The moment tablets crossed the 10-inch line, mobile gaming accessories hit an identity crisis. Most controllers were built for phones. Most stands felt like stopgaps. And most Bluetooth pads forced you to choose between comfort and portability. The Razer Kishi V3 Pro XL feels like Razer’s answer to that problem. It isn’t subtle. It isn’t small. It’s a controller built for people who already treat their tablets as entertainment machines.
Using it made me rethink where the line between handheld gaming and home gaming really sits. It pulls your screen closer, locks in your grip, and turns big-screen mobile play into something that feels almost console-native. It doesn’t replace a handheld or a living room setup, but it lives confidently in the space between them.
First impressions: big in every sense
The Razer Kishi V3 Pro XL looks big in photos, but nothing prepares you for how colossal it feels the first time you snap a tablet onto it. The extended frame is oversized by design, and the feeling never fades no matter how often you use it. You adjust to the span of the controller, but it never stops feeling humongous.
Mounting the tablet is straightforward. The USB-C island aligns cleanly, and anyone familiar with mobile controllers will get the hang of it immediately. Even newcomers won’t have much trouble. I tested it with 11.2-inch and 12.4-inch Android tablets and the weight sits right in the middle. You always feel your device pulling down the center. I imagine that a 13-inch iPad would make that feeling even more pronounced.
What struck me most in this early stage was how much presence the whole setup had. You don’t just hold a controller. You commit to it.
Ergonomics that feel instantly console-like
Once the tablet is mounted, the Kishi V3 Pro XL spreads your hands wider than usual but lands in a surprisingly natural position. It feels console-like right away, not like a mobile accessory that’s pretending to be one. I’ve spent plenty of time using PC handhelds and this actually feels more comfortable than most of them.
After about half an hour, the weight starts hitting your wrists and forearms. It is not unbearable, but you feel it. I never played it on a desk since that’s not how I naturally use mobile controllers. Most of my sessions happened on my bed or on a couch at home. I only ever used it outside if I found a quiet spot with a wall behind me, but that has more to do with my comfort levels than the controller’s ergonomics. No matter where I played, arm strain was consistent.
Still, the controller’s shape and weight distribution feel considered. It never feels cheap or fragile. It sits in your hands like something designed for long sessions, even if your arms feel the toll over time.
Buttons, sticks, and the premium difference
The TMR thumbsticks impressed me from the first moment I flicked them. They feel stable, smooth, and incredibly responsive. There’s no sense of impending stick drift and no mushiness. I stuck with the default caps because they felt great right out of the box.
The claw-grip bumpers also add to the premium feel. Mid-game, they feel like the kind of triggers you expect from high-end controllers, just spaced wider apart. There’s a confidence to them that I didn’t expect.
Compared to a Bluetooth controller, the input precision doesn’t feel drastically different during moment-to-moment gameplay. You might shave some latency since the Kishi uses a physical connection, but the real difference is the cohesion of everything being attached directly to your tablet. Nothing feels detached.
Haptics that feel intentional
I didn’t immediately clock what the Razer Sensa HD haptics were doing until I started writing about them. The rumble feels more intentional than the generic shakes most controllers offer. It is not on the level of Sony’s DualSense, but it is a step up from standard rumble motors.
The vibration is tuned well for the XL setup. Never too strong, never too weak. Just enough to make combat and impact moments feel present without overwhelming the larger device.
Tablet gaming becomes something else entirely
Most of my time with the Kishi V3 Pro XL was spent playing Zenless Zone Zero, along with a few other games that support native controller input. I prefer that to mapping, so I stuck with titles where everything worked out of the box.
What stood out was how close the experience felt. An 11.2-inch screen pulls the game toward you in a way smaller devices never do. The Kishi’s build quality adds to that console-like feeling. It’s premium, solid, and never feels like it’s one wrong move away from snapping.
The setup stays stable even when you shift positions in bed or lean back on the couch. No flexing, no wobbling. The XL size is always obvious, but the stability helps offset that.
The moment the XL form factor “clicked” was the same moment it overwhelmed me. It feels XL all the time, and that’s part of its appeal.
PS Remote Play machine
I briefly tested the Kishi V3 Pro XL on PC and didn’t find much to say since it felt unnatural to play while looking up at a monitor. But Remote Play was where the controller shined.
I used it to tackle side quests, grind through tasks on RPGs, or jump into NBA 2K while a movie or podcast played in the background. As someone who plays mostly on PlayStation, the layout is different but I had enough experience with asymmetrical controllers that muscle memory didn’t take long to adapt. This setup made me realize I never needed a PS Portal. I get the same experience on a larger and better screen.
Razer Nexus served as a quick launcher and worked well once I figured out how to trigger Remote Play from it. After that first moment of confusion, everything ran smoothly.
Charging, audio, and the practical bits
Passthrough charging works but felt slower than I wanted. In most cases, I just placed the whole setup down, charged the tablet, and came back to play later. It’s there when you need it, but it isn’t a standout feature.
I didn’t get to test the 3.5 mm audio jack since I didn’t have the right headphones with me. I used Bluetooth instead and didn’t experience delays or sync issues.
Portability and day-to-day use
The Kishi V3 Pro XL is portable in the literal sense but not in the practical one. You can bring it outside, but you need a big enough bag and a willingness to carry something that demands space and attention. For me, it’s a cozy-spot accessory. I only use it outside when I know I can tuck myself away in a quiet corner.
It fits only in larger bags and definitely demands its own space. Detaching the tablet is always easy.
