Entertainment

Now Playing: More and More, The World of the Married

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As we spend more time in the comfort of our own homes, we find ways to stay sane. The same goes for us in GadgetMatch, where we’re all still working at home and trying to get ourselves entertained with games to play, shows to watch, and music to listen to. Here’s what’s Now Playing at GadgetMatch!

Games to play

NBA 2K20 2000s Roster

Rodneil: I consumed a lot of NBA basketball in the 2000s and I am inexplicably fond of the teams and players that played in that decade. To get my 2000s NBA fix, I’ve been using user-created rosters on NBA 2K20. I even made an entire Twitter thread about the teams I missed and have since played each on in a few exhibition games.

7 Deadly Sins: Grand Cross

Rodneil: I wanted to check this out as soon as it came out but life got in the way. I found my way back to the game as I reviewed some midrange smartphones in the past couple of weeks. It’s mostly another way to experience the first season of the animé. It’s a fantastic, truly made for mobile, JRPG that’s pretty fun to play.

Shows to binge-watch

The World of the Married

MJ: There’s a reason why The World of the Married took over social media by storm. It’s not your typical Mexican telenovelas about infidelity and betrayal where there are ridiculous situations that don’t just happen in real life. This K-Drama tackled the painful loss of a marriage, abuse in different forms, divorce, cheating, and the struggles of a broken family. Every episode might leave you fuming, triggered, or heartbroken. Watch with caution!

Hospital Playlist

Vincenz: This isn’t your typical medical K-Drama. Hospital Playlist is about five doctors whose friendship dates back to medical school, centering around their music band. Reminiscing their youthful days, they formed their band once more, practicing songs they used to play. It’s an uplifting rollercoaster ride of emotions to keep you company in your mundane life.

Gameboys

Vincenz: It’s all about how a professional gamer’s first defeat after battling a “noob” which led to another loss after a rematch. In an unexpected turn, one friend request and video call changed everything — both players caught feelings. Although this isn’t based on a BL manga, this is still a better take for a BL series produced in the Philippines for the first time.

Fire Force

Rodneil: I like fire, but I wasn’t expecting much when I started watching Fire Force. It didn’t get the same level of hype as its contemporaries like Kimetsu No Yaiba (Demon Slayer) and Dr. STONE, but I thoroughly enjoyed this show. The first three episodes, I think, is a masterclass in character introduction, world-building, and establishing motivations. The rest of the episodes is just one fun, fiery ride.

Yu Yu Hakusho/ Ghost Files/ Ghost Fighter

Rodneil: This was a fan favorite animé growing up and was almost part of the stuff kids talked about at school. It’s a classic shounen animé that a lot of Filipinos grew up with. Look for it to quickly rise in Netflix’s Top 10 trending list.

White Lines

Shivam: If you’ve seen and liked Narcos, this show is made for you. Portraying Ibiza, the show starts like a thriller where the protagonist is trying to find the killer of her brother. But, with the island’s showbiz and craziness, be ready to see the unexpected. While we’re all missing travel, this show perfectly highlights the dark secrets of the world’s party island.

Movies to see

Mission Impossible: Fallout

Rodneil: I missed this when it arrived at cinemas so I was delighted to see it on Netflix. I just really like spy action movies. It’s the same old formula for Mission Impossible movies, but at a time when everything feels new and nothing feels normal, this was the good old, same old I needed.

The Big Short

Shivam: The movie perfectly summarizes the 2008 financial crisis and how it brewed. Finance is usually complicated to understand, but thanks to a mix of humor and panic, the most complex concepts are easy to understand and digest. It’s a perfect package that’ll teach you something new without boring or dragging you along.

Albums/Songs/Podcasts to listen to

Lifetime by Ben&Ben

Kenrick: What does it feel like to love someone unrequitedly? This song by Ben&Ben imagines all that longing to be loved in return. The beats are as addictive as the visuals portraying a love that is no more. Perhaps, there is more to love with this new Ben&Ben single, aside from the fact that it is inspired by a comment from one of their fans. It’s mellow, melodramatic, and delivers the right line for a reminiscing moment.

Zombie by DAY6

Vincenz: In this pandemic, it’s hard to not think about how our life runs on a daily basis. Just like a zombie, you’re not alive nor dead. You’ve been walking endlessly, circling around without the thought of progression — like how I feel my life is repetitive and part of an inescapable routine. Luckily, songs such as this, and people I value the most make me forget such thoughts once in a while. If you can’t feel the song in Korean, there’s also an English version here.

