Entertainment
Netflix’s Trese: Beacon of hope for Filipino storytellers
According to a graphic novel writer
The wide, deep, and varied world of comics or graphic novels was something that remained unexplored until I was forced to because of work. As an introductory lesson to comics and graphic novels, Trese was a part of my reading assignment. And since they did not have all the volumes of Trese, I went on a hunt for it.
The one I got is the Trese: Book of Murders which is in English. It was a quick read but I was more curious to read the Filipino version. Either way, I finished it within the same day I purchased it. And I loved it.
Though I did not delve deep into the fandom, I was curious enough to join the Facebook group and to check on updates every now and then which was why I cheered when I saw that there was going to be an animated series based on the comics.
“Sadly, there are things that had to be sacrificed if it meant getting things done.”
On keeping the art and story
It had been around three years since I last read the entire thing and I needed a refresher. I finished it just an hour before the series was available for streaming.
I watched the entire series in one sitting. Starting from the surface, the art is gorgeous and very pleasing to the eyes, but maybe a tad too Western than what I would have wanted.
I am not saying that they should have copied the exact art style from the comics but maybe it could have been a bit more Filipino-looking. As much as I adore how Alexandra Trese looked, she looks almost American-Japanese. But, nevertheless beautiful.
Story-wise, it did not change a lot but it surely compressed it a bit. Maybe a bit too much that they had to rely on voiceovers and flashbacks in order to touch on important parts and deliver the story without leaving too many loopholes.
It was understandable but some parts felt dragging just because it was compressed. But that could also be due to other factors. And sadly, there are things that had to be sacrificed if it meant getting things done.
“I can’t think of anyone who can be the voice of Alexandra Trese other than Liza.”
The never-ending discourse about the dub
Now onto the part that everyone has been talking about even before it started to stream―the dub. There’s Filipino, English, Japanese, and Spanish the last time I checked.
I tried it all and I have mixed emotions. I originally went for the Filipino dub mainly because I wanted to get the full Filipino experience. Out of curiosity, I rewatched one episode and tried the other languages.
The Spanish one was almost natural but maybe that’s because of the familiar words that we have adapted. The Japanese one was interesting, giving that anime feel that was kind of cool and maybe had the most emotion among the dubs.
The English dub was also nice but some Filipino terms and names tend to sound kind of slang. With the Filipino one, it was the most natural one… vibe-wise.
But what I did not like about the Filipino dub was the lack of emotions in some parts and mainly from Alexandra Trese. Though it was established that Alexandra was not that emotionally expressive, she sounded so monotonous throughout the entire series.
Maybe, just maybe, Liza Soberano was focusing on her enunciation that she was not able to deliver enough emotions in her lines. But other than that, I can’t think of anyone who can be the voice of Alexandra Trese other than Liza. Just a bit more voice acting workshop, I guess, and she’s good to go.

TRESE (L to R) CARLOS ALAZRAQUI as SANTELMO and SHAY MITCHELL as ALEXANDRA TRESE in episode 101 of TRESE Cr. COURTESY OF NETFLIX © 2021
Setting up the stage for other storytellers
It may not be perfect and polished as others may have hoped for but I do hope that Trese can pave the way for other Filipino comics, and other local stories to make their way to a more global or international scene.
Philippine mythology is filled with deities and creatures, which are varied depending on every region of the country. The most common deity mentioned and used is Bathala, the Supreme Being in the Tagalog region, while the most common creature used is the aswang.
Even in the American fantasy TV series “Grimm”, they featured the aswang, but I personally think we have other creatures that are far more horrifying. There is the sigbin which looks like a dog but it walks backwards with its head lowered and it sucks its victim’s blood but during Holy Week, it hunts children for their hearts. That’s just one of the many.
A lot of Filipino creators have shared their vision and interpretation of our mythology and folklore such as Tabi Po by Mervin Malonzo, Mythology Class by Arnold Arre, Ella Arcangel by Julius Villanueva, Janus Silang by Edgar Samar, and more. From popular titles to independent creations that you would see at a smaller comic convention, more artists and writers are showing appreciation for what is ours.
Plenty of mythology to explore
At first, I was not aware of just how vast our own mythological world is and I only knew very little folklore. But when I started to work in Epik Studios Inc., I had to read and learn more. What made me delve deeper was during the time that I was tasked to write the modern take on Bernardo Carpio. Instead of sticking to the popular creatures for the villain, I researched creatures that are barely used. Not only did I find a fitting villain for Bernardo Carpio, but I also found inspiration for new stories that I want to write in the future.
We have a rich folklore and mythology that has yet to be fully showcased but we have a lot of storytellers who wish to show it to the world. It’s about time that we do.
Watch Trese on Netflix.
This opinion piece was written by Patch Aviado, a creative producer and a writer who worked on graphic novels such as Bernardo Carpio, Pedro Penduko: The Legend Begins, Maria Makiling, and Osyana. Together with Viva Books, she published Garden of Sunflowers. Currently, she’s working on an online novel entitled Blue Hearts, Purple Roses. When she’s not writing, she’s busy fangirling.
Entertainment
Street Fighter special look: Blanka vs. Ryu
Jason Momoa, Andrew Koji’s characters face off
Paramount Pictures has released a new special look for Street Fighter featuring Jason Momoa and Andrew Koji.
The short, minute-long clip shows the actors’ respective characters, Blanka and Ryu, in battle.
It opens with a chained prisoner struck by extreme electrical charges, transforming into the green-skinned, electricity-infused Blanka.
He unleashes a fierce roar. Meanwhile, Ryu drops into a fighting stance, but tells Blanka he does not want to fight him.
Forced to defend himself, Ryu then fires a signature Hadouken fireball towards Blanka, as the teaser cuts to the Street Fighter title card.
