Camera Shootouts
Xiaomi 13 Pro vs Samsung Galaxy S23 Ultra: Camera Shootout
200MP camera or 1-inch sensor?
Both Samsung and Xiaomi started 2023 by announcing each of their latest flagship-grade smartphones totally focusing on professional photography.

As early as February 2023, Samsung made some jaws drop with the Galaxy S23 Ultra and its monstrous 200MP main camera based from the recent in-house ISOCELL HP2 sensor.
Just a month after, Xiaomi stole the spotlight and finally introduced the Xiaomi 13 series to the rest of the world in Barcelona at MWC 2023 — even though it was unveiled in China a little bit early last December 2022.

The Xiaomi 13 Pro specifically adopted the 1-inch Sony IMX989 camera sensor plus LEICA optics that debuted on last year’s China-exclusive Xiaomi 12S Ultra (and nope, not the one with a detachable Leica lens system).
200MP camera or 1-inch sensor?
Before going further, let’s take a deep dive into these cameras’ specific imaging systems.
| Xiaomi 13 Pro | Samsung Galaxy S23 Ultra | |
| Wide | 50MP f/1.9 1.0” Sony IMX989 Dual Pixel PDAF Laser AF, OIS |
200MP f/1.7 1/1.31” Samsung ISOCELL HP2 Multi-directional PDAF Laser AF, OIS |
| Ultra-Wide | 50MP f/2.2 115º 1/2.76″ Samsung JN1 AF |
12MP f/2.2 120º 1/2.55″ Samsung IMX654 Dual Pixel PDAF |
| Telephoto | 50MP f/2.0 1/2.76″ Samsung JN1 3.2x optical zoom PDAF |
10MP f/2.4 1/3.52″ Sony IMX784 3x optical zoom Dual Pixel PDAF, OIS |
| Periscope | — | 10MP f/4.9 10x optical zoom Dual Pixel PDAF, OIS |
| Selfie | 32MP f/2.0 | 12MP f/2.2 Dual Pixel PDAF |
Aside from the main (wide) cameras and slightly distinct apertures as the huge differentiators of the two phones, the Xiaomi 13 Pro boasts two more 50MP cameras with the same Samsung JN1 image sensors for its ultra-wide and telephoto shooters.

Meanwhile, Samsung is stuck to its 10MP or 12MP cameras with smaller sensors (and even a lower aperture for its telephoto lens). Still, it features Dual Pixel PDAF + OIS that the Chinese phone doesn’t have.

The bonus would be the periscope lens of the Galaxy S23 Ultra that the Xiaomi 13 Pro lacks. As for selfies, well, that’s preferential regardless of which phone has the best “spec” on paper (more on that later).
Fair and square
This camera shootout is divided into four parts with a bonus section at the very end. I’ve carefully curated my picks and selected thirteen (13) photos for each category (except the bonuses) which I deemed best in terms of composition, as well as for comparison.

To keep things level on this camera shootout, I opted to use Xiaomi 13 Pro’s Leica Vibrant over the Leica Authentic look (less-saturated). This is to match Samsung’s imaging algorithm, leaning more towards the saturated side. There’s no in-between as Xiaomi doesn’t let you turn them off.
Disclaimer: Just like our previous camera shootouts, photos were all taken in Auto Mode. These images were collaged, resized, and labeled for faster loading and preview. No other manipulations were applied.
Wide
200MP or 1-inch? But before you whine, I only used the usual Auto Mode and not the special 200MP / 50MP Pro camera modes (or Expert RAW, idc) of both phones to make the battle as fair as possible.
W1

W2

W3

W4

W5

W6

W7

W8

W9

W10

W11

W12

W13

Ultra-wide
While Xiaomi boasts its 50MP sensor and Samsung relies on its 12MP camera, both phones feature a sufficient f/2.2 lens opening.
But with a five-degree (5º) difference between each phone’s FoV (Field of View), this might make or break your succeeding photo picks.
U1

U2

U3

U4

U5

U6

U7

U8

U9

U10

U11

U12

U13

Zoom
I only focused on using the respective 3.2x and 3x telephoto lenses of both flagships as Xiaomi lacks a dedicated periscope zoom lens.
But to make it fair for Xiaomi, I managed to squeeze it in a little bit to 3.2x on the Galaxy S23 Ultra in most (if not all) photos.
Z1

