Entertainment
The Paloni Show! Halloween Special!: An awesome, messed up way to spend Halloween
Presented by Justin Roiland
Life is a box of chocolates. In the case of Hulu’s The Paloni Show! Halloween Special!, life is a box of deranged and mutilated chocolates filled with animated body horror and fever dreams. Though it doesn’t exactly sound like quite an appetizing bag of treats, the new special is the perfect way to celebrate Halloween if you don’t plan to go out trick or treating yourself.
Created by Justin Roiland, The Paloni Show! Halloween Special! is exactly what you’d expect from the mind behind Rick and Morty. Framed as a Creepshow-esque anthology of shorts, the show brings the spotlight on up-and-coming animators and veteran voices in the animation scene.
However, unlike Creepshow’s collection of mostly complete tales, The Paloni Show varies between actualized plots and merely interesting concepts. Some of which may not work, if you’re looking for a story to sink your teeth into. For example, “The Creek Down the Street” is just a single scene of two humanoid monsters talking about one’s love life, and it just happens to be Halloween.
Others are stellar in execution, though. Arguably the most terrifying of the bunch, “Slaughter Café” is a faux infomercial about a post-apocalyptic restaurant that serves human flesh, disturbingly illustrated with distorted cutouts of human body parts. Another standout, “Plopsie and Friends,” sees a popular children’s show go horribly wrong after its titular star swims through a portal in the LA River.
Hosting everything is a horror show hosted by the three Paloni siblings for a horror show on Hulu. Justin Roiland himself voices one of the three. Though the skit’s role is mostly to usher the viewer to each short, the story itself is quite a sight to behold. Animated in Roiland’s signature style, the Palonis find themselves facing different monsters inspired by Halloween icons including Michael Myers, Chucky, and the Lament Configuration from Hellraiser.
While some elements in this cornucopia of thrills feel like fillers meant only for their punchlines, there’s a lot to love in The Paloni Show! Halloween Special! At its worst, the show is a great way to stay inside for the holiday. At its best, it’s a showcase of interesting concepts, unique animations, and iconic voices. Plus, it’s something new from Justin Roiland, one of the best minds in animation today.
Hulu’s The Paloni Show! Halloween Special! will premiere on October 17.
Entertainment
Project Hail Mary now on Prime Video
One of this year’s highest rated and top grossing movies
Project Hail Mary, one of this year’s highest-rated and highest-grossing films so far, is now available on Prime Video.
It has been just three months since the sci-fi hit was shown on cinemas, and now, viewers have the opportunity to either rewind the movie or witness it for the first time.
Based on Andy Weir’s bestselling novel, the film stars Ryan Gosling, Sandra Hüller, James Ortiz, Lionel Boyce, Ken Leung, Milana Vayntrub, and Priya Kansara.
It is directed by Academy Award winning filmmakers Phil Lord and Christopher Miller, with screenplay by Drew Goddard.
Prime Video subscribers across more than 240 countries and territories have the chance to stream the movie.
Project Hail Mary features science teacher Ryland Grace (Gosling), who wakes up on a spaceship light years from home with no recollection of who he is or how he got there.
As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out.
He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction. But an unexpected friendship means he may not have to do it alone.
Now Playing: Project Hail Mary
Entertainment
The new LG OLED evo AI G6 is trusted by Hollywood professionals
New TV features 12-bit processing, peak brightness, anti-reflective screen
LG Electronics recently hosted an exclusive industry showcase at Los Angeles-based post-production company Picture Shop, giving Hollywood’s top technical minds a first look at the new LG OLED evo AI G6.
The event gathered esteemed cinematic experts, including veteran color scientist Joshua Pines (Blade Runner, The Revenant). He was joined by cinematographer and Johanna Coelho and colorist Tony D’Amore from the award-winning series The Pitt.
Together, the esteemed guests evaluated the consumer display to check whether it truly respects a filmmaker’s original creative intent.
The LG OLED evo AI G6 introduces Hyper Radiant Color Technology, paired with Brightness Booster Ultra.
Together, the features push screen brightness pushing screen brightness up to 3.9 times higher than conventional models.
Additionally, driven by the new α (Alpha) 11 AI Processor Gen3, the television balances these piercing highlights while preserving true blacks and micro-details within deep shadows.
