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Netflix’s Trese: Beacon of hope for Filipino storytellers

According to a graphic novel writer

Illustration by Migs Buera

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The wide, deep, and varied world of comics or graphic novels was something that remained unexplored until I was forced to because of work. As an introductory lesson to comics and graphic novels, Trese was a part of my reading assignment. And since they did not have all the volumes of Trese, I went on a hunt for it.

The one I got is the Trese: Book of Murders which is in English. It was a quick read but I was more curious to read the Filipino version. Either way, I finished it within the same day I purchased it. And I loved it.

Though I did not delve deep into the fandom, I was curious enough to join the Facebook group and to check on updates every now and then which was why I cheered when I saw that there was going to be an animated series based on the comics.

“Sadly, there are things that had to be sacrificed if it meant getting things done.”

On keeping the art and story

It had been around three years since I last read the entire thing and I needed a refresher. I finished it just an hour before the series was available for streaming.

I watched the entire series in one sitting. Starting from the surface, the art is gorgeous and very pleasing to the eyes, but maybe a tad too Western than what I would have wanted.

Trese

I am not saying that they should have copied the exact art style from the comics but maybe it could have been a bit more Filipino-looking. As much as I adore how Alexandra Trese looked, she looks almost American-Japanese. But, nevertheless beautiful.

Story-wise, it did not change a lot but it surely compressed it a bit. Maybe a bit too much that they had to rely on voiceovers and flashbacks in order to touch on important parts and deliver the story without leaving too many loopholes.

It was understandable but some parts felt dragging just because it was compressed. But that could also be due to other factors. And sadly, there are things that had to be sacrificed if it meant getting things done.

“I can’t think of anyone who can be the voice of Alexandra Trese other than Liza.”

The never-ending discourse about the dub

Now onto the part that everyone has been talking about even before it started to stream―the dub. There’s Filipino, English, Japanese, and Spanish the last time I checked.

I tried it all and I have mixed emotions. I originally went for the Filipino dub mainly because I wanted to get the full Filipino experience. Out of curiosity, I rewatched one episode and tried the other languages.

The Spanish one was almost natural but maybe that’s because of the familiar words that we have adapted. The Japanese one was interesting, giving that anime feel that was kind of cool and maybe had the most emotion among the dubs.

Trese

The English dub was also nice but some Filipino terms and names tend to sound kind of slang. With the Filipino one, it was the most natural one… vibe-wise.

But what I did not like about the Filipino dub was the lack of emotions in some parts and mainly from Alexandra Trese. Though it was established that Alexandra was not that emotionally expressive, she sounded so monotonous throughout the entire series.

Maybe, just maybe, Liza Soberano was focusing on her enunciation that she was not able to deliver enough emotions in her lines. But other than that, I can’t think of anyone who can be the voice of Alexandra Trese other than Liza. Just a bit more voice acting workshop, I guess, and she’s good to go.

TRESE (L to R) CARLOS ALAZRAQUI as SANTELMO and SHAY MITCHELL as ALEXANDRA TRESE in episode 101 of TRESE Cr. COURTESY OF NETFLIX © 2021

Setting up the stage for other storytellers

It may not be perfect and polished as others may have hoped for but I do hope that Trese can pave the way for other Filipino comics, and other local stories to make their way to a more global or international scene.

Philippine mythology is filled with deities and creatures, which are varied depending on every region of the country. The most common deity mentioned and used is Bathala, the Supreme Being in the Tagalog region, while the most common creature used is the aswang.

Even in the American fantasy TV series “Grimm”, they featured the aswang, but I personally think we have other creatures that are far more horrifying. There is the sigbin which looks like a dog but it walks backwards with its head lowered and it sucks its victim’s blood but during Holy Week, it hunts children for their hearts. That’s just one of the many.

A lot of Filipino creators have shared their vision and interpretation of our mythology and folklore such as Tabi Po by Mervin Malonzo, Mythology Class by Arnold Arre, Ella Arcangel by Julius Villanueva, Janus Silang by Edgar Samar, and more. From popular titles to independent creations that you would see at a smaller comic convention, more artists and writers are showing appreciation for what is ours.

Plenty of mythology to explore

At first, I was not aware of just how vast our own mythological world is and I only knew very little folklore. But when I started to work in Epik Studios Inc., I had to read and learn more. What made me delve deeper was during the time that I was tasked to write the modern take on Bernardo Carpio. Instead of sticking to the popular creatures for the villain, I researched creatures that are barely used. Not only did I find a fitting villain for Bernardo Carpio, but I also found inspiration for new stories that I want to write in the future.

We have a rich folklore and mythology that has yet to be fully showcased but we have a lot of storytellers who wish to show it to the world. It’s about time that we do.

Watch Trese on Netflix.


This opinion piece was written by Patch Aviado, a creative producer and a writer who worked on graphic novels such as Bernardo Carpio, Pedro Penduko: The Legend Begins, Maria Makiling, and Osyana. Together with Viva Books, she published Garden of Sunflowers. Currently, she’s working on an online novel entitled Blue Hearts, Purple Roses. When she’s not writing, she’s busy fangirling.

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I’m missing the Olympics because I don’t have cable

And it sucks

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It’s 2021. The Tokyo 2020 Olympics, which was delayed due to the Coronavirus pandemic, is in full swing as of writing. However, as someone whose primary source of media entertainment all comes from streaming, there’s no easy and convenient way for me to watch the games. Major bummer.

