Sony releases lightest, next-generation AF camera lens

The FE 70-200mm F2.8 GM OSS II



FE 70-200mm

Sony Electronics announced the newest lens in their G Master lineup: the FE 70-200mm F2.8 GM OSS II, which takes autofocus (AF) to the most advanced level yet.

The camera lens is poised to deliver an extraordinary combination of resolution and bokeh, as well as unequalled AF performance in the company’s G Master design.

In a nutshell, the advanced features include:

  • Constant F2.8 70-200 mm telephoto zoom
  • Fast, precise and quiet autofocus (AF) continuous AF tracking capabilities
  • Advanced features for video creators
  • World’s lightest 200 mm large-aperture telephoto zoom lens (approximately 29% lighter than the previous model)
  • Up to approximately 4 times faster AF, with focus tracking while zooming improved by approximately 30% when compared to the previous model
  • Professional-level control and reliability

Designed to perfectly pair with Sony’s E-mount camera bodies, the FE 70-200mm F2.8 GM OSS II is also the lightest F2.8 70-200 mm zoom in the world to allow for more control amongst photographers.

New levels of performance

The new FE 70-200mm F2.8 GM OSS II delivers outstanding image quality with high resolution and clarity throughout its zoom range, thanks to its two aspherical lens elements which focus on precision.

The FE 70-200mm F2.8 GM OSS II effectively controls distance-related aberration variations to ensure outstanding resolution throughout the image area.

To avoid color bleeding while reducing chromatic aberration significantly, the FE 70-200mm F2.8 GM OSS II also employs two extra-low dispersion (ED) spherical glass elements and two Super ED spherical glass elements.

Meanwhile, an ED aspherical element, which is a first in the Alpha system lens is driven to simultaneously suppress chromatic and spherical aberration, and other common issues in telephoto lenses.

Smooth, beautiful bokeh shots

With its large F2.8 maximum aperture and a newly developed 11-blade circular aperture unit, smooth and beautiful bokeh is made seamless.

The lens’ advanced optical design including XA elements thoroughly cancels out the unwanted “onion ring” effect, further enhancing the bokeh.

The FE 70-200mm F2.8 GM OSS II also offers excellent close-up performance with deep bokeh. The minimum focusing distance is 15.7 inches (0.4 meters) at 70 mm and 32.3 inches (0.82 meters) at 200 mm. Maximum magnification achieves 0.3x.

Users may even want to pair the new lens with a high-performance 1.4x or 2.0x teleconverter to extend the lens’ focal length to 400 mm at an F5.6 aperture, all while maintaining its G Master quality.

Sony’s original Nano AR Coating II, meanwhile, comes in play to avoid any unwanted flare and ghosting in tricky lighting conditions as it produces a uniform anti-reflection coating on the surface of the lens.

In addition, the FE 70-200mm F2.8 GM OSS II’s optical design also effectively suppresses internal reflections to improve clarity.

Industry-leading autofocus

The FE 70-200mm F2.8 GM OSS II’s state-of-the-art lens technology brings out the best in the advanced camera body it is paired with.

The new lens uses four Sony-original extreme dynamic (XD) Linear Motors for extraordinary fast and precise AF, making it up to approximately 4 times faster and focus tracking improved by 30 percent when compared to the previous model.

When paired with Sony’s flagship Alpha 1, the FE 70-200mm F2.8 GM OSS II is capable of high-speed continuous shooting at up to 30 fps.

Fast-moving subjects aren’t a problem too, even in videos, as the lens offers smooth AF to lock and focus on such objects. The AF tracking is also available even when using teleconverters.

Advanced features for video

With its maximum aperture of F2.8 combined with its impressive AF performance and versatile controls, the FE 70-200mm F2.8 GM OSS II is an exceptional choice for video too.

The new lens was designed to dramatically reduce focus breathing, focus shift, and axis shift when zooming so that there is minimal unwanted image movement and angle of view variations.

For easy video-use operation, the FE 70-200mm F2.8 GM OSS II features independent control rings for focus, zoom, and aperture (iris), allowing precise manual operation. The aperture ring also has a click ON/OFF switch.

Additionally, Sony’s Linear Response MF ensures a responsive, low-lag manual focus control, while the lens hood features an opening that allows convenient operation of circular polarizing filters or variable ND filters for more creativity.

