Entertainment

Samsung is shooting an 8K Korean film using the Galaxy S20

To release in 8K, 16:9 resolution

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Are you ready for 8K entertainment? Ready or not, the next evolution in resolution is coming. In fact, today’s smartphones already have the ability to shoot 8K video, fitting perfectly well with the recent influx of 8K TVs. All that’s left is actual content. Blessed with a growing list of 8K-compatible hardware, Samsung is shooting an 8K Korean film using the Galaxy S20 series.

Announced through the company’s South Korean newsroom, Samsung will mostly use the Galaxy S20 and the Galaxy Note 20 to shoot the short film titled Untact. The company will release the 8K film in select cinemas in South Korea. To ensure safety, the film will show for only small batches of people. Besides the small theatrical release, Samsung will also release the film through its YouTube channel.

South Korean director Kim Jee-Woon will helm the film. The director is most known for popular thrillers such as The Last Stand (featuring Arnold Schwarzenegger) and A Tale of Two Sisters. Meanwhile, Train to Busan’s Kim Joo-Heon and Kim Go-eun will star in the film. The film is a romance flick focusing on the effects of non-face-to-face communication.

Historically, Samsung isn’t the only tech maker foraying into the film business. This year, Apple also shot its own film using an iPhone 11 Pro, among other attempts.

Regardless of the obvious marketing for both companies, technology has undoubtedly progress far beyond the expectations of a regular smartphone from a decade ago. Amidst the rise of 8K entertainment, smartphones are rushing to catch up with modern filmmaking gear. Though the industry will always prefer filmmaker equipment, the smartphone’s capability is there and ripe for the taking.

SEE ALSO: Selena Gomez’s new music video was shot on an iPhone 11 Pro

Entertainment

Netflix will release a new movie every week in 2021

Who isn’t looking forward to 2021?

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While 2020 was a disaster for most industries due to lockdowns and restricted movement, Netflix gained the most. The streaming service attracted a lot of users who’re just looking for entertainment without leaving the house. And, Netflix wants to ensure you continue streaming endlessly even when the pandemic ends.

With a promise of “a new movie every week,” Netflix announced the titles that will be premiering on the streaming service in 2021.

Netflix has put together some of the biggest names in entertainment for its 70-star studded line-up. The features include the Zack Snyder-directed Army of the Dead, Jennifer Lawrence starrer Don’t Look Up, musical Tick, Tick… Boom! and Dwayne Johnson’s action movie Red Notice, among others, many others.

 

If the above names weren’t enough, you’d also get to see Chris Hemsworth, Gal Gadot, Ryan Reynolds, Zendaya, Jason Moma, and Leonardo DiCaprio. Netflix has also unveiled a trailer that offers sneak previews of the upcoming titles.

52 titles shall be in the English language, eight will be animated, and 10 shall be non-English language films. One of the most imminent releases is Malcolm & Marie, starring John David Washington and Zendaya, filmed during the Coronavirus pandemic.

This is the first time Netflix has announced a yearly features slate. Though it also means the brand wants users to be excited about upcoming content and continue subscribing.

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Netflix’ Bridgerton is fun, raunchy, and visually appealing escapism at its best

The Duke of Hastings is enough reason to binge this show.

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If Jane Austen wrote Gossip Girl, this would probably be it. Bridgerton is Netflix’ latest offering for people looking for a bit of an escape — this time, to the Regency era where life was seemingly less boring than one might imagine.

The show is based on the first book of Julia Quinn’s Bridgerton series: ‘The Duke and I’. For comparison’s sake, I found myself reading the book after finishing all of its eight episodes. Personally, I find the small screen adaptation proves to be quite respectful to the canon. Some adjustments were made to make it a slightly better fit for today’s audience.

Seamless in injecting diversity

A racially diverse cast that doesn’t feel forced for the sake of being woke is something I truly appreciated. Show creator Chris Van Dusen reimagined the Bridgertons’ world with people of color having status and power. This was actually addressed by some of the characters, complete with its own narrative that fit — quite seamlessly — into the plot.