Z2

Z3

Z4

Z5

Z6

Z7

Z8

Z9

Z10

Z11

Z12

Z13

Night Mode
Lastly, this section will further prove if the 50MP 1-inch camera sensor can break its rival’s 200MP camera with a smaller 1/1.31″ sensor when it comes to low-light scenarios with Night Mode processing and AI algorithm turned on.
N1 (Ultra-wide)

N2 (1x wide)

N3 (Zoom)

N4 (1x wide)

N5 (Ultra-wide)

N6 (Zoom)

N7 (Zoom)

N8 (Zoom)

N9 (Ultra-wide)

N10 (Ultra-wide)

N11 (1x wide)

N12 (1x wide)

N13 (Zoom)

BONUS: Farther zoom
Since Xiaomi lacks a dedicated 10x periscope zoom lens, I just made a bonus section to at least showcase how it performs past its 3.2x zoom mark against Samsung’s ultra-zoomification of every photo subject it sees at a farther distance.
B1 (7x zoom)

B2 (10x zoom)

B3 (Low-light 10x zoom)

BONUS: Faces
Crucial to some (or most of you) are portraits and selfies. While I don’t shoot much of these to begin with, it still needs to be pointed out which phone is the best when it comes to capturing the human flesh and mankind.
B4 (1x wide)

B5 (Daylight selfie)

B6 (Night selfie)

B7 (Beauty OFF)

B8 (Beauty ON)

Results
Were you conflicted with your picks? The inconsistencies don’t mean I shuffled the photos. Here are the respective results:
Photo A — Xiaomi 13 Pro
Photo B — Samsung Galaxy S23 Ultra
Conclusion
The Galaxy S23 Ultra sticks to its usual brighter, vibrant, and warmer look. But as I always say in my write-ups, a brighter, more vibrant photo doesn’t mean it’s the better photo.

Still, I liked how it gave enough contrast and better dynamic range in some shots. Albeit, the Galaxy S23 Ultra still tries to over-sharpen its images just to show it takes the clearer photos.

However, Xiaomi overall leans more towards the cooler, less bright, and less saturated side — but they’re actually closer to what I see in real life. Although there were times when Xiaomi has gone nuts with its AI algorithm (refer to W5, W7, W9, W12, W13, U3, U5, Z8, Z10, N7, N8, N9, N10).

There aren’t much of a difference in terms of Depth of Field. Xiaomi’s 1-inch sensor helped, more so with the larger f/1.7 aperture on the S23 Ultra.

But with that 1-inch camera sensor, I felt that shutter rapidness even at low-light shooting conditions. That’s why even if Night Mode photos turned out to be on the darker side, Xiaomi shoots faster in just under a second whilst still clearer in detail (N11, N12, N13).

This is where you can’t fully utilize the S23 Ultra’s 200MP camera. In Auto Mode, Samsung’s AI switches to a lengthy 2-4-second Night Mode if it detects a low-light subject. In photography, those few seconds are enough to capture light data. But clearly, Galaxy S23 Ultra’s longer shutter duration contributes to a photo’s blurriness — even if I don’t have shaky hands.

Selfies on both phones are, again, preferential. What surprised me more is the fact that the Xiaomi 13 Pro can keep up with the Galaxy S23 Ultra in terms of zooming in farther than 3.2x. This is just one testament that a bigger sensor shoots clearer photos.
Does megapixel count really count?
Aside from having that ~intentional pun~, I have a serious takeaway on this.

In my years of working under GadgetMatch, I’ve held numerous pro-grade cameras and smartphones with advanced imaging systems. But even before work, my interest (other than smartphones) has always been photography.
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The best answer I could convey is by quoting TheUnlockr in the Galaxy S23 Ultra: YouTubers’ React video I edited back in February:
“I don’t think 200MP is important. I’d rather (have) a bigger sensor”
Megapixels vs sensors
Now before casual shooters, megapixel apologists, and naysayers fight me (and David Cogen), the reason why the size of an image sensor matters more than how millions of pixels you get from a single camera is all about how you get the best image quality possible.

The only main advantage I can see when using a 200MP camera (or even so the used-to-be headliner 108MP) is the ability to keep all the details even if you crop the photo in (especially landscapes). But professionals barely crop as close as 50~100x. Photographers already have a composition in mind right before hitting that shutter release.
Michael Josh even demonstrated how the Galaxy S23 Ultra was able to capture the amazing New York skyline with its 200MP feature — but that took a while to process.

