of tropical islands and beaches in Southeast Asian nations.

Better late than never! These stills were captured way back in the month of June. This month in Taiwan isn’t as refreshing as summer starts around July.

Still, the shots I took with the Fujifilm X-T50 gave me chills (literally and figuratively) with how all of my snaps turned out.

Mind you, these were mostly shot in two of my favorite film recipes.

Light yet heavy

While all the daze and craze are focused on the X100 VI a.k.a Fujifilm’s tiny but mighty wonder, the Fujifilm X-T50 still is the right camera match for me. Even if it’s not the lightest and smallest out there, its weight of just 438 grams hits my sweet spot in pro-grade cameras.

This heft gives me enough grip whenever I decide between taking snaps, shooting videos, or just fiddling around knobs and previewing media. It’s even evident when I hold the camera one-handed.

And even with its considerable lightness physically, the Fujifilm X-T50 is still heavy in terms of power-packed photography.

Shallow but never hollow

Much like how I consider the X-T50’s weight being the optimal choice in the professional mirrorless segment, a 35mm prime lens is also my sweet spot in the varying choices of focal lengths. It’s not too close as 50mm or 85mm, neither as wide as 18mm, 20mm, or even 24mm lenses.

And with the Fujinon XF 35mm F/1.4R prime lens offering, it’s credible and commendable for swift-moving subjects — especially when you primarily do street and action photography, as well as photojournalism.

BTW, all photos from the very beginning ’til the end were shot using this lens.

This lens is even more enjoyable when shooting portraits — evident in that bokeh-licious goodness.

Not just that, its Subject Tracking AF also comes in very handy especially with frisky pets in the frame — much like these cute cattos in Houtong.

This type of lens is also favorable when it comes to food — another photography subject I’m enticed shooting.

Fast and efficient

Much how I love Taiwan’s very fast and efficient mass transit system, the same thing can be said with the Fujifilm X-T50.

Soaring high above the clouds of Taiwan’s air space…

down towards the speedy and always on-time HSR (High Speed Rail)…

the structured and very-systematized metro line…

and even the cost-effective local train route…

all looked firmly captured even when everything was in full swing.

The clip below also proves how capable it is when it comes to video shooting. I love how the lens gives that shallow DoF (Depth of Field) of the view outside the train’s window.

TL;DR the clip was actually recorded through Fujifilm’s XApp. Connecting the camera using the brand’s app felt seamless. In the time of the recording, I used my iPhone 13 Pro Max running iOS 18 Developer Beta. However, I cannot attest if the experience is / will be the same among Android smartphones.

I won’t even say it’s a downside but even if the X-T50 can shoot up to 6.2K footages, the app records only at a maximum resolution of Full HD 1080p / 30fps in H.264 codec.

Moreover, it also made me capture time-frozen photos in this speeding bus along Ruifang and Jiufen’s curvy (and wet) roads.

Believe it or not, I shot this through the bus’ window on a foggy, drizzling day

Additional note: I took my photographs with Mechanical Shutter (MS) turned on as it gives me that DSLR-like clicking mechanism when shooting.

If you want a more silent shooting method, you can opt for Electronic Shutter (ES). It’s more beneficial when you do Continuous Shooting between 8 to 13fps.

Rightly bright even at night and low-light

With the combination of X-T50’s high ISO sensitivity plus the wide aperture of the XF 35mm prime lens I used, it also gives the best in class low-light and night-time photographs.

Whether it’s an indoor shot of a tricky tunnel, or just anything and everything happening in the dusk, this marvelous pairing can keep up with my photography needs nevertheless.

My intrusive thought told me to take the snap above with flash. I love how “artsy” it turned out.

This grumpy cat is my spirit animal

I managed to take these low-light shots even with a low ISO 800 ~ 1000 sensitivity plus a sufficiently-fast shutter speed all thanks to the wide f/1.4 aperture of Fujifilm’s 35mm prime shooter.

BONUS: We’ve had our very special Uber ride with a Maserati (YES, with emphasis).