I’m pretty sure I speak for a lot of us who watched the show that this was something we welcomed. After all, this adjustment gave us Regé-Jean Page as lead character Simon Basset — the ‘Duke’ the book title refers to. The story revolves around the courtship between him and Bridgerton eldest daughter Daphne, played by Phoebe Dynevor.

*Spoilers are coming. You’ve been warned.*

It’s London in the early 1800s and Daphne has debuted into the marriage market. Despite rave reviews from their print-era version of Gossip Girl, Lady Whistledown, her prospects are looking pretty bleak. The Duke who doesn’t wish to marry to avoid fathering children finds himself in an agreement with Daphne that will make her more popular among potential suitors. And as for him, it will ward off determined mothers from foisting their marriageable daughters on him.

They pretend that they are courting and their ruse eventually leads them to develop feelings for each other. Surprise, surprise. And that’s where things get interesting. Despite the steamy adventures of eldest Bridgerton brother Anthony, things are a little slow during the first few episodes. The fun only starts to pick up midway into the series.

Expect to see Nicola Coughlan of Derry Girls fame as the daughter of Bridgerton neighbors, The Featheringtons. She plays Penelope who’s in love with Colin, one of Daphne’s brothers. I actually love her character and that of another Bridgerton sister — Eloise.

To see what happens to them, however, we’ll have to pray for more seasons of the show. This season is all about Daphne and the Duke of Hastings. I did enjoy the series, especially the parts where they tried to inject as much female empowerment that 1800s London can take. However, I still found some parts of it fell short.

Bridgerton: escapism but still a tad problematic

As a woman living in 2021, it was quite hard to relate to Daphne’s character who had her whole life pegged on marriage and having children. Sure, it’s the Regency era and women had limited options for a good life. So while these things should have been understandable, I felt horrible for Simon when she practically forced him to have children with her.

The act was much worse in the book but thankfully, Van Dusen made this part a tad bearable in the series. I have to admit, I lost much respect for Daphne after that. Without Page playing the Duke, I probably would have lost interest and hit fast forward just to find out who Lady Whistledown is.

At a time when there’s so much more to being a woman and consent is a major issue for both genders, I hope impressionable viewers won’t take Daphne for a role model. There’s always Eloise for this season. Pick her!

Bridgerton is fun, quite raunchy, and pretty exciting thanks to the mystery that is Lady Whistledown. I absolutely loved how cheeky she was.

It’s a visually appealing series with gorgeous sets and costumes in aesthetically pleasing color palettes. Well, except those worn by the Featheringtons. Oh, and did I mention Julie Andrews is the narrating voice of Lady Whistledown? That, in itself, is more than enough reason to grab that remote and give the series a try.

Catch the first season of Bridgerton on Netflix.

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Netflix’s Space Sweepers tackles spaceships and robots

Get on a space battle!

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Sci-fi lovers, heads-up! Netflix has a new film, and it’s entitled Space Sweepers. It’s a space opera regarded as the first Korean space blockbuster, directed by Jo Sung-hee of A Werewolf Boy and Phantom Detective.

The film is set in the year 2092, where a spaceship named Victory is one of the many that live off salvaging space debris. It’s crewed with a genius space pilot Tae-ho (Song Joong-Ki), a mysterious ex-space pirate Captain Jang (Kim Tae-Ri), a spaceship engineer Tiger Park (Jin Sun-Kyu), and a reprogrammed military robot Bubs (Yoo Hai-Jin). Together, the spaceship Victory surpasses all other space sweepers.

After successfully snatching a crashed space shuttle in the latest debris chase, Victory’s crew finds a 7-year-old girl inside. They realize that she’s the humanlike robot wanted by UTS Space Guards, and decide to demand ransom in exchange.

With stunning space action and thrills coupled with a comical tension between the crewmates who do not harmonize with each other, Space Sweepers is setting up to be a one-of-a-kind space drama.

Space Sweepers will stream on Netflix on February 5, 2021.

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