Now, the real deal is when your smartphone is equipped with a 1-inch image sensor. Aside from no sensor cropping, detail preservation, and wider dynamic range, day and night shooting are a LOT faster. To most, it won’t matter. But for photographers, every second counts the moment they click that shutter button.
A gimmick?
I can now say that a 200 million pixel camera isn’t a “flagship-exclusive” feature anymore, rather gimmicky. That’s because Redmi recently released the Note 12 Pro+ 5G — a midrange smartphone with a 200MP main camera as its main selling point.

Redmi Note 12 Pro+ 5G (2023)
SEE ALSO: Redmi Note 12 Pro+ 5G review: Midrange Madness
200MP and 1-inch sensor combo?
Pairing a 200MP with a 1-inch sensor might sound like an easy-peasy technological amalgamation, but it is more complicated than what it seems — and might just be an abomination to the camera industry.
Not only does it still rely on the computing and imaging power of both the CPU and NPU, imaging companies will also need more time for research and development in making this a consumer-ready product.

But imagine all the possibilities if either Samsung or Sony creates a 200MP smartphone camera with a 1-inch sensor underneath? Even though I said 1-inch sensors hasten the time you take photos, that would be a huge overkill and will still take a lot of processing and every technological power it needs to process such a huge chunk of immaculate 200MP image data.

Fujifilm GFX100s
Lower MP count on ‘pro-grade’ cameras
This is why to this day, there are barely any industry-grade cameras boasting more than the 100MP megapixel count. They go to more medium format cameras such as the 400MP multi-shot Hasselblad camera as well as the Fujifilm GFX100 and GFX100S, among others.

