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Shared souls, broken choices

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I don’t quite recall the exact line, but there’s a scene in “Wuthering Heights” where Catherine (Margot Robbie) speaks to Nelly (Hong Chau) and finally verbalizes how she feels about Heathcliff (Jacob Elordi). She says they share the same soul. Or something very close to that.

I remember thinking how beautiful it sounded. Passionate. Honest. But also painful — because even as she admits it, she believes they can’t be together.

That felt like the key scene of the film. Everything that follows spirals out of that moment.

Love, class, and a half-heard sentence

Heathcliff isn’t just a romantic lead. He’s a servant in the Earnshaw household. He grows up alongside Catherine and Nelly, but he never truly belongs. They run wild together as children. They share a bond that feels deeper than friendship. But social class lingers in the background, quietly dictating what is acceptable.

On paper, Edgar Linton (Shazad Latif) is the right choice. He’s affluent. Proper. Stable. Choosing him preserves Catherine’s stature. Choosing Heathcliff, in her mind, would degrade it.

The tragedy is that Heathcliff only overhears part of this conversation. He hears Catherine say that being with him would degrade her. He doesn’t hear the part about shared souls. And that partial truth is enough. He leaves.

From there, the film unfolds like a prolonged consequence of a single misunderstood sentence.

Yearning that feels real

Margot Robbie plays Catherine with an earnest playfulness that makes her easy to love and frustrating at the same time. She’s energetic. Mischievous. She often pulls Heathcliff into compromising situations without hesitation. But there’s calculation underneath. She understands the world she lives in, even if she wishes she didn’t have to.

Elordi’s Heathcliff starts off reserved and protective. He doesn’t say much, but you feel how deeply he feels. Later on, when he returns, that restraint shifts. He gives in to his desires. His love turns into something sharper. Tunnel visioned. Almost self-destructive.

Nelly, meanwhile, operates in quieter ways. She observes. Nudges. And positions herself as concerned, but there’s a subtle self-centeredness to her actions. Not diabolical. Just human. Which makes the unraveling feel even more inevitable.

Frames that look like paintings

Visually, the film is dramatically composed. It rarely feels like a straightforward recreation of that time period. Instead, many scenes look like moving paintings. The frames feel intentional. Almost interpretive — like artists reimagining history rather than documenting it.

The contrast between households is especially clear. Wuthering Heights feels contained and middle class. The Linton estate is spacious and luxurious, even down to how distinctly their servants are dressed. The class divide isn’t subtle. It’s embedded in the architecture.

There are also transition shots that feel symbolic, even if I can’t fully unpack them after a single watch. The pig being slaughtered stands out the most. It lingers in a way that feels deliberate. There were several moments like that — images that seem to foreshadow something darker.

A runtime that never overstays

Despite its over two-hour runtime, I never felt the film drag. The montages used to signify time passing cut at the right moments. It never lingered too long, and it never rushed past something important. The pacing felt controlled.

Understandable isn’t the same as justified

After posting a quick exit reaction, I inevitably heard from friends who’ve read the novel. The responses were varied. Some were protective of the source material. Others were more open. As someone engaging with Wuthering Heights substantially for the first time, I can only speak to the film on its own terms.

And on its own, it works.

It even made me want to read the novel. Realistically, I might never get around to it. But the film did its job.

What I do worry about is how some viewers might walk away feeling that the protagonists’ actions were justified. They’re understandable, to a certain extent. The yearning Robbie and Elordi portray is so effective that it might transport you to a time when you felt overwhelmingly about someone.

But understandable isn’t the same as justified.

As the credits rolled, what stayed with me wasn’t the estates or the costumes or even the more dramatic confrontations. It was that earlier line about sharing the same soul. The idea that two people can recognize something that powerful — and still let it slip because the world, and their own decisions, get in the way.

That’s what lingered.

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Entertainment

LE SSERAFIM Chaewon flexes Galaxy S26 Ultra Privacy Display

She says the feature is cool

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March 31, 2026

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Collage. Galaxy S26 Ultra Privacy Display | Edited image of Chaewon holding a Galaxy S26 Ultra
Galaxy S26 Ultra Privacy Display | Edited image of Chaewon holding a Galaxy S26 Ultra

LE SSERAFIM’s Kim Chaewon didn’t set out to show off a feature. But somewhere in the middle of a Weverse live, she ended up doing exactly that. It’s a pretty good flex.

In a clip that’s now making the rounds online, Chaewon shared that she recently switched to the Galaxy S26 Ultra and has been enjoying one specific feature in particular:

“I just changed my phone lately to Galaxy S26 Ultra. And it has a privacy screen feature, right? It’s so cool. You really can’t see anything from the side. I show this to everyone I meet and make them jealous.”

It’s just someone genuinely impressed by a feature — and casually flexing it.

A feature that makes sense instantly

The feature Chaewon is referring to is Privacy Display, one of the headline additions on the Galaxy S26 Ultra.