Eight by IU (feat. Suga)

Vincenz: If you’ve been following K-Pop for years, you’d know how close IU was with the late Jonghyun and Sulli. Although this wasn’t mentioned, the music video depicted how IU departs from her original location through a plane and meets them halfway through the orange sky — Sulli in white and Jonghyun as the lizard turned dragon (as he liked Charmander a lot). The light-hearted song that talks about youth will suddenly turn into a tear-jerking emotional song. You’ll feel it more when you read the translated lyrics every time you play it.

Girls by NATURE

Vincenz: NATURE is one of K-Pop’s most underrated girl groups. Though this isn’t their past concept, they completely transformed and revealed their mysterious and eerie vibe with ‘Girls’. The Korean title ‘어린애’ (eorinae) might be a contradiction as it means ‘child’ but it goes well with how they paired a catchy and eargasmic song with dark and gory visuals. The official music video is less horrifying — just in case you want that version. Overall, this is a song that needs more attention from the crowd.

Dance with Somebody by The Midnight

Vincenz: Between the ongoing pandemic and racial inequality, the real world sucks right now. We all just miss (and hope for) those times when we can just dance with anybody. Off their upcoming album Monsters, The Midnight’s new retrowave single echoes a nostalgia for both times long gone and for a normal that we might never see again. If you don’t love it for its nostalgia, you’ll love it for its wicked saxophone solos!

MORE and MORE by TWICE

Rodneil: It’s my favorite girl group’s comeback after nine long months (unusual for TWICE) and it’s another chapter in their evolving sound. “More and More” is an EDM summer dance track but you need to go beyond the title track. The album is home to some of their best songs — I particularly enjoyed “Firework” and “Make Me Go.” For their usual bright vibe, there’s “Sweet Summer Day.”

Fanfare by TWICE

Rodneil: This Japanese single was supposed to launch right alongside the 2020 Olympics. Unfortunately, we’re dealing with a global health crisis that forced multiple events to either postpone or cancel. If that thought is bringing you down, then give “Fanfare” a listen or two for that instant shot of happiness.

NBA Redraftables 2008 by The Ringer

Rodneil: No live sports means plenty of time to look back at things from the past. The Ringer started with the 1996 draft and made their way to 2008 which featured one of my favorite players ever — Javale McGee (kidding! I really mean Derrick Rose). It’s a fun ‘What If’ listen for NBA fans.


Now Playing is the GadgetMatch team’s favorite games, movies, TV shows, and more each month. If you’re curious to know what we’re into at the moment, this is what you should check out. So grab your popcorn, get some drinks, and enjoy what’s now playing!

Entertainment

1st teaser trailer, details for Death Stranding Isolations series unveiled

Animated series to debut on Hulu on Disney Plus

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A new teaser trailer for the upcoming Death Stranding Isolations series on Hulu on Disney+ has been revealed.

The upcoming animated series is set to debut in 2027. It is set in the world of Death Stranding immediately after the game’s protagonist Sam reconnects the continent of North America via the Chiral Network.

The series will tell a completely new story separate from that of the video games. The narrative will focus on a young man and woman as they set off on an adventure.

As America is reborn from the ashes, the renewed connections that bind it together bring about new and unforeseen consequences.

In this tumultuous new landscape, there are some who walk a different path to the one chosen by Sam and his Bridges comrades.

One is a wise old man who connects people through a method that defies all reckoning. There is also a female soldier ensnared in a cycle of war and destruction.

Moreover, there is a boy who seethes with rage at the absurdity of his life, and a girl who chose to sever all ties with the outside world. Fate has other plans for her, however, and chance encounters see her launched headfirst into a world she does not recognize.

Death Stranding Isolations is written by Tow Ubukata (Activator, Bone Ash, Project Darkness) and directed by Takayuki Sano (Jujutsu Kaisen 0 – The Movie, Attack on Titan The Final Season).

The series is animated by E&H production (NINJA KAMUI, BULLET/BULLET, the Magic Knight Rayearth Television series 2026) with original character design by Ilya Kuvshinov (Ghost in the Shell: SAC_2045, The Wonderland).

The series is executive produced by Hideo Kojima and produced by KOJIMA PRODUCTIONS.

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Entertainment

Cyberpunk: Edgerunners 2 now streaming, Cyberpunk 2077 update coming

Edgerunners returns to Night City

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Cyberpunk: Edgerunners 2

Cyberpunk: Edgerunners 2 is now streaming on Netflix, with all 10 episodes available to watch. CD PROJEKT RED and animation studio TRIGGER have also announced a new update for Cyberpunk 2077, bringing content inspired by the anime to the game.