Heck, 61MP is even the largest megapixel count for any full-frame camera out there: the Sony a7R IV and a7R V. Even when we look at Xiaomi’s exclusive photography partner Leica, the most it has is the 60.3MP-equipped Leica M11. There’s still plenty of room for innovation — both in the perspective of industy-grade photography and mobile photography.
Camera Shootouts
Camera Shootout: HONOR 600 Pro vs OPPO Reno15 Pro
Camera clash of the two Mainlander midranger
Year after year, major phone brands are defying the manufacturing and costing challenges just to give the mid-class the smartphone cameras they deserve.
This 2026 and beyond, it seems like it’s the new norm for the freshest breed of premium midrangers.
Mainlander Midranger
The HONOR 600 Pro and OPPO Reno15 Pro are two smartphones positioned in the peak of the midranger pyramid.
On paper, they are highly likely the closest in terms of camera hardware.
HONOR 600 Pro |
OPPO Reno15 Pro |
|
Wide |
200MP f/1.9
|
200MP f/1.8
|
Ultra-Wide |
12MP f/2.2
|
50MP f/2.0
|
Telephoto |
50MP f/2.8
|
50MP f/2.8
|
Selfie |
50MP f/2.0 |
50MP f/2.0 |
First and foremost, while these phones rock a similar 200MP cameras by Samsung, the sensor sizes and age are quite different.
The HONOR 600 Pro has a bigger yet older (2022) 1/1.4-inch ISOCELL HP3. Meanwhile, a newer (2025) yet standard-sized ISOCELL HP5 was used in the Reno15 Pro.
The biggest disparity can be seen in their ultra-wide modules. HONOR didn’t focus too much on it by giving a smaller 12MP f/2.2 with a tighter 112-degree FoV (Field of View).
On the other hand, the OPPO equipped a bigger 50MP module with a brighter f/2.0 aperture, and an even wider 116-degree FoV.
Lastly, both the telephoto and selfie shooters are at 50MP. Both telephoto cameras are capable of optically zooming in to 3.5x.
Fair and Square
Both of these midrangers have their own set of special sauces. But, for the sake of fairness, I’ve stuck with each of their default camera color profiles: Natural for the HONOR 600 Pro while Original in the OPPO Reno15 Pro.
Disclaimer: If you are new here, sample photos were all taken using the default AI Camera Mode. These images were resized and labeled for faster loading and better online preview. No color correction, zoomed-in cropping, nor any other type of photo manipulation were applied.
3.5x Telephoto
Starting with the common denominator of both phones: their 3.5x 50MP f/2.8 telephoto shooters
T1
T2
T3
T4
T5
T6
T7
T8
T9
T10
T11
T12
Beyond Telephoto Zoom
We have to break the barriers just to test each phones’ telephoto unit limit.
ZB1
ZB2
ZB3
ZB4
ZB5
ZB6
1x Wide (Main)
Again, both phones rock a 200MP camera but of different aperture and sensor sizes. Can you differentiate them from another though?
W1
W2
W3
W4
W5
W6
W7
W8
W9
W10
Ultra-Wide Angle (UWA)
Each FoV value can be your primary hint to determine which is which. But, is it enough for you to tell who’s the better performer?
U1
U2
U3
U4
U5
Mood for Food
A separate section for prospective users who will use one of these for food shots.
F1
F2
F3
F4
F5
Furry Friends
Whether it’s our pets or wild animals, they all have one thing in common: they are all very hard to capture especially when in motion.
FF1
FF2
FF3
FF4
FF5
FF6
FF7
FF8
Indoors
Subjects taken in any controlled lighting is another tricky test for both of these smartphones.
IN1
IN2
IN3
IN4
IN5
IN6
IN7
IN8
IN9
IN10
IN11
IN12
The Night is Right
The ultimate camera test all boils down to shots taken at night (or low-light).
Actual camera processing is one. Added AI algorithms and the actual output for another.
N1A | 1x Wide
N1B | 3.5x Optical Zoom
N2 | Ultra-Wide
N3A | 3.5x Optical Zoom
N3B | 5x Lossless Zoom
N4 | 5x Zoom
N5 | 2x In-Sensor Zoom
N6 | 3.5x Optical Zoom
N7 | 1x Wide
N8A | UWA
N8B | 1x Wide
N9 | 3.5x Optical Zoom
N10 | 5x Lossless Zoom
BONUS: Super Moon
That same telephoto module gives both the HONOR and OPPO midrangers a zoom reach as far as 120x.
M1 | 40x Digital Zoom
M2 | 120x Max Zoom
Results
Were you able to write down and tally your picks? Well, here are the results:
Conclusion
For the most part, samples taken on the HONOR 600 Pro are already social media-ready. They require little to no effort prior sharing it as your Facebook post or Instagram story.
And by that, the saturation and contrast game is strong as opposed to its rival — a look preferred by most users. These are clearly seen in Sets T1 / T5 / ZB5 / W1 / W2 / N1A.
Meanwhile, the OPPO Reno15 Pro leans more into the “natural” side.
Despite the absence of that premium Hasselblad partnership, it still gave desirable results for those who want the less “AI-processed” look (softer, reduced saturation, minimized contrast) which are evident in Photos T2 / T4 / T8 / T12 / ZB1 / ZB3 / W7 / W8 / FF7 / FF8.