Then again, here’s another unedited video sample showcasing the X-T50’s video quality and its great stabilization, even at night.

P.S: This one was natively taken with the camera. Thus, 4K / 60fps playback is possible.

Coverage Companion

I also took the Fujifilm X-T50 with me during our comeback coverage at Computex 2024. The pandemic has halted our annual visit so this event meant a lot to me as this is only my second time covering.

During the four-day convention, I dared to go out of my Sony “comfort zone” and held the X-T50 whether it’s for stills or clips.

I usually color-grade photographs in Lightroom but admittedly, Fuji’s built-in film simulation sufficed.

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These TikTok embeds also prove that the X-T50 is as capable as any major mirrorless cameras when it comes to footage shooting while on the move.

Is the Fujifilm X-T50 Your GadgetMatch?

In the Philippines, the body-only Fujifilm X-T50 retails for PhP 92,990 (US$ 1399 / SG$ 2299).

It also comes in two kit versions:

  • with XF 15-45mm = PhP 8,990 (US$ 1499 / SG$ 2499)
  • with XF 16-50mm = PhP 117,990 (US$ 1799)

Meanwhile, the Fujinon XF 35mm F/1.4R prime lens I have used in the entirety of this review period is for an additional PhP 32,990 (US$ 599.95 / SG$ 919).

Despite my slight frustrations when it comes to Fuji’s controls and overall system (and also the lack of weather-sealing), there are still many reasons why I love it.

The Fujifilm X-T50 is never a sloucher. It’s more than capable both for your photography and videography needs.

Sure, it may not have a full-frame sensor but its APS-C sensor does the job well. Pair that with the company’s 35mm prime lens I’ve used, you get fast and bright snaps whenever, wherever.

If you’re a long-time Fujifilm user and has the means to upgrade from the older X-T series (or even X-A and X-E) that lack IBIS, the X-T50 simply is the upgrade you are waiting for.

Some users in the community have called the X-T50 as the “watered-down” version of the X-H2. But with an almost identical core hardware, the higher-class Fujifilm X-H2 requires more to spare at PhP 123,990 / US$ 1999 / SG$ 3259.

Admittedly the X-T50 is NOT a camera meant for beginners. There are compelling yet pocket-friendly options that are already enough for the needs of any hobbyist or a budding photographer.

Needless to say, if you have all the money to splurge whether you’re a novice or a full-on pro, this is a camera candidate worthy to consider.

Its outstanding hardware, lens flexibility, stable and higher-quality video output, and the abundance of Fuji’s classic film recipes are enough reasons for me to give the Fujifilm X-T50 the GadgetMatch Seal of Approval.

Accessories

Insta360 Flow 2 update improves Android support, adds new iOS features

Better Android lens support

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Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support

Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.

The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.

Android finally gets full lens access

One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.

This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.

The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.

Faster 360 panoramas for quick sharing

The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.

Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.

Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.

Dual View adds more angles in one take

Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.

This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.

Apple Watch control for hands-free shooting

For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.

Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.

Smarter tracking and remote control tools

The update also improves several AI-powered features across the Flow 2 series.

AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.

There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.

Availability

The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.

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Cameras

The Fujifilm instax mini 13 is your new, favorite plus-one!

Say goodbye to awkward “who’s taking the photo?” debates with the camera that puts you at the center of the frame.

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We’ve all been there: you’re at the center of a perfect moment — a sunset rooftop toast or a reunion with your best friends — and you’re stuck behind the screen trying to get the lighting right.

Fujifilm’s new instax mini 13 is here to let you stop worrying about the “how” and start living the “now”.

The first thing you’ll notice is the glow-up. The mini 13 swaps the tech-heavy look for a soft, sculpted aesthetic that feels like a dream in your hand. It comes in five candy-colored hues: Dreamy Purple, Frost Blue, Candy Pink, Lagoon Green, and Clay White.

The biggest flex is you can finally be in the shot. The new dual timers (2 or 10 seconds) mean no more awkward “who’s taking the photo?” debates.