Designed for professionals

The FE 70-200mm F2.8 GM OSS II is the world’s lightest F2.8 telephoto zoom lens and is approximately 29 percent lighter than previous model, weighing just under 37 oz (1,045g).

Aside from being lightweight, the lens is designed to offer professionals ideal balance without much front-heaviness, ensuring the center of gravity falls directly above the tripod mount.

The new lens includes focus functions such as the Full-time DMF, natural and linear manual focus response and a focus-range limiter switch primarily supports professional needs.

The FE 70-200mm F2.8 GM OSS II also includes three customizable focus hold buttons placed 90 degrees apart for easy access and convenient control when shooting in horizontal, vertical, or just about any angle.

Easy control switches

The lens features a click ON/OFF switch and an iris lock switch for quick and flexible aperture control.

The aperture ring click stops can be turned ON to provide more emphasis to shooting stills, or OFF for smooth and silent aperture control filming.

In addition, the zoom ring torque is optimized and now includes image stabilization with MODE 3 for moving subjects.

Durable in tough environments

The FE 70-200mm F2.8 GM OSS II is designed to be reliable in even the most challenging environments.

It features dust and moisture resistance equal to the FE 400 mm F2.8 GM OSS and FE 600 mm F4 GM OSS, based on initial feedback from professionals.

The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface.

Pricing and availability

In Singapore, The FE 70-200mm F2.8 GM OSS II will be available at selected retail shops and online shops from November 2021  For a full list of specs and information,

In the Philippines, it’ll be available soon.


GoPro HERO12 Black: Making heroic shots with the new HERO

Small but not terrible




The HERO of action cameras is back! And no doubt, the GoPro HERO 12 Black is one of the hottest action cameras around.

Not only does it provide great video output, it’s also packed with features and improvements that make it stand out from the crowd.

Packed Inside and Out

If you’re already planning to purchase the new GoPro HERO 12 Black, here’s what you should expect with its thicc packaging.


View this post on Instagram


A post shared by GadgetMatch (@gadgetmatch)

If you’re here for the nitty-gritty new features of the brand’s latest action cam, you can see all the specifics in this article.

Keep on reading for the actual hands-on experience..


With the continuous rise of Reels and/or TikToks, having to shoot vertically is the way to go.

This is where the new Vertical Framing feature comes handy as it can shoot vertical videos for you without actually turning the device — as opposed to other action cameras including its older counterparts.

Make It Even Wider

The GoPro HERO 12 Black, just like any other action camera, comes with a default lens that it’s enough to shoot wide enough footage.

But with the optional Max Lens Mod 2.0, it makes shots even wider.

You can choose between three lens views: the default Wide (16-34mm), Max SuperView (middle ground), and the Max HyperView (the extremest view).

Just remember, you can only apply these when shooting in the default horizontal orientation.

If you’re shooting for Reels or TikTok and want this super wide look, you can stick with the default FoV (Field of View) of Vertical Mode. Otherwise, you can shoot in Horizontal Mode and just rotate it during post-process (or via GoPro’s Quik app available in both Apple’s App Store and Google’s Play Store).

Also, don’t forget to enable it in its drop-down quick settings menu. This way you can fully-maximize its full-blown super-wide angle view whenever, wherever.

Memento Making

I enjoyed using the combination of the new lens and vertical shooting of this wonder cam during the duration of my travel. And with just one press of the top button, it instantly starts recording.

Several swipes also enables it to shoot photos or record timelapses.



View this post on Instagram


A post shared by @vincenzlee

Cute Capy Cafe.mp4


View this post on Instagram


A post shared by @vincenzlee

Short Singapore Stop.mkv


View this post on Instagram


A post shared by @vincenzlee

What’s Poppin’ in this Pop Up.hevc


View this post on Instagram


A post shared by @vincenzlee

Compact Camera Companion

The GoPro HERO 12 Black is fantastic for recording and keeping travel mementos. But other than that, it’s also be good for documenting your everyday life.

The thing I love about the GoPro HERO 12 Black is that it features a built-in mount that can be flapped out within seconds.

My former action camera relies on its case before it can actually be mounted.