Street Fighter debuts in cinemas starting October 14. It is directed by Kitao Sakurai and stars an ensemble cast that includes Noah Centineo as Ken Masters, Callina Liang as Chun-Li, Joe “Roman Reigns” Anoai as Akuma, and Curtis “50 Cent” Jackson as Balrog, among others.
The film is set in 1993 when estranged Street Fighters Ryu and Ken Masters are thrown into combat when Chun-Li recruits them for the next World Warrior Tournament.
Entertainment
Now Playing: Spider-Man: Brand New Day
It’s a must watch for Spidey fans who want to see Peter Parker enter his sad boy era.
The Holland-led Spider-Man trilogy is one of my favorite franchises in the Marvel Cinematic Universe. Compared to other series with admittedly disjointed plots, all of Spidey’s storylines have a clear thread leading from one to the next. Since the fourth entries after trilogies are historically lackluster, I had a lot of trepidation heading into Spider-Man: Brand New Day.
Thankfully, all those worries were unfounded. Brand New Day follows the same throughline as its predecessors, once again reinforcing Spider-Man as the strongest franchise that Marvel offers fans today.
A brand new day indeed
Coming from No Way Home, Brand New Day still has Peter Parker live a new life as a literal nobody where no one remembers who he is. So begins his existence as just Spider-Man with no friends or family.
When a new and unseen threat ravages through New York City, Spidey starts to wish that he still had friends to help him out, which leads him on an inevitable collision course with Ned and MJ. Ironically, it also leads him to other characters in the city, including the Hulk and the Punisher.
A cacophony of villains
When I first saw the trailer, I was worried about the astounding number of villains from the get-go. After all, one of the biggest problems in Sam Raimi’s Spider-Man 3, the most maligned entry in Spider-Man movie history, was the villains. Though far from the movie’s biggest problem, having too many bad guys without a solid plot led to its terrible reception. You can see why Brand New Day’s trailer raises some flags.
If you were thinking the same thing, Brand New Day does indeed have a cohesive plot. Everything flows neatly into one another. Each emotional beat of Peter feeling for his solitude mixes well with the action. In here, fight scenes feel like they have a purpose.
And there is a big bad here. It’s not just a collection of guys that Spidey has to go through. That big bad, who shall not be named at this time, doesn’t feel like just a placeholder for Peter’s internal struggles. They have a character of their own and their own struggles to solve. I wouldn’t say they’re at the level of Loki just yet, but they definitely have a better go at it than most of the MCU’s other villains.
Marvel’s New York City finally debuts
Despite being a prime location since 2012’s Avengers, New York City never really felt like the quintessential city for superheroes in the comics. In the movies, the city was just another city to be ravaged when a new villain comes along.
For the first time, Brand New Day makes the city feel like a lived-in world with a bunch of superheroes living in the neighborhood. And they do pop up.
Does Peter have a scientific problem that only a very specific hero can solve? It’s a good thing Bruce Banner is just around the corner. Does he need some muscle? Well, the Punisher is skulking around somewhere. Plus, there’s even a succinct reason why other superheroes can’t help out.
In this way, Brand New Day presents itself more like a comic book series than a one-off movie. It’s like following the story alone from issue to issue. It’s not the most perfect adaptation of the landmark city, but it goes a long way from just another ravaging of New York.
Peter’s sadness
Everything here hinges on Peter’s loneliness. Despite meeting a trove of characters across the cinematic universe, Peter yearns for time with his loved ones. But they’re gone.
Unlike the past three films where he always had someone to go home to, he has no one here. Tony Stark is dead. Aunt May is gone. Happy has gone to parts unknown. Ned and MJ have no memory of him. Brand New Day has a way of making you feel for his aches, whether the way he still keeps track of MJ or some physiological changes as a result of his predicament.
It also helps that the movie’s big bad has similar motivations. Both serve as perfect mirrors against each other, elevating both their stories effectively. And that’s all I’ll say about that.
Spider-Man: Brand New Day is a few steps behind from being a perfect Marvel movie, but it’s still an extremely strong part of the Spider-Man mythos. The trilogy, now quadrilogy, remains Marvel’s most consistent franchises to date. It’s an absolute must-watch.
Entertainment
UNDERTALE: The Determination Symphony hits Makati in October
Determination arrives in October.
For so small of a game, UNDERTALE quickly made it into the gaming world’s hall of fame. Despite being only a decade old, the small title has had a major influence for modern-day gamers because of its unique gameplay, its lo-fi art, and, of course, its catchy soundtrack. If you’re a fan of UNDERTALE’s soundtrack, a unique concert experience is headed your way.
On October 17, Film Concerts PH, in partnership with SOHO Live, is hosting UNDERTALE: The Determination Symphony at the Proscenium Theater in Rockwell, Makati.
The concert will be performed by the Filharmonika Orchestra and conducted by Thanapol Setabrahmana. Personally curated by creator Toby Fox and developed by Lambert Jackson with Materia Music, the concert experience showcases the game’s most recognizable tunes laid over gameplay footage playing simultaneously. Plus, for the world tour, the experience will have expanded scoring.
In the game, you play as a small child stuck in the mysterious Underground filled with interesting characters and monsters. Unlike traditional RPGs, UNDERTALE asks players to choose between building relationships and chasing after wins. It’s a unique experience that’s defined by whether you chose to make friends or fought your way to the top. It teaches players to value different ways to solve problems, all while showering them with its one-of-a-kind humor.
Pre-sales for the concert, exclusively for members of the Film Concerts PH community, start on August 4. Public sales, however, will start on August 11 via Ticketmelon.
SEE ALSO: The hunt begins: The Witcher in Concert hits Manila with surprises in tow
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