Just prop it up with the included angle adjustment accessory, set the timer, and join the frame.

The tech inside is just as intuitive. A simple twist of the lens powers it on or shifts it into Close-Up Mode, while the Parallax Correction ensures your centered shots actually stay centered.

Because we live for the “post,” the updated instax UP! app uses AI to scan your physical prints with pinpoint precision.

It strips away the glare and the background noise, leaving you with a clean, digital version of your favorite tactile memories.


The Fujifilm instax mini 13 is now available in the Philippines, and retails for PhP 5,399.

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Cameras

DJI Osmo Pocket 4 review: A solo creator’s production crew

Now, you can be the director and editor of your own story.

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I’ve never quite pegged myself as a “content creator” in the traditional, polished sense. In my head, I’m a writer surviving the advertising trenches and a photographer who values the raw grit of a sports gig.

But life — much like a fast-paced YA novel — decided to turn my journey into an epic adventure of documenting high-mileage runs, fast-paced travel, and mundane gym sessions.

I thought my iPhone 16 Pro and a 360 camera were a complete kit. But after living with the DJI Osmo Pocket 4 since January, I’ve had an epiphany: it’s simply the best tool I’ve found to film myself as I star in my own story.

Familiarity doesn’t breed contempt

Moving from a mirrorless setup to the Pocket 3 originally felt like learning a new language. But moving from the 3 to the 4? It’s like upgrading your favorite pair of running shoes.

Because I use this for work, like capturing highlight reels at events so people can feel the vibe they missed, the familiarity is a godsend.

While the silhouette is similar, the tactile experience has matured significantly. The Pocket 4 replaces the previous model’s basic controls with a new 5D analog joystick for ultra-precise gimbal pans and adds dedicated physical buttons under the touchscreen for fluid zooming.

The internal architecture has seen a massive shift too, moving from the Pocket 3’s “SD-only” setup to a built-in 107GB of internal storage.

This is paired with a hardware upgrade from USB 2.0 to USB 3.1, which physically enables wired transfer speeds of up to 800MB/s — roughly 5 to 10 times faster than the older model.

Even the battery has been bulked up to 1545mAh (compared to the 1300mAh on the 3), giving you more endurance for a full day of reporting without reaching for a power bank.

Sensor that sees more

The new 1-inch sensor is the upgrade I didn’t know I needed until I saw the results.

I took it to a cafe in Bangkok where the lighting was… let’s call it “challenging.” We’re talking low-light interiors clashing with blown-out al fresco sunlight.

The Pocket 4 handled it with the grace of a professional cinematographer, thanks to its 1-inch CMOS engineered for better detail and more accurate color. The camera was good enough to reduce shadow and noise to keep the image how we see it.

When I want to shoot fast, the vertical 3K mode is great, especially for quick social updates. But shifting to the 4K horizontal mode is where the magic happens, thanks to its 14-stop dynamic range. It preserved the delicate highlights of a moody, dimmed interior or night shot that make it looks like a cinematic masterpiece.

Because this dynamic range works across 4K/60fps and 4K/30fps, it adds a tangible depth to the footage that makes everything feel more three-dimensional.

To really push that cinematic aesthetic, the Pocket 4 now supports 10-bit color depth even in standard mode, which means smoother gradients in the sky and zero color banding.

If you’re shooting in those dim, late-night settings, the camera even has a dedicated 4K low-light video mode that pushes the dynamic range up to two stops further, ensuring that nighttime portraits remain bright and natural instead of becoming a grainy mess.

Adding soul through color

With the introduction of 10-bit color depth in standard mode, the Pocket 4 now captures over a billion colors.

It delivers significantly smoother gradients and virtually eliminating the “stepping” of color banding in wide-open skies. This technical leap provides much greater post-processing flexibility, yet even without a single tweak, the camera captures incredibly vibrant, true-to-life imagery.

I put this to the test when Netflix’s live-action One Piece adaptation transformed Fort Bonifacio in Taguig City into “Port Bonifacio.”