View this post on Instagram


A post shared by @vincenzlee

Despite the continuous advancements of smartphone cameras and their video-making improvements and capabilities, the ultra-wide lenses aren’t the best performers when you’re trying to shoot videos. This is true even if you rock the latest flagship Android smartphone or even the maxed out iPhone 15 Pro Max.

The GoPro continues to exist to fulfill that vital role in shooting. Its compact form, ease of access, easy usability, and rugged-readiness are more points to consider on owning a GoPro HERO12 Black. It’s better than actually pawning your phones just to shoot UWA (ultra-wide angle) footages in the harshest conditions.

Pricing and Availability

The GoPro HERO12 Black is being sold for PhP 24,990 (US$ 399.99 / EUR 449.99 / GBP 399.99 / SG$ 580). Meanwhile, the HERO12 Black Creator Edition retails for PhP 36,990 (US$ 599.99 / EUR 679.99 / GBP 599.99 / SG$ 890).

The Max Lens Mod 2.0 is a separate purchase for PhP 7,490 (US$ 99.99). A special bundle is available for other regions. Visit for specific pricing and other bundle offers in your respective regions.

Continue Reading


On the other side of the race course

What is it like to be a race photographer?



I’ve always wondered what being on the other side of the race course is like. As an athlete competing in endurance races, I would get giddy whenever I heard the shutter clicking as I ran.

Stumbling upon a sports photographer on the race course gives me enough boost whenever my legs are tired from running. I always imagine what my photos would look like after it gets published.

Would I look exhausted? Is it going to be an epic action shot? The possibilities are endless.

I haven’t covered sports and events in a while, since I’ve been a product photographer for over half a decade. I try to shoot during community workouts at Bridgetowne Obstacle Park, ensuring my skills don’t get rusty.

After my Elite race at Spartan Stadion, I applied to be a photographer for Spartan Race Philippines. I’ve been wanting to satiate my curiosity on what is it like to become a race photographer. A month later, I got accepted and I didn’t realize my life would turn around after that opportunity.

Going back to my first love

When I got accepted by Spartan Race Philippines’ media team, I felt puzzled that everyone was using Canon for their gear and equipment. This prompted me to reach out to Canon Philippines, having them lend me the Canon EOS R8 along with a telephoto lens (RF 70-200mm) and a wide lens (RF 15-30mm).

I’ve been using a mirrorless Sony camera for almost a decade, but my first love was a Canon DSLR. It helped me ace my photography class back in my uni days and paved the road for my current career.

Going back to Canon coincided with the desire to go back to my roots. I’ve been yearning to cover sports and events, and I finally got the opportunity to do it again.

My familiarity with Canon helped in navigating the camera. It’s like going back to an ex-lover where too much time has passed and you just got a chance to see each other again. But this time, you’re both better.

Alexa, play “Maybe This Time” by Michael Murphy.

Time to gear up

My first assignment was the biggest Spartan Trail event for the year. Dubbed the Trailfecta Weekend, Spartan Race Philippines hosted three races in one weekend: 50 km, 21 km, and 10 km.

The event was mounted in the mountains of Bacnotan, La Union — a 30-minute drive from the San Juan, La Union which is also known as the Surfing Capital of the North.

During our orientation, we were briefed that celebrities and high-profile individuals would also grace and partake in the competition.

To make sure I wouldn’t miss out on any shots, I brought out two more SD cards and four more battery packs. I was nervous yet excited at the same time to be part of the race I used to compete in.

Under the hellish heat

On the first day, I was deployed at the 42nd mark of the 50-kilometer trail. I was the last photographer before the participants reached the finish line.

The media team used a buddy system but I insisted on moving further to find an enthralling background for the subjects I’ll be taking photographs with.

I ended up sitting at the 43rd-kilometer mark. Nevertheless, I found a good spot. I was sitting in a corner side of a paved road, snuggled under an umbrella while braving the hellish heat. I brought the Canon EOS R8 and the RF 70-200mm to capture every racer from a distance.

My goal at that time was to make sure I took the best shot of every athlete passing through me. Being situated at the near-end part of the race course meant athletes wouldn’t be crowded and I’d get a single shot of everyone.

Thankfully, it turned out excellent even if I was burnt from the scorching heat of the sun. Here are some of the best photos.