Definitely, the results are not totally consistent. The OPPO Reno15 Pro mostly had a brighter and warmer output (T1 / T5 ~T7 / ZB6 / W1 / W4 / W5 / W8 / W10 / U1 / U2 / F1 / F2 / F4 / FF1 / FF2 / IN3 / IN8 / IN12 / N3A / N5).
Other times, the latter is brighter yet cooler (T12 / ZB1 / ZB2 / ZB3 / ZB4 / FF3 / FF8 / IN1 / IN2 / IN7 / IN9 / IN10 / IN11). Even the super moon shots on the HONOR 600 Pro were brighter, too.
These differences and inconsistencies might make or break your final decision which smartphone best suits your overall camera taste.
Pro-grade for less
Despite the continuous innovation and evolution of flagship smartphones when it comes to mobile imaging, phone manufacturers still try to balance everything out with midrange smartphones in the horizon.
The HONOR 600 Pro and OPPO Reno15 Pro are two among the handful midranger wonders meant for any pro-grade user who lacks the purchasing power to buy the bestest in the lineup — but, still want a very capable device for their smartphone-tography needs.
Clearly, the camera hardware isn’t the most “powerful” out there. Still, they are clear with the positioning of these phones. They are your pro-grade cameras for less.
As similar as their camera hardware, the HONOR 600 Pro and OPPO Reno15 Pro also have similar SRPs — at least the 12+512GB configuration.
- HONOR 600 Pro = PhP 48,999 / MYR 3299 / SG$ 1049
- OPPO Reno15 Pro = PhP 48,999 / MYR 3299 / SG$ 1049 (as Reno15 Pro Max)
HONOR your Reno?
Over the years of making dedicated camera shootout write-ups, I always thought that photos that look closer to our naked eyes is something that I should call “the better smartphone camera” — especially because of the accuracy of their output.
Now, with the advent of smartphone cameras with countless camera partnerships and all the imaginable profiles / presets / styles / recipes (or whatever you want to call ’em) to ever exist, it got harder to decide which smartphone to recommend for most users.
Such sentiment made me realize that there is no single clear winner at all.
So what’s the point of making another extensive camera comparison like this? Well, it’s still for you to show how each phone is capable (or incapable) both in camera hardware and software. It’s also for you to choose the camera look that’s closer to your liking.
Clearly, both the HONOR 600 Pro and OPPO Reno15 Pro are very capable smartphone cameras. But, at the end of the day, it’s your power as a buyer which pro-grade midranger wins your heart.
Now, if you will consider other aspects such as their core hardware, OS skin, and even after-sales service, that’s clearly for another story.
Camera Shootouts
Camera Shootout: HONOR 400 Pro vs TECNO CAMON 40 Premier
Camera battle of two midranger wonders
In my previous camera smackdown, I clearly stated that we don’t have the HONOR 400 Pro to try out.
Months have passed, the odds were (finally) in my favor as I was able to test it against another midranger wonder, the TECNO CAMON 40 Premier.
Oh CAMON, your HONOR
I’ve decided to clash the HONOR 400 Pro and TECNO CAMON 40 Premier primarily because both phones offer the quintessential triple rear camera system.
HONOR 400 Pro |
TECNO CAMON 40 Premier |
|
Wide |
200MP f/1.9
|
50MP f/1.88
|
Ultra-Wide |
12MP f/2.2 |
50MP f/2.2 |
Telephoto / Periscope |
50MP f/2.4
|
50MP f/2.2
|
Selfie |
50MP f/2.0 |
50MP f/2.5 |
Hardware-wise, disparities are quite evident. The TECNO CAMON 40 Premier rocks quad 50MP cameras (including the selfie camera), whereas the HONOR 400 Pro has variations in its overall camera system.
It highlights its 200MP Samsung ISOCELL HP3 main camera while TECNO begs to differ as it packs a sensor made by the Korean giant’s Japanese rival — the newcomer Sony LYT-701C sensor that’s only used in two phones so far (2024’s realme 13 Pro+ being the other).
The opposite happens in HONOR 400 Pro’s ultra-wide lens as it features the smaller 12MP camera.
But, the biggest dealbreaker has got to be the existence of 3x zoom shooters that their base models lack.
Although both acquire the same megapixel count, the HONOR 400 Pro is equipped with a traditional telephoto lens structure while the TECNO CAMON 40 Premier boasts a periscope lens that utilizes a prism design / mirror system for capturing long-range subjects and objects.
Lastly, both phones have 50MP front-facing cameras with slight differences in aperture value.
Sticking with the Standard
Much like any other shootouts, I’ve opted to stick with the standard shooting profiles that both phones have right after setting ’em up: Standard for TECNO, Natural for HONOR.