Where it shines
Remote Play is where the Pro XL feels most valuable. It lets you enjoy console games in a more relaxed way while still keeping the full controller experience.
Zenless Zone Zero also looked incredible on the big screen. All that color and action hitting you up close feels electric. If you juggle a lot of tasks, look for mobile games with built-in controller support. They’re rare but usually worth the download.
Is the Razer Kishi V3 Pro XL your GadgetMatch?
The Razer Kishi V3 Pro XL works because it knows exactly who it’s for. If you own a tablet that’s ten inches or larger, this is the controller that makes your device feel like a real handheld console. I used it every chance I got, and it changed how I look at gaming on bigger screens.
If you already use a Bluetooth controller and a tablet stand, the difference comes down to size and cohesion. With big tablets, this setup simply feels better. It’s one device, one frame, and one experience. If this sounds like an upgrade to your setup, this is most certainly a Swipe Right.
And if your tablet keeps getting bigger every year, you might eventually see this XL form factor as the one that makes the most sense.
Accessories
Insta360 Flow 2 update improves Android support, adds new iOS features
Better Android lens support
Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support
Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.
The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.
Android finally gets full lens access
One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.
This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.
The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.
Faster 360 panoramas for quick sharing
The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.
Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.
Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.
Dual View adds more angles in one take
Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.
This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.
Apple Watch control for hands-free shooting
For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.
Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.
Smarter tracking and remote control tools
The update also improves several AI-powered features across the Flow 2 series.
AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.
There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.
Availability
The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.
Accessories
Jabra launches PanaCast Room Kit for simpler hybrid meetings
The function room setup that doesn’t need an IT guy
Jabra is expanding its hybrid work ecosystem with the new PanaCast Room Kit.
It’s a video conferencing solution built for meeting rooms. But it skips the usual complexity. No tangled cables, no custom programming, and no need for IT on standby.
The kit is designed for teams of three to 15 people. Setup takes minutes: Connect the cameras, place the speakers and microphones, and link everything with a single cable.
That’s it. A standard room becomes a smart collaboration space without the usual friction.
Built for inclusive meetings
At the center of the experience is the PanaCast 55 VBS.
It uses a 180-degree multi-camera system powered by onboard AI. Jabra’s Virtual Director technology tracks speakers and reframes the view in real time.
Everyone stays visible. Even those seated at the far end of the table.
The goal is simple. Make remote participants feel like they’re in the room.
Audio keeps up with that promise. The PanaCast SpeakerMic extends coverage up to 11 meters. Every voice comes through clearly and at a consistent volume. No need to raise your voice just to be heard.
No-fuss by design
The system adds a Huddly L1 camera for a secondary angle. This gives meetings a more complete and inclusive view.
There’s also the Jabra Control IP touch controller. It handles meetings with simple, one-touch controls.
Everything works together with minimal input. No manual pan-tilt-zoom adjustments. No audio balancing. The AI handles it.
Enterprise-ready, plug-and-play simple
The PanaCast Room Kit is fully UC-certified. It works with Microsoft Teams, Zoom, and Google Meet.
It also runs on the Microsoft Device Ecosystem Platform (MDEP), bringing enterprise-grade security and reliability.
The idea is straightforward. High-end meeting tech shouldn’t be hard to use.
From small huddle spaces to larger boardrooms, the kit scales without added complexity. It removes the usual barriers to hybrid collaboration.
Whether it’s a quick team sync or a full boardroom discussion, the PanaCast Room Kit aims to give everyone a front-row seat.
Accessories
Sony announces open-back INZONE H6 Air
Deeper and tighter bass, more immersive gaming soundscape
Gamers are set to get another immersive headphones from Sony with the launch of the INZONE H6 Air.
This latest offering features an open-back acoustic structure and custom drivers for deep and tight bass, thanks to back ducts integrated into the drivers.
The open-back structure also helps with a realistic immersive sound field, making gamers feel they are in the game space.
This design minimizes internal reflections by leaving the housing unobstructed. The result is accurate sound field reproduction exactly as game creators intended.
The Sony INZONE H6 Air also features precision-tuned driver units engineered with the same technology as Sony’s renowned MDR-MV1 open-back studio monitor headsets. It is specially adapted for this particular wearable.
Back ducts integrated into the driver unit help deliver deep and controlled bass reproduction, while maintaining clear separation of mids and lows. This detail is helpful especially for titles where rich sound detail matters.
Crafted with premium aluminum, the INZONE H6 Air is also one of Sony’s lightest gaming headsets at just 199 grams. The headset uses the same spring hinge headband design seen on the INZONE H9 II.
Furthermore, the headset features an “RPG/Adventure” equalizer profile as it is developed with sound engineers from PlayStation Studios.
This specific profile is optimized for RPG and adventure titles, recreating the acoustic experience of a sound studio and delivering an immersive listening experience.
An additional cardioid boom mic focuses on voice angled towards the user’s mouth, eliminating unnecessary side noise.
Fnatic Edition devices, INZONE Buds Glass Purple
In addition to the Sony INZONE H6 Air, Sony has launched the Fnatic Editions of the INZONE Mouse-A, INZONE Mat-F, and INZONE Mat-D.
This next step in the collaboration between Sony and Fnatic makes the professional esports club even more present in fans’ daily gaming experience.
Rounding out the new releases is the INZONE Buds in Glass Purple colorway. This joins the previous black and white options, giving owners plenty of choices to suit their styles.
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