The Edgerunners 2 Update (Update 2.5) launches on October 22, 2026, for PC, PlayStation 5, and Xbox Series X|S. A Nintendo Switch 2 release will follow shortly.

Edgerunners returns with a new cast

Set in the world of Cyberpunk 2077, Cyberpunk: Edgerunners 2 tells a standalone story through an entirely new cast of characters. The series follows a veteran edgerunner, a young cinephile, a chrome-obsessed delinquent, and a Snake Nation netrunner as their stories explore vengeance and redemption in Night City.

Director Kai Ikarashi leads the new installment, with Kanno Ichigo serving as lead character designer. Masahiko Otsuka returns as a collaborator, while Bartosz Sztybor serves as showrunner, story writer, and producer.

Both Cyberpunk: Edgerunners and Cyberpunk: Edgerunners 2 are available exclusively on Netflix.

Cyberpunk 2077 gets a new update

CD PROJEKT RED announced the Edgerunners 2 Update alongside the anime’s premiere on October 20. The free update will introduce new items and features to Cyberpunk 2077, including content inspired by the new series.

The update launches on October 22 for PC, PlayStation 5, and Xbox Series X|S. CD PROJEKT RED has yet to announce the Nintendo Switch 2 release date beyond confirming that it will follow shortly.

The studio will reveal more details during a special episode of REDstreams on October 21. The broadcast will air on Twitch, YouTube, and Steam, with official patch notes scheduled for release on the same day.

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Entertainment

Now Playing: Clayface

Finally, a supervillain story worth watching.

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The thing about supervillain movies is that they rarely let their villain be a villain. From Venom to Kraven the Hunter, they’re contrarian dreck that reframe a mass murderer as a “misunderstood anti-hero” who’s overshadowed by a corny do-gooder. Boo hoo. Thankfully, Clayface got the memo to not do that, even if it came pretty close.

Clayface reimagines how rising actor Matt Hagen becomes one of Batman’s most (literally) monstrous enemies. Here, Matt is horribly disfigured by gangsters then abandoned by his friends. He finds hope in Dr. Caitlyn Corr’s genetic experiments, but loses his body, mind and soul as her miracle cure enables his worst impulses.

Basically, Clayface is everything Joker failed to be. It’s a sympathetic origin story for a twisted Batman villain, but it doesn’t make excuses for them. If Joker scapegoats Arthur Fleck’s madness and anarchy on the nebulous enemy that is Society the way an aimlessly rebellious teenager would, Clayface throws all the blame and consequences on Matt — and Matt alone.

I like how Matt’s story is a tragedy of his own making. He wasn’t always evil, and he really was wronged by scum. Worse, his identity is cracking, which is a bit of psychological torment that I wish the movie dwelled on more. And yet, he always had a way out. He just keeps choosing the cruelest and greediest options instead.

This is the kind of agency most supervillain movies — or any movie about a juvenile anti-hero fighting The System, really — lack, but Clayface has an abundance of. There was a moment I thought that the movie would still side with Matt despite everything he’s done, only for him to cross a line. In the end, he can only blame himself when he loses everything and everyone.

However, I was let down by Clayface’s violence. There’s blood and guts, alright, but they’re too inconsistent. For every morbidly satisfying disemboweling or close-up of a nasty scarring, there’s a moment where the movie cuts away from these too early. I lost count of how many times Clayface jumped to the next scene before really letting blades sink into flesh, or how many of Matt’s kills were done offscreen. 

Minus the pivotal deaths, the kills are also not as diverse as I’d hope from a killer powered by Play-Doh and imagination. It’s just variations of stabbing and bludgeoning. My issue isn’t a lack of brutality, but that this reluctance to push it further or just show it gives the well-built tension a lackluster payoff. A movie about superpowered revenge in one of fiction’s vilest hellholes should be more depraved and creative.

To be fair, this is more the fault of the movie’s constraints, not a lack of skill or thought. Effects cost time and money that Clayface clearly didn’t have a lot of. This would also explain why Matt is limited to identity theft not by molding himself, but via clever camera work. For what it’s worth, I see and respect the smart workarounds the movie found to deliver the dread. 

Still, I like Clayface. It’s the rare supervillain movie that’s self-aware and honest about its darkness. It humanizes its villain, but commits to their monstrosity while rejecting forced redemption. It’s also a grisly thriller that works on its own merits, yet complements DC Comics’ latest growing cinematic world. That said, Batman can’t arrive sooner to beat Matt’s melted face in.

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