Disclaimer: Photos were all taken using Auto Mode with AI scene detection turned on. These images were collaged, resized, and labeled for faster loading and better preview. No color correction, zoomed-in cropping, nor any other type of photo manipulation were applied.
Ultra-Wide Angle (UWA)
Similar lens diaphragm, totally different megapixel count.
Does that alone make a far cry?
U1
U2
U3
U4
U5
U6
U7
Main (1x + 2x)
The massive 200-megapixel main camera of the HONOR 400 Pro is four times larger compared to TECNO CAMON 40 Premier’s already capable 50MP Sony sensor. Obviously, that comes in very handy when taking zoomed shots via in-sensor cropping.
However, can you even tell which sample belongs to which smartphone?
M1
M2
M3
M4
M5
M6
M7
M8
M9
3x Optical Zoom
The crème de la crème of these two phones are their zoom shooters.
While lens structure are different (again, telephoto for HONOR while periscope for TECNO), which one gives THE better optically-zoomed shots?
ZO1
ZO2
ZO3
ZO4
ZO5
ZO6
ZO7
ZO8
ZO9
ZO10
ZO11
ZO12
ZO13
Beyond 5x Zoom
Given that both phones are capable of shooting optically up to 3x, how can each phone go beyond 5x zoom?
ZB1
ZB2
ZB3
ZB4
ZB5
ZB6
ZB7
ZB8
ZB9
ZB10
Food
Hardware is one. Software is for another.
Food shots are one of the best ways to know how good (or bad) a phone is when it comes to photo quality and color accuracy.
F1
F2A
F2B
F3A
F3B
F4
F5
Portrait Mode
Taking creamy~licious portraits shouldn’t be a rare feat among modern-day midrangers.
But can TECNO’s standard Portrait Mode compete with HONOR’s Harcourt prowess?
PM1
PM2
PM3
PM4
PM5
Low-Light
I said it before and I’ll say it again.
Taking shots in low-light is what makes or breaks a phone’s photography performance.
LL1
LL2
LL3
LL4
LL5
BONUS: Selfie
B1A | Ultra-Wide Portrait ON
B1B | 1x Wide Portrait ON
B2A | 1x Wide Portrait OFF
B2B | Ultra-Wide Portrait OFF
Results
Notice a pattern? Or lack thereof?
Well, the results are definitely consistent.
Conclusion
At first, it’s kind of hard to distinguish which phone is which.
For instance, the ultra-wide, 1x wide, and 2x photos of the TECNO CAMON 40 Premier leaned more onto the cooler side. However, the contrary happens in Sample Sets M5 / M8 / M9 where the shots are warmer than its HONOR counterpart.
If you zoom in further, HONOR 400 Pro’s 200MP main sensor doesn’t have a huge advantage — delivering somewhat the same amount of detail compared to the CAMON 40 Premier.
Except for Photos ZO6 / ZO8 / ZO9 / ZB7 / ZB8, consistency in warmness continues among photos taken in the CAMON 40 Premier’s 3x periscope zoom lens.
How natural is “Natural”?
Despite choosing the “Natural” Color Mode in the HONOR 400 Pro, Sets M4 / ZO12 / ZO13 / LL5 truly showed lack of saturation with its washed out photos. That same look is even evident in 5 out of 7 food shots.
It also struggles to capture a balanced dynamic range. Making Set M3 as an example, look at how blown-out the highlights of the night lights have turned out in HONOR versus TECNO.
There were times when HONOR takes brighter photos but at the expense of amping up shadows and losing contrast (M4 / M8 / ZB2 / ZB3). Inconsistently, the results turned out the other way around in Sets U1 / U2 / U4 with lower exposure and darker shadows.
Photos taken at night also looked dimmer versus TECNO’s post-ready low-light takes.
HONOR’s “Natural” color profile doesn’t look natural at all with its inaccuracy and inconsistencies compared to how I / we perceive the actual subjects in real life.
That’s not to say the HONOR 400 Pro produces bad photos. Honestly, there are times where I preferred the HONOR more — Samples ZO6 / ZB7 / ZB8 / ZB9 are living proof to that.
If there’s a category where I think HONOR has nailed, it’s definitely the Portrait Mode with better shots and depth segmentation, properly showcasing its Harcourt specialty. Additionally, selfies looked better no matter where and how you look at it
Higher price ≠ Higher performance
Reiterating what I’ve said in my HONOR 400 vs vivo V50 camera showdown, the HONOR 400 Pro and TECNO CAMON 40 Premier are also two midrangers positioned in different levels of the same sailing ship.
Price-wise, the HONOR 400 Pro costs more at PhP 32,999. Meanwhile, TECNO’s CAMON 40 Premier is heaps cheaper at just PhP 21,999. That makes it a very contending smartphone in the upper-midrange space.
For the same price, you’ll only get the HONOR 400 at PhP 22,999 along its absence of a dedicated telephoto lens.