I like to enjoy my media a certain way; I prefer to stream them on my TV. Which is why majority of the content I consume come from YouTube, Netflix, and the occasional Amazon Prime, HBO Go (Yep, not even HBO Max), and Apple TV.

I find it incredibly baffling that the stakeholders involved in bringing the games to the people failed to come to an agreement to make it easily accessible on the aforementioned platforms. It’s 2021. Why on earth am I not able to watch the greatest sporting event on the planet the way I want to?

Believe me, I hear the privilege in my words. Regardless, I still feel marginalized.

So how can you watch the Olympics right now?

I asked a friend who’s been covering the games. He watches through cable and had to pay a PhP 150 fee (around US$ 3/ SG$ 4) to avail of the Tokyo 2020 Premium from a particular cable provider.

Thing is, the whole Olympic coverage in the Philippines is locked to the MVP group of companies. You wanna follow the games, you’re gonna have to do it on one of their platforms.

Here’s an excerpt from their press release on the Tokyo 2020 Olympic coverage:

“Sports fans will have comprehensive access to the Olympic Games — from the Opening Ceremonies all the way to when the games conclude — on free to air via TV5 and One Sports. One Sports+ on Cignal TV will also dedicate a significant amount of their daily hours to broadcast the events, with Cignal also opening up two exclusive channels dedicated to broadcast the games 24/7. Cignal Play, in addition to live channels TV5, One Sports & One Sports+, will be offering exclusive channels broadcasting live updates to its subscribers, along with exclusive content not available on the TV broadcast. Cignal TV’s One News leads the group’s round-the-clock news coverage, featuring results, updates, and highlights.”

Comprehensive? Maybe. For platforms within the MVP group of companies. If you’re not subscribed to any of these, well, that’s just too bad. It’s good for business and I completely understand how the whole thing works. Doesn’t mean I have to like it.

The coverage also missed to televise or showcase Hidilyn Diaz’s historic gold medal win in the Weightlifting competition. If you’ve been following sports news, the Philippines was expected to get a medal in this event. Sadly, the moment was only known following updates from reporters on the ground.

How I wish it was handled

I’m sure there’s a lot more that goes into it in terms of TV and broadcasting rights, but we’re literally at an age where plenty of folks have decided to cut the cord and rely on streaming for content.

On YouTube, you can buy and/or rent movies and shows. The platform and structure exists for pay-to-watch content. They could have even made tiers or packages like charge a certain amount to gain access to all the games, a different and lower amount if you just want to follow a certain sport and/or a certain event.

Maybe the potential earnings to do so didn’t justify the costs to implement it. Whatever the case, it’s still incredibly frustrating.

Sure, I can go through the hoopla of setting up a VPN and look for streaming sites. But that’s more even more cumbersome. I don’t mind paying a convenience fee if it means that after a long day of work I can kick back, relax, and watch some damn sports.

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Entertainment

Netflix is reportedly producing a live-action Pokémon series

With Lucifer showrunner Joe Henderson

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Pokémon remains one of the most popular franchises today. From the ever-popular video game series to the still-ongoing anime series, the creature collector franchise still going strong. Even then, the franchise is reportedly working on another addition to its repertoire: a live-action Netflix series.

According to Variety, Netflix is in the early stages of an upcoming Pokémon series on the platform. Much like the widely successful film Detective Pikachu starring Ryan Reynolds, the series will star actual humans in a live-action format. Beyond that, the report does not go into detail into how the creatures will look like for the series.

Likewise, the report does not indicate when the series will launch.

Lucifer’s Joe Henderson is reportedly helming the series. He is also known for adapting Stephen King’s 11.22.63 for Hulu.

Over the past few years, Pokémon has tapped various segments besides gaming and anime fans. The company has tapped lifestyle with branded accessories and lifestyle-oriented apps. Adding a live-action series will tap into the thriving Netflix market.

For Netflix’s part, the popular streaming platform has considerably increased the variety of genres it is producing. Besides the live-action Pokémon series, Netflix is also releasing an anime version of its popular original, The Witcher.

SEE ALSO: Pokémon Legends: Arceus is the first open-world Pokémon game

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Netflix’s first games will be mobile-only first

Including Stranger Things titles

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Since the rise of its popularity years ago, Netflix has dominated the streaming services industry. Since then, the company has moved past just hosting content on its platform. They have also produced their own content including hit shows like Stranger Things. Now, they are going further than just films and TV series. Netflix is expanding to mobile games first.

Days ago, Netflix announced development towards gaming content. However, in their earnings report for the second quarter of this year, Netflix announced focus on mobile games first. To do so, the company has hired former EA official Mike Verdu for the project.

The company has also listed some properties that it is working on. The first game titles will include ones for Stranger Things. Further, Netflix subscribers will have free access to the games with their subscription. However, since the focus is still on mobile, only mobile users can access them when they come out.

Of course, this isn’t the first time that Netflix tried interactive content. Recently, they released a special choose-your-own-adventure version of Black Mirror called Bandersnatch. Viewers were able to steer the film according to prompts on their screen, effectively making their own version of the film. Though the film never kickstarted the interactive film genre, it redefined how Netflix content can be enjoyed digitally.

Now, with whatever Netflix is planning, the company is likely continuing that trend.

SEE ALSO: What does your favorite Netflix genre say about you?

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