I visited the activation alongside notable cosplayers and creators, and the Pocket 4’s ability to “interpret” the vivid colors of that world was stunning.

 

 

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By applying my own film-like retro preset in CapCut, the footage easily took on a stylized, anime-like vibe. I felt like the protagonist of my own arc, capturing everything from the arrival of Laboon to the docking of the Going Merry with cinematic texture.

For those who want to push their craft further, the D-Log Pro Mode is a professional-grade essential. It expands the dynamic range in high-contrast or color-rich scenes, preserving maximum data for flexible color grading.

This allows you to apply complex filters and LUTs while maintaining total control over the highlights and shadows, giving your videos a distinct “soul” that feels less like a digital recording and more like a cinematic film.

My ideal production crew

By no means am I a professional shooter. I rarely have the luxury of time to produce a cinematic masterpiece on my own accord, but as someone who frequently has to shoot with zero cameramen — especially during solo travels or international assignments — the Creator Combo is a godsend.

Shooting solo gives me the liberty to dictate every shot and style, essentially acting as my own director and editor. If you’re a strong, independent gal, say no more; the Osmo Pocket 4 feels like a dedicated production crew that I can tag along anywhere I like.

While my more rugged adventures are better suited for the Osmo Nano or Action 6, the Pocket 4 shines in controlled environments where I can plan my shots across Bangkok, Manila, and Jakarta.

 

 

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My absolute favorite new feature is the six built-in film tones, which are a game-changer for achieving a professional look straight out of the camera without extra editing.

You can opt for CC Film for Fuji-inspired cool tones and soft skin, or NC Film for a classic negative style that delivers bright, luminous complexions.

If you crave a brighter aesthetic, Pastel provides a cool-toned, transparent vibe with rosy skin, while Warm Tone offers rich, saturated colors perfect for scenery and buildings.

For that classic street shot aesthetic, Movie adds cinematic depth and dimension, and Retro creates a nostalgic film mood that feels tailor-made for historic architecture and old-world streets.

Glowing in every frame

Even when you’ve mastered the art of being in front of the lens, that flicker of self-consciousness never truly disappears.

I noticed that the Pocket 4’s native shots are quite intimate, so I find myself reaching for the wide-angle lens from the Creator Combo to gain better control over my framing and composition.

Zoomed-in captures of your face can be daunting, but thankfully, the Pocket 4 delivers instantly bright, clear, and glowing skin.

This is thanks to a massive jump in photo resolution — from the 9.4MP of the Pocket 3 to a stunning 37-megapixels — combined with built-in filters.

 

 

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It functions like a high-end beauty mode on a smartphone, allowing you to smoothen your complexion and fine-tune your skin tone’s warmth with total ease.

If the environment isn’t doing you any favors, you can take it up a notch with the Magnetic Fill Light. It snaps onto the gimbal like a tiny, personal ring light, ensuring you stay perfectly lit even when the world around you is dark (or when you just need that “holy” glow).

The light moves in sync with the gimbal, and you can easily toggle through three levels of brightness — 12, 25, or 40 lux — and adjust the temperature from a cozy 2800K to a crisp 5500K. In a way, it’s making sure you always look your best, regardless of the setting.

Now an athlete’s choice

Beyond the tech and the art, 80 percent of my life is defined by being an athlete. Historically, I’d never dream of bringing a Pocket device into my training; earlier models felt far too fragile, with gimbals and screens that seemed destined for disaster.

The Pocket 4, however, introduces a much-needed gimbal clamp that prevents it from turning on automatically while jostling inside your pouch.

I’ll be honest: I’ve accidentally knocked this camera five times already (I am that clumsy!) but when the impact was strong, the device actually displayed “Gimbal Protected”.

Now, that’s a companion that can finally keep up with my pace.

I put this to a test at a HYROX class in The Commune in Jakarta. While a dimly lit gym isn’t the easiest place to film, the Pocket 4’s upgrade to 4K with 2x zoom allowed me to station it safely out of the way while still capturing a tight, high-quality shot.