A major talking point for the panel of experts was the G6’s upgraded 12-bit internal video processing pipeline, a significant jump from traditional 10-bit systems.
This architectural upgrade completely eliminates color banding and digital noise across subtle gradations, achieving an image quality profile that reliably mirrors high-end studio reference monitors.
Furthermore, the screen halves ambient light reflection compared to previous generations, earning it an official “Reflection-Free Premium” certification from a global validation body.
When Superman premiered last year, it was carrying over a decade’s worth of baggage from the ultra-gritty Snyderverse. It held the promise of a fresh superhero world that emphasizes fun. Now, Supergirl is no different. Whereas Superman was tasked with restarting a dying cinematic universe, Supergirl wants to prove that the former wasn’t just a one-hit wonder, and it does exactly that amid a few struggles.
Though David Corenswet’s Superman does make quite a few cameos in the film, Supergirl is about Clark Kent’s titular cousin. It’s also based on the award-winning book, Supergirl: Woman of Tomorrow, written by Tom King.
Celebrating her 23rd birthday, Kara Zor-El travels to planets with a red sun, the only places where she can get drunk as a Kryptonian. In one planet, she meets Ruthye Marye Knoll, who, after seeing Supergirl’s resilience, asks Kara to hunt Krem, the leader of the Brigands who killed her whole family. Kara initially refuses, but when Krem poisons Krypto, her dog, she goes off on her own to find the Brigand.
A classic tale of revenge
As with the original book, Supergirl is a tale of reluctant revenge instigated by a child desperate for it and a more mature mentor who knows better. Despite Kara’s nihilistic tendencies, she believes that revenge isn’t the right path for Ruthye.
It’s your standard fare of a revenge tale, somewhat bordering on a classic Western. In essence, it follows much of the structure of the original book. There are, however, some interesting changes, which may or may not be helpful to the story.
By switching to a more traditional plot structure, Supergirl trades away the book’s fleshed out relationship between Kara and Ruthye. Though Kara still cares for her young protégé, Ruthye has unfortunately been reduced to a fiery platitude, telling people who she is and how much she wants to kill Krem. At one point, Kara even makes fun of her little speech.
Krem, on the other hand, feels much more ferocious. Though the book’s Krem was evil in his own right, he was more of a mundane type of evil, just-an-average-Joe evil. The movie’s Krem is the type you wouldn’t want to meet in a dark alley. He looks like he took a few too many steroids.
On the one hand, these changes make for a smoother film. Though the movie starts off slow, it eventually rolls towards a superhero-level fight at the end. On the other, it loses the message of the original story about the complexities of revenge.
On James Gunn’s universe
Normally, it’s a compliment to have a movie comparable to a James Gunn movie. There is another side to the coin, though.
Despite being tagged as fundamentally different from the tone of Superman, it’s clear that Supergirl was influenced by Gunn’s vision. There are jokes, random aliens, and a liberal use of older songs. On a micro level, it just doesn’t hit as hard as a Gunn flick, though.
For one, in a Gunn movie, each unnamed alien has so much character that you’d hardly believe that they’re just extras. In Supergirl, background characters, even those with speaking roles, don’t lift up from the screen. They just blend into the background. Likewise, the Brigands, despite how much eviler their actions are, don’t look like anything beyond generic sci-fi villains.
On a larger scale, keeping up with Gunn’s vision makes sense. Supergirl’s take on Kara’s story complements Superman’s story so well. Kara’s origin, explored in the film, contrasts with Clark’s. Ultimately, it helps turn Clark and Kara into fully fleshed out characters, rather than the tired stereotypes of Mr. Goody Two Shoes and his apathetic sidekick.
It also helps that Lobo, played by Jason Momoa, adds an interestingly cosmic element to the universe’s growing cast of characters. Finally spreading his wings away from Aquaman, Momoa has finally found a role perfect for him. He steals all the scenes that he’s in.
Should you watch Supergirl?
Supergirl is not on the same level as Superman. While the latter is Gunn at his absolute best, the former is a Gunn-esque film that drops the original story’s message in favor of a plot friendlier to the big screen.
That doesn’t mean that it’s a bad movie. In fact, it does well to expand the lore started by the first film. Supergirl is still a worthy, albeit smaller, addition to the growing DCU oeuvre.
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