Elizabeth Dangadang

Andy Borras

Roy Dela Fuente

Aries Atienza

Keziah Loreto

Simon Adriano

In slopes

After the 50-kilometer race, we went back to our hostel to rest, recover, and prepare ourselves for the second day. The 21-kilometer and 10-kilometer races were more grueling than the 50-kilometer due to the sheer volume of racers attending.

An estimated 300 racers attempted the 21-kilometer race while around 600 racers ran through the 10-kilometer trail.

I was deployed early in the morning for the 21-kilometer race. My co-photographer Rox and I rode and stood at a pick-up truck, anxiously wanting to find a spot early.

One of the Philippines’ best trail runners was competing and we knew right away he’d be the first person to cross the finish line.

Deployed at the 10th-kilometer mark, we still went down on a slope to find a good spot. Our exploration at around the 9-kilometer mark was halted when we saw Randolf Gonzales, Merrell’s Ambassador, and the country’s elite trail runner, running easily on an uphill. Behind him were athletes from the Philippine Military Academy (PMA).

We had no choice but to stop and position ourselves as the athletes passed through us. Right then and there, we decided to station on the slope since the racers were coming.

Here are some of the photos I took on the half-marathon race.

Randolf Gonzales

Melissa Campos

Imman Villapando

Rufino Herrera

Jara Pallana

Ceddrick Moreno

Joj Agpangan

Up to shoot for more

The cut-off time for the half-marathon was too early, based on my experience. At 8 in the morning, we were asked to come back to the aid station. Seeing that it was still early in the day, we asked to be deployed for the 10-kilometer race.

We arrived at the last aid station around the 9-kilometer mark. Around twenty minutes later, the podium contenders for the 10-kilometer race were running on the trail we were stationed on.

I was positioned in the bush to sneakily take their photos. Some were surprised after passing through me. In this race, I felt being toasted by the sun. I was wearing my Straw Hat from Netflix’s One Piece, but it wasn’t enough to cool my head while on the trail.

Nevertheless, here are some of the photos from the 10-kilometer race.

Fjay Awa

Wellington “Beef” Co

Christian Tiu

Tinoy Borromeo

Jaco Benin

At the Workout Tour

Two weeks later after the race in Bacnotan, La Union, I also got an assignment to shoot for the second leg of the Spartan Workout Tour. It happened in Arca South in Taguig City, after the Spartan Kids race in the morning.

Though it was only a half-day event, the weather was erratic and bizarre, I almost feared for my gear. It was insanely, scorching hot, and then a heavy downpour came in during the start of the program. After half an hour, it stopped raining and it was insanely hot again. I had to use an umbrella to cover the Canon EOS R8 and the RF 15-30mm from the weather.

I forgot to use the telephoto lens since I used the RF 15-30mm to take photos of the Next-Gen Ford Ranger Wildtrak 4×4 at Poro Point in La Union, prior to the race. Luckily, the race course inside Arca South was cramped, and opting for the wide lens was more appropriate for the setting.

I stationed myself in the obstacles that would be best captured wide: Beater, Monkey Bars, Multi-Rig, and Rope Climb.

The Spartan Workout Tour photos I took are as follows:

Welcome back, my first love

Being a race photographer brought me back to my roots. I remember how I loved being the one behind the cameras, directing people on what to do and making them comfortable as I took their photos. I enjoyed the thrill of capturing an athlete’s performance in fleeting moments. The rapid anticipation of my heart racing from nervousness if I can even do a good job.

I’d say I did fine, seeing how I’m still part of Spartan Race Philippines’ official photographers team. Having the Canon EOS R8 allowed me to unleash my potential as a sports photographer.

It can shoot with a swift burst rate so I don’t miss any moments on the race course. It’s also responsive whenever I need to switch modes to find the more appropriate setting while shooting.

It certainly kept up with me at all times, regardless of the shooting conditions. It’s just versatile enough to bring along on the race course.

I’m still mulling over completely switching to the other side, both on the race course and using Canon as my main camera. I still enjoy being an athlete and competing in the Spartan Race, and jumping over from Sony to Canon is a big leap. But who knows? Maybe, just maybe, we find ourselves coming back to the brand we first loved.

For now, I’m just elated to be with fellow race photographers. It’s a pivotal experience that I’m going to treasure for the rest of my life.

SEE ALSO: Disconnecting in Taiwan with the Canon EOS R8

Continue Reading


DJI launches OSMO Pocket 3

Best pocket camera right now?