When enabled, it limits the viewing angles of the screen. That way. only the person holding the phone can clearly see what’s on it. Anyone looking from the side gets a dimmed or obscured view.

If you’ve ever used a privacy screen protector, the concept is similar. The difference here is that it’s built directly into the phone and can be toggled on or off, or even set to activate only for specific apps.

It’s a small addition on paper, but one that solves a very real, very common problem — especially if you’re using your phone in public spaces.

Samsung contract renewed?

It’s worth noting that LE SSERAFIM has been using Galaxy smartphones for a while now. That’s likely due to a partnership with Samsung and/or Google.

The music video for their track “Come Over” heavily features the smartphone, along with Google Gemini features integrated into the experience.

Another member, Sakura, also mentioned to fans recently that she has switched phones — from a Galaxy Z Flip to now also using a Galaxy S26 Ultra.


Whether this points to a renewed partnership or just continued preference isn’t something officially confirmed. But moments like Chaewon’s certainly keep Galaxy devices in the spotlight.

It’s easy to imagine the same scenario playing out anywhere — on a commute, in a café, or sitting next to someone who’s just a little too curious about what you’re doing on your phone.

It’s also something we’ve explored ourselves.

In one of our reels, we showed a straightforward demo of how Privacy Display works. We tilted the phone to show how the screen becomes unreadable from the side. In another, we leaned into a more playful skit: someone trying (and failing) to peek at what’s on the screen of the person beside them.


The result is the same. From certain angles, the display practically disappears.

The kind of feature you show off

Privacy Display isn’t the flashiest feature on the Galaxy S26 Ultra. But it’s the kind of feature you end up showing people. Not because you have to — but because it’s surprisingly satisfying to see in action.

If Chaewon’s experience is anything to go by, it’s also the kind of feature that makes people just a little bit jealous.

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Entertainment

Forgotten Island is an upcoming film based on Filipino culture

The film features the talents of H.E.R., Liza Soberano, and Lea Salonga.

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March 26, 2026

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Despite all the Filipino actors in Hollywood today, it’s still difficult to feel scene in an industry where Filipino stories aren’t as abundant. Now, it’s time for the Philippines to shine. DreamWorks Animation has just released the first trailer for Forgotten Island, an upcoming animated film based on Filipino culture.

Played by H.E.R. and Liza Soberano, Jo and Raissa are childhood best friends about to go their separate ways after one decides to study abroad. However, during their last night together, they discover a magical portal that takes them to Nakali, the Forgotten Island.

The island calls itself home to an army of creatures from Philippine mythology including The Dreaded Manananggal (voiced by Lea Salonga). Dave Franco also plays a weredog named Raww.

Besides the presence of all these monsters, the island has an even more dangerous quirk. The longer that Jo and Raissa stay on Nakali, the more of their memories are erased until they eventually forget each other. It then becomes a race to find their way home before they lose memories of their friendship forever.

Supporting the main cast, the film will feature the voice talents of Manny Jacinto, Jenny Slate, Jo Koy, Dolly de Leon, Amielyn Abellera, and Ronny Chieng. It will be made by Joel Crawford and Januel Mercado, the prolific team behind the critically acclaimed Puss in Boots: The Last Wish.

Forgotten Island premieres in Philippine cinemas on September 23.

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Entertainment

Marvel’s Wonder Man greenlit for a rare second season

The first season holds a 91% rating on Rotten Tomatoes.

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March 24, 2026

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Is the Marvel Cinematic Universe back? After years of floundering through Phases Four and Five, Marvel Studios is poised to get its mojo back from a flurry of much-awaited Phase Six projects this year, including the second season of Daredevil: Born Again, Spider-Man: Brand New Day, and Avengers: Doomsday. And it all started this year with the critically acclaimed Wonder Man. Now, after the success of that series, a second season is officially in the works.

When its first trailer came out, Wonder Man did not look like anything that Marvel Studios has worked on before. For one, it was incredibly grounded, perhaps overshadowed only by Daredevil: Born Again. Second, it was about the reboot of a fictional superhero movie, itself called Wonder Man.

Actor Simon Williams (played by Yahya Abdul Mateen II) wants to energize his career by performing in the upcoming Wonder Man revival from acclaimed director Von Kovak (Zlatko Burić). Helping the former is the returning Trevor Slattery (Ben Kingsley), who you might remember as the fake Mandarin from Iron Man 3.

Despite how different it looks compared to previous Marvel Studios projects, the series is one of the most acclaimed, currently holding a 91 percent approval rating on Rotten Tomatoes. Because of this, Wonder Man has received the green light for a second season, via Variety.

A second season is relatively rare for Marvel Studios with its history of one-and-done series. There are some exceptions, though. Loki, for example, ended its run with a second season. Daredevil: Born Again will air its second season very soon (with a third one potentially in the works already).

SEE ALSO: Marvel’s Wolverine gets a release date

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