This is where Active Track 7.0 feels like magic; a simple double-tap locks the focus on me, and the intelligent autofocus keeps me centered even during the most intense movements.

You can even use Dynamic Framing to position yourself via the rule of thirds or the golden spiral for a more professional look.

Most importantly for the solo shooter, it prioritizes pre-registered faces. It literally learns to look for you!

When a simple palm or “V” gesture is all it takes to start recording, you realize that beyond being a camera, it’s also a partner in your fitness journey.

For capturing your favorite memories

Over the holidays, I had an epiphany. I finally decided to start a project that had been simmering in my mind since 2023.

For the past seven years, I’ve been slowly collecting Instax films: tangible, physical snapshots of my favorite moments and the people I’ve shared them with.

 

 

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To honor those memories, especially the connections that have since drifted away due to distance or disagreements, I finally took those films out of their memory box to put them in a frame for display.

Documenting this tactile activity with the Pocket 4 felt like weaving a narrative in high resolution. It’s an art form, per se, but one that becomes significantly easier to master when you have the right gear to translate physical memories into a digital story.

Beyond these aesthetic reflections, the Pocket 4 proves its worth in vlogging and storytelling through its technical maturity. It features 4-channel output, delivering a professional audio capture that recreates the immersive feel of a live concert.

The Audio Zoom is equally impressive; the capture intelligently adjusts with the video zoom, amplifying the sound as you move in and dampening it as you pull away.

When I remember to use the DJI Mic 3 transmitter from the Creator Combo, the clarity is undeniable, ensuring the narrative remains as clear as the visuals.

Which should you get?

Deciding between the two versions depends entirely on how deep you want to go into your own narrative.

If you opt for the Osmo Pocket 4 Standard Combo, you get the essentials: the device itself, a USB-C to USB-C PowerDelivery Cable, the Gimbal Clamp, a Wrist Strap, a Handle with 1/4″ Thread, and a portable carrying pouch.

It’s the perfect entry point for those who want to “shoot, edit, and upload” without getting bogged down by technicalities. You still get that signature high-grade quality regardless of the accessories.

However, the Creator Combo is where the story truly expands. On top of the standard kit, you get the DJI Mic 3 Transmitter (complete with magnetic clips and windscreens), the Fill Light, a mini Tripod, the wide-angle lens, and an additional carrying bag.

If you make a living through your content, like handling brand partnerships or professional video work, this combo is a non-negotiable.

The return on investment is staggering; even after months of use, I feel I’ve only scratched the surface of its capabilities.

Is this your GadgetMatch?

The Osmo Pocket 4 has transcended the typical “vlogging camera” label.

It has become a legitimate replacement for a smartphone camera for those who want to document their lives with the precision of a professional production crew. This tool pushes the “main character” narrative to its peak, allowing you to record your best life even when the journey requires being alone.

I relate to this device deeply because I am a “multi-purpose” friend: I’m down for anything, and I can handle anything. The Osmo Pocket 4 mirrors that versatility. It’s an expert at capturing life’s fragments, documenting your personal projects, and producing the kind of high-stakes videos people actually want to watch.

For its ability to turn everyday behavior into cinema, the Osmo Pocket 4 is a Super Swipe Right and earns the GadgetMatch Seal of Approval.

There is no reason to Swipe Left unless you are specifically looking for the rugged durability of an action camera or the granular technical control of a mirrorless setup.

But even then, you’d be missing the point. The Pocket 4 isn’t a device you choose instead of others; it’s the tool you pick to fill the gaps in your arsenal.

I work with a mirrorless camera, a 360 action camera, and an Osmo Nano, but the Pocket 4 has found its unique place in my routine. It’s a matter of fitting the technology into your life until it serves its true purpose: making your story feel real.


The Osmo Pocket 4 Standard Combo retails for PhP 28,990, while the Creator Combo is priced at PhP 37,490.

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