OSMO Pocket 3

Pocket cameras seem to be all the rage in 2023 and DJI isn’t about to lose its foothold on the category. Enter the DJI OSMO Pocket 3. The latest from DJI features a 1-inch CMOS sensor, a 2-inch rotating screen, with the ability to shoot in 4K/120fps.

See more, shoot more

A notable inclusion on the OSMO Pocket 3 is its 1-inch CMOS sensor. With it, you can be sure of producing great image quality even in challenging lighting conditions. But it’s more than just hardware. Its specialized image quality optimization lets you bring low-light scenes to life with clarity and authentic color.

The camera will fine-tune the exposure for different skin tones to deliver a clear and glowing complexion in every frame.

For more experienced users, the pocket camera offers 10-bit D-Log M and 10-bit HLG color modes. The 10-bit D-Log M explore up to one billion colors and experience rich detail in every shot. Meanwhile, the 10-bit HLG HDR provides a higher dynamic range.

More features

OSMO Pocket 3

The pocket camera is also home to many features that will help you shoot better. Its 2-inch full-color OLED rotatable touchscreen offers effortless control at your fingertips. You can shoot horizontally or vertically. It’s all up to you!

It also has full-pixel fast focusing for sharp focus even with fast-moving subjects. There’s a Product Showcase mode for smooth livestreaming and product showcasing. It’s also equipped with three-axis mechanical stabilization for a smooth and steady shot.

ActiveTrack 6.0 offers multiple follow modes such Face Auto-Detect and Dynamic Framing. The built-in three-mic array reduces wind noise and captures omnidirectional stereo sound. DJI Mic 2 compatibility enables dual-person recording for vlogs, interviews, and livestreams.

Glamour Effects 2.0 adds personalized beauty options, while its automatic axis locks secure the gimbal in storage position.

It can be charged to 80% in just 16 minutes. When fully charged, it can record up to 116 minutes of 4K/60fps footage or up to 166 minutes of 1080p/24fps footage.

Shooting modes

OSMO Pocket 3

The pocket camera offers a range of creative modes and features that are just a few taps away. These include:

  • SpinShot: Get 180° smooth camera movements with one hand.
  • Motionlapse: From sunrises to city traffic, capture the gorgeous and surreal flow of time.
  • Digital Zoom: Up to 4x digital zoom lets you get closer in any shot.
  • Panorama: Give sweeping landscapes and scenes the full detail they deserve.

Edit with LightCut

When producing videos, shooting is just one part of the equation. Another is video editing. Take the footage you shot on the pocket camera and edit with the LightCut app.

There’s a One-Tap Edit feature for simple content creation. It uses AI intelligent recognition to find highlights from your footage and instantly generate shareable 4K videos.

But if you want to handle the editing yourself, you can do so with a wide range of video templates. It features everything from vlogs, travel, food to family gatherings, parties, and more.

Additionally, the app’s efficient editing process eliminates the need to download footage during editing, preserving valuable storage space on your smartphone.

OSMO Pocket 3 Accessories

You can level up your shooting capabilities by adding these accessories to the OSMO’s latest pocket camera.

  • Black Mist Filter
  • Wide-Angle Lens
  • Osmo Mini Tripod
  • Battery Handle
  • DJI Mic 2 Transmitter
  • Magnetic ND Filters Set
  • Expansion Adapter
  • Carrying Bag

Price and availability

The Osmo Pocket 3 is available to order from and authorized retail partners. It comes in the following configurations:

The pocket camera retails for SG$ 729. It includes the Osmo Pocket 3, a Type-C to Type-C PD Cable, a Osmo Pocket 3 Protective Cover, a DJI Wrist Strap, and a Osmo Pocket 3 Handle With 1/4″ Thread.

The Creator Combo retails for SG$ 929. It includes the Osmo Pocket 3, a Type-C to Type-C PD Cable, a Osmo Pocket 3 Protective Cover, a DJI Wrist Strap, a Osmo Pocket 3 Handle With 1/4″ Thread, a DJI Mic 2 Transmitter (Shadow Black), a DJI Mic 2 Windscreen, a DJI Mic 2 Clip Magnet, a Osmo Pocket 3 Battery Handle, a Osmo Mini Tripod, and Osmo Pocket 3 Carrying Bag.

Continue Reading