My needs for a camera are different. While others opt for all the frills and functionalities that come with a full-on camera and shooting rig, there are other things I tend to prioritize when looking for a camera — like it being in a size that my frail arms can actually carry. (Seriously, how do vloggers carry those heavy cameras with just one arm? 😱)
Sure, I want good photos and videos, but I also really need a camera small enough to fit inside my purse.
My grab-and-go vlogging attitude, in tandem with my tinier body frame and the small shoulder bags I bring when I run around, are all considerations when looking for a shooter I plan to use.
These things considered, the Sony A5100 looked like a good contender for being my next vlogging camera. But, was it?
Look and feel
The Sony A5100 is a pretty compact mirrorless camera — one of the smallest in the market. This thing was pretty easy to bring on my trips and events, even without a dedicated camera bag.
I got to play with the white unit, which made for a good camera look. The matte white finish certainly made it stand out from all the bland black cameras in the market.
It’s really the lens that makes up the bulk of this camera’s size — it’s almost as thick as the camera body. But, it’s the price you pay for having interchangeable lenses.
Up top is the shutter button and a dial that lets you zoom in and out. There’s also a movie record button and another button that makes the flash pop out.
You can find most of the controls on the back of the camera. There are dedicated buttons for “Menu,” “Playback,” and “?” — which gives you basic photography tips at the press of a button.
A series of button pressing and dial turning will navigate you through the camera menu and bring up anything you need the camera to do. It might take a while to get familiar with everything; and for those who like tactile camera controls, it might prove to be annoying.
The three-inch screen has touch capabilities but the best thing about it, though, is this:
Yep, not only is it easier to shoot because of the hinge, you can even go as far as entering selfie mode which is a big help for vlogging or composing timer photos on a tripod. Hooray for flippity screens!
Ready, set, shoot!
The A5100 is a good shooter. Focusing is fast and photos are crisp and bright. That bokeh mode effect is achievable with the stock 16-50mm f/3.5-5.6 kit lens it came with. Here are a few unedited samples:
- That color
- Portraits 🔥
- That creamy bokeh
- For the foodies
- Moments captured
- Quick shutter speed for action like this
- Lowlight sample
- Running after the dogs!
I’m definitely a sucker for any camera’s tap to focus capabilities, and this one isn’t an exception. However, I did find that the touchscreen capabilities are limited to this, which is a bummer for menu navigation or even photo and video playback.
Nevertheless, the A5100 was fun to shoot with. It’s light and looks good so I looked great with it. 😉
The big question: Is it a good enough shooter for your Instagram feed?
I sought to answer this question with a mini shoot. I took MJ, our resident IGBFF (that’s Instagram best friend forever, for those who are uninformed), and we did an IG challenge. Armed with this camera, we spent 30 minutes in a random well-lit balcony and the resulting photos are as follow:
Thanks to MJ and some pretty sick foreground action, I now have photos to post on my IG. I only did a little editing with Photoshop and Lightroom mobile (because that’s the only editing I’m capable of 😅) and I’m pretty happy with them.
Vlogging time!
Most cameras I review, I use to vlog. In my experience, the A5100 is definitely a good fit for novice vloggers such as myself. First of all, it’s pretty small so it was easier to bring it around — which meant more footage as I always had my camera on me. Trust me, it’s easy to get lazy to bring shooting gear when they’re big and bulky.
I especially love that this entry-level camera has a dedicated movie mode, which is something you’d think is pretty basic in 2018, but there are still new releases out there that don’t offer this specific mode. This is a pain if you want to be able to compose and adjust your settings before shooting the actual video. Thankfully, the A5100 offers this and different movie modes that range from fully manual to programmed auto.
Here are a few clips I put together featuring the time I had with the camera. No, I did not edit further after I strung them together and added music and transitions. (Also, no, this isn’t a full vlog because there’s no way I’m editing one in time for this review’s publishing date. 😂)
The camera shoots in 1080/60p or 24p which is just a bunch of numbers to me but know this: Video quality was good and focus was pretty quick. Again, I especially love that you can tap to focus, even while you’re shooting video. Even the stock lens the camera comes with has a good wider angle that’ll allow you to comfortably vlog without a Joby pod.
Unfortunately, there’s no audio jack or a hot shoe mount on this camera, so you won’t be able to add on a mic or even lights. It also doesn’t shoot in 4K, which isn’t as bad as it sounds since a lot of people don’t shoot in 4K (including me) anyway.
Is the Sony A5100 your next vlogging camera?
For my needs, the A5100 fared pretty well. It ticked off things that I prioritized: It was handy enough to bring around everywhere, it has a flippity screen, and content quality did not disappoint.
If you’re the type who loves to point and shoot, whether it be photos or videos, but want a capable entry-level camera that will give you more options when you do need it, the Sony A5100 may be for you.
Sure, it may not be able to do all the fancy shmancy stuff pro cameras can do, but it’s an easy camera to learn on. I found it to be one of the most enjoyable vlogging cameras I’ve tried.
The Sony A5100 retails for US$ 550 in the US and PhP 34,999 in the Philippines.
The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.
The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.
Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.
However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)
Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.
SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend
Cameras
Canon PhotoMarathon returns, introduces video, open categories
Happening on April 18 in BGC, Taguig
The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.
The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.
For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.
Here’s a quick breakdown of the contest categories and their corresponding prizes:
Main Category (Photo)
- Open to Canon users only
- Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM
Open Category (Photo)
- Open to all camera brands
- Prize: Canon EOS R8 with 24-50mm
Video Category
- Open to all camera brands
- Canon Prize winner: Canon EOS R50 V
- Non-Canon Prize winner: Canon Powershot V1
The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.
To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.
To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.
These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.
Cameras
Canon EOS C50 cinema camera price in the Philippines
Smallest, lightest cinema camera made for today’s filmmakers, creators
Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.
The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.
It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.
Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.
This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.
Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.
Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.
In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.
Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.
Photo performance
For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).
The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.
Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.
Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.
This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.
Professional interface
Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.
There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.
During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.
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