While there are more factors to consider in this huge price gap such as a faster chipset, bigger battery capacity, larger internal storage, and several other hardware nuances, it’s safe to say that a higher price tag isn’t always synonymous to having the best cameras. This camera shootout alone is just one among many testaments to that.
READ: It’s the little things that make the HONOR 400 Pro 5G a daily wonder
At the end of the day, it’s your choice as a consumer which smartphone camera (both in image quality and overall look) dominates your priorities and overall purchasing power.
Now, if you’d ask me, the TECNO CAMON 40 Premier ultimately bags that “bang for the buck” title for offering the better camera flexibility despite its more affordable price tag.
It feels like just yesterday we were comparing three foldables in one big camera shootout. In reality, it’s been a full year — and a lot has changed. This time, it’s down to two powerhouses: the Samsung Galaxy Z Fold7 and the OPPO Find N5.
Both are book-style foldables launched globally in 2025 — Samsung in July, OPPO earlier in February. Both also come with major physical changes: they’re slimmer, taller, and in the Fold7’s case, slightly wider too. But the real battle lies inside: the cameras.
Samsung brought over the 200MP main shooter from the Galaxy S25 Ultra to the Fold7. The rest of the system, however, didn’t see major changes. Meanwhile, OPPO gave the Find N5 a full-on imaging overhaul.
On paper
| Samsung Galaxy Z Fold7 | OPPO Find N5 | |
| Main Camera | 200 MP, f/1.7, 24 mm (wide), 1/1.3″, PDAF, OIS | 50 MP, f/1.89, 1/1.56″, OIS (HyperTone wide-angle) |
| Ultrawide | 12 MP, f/2.2, 120°, 1.4 µm, PDAF | (Not specified in source – likely none or under 50 MP) |
| Telephoto / Periscope | 10 MP, f/2.4, 67 mm, PDAF, OIS, 3× optical zoom | 50 MP periscope telephoto with macro (~10 cm macro) |
| Video Recording | 8K@30 fps, 4K@60 fps, 1080p@60/120/240 fps, 720p@960 fps, gyro-EIS, 10-bit HDR10+ | LivePhoto with enhanced EIS; video specs not detailed |
| Selfie Cameras | Dual 10 MP front cams (cover + inner display) | Not detailed in provided source |
Specs tell part of the story, but photos reveal the truth. As always, the only edits applied were for cropping and resizing to fit our format.
So how do they compare in real-world shooting?
W (1x)
w1
w2
W3
W4
W5
W6
W7
W8
W9
W10
W11
W12
Zoom A (2x-3x)
ZA1
ZA2
ZA3
ZA4
ZA5
ZA6
ZA7
ZA8
ZA9
ZA10
ZA11
ZOOM B (6x and up)
ZB1
ZB2
ZB3
ZB4
ZB5
ZB6
Selfie (Outer Camera)
S1
S2
S3
S4
Low light
L1
L2
Blind test reveal & first impressions
Did you guess which was which?
A is the OPPO Find N5. B is the Samsung Galaxy Z Fold7.
Now that you know, a few things stand out:
- The Find N5 consistently produced brighter images, especially in low light. OPPO’s post-processing really flexes here.
- The Galaxy Z Fold7 leaned toward a more natural, life-like output, a noticeable shift from Samsung’s traditionally saturated look.
That said, using the Fold7’s main camera at 1x felt… off. The focal length feels awkward — too wide for most shots but just right for taking main-camera selfies. I found myself constantly switching to 2x or 3x, which makes up a big chunk of the samples here.
Flat or flavorful?
One of the biggest differences is in how the two phones handle processing and depth.
Take the Brooklyn Bridge photo through cyclone wire (W8):
- The Find N5 nailed it with more pronounced depth and contrast.
- The Fold7 came off a little flat in comparison.
But this wasn’t always the case. In the shot of the yellow vehicle (w5) and in main-camera selfies (W12), the Fold7 delivered bokeh that looked more organic.
Overall, the Find N5 clearly does more processing after you hit the shutter, while the Fold7 gives you what it sees, almost instantly. Your preference between a more “finished” photo and a natural one will really show here.
Zoom zoom
Let’s be real — this wasn’t even close.
At 6x and beyond, the OPPO Find N5 easily outclassed the Fold7. Detail, sharpness, and clarity all went to OPPO’s corner. Samsung’s telephoto performance just didn’t keep up.
Final thoughts
If we’re talking eye-catching, the OPPO Find N5 wins out of the gate. Brighter shots, better zoom, more punch overall.
But the Galaxy Z Fold7 holds its own. At 1x to 3x — and especially in low light — it sometimes captures a mood the Find N5 over-brightens. The beer glass in a dimly lit bar is a perfect example: OPPO lit it up; Samsung kept the vibe.
At the end of the day, this comes down to what you value.
- Want bright, punchy, more dramatic photos? Go OPPO.
- Prefer subtler, moodier, more natural output? Samsung’s your bet.
That said — if we’re choosing a winner in camera versatility and polish, the OPPO Find N5